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Beneath the Spanish

Page 4

by Victor Hernandez Cruz


  “Dicen que en la distancia es el olvido.”

  Childhood in the Latin Caribbean

  I was child mountain

  lived in a Latin American country

  till I was five,

  My grandfather was a cigar maker,

  a tobacconist, rolled the leaves

  Ancient craft.

  Mother and father brought

  together by custom routine,

  young and curious,

  primero balcony stares,

  held hands for a while.

  The plaza, Catholic Church,

  life there was Pueblo ocio

  arrested by boredom

  Rutina tedium.

  Marry young jíbara

  wooden house

  Christ on the cross

  over the bed

  Covered by mosquito net,

  nocturnal bolero voices

  could be Julio, el Bohemio

  in canción

  Grandfather/Abuelo

  always sang,

  everyone cantando

  Even the rocks sang.

  I was there in the air

  not yet born but alive

  counting the tamarindo

  Coconut lollipops.

  anxious to be white sombrero

  getting hints upon the weaving of straws

  glances from eyes like music

  Shadow depth, the porcelain tinge

  Surrounds the pearl black eyes

  Of the girls.

  Otro lelolay.

  Destiny had other plans.

  Life has no pity,

  It moves forward.

  Someone told me

  man of father’s generation that

  he was quiet in school,

  that he made it somehow

  from mountaintop barrio Bayamoncito

  into the town each day

  the tribulation labor, secret that

  people took in silence,

  my mother refunfuñar (bickered)

  as her family was everyday town-

  people,

  her father the dignity of the

  tabaqueros,

  black café and brandy six in

  the morning rolling cigars,

  sun falling singing with Alegría boleros

  Together rolling the life given,

  the tobacco cape leaf

  Wrapping the guts, pajilla

  tight cigars.

  Later Chicago Mafiosos will smoke

  them

  Porto Rico American Tobacco Company

  New Jersey ’mericans

  owned the production of cigars

  los tabaqueros just rolled

  what the mountains gave,

  the Taino ancestral leaf

  in your fingers,

  To which they sang

  Poetry of the Spanish golden

  Age in Cuban bolero sway.

  Habaneros for the New York

  bankers,

  Antiquity awakes in the

  now, the past dreams in the future.

  Boleros de Rosa-Julia

  Persist, the image tomorrow

  somewhere

  Someone else the same,

  a different similarity,

  my root of earth.

  Modernity does what it does?

  I maintain

  macho Cimarrón,

  the old café tobacco cane night

  Flavor churning

  grind bones.

  Limbes tamarindo, coco

  at Doña Rufa’s.

  Café con leche,

  ensalat bacalao

  Rosada beans,

  yuca with olive oil

  twas my country,

  Black eyes

  launch from black hair

  Skin rosa brown,

  What can improve?

  Evolve?

  upon a day

  of our hot wintertime,

  We jumped from the

  Fire

  Into the freezer

  Cold November,

  The cruelest month

  Excusez moi

  T. S. Eliot

  April lluvia

  Brings Mayo flores.

  Mother’s schooling

  included math riddles

  With poetry jingles,

  As father Severo accomplished

  numbers in addition

  astute with the economy

  he never slept.

  Forward we went into

  New York of the early

  50s into the future

  with the past,

  into the English

  with the Spanish,

  in a movie rerun

  the mountains melt

  with the bricks.

  Eyes hang sideways

  upon guayaba trees frozen

  East side school yards,

  Guitars strum history

  bolero broadcast

  amor trovadores,

  singing back into the layla night

  the lyrics.

  Awkward language sounds

  Still photos crumbled

  In compost moisture.

  A lone plaza photograph

  A post spelling RECUERDOS

  Of a country of childhood

  Which dissolves

  bright memory,

  As

  Now a now, is all there is.

  San Agustín/Florida

  The eastern south of the continental United States could have been another Latin American country, originating in San Agustín, Florida, in 1565, under Spanish rule, and still a municipality today, oldest of the mainland USA cities.

  What did the natives call the homeland to describe its beauty: florid seaside, green carpet underfoot, ocean vistas, rivers and ponds of coldblooded reptiles, descendants of dinosaurs, basking in the Everglades? Smelling funky in Puerto Rico, Juan Ponce de León got an itch, intuition of more turf to steal and rumor of gold and fountains of youth, and took flight north. It was early in 1513. The adventure became misadventure that led to his finale, as eventually a poison-tipped arrow pierced his nalga tissues and nerves to taste blood. The Spaniards pulled back. The crazy natives didn’t want to be told what to do, didn’t want to work. Back in Cuba, the native chemical weapon did its work for Ponce de León’s demise.

  The British pilgrims and Dutch merchants and investors were nowhere on the horizon when the medieval gates of San Juan were erected. They were still over a hundred years away. Santo Domingo and San Juan would become cities with cobblestone streets and callejuelas, horse-drawn carriages, plazas, plazuelas, patios, and balconies in the Andalusian style, wine bars/cavas, bibliotecas with books growing yellow in the humid and salty Caribbean air. Workers atop scaffolds building the San José Church. Sir Francis Drake tried to take the Island—and the French and the Dutch as well as the British. They all failed.

  Tampa has always been a cigar-making center, like much of Cuba. Florida could have been part of Cuba. José Martí raised funds for the Cuban independence struggle there. The Anglos’ Fort Marion, where resistance fighters of the “Indian wars” were imprisoned in 1872, was actually the sixteenth-century San Marcos Spanish fortress. San Agustín was a center for runaway slaves from the American South, bottom tip of the railroad to freedom. In 1693 the Spanish government gave these Africans and their descendants their freedom, and Fort Mose (Gracia Real de Santa Teresa de Mose), just north of San Agustín, would become the first free Black town in North America. Oh, yes, Afros had to convert to Catholicism, as the Inquisition thrived; the Spanish kept “their” slaves elsewhere. The first African-American child born in continental USA was born there in that Latin region past, where Martin Luther King Jr. would talk and organize in the modern freedom movement. So, in a way, the civil rights movement had seeds in this neo-Latin enclave.

  Florida, Latin center at the start (and today), the beginning and the end of the Caribbean. Imagine, there actually was a Treaty of Paris (1763) that gave Florida to the Britis
h, a history fact insane enough to seem in credible. San Agustín is a barrio in Habana too. So, Ponce de León and his fantasy entourage interrupt the Seminole people and the crocodiles—must’ve been a case of spook sees spook. No Hollywood crea tion can ever reproduce it. Later, Africans enslaved in nearby Georgia took to disappearing and finding the Seminole enclaves (the name itself, Seminole, from Spanish cimarrón, “runaway slave”), becoming one with the families, jumping into the powwow circle, their language fusing with their hosts’ to produce the Afro-Seminole Creole. Perhaps these Africans and their children contemplated the sea from there and dreamt of swimming back home to Africa. Today, Florida might as well be a Latin American country. The air is Spanish; dishes of plátanos and arroz moro for lunch; everywhere, café, cubanito, negrito, azuquita pa’ ti San Agustín, St. Augustine—first European settlement in North America. What are the Americans talking about when they say “immigrants”?

  More Nuevo Mundo

  “I ran away from the Hispanos

  on a boat,

  Chasing a perfume hint toward the North

  of nowhere,

  a fragrance which was almost

  A sound.”

  Ponce de León left his big

  house in Caparra,

  White walls, Arabesque tiles,

  island of San Juan Bautista

  a bay

  From which he sailed off,

  who were these explorers?

  Who were once open mouthed

  gasping at Moorish Cordoba,

  Roman Hispanos

  wrapped in Muslim mantas

  warm in the merging Spanish,

  tango of Latin and Arabic.

  Wood upon the ocean waters

  ships, ears and noses inflated

  by the winds, canvas flapping sails

  Percussion, wide latitude whatever

  the mother sends,

  hijos de puts

  who the Vandals conquered

  Moros swift submission

  identity blossom,

  Fragrance of citrus with roses.

  the conquered conquer on.

  A child in a tantrum

  mar Abierto

  Va’paya

  going to where

  to be somewhere

  No one

  to be someone.

  History is made

  by so many nobodys,

  So many of them

  they have crusted

  At the edges of a pie,

  tanto loco que hacen

  orilla,

  Of the lions there is de León

  roaring beyond his stature,

  the Tainos were the Jews to his

  Hitler claws,

  was de León derailed to the Bahamas,

  puzzled in the islands

  They all look the same,

  naked pickings,

  Some were actually empty

  of human population: birds

  and reptiles of nervous

  icy blood

  “el mundo es ancho y ajeno”

  Thank you, Ciro Alegría.

  in that alien new north the Spanish

  set down the grid for St. Augustine

  Old pattern in virgin turf,

  the Seminole somewhere distant

  Teepees secret Creek lineage,

  the Spanish kept at distance,

  not welcomed

  enough many became cadavers,

  The Seminole were never conquered

  not by the Spanish not by the

  Anglos.

  California once part of

  Mexico,

  The USA kept invading land

  As now it searches for oil

  Lands Middle East.

  The first flavor of the

  continental Estados Unidos

  was this Seminole/Creek

  enter the Spanish-Latins,

  when the Saxons, bored in the

  Suburbs of London,

  the Dutch in the cold

  canals of Amsterdam,

  did they all smell luz

  warm light of the sun.

  We must know that it was,

  the pull of the sea,

  the Spanish looking to find Asian

  spices

  bolted out of boorish Castilian

  prairies pampas stretch of savannahs.

  Spanish the first

  Euro nonnative language here,

  speak well, when you text the book,

  Latinos the original pilgrims,

  the mix would have been

  Caribbean/Brazil Racial stew

  not

  The sharp white/black divide

  of Anglo north,

  Color would have been most fuzzy,

  blurry, jagged shades of tones.

  Ah yet Augustine is

  the Caribbean

  The Seminole mouth

  tasting the black beans

  The plaza in Tampa

  like the plaza in Comerío

  Tobacco just as well.

  St. Augustine original ciudad

  of the USA

  New Cordoba Continental

  the grid of the street/

  Architecture created in moro Spain,

  “America! America! God shed

  his grace on thee”

  teach Children in the schools

  How magic true reality is

  marvelous

  practical everyday

  If you go through

  the weaving pulling strings,

  Cloth algodón of colors,

  History is imagination

  It all has happened

  In the future

  Coming up chocolate Elixir

  The arrows are words

  To Free the imagination

  of the truth.

  What Is the Lower East Side

  The lower tip of Manhattan, the ass of the island, el culo de la isla, a piece of rock surrounded by rivers, the Atlantic not far. Historians say that the Dutch purchased Manhattan for the equivalent of sixty guilders, whatever that was in dollars, but wait they gave it in trinkets, pots, beads, etc., what money natives need for in the world they lived, qué, for what, to go to Chase Manhattan to make a deposit? It was a custom of all native peoples to give gifts one to each other, especially when they were in transit through the land of others, space not familiar to them, and this was the spirit of the Munsee, Canarsi Indios, selling land was a concept not comprehended, couldn’t even be thought of that such such was possible, they were exchanging gifts as was their always manner-custom. It was just another day of social communication. Then just go on their way. Manhattan when it is summer is semitropical bliss, imagine back then, green, clean clear rivers and streams, animals roaming, hopping about, hills mountains flowers the warm air full of bees, ladybugs, birds singing, canoas floating stream down the East River, Hudson, visual bays bright like Gauguin paintings caressed the rock-littered banks, fried fish served with berries as spring flowers wind serenade. Indigenous people had no concept of selling the earth; what other films have been invented to cover the theft. James Delancey (one of the Delanceys, as all the males in the family were called James) had a farm that was a good piece of the Lower East Side. Delancey was a landmark street for the Loisaida neighborhood that I knew, this area or right below it was once known as Corlear’s Hook, fecund with putas and thieves. Wino Bowery fame memories pop like cartoons, original Popeye and Donald Duck, Porky Pig, “what’s up folks” walking in the cold breeze south down Avenue B turn at that cuchifritos restaurant on the corner the window full of fatback, fried fritters, plantains like the island of Puerto Rico, next was Barneys Boys Town, the adolescent apparel store where I once purchased a leather coat. Turn of the century, further down, this was Irish jumping, Italian spaghetti barrio The Five Points area. Originally it was a lake, beautiful within Manhattan summer, when it was all those hills green and abundant of berries, cherries, breezes bouncing off the clean pristine East and Hudson Riv
ers, Manhattan without buildings. With progress the air now flows stinky of bricks, cement, steel, industrial fumes, glass windows, automobile exhaust suffocates, disfigures the air, asphalt of hurried stress. This lake dried became the sight of the Five Points called the Collect. Coincidence but in Puerto Rico’s Santurce area there was a shantytown barrio on the water, the bahía, which was known as La Colectora; it got full of jíbaros migrating from the agricultural countryside to get closer to the Metropolitan area menial jobs, lumps of shit floating in water all around the residents. The Five Points slum, the original American ghetto. The Irish mixed with freshly freed African slaves, Italians, Catholics foreign to Protestant America. That particular reality, Irish Italian and African American mixture, it was an everyday fusion of living, working out by the docks, heavy loads, bars to drink shellac, the exhaustion, brothels to take care of what ails you. Here was a barrio of Germans, Irish, Chinamen, Italians, free blacks, working people struggling to put food on the table for families. The Irish and the Afros saloon’d, boogaloo’d together, creating friendships, relations, marriages, children. Master Juba was there, cream de caramel-looking young man feeling the Irish dancing with their jump, adding his African timing, came out tap dancing, a very early expression of that art form that later African Americans continued to perfect, foot wizards, magic toes. The immigrant neighborhood par excellence. The place from which the Gershwin brothers Americanized. I got a glimpse of that Jewish-Euro immigrant barrio in the midfifties. That was a Lower East Side world now lost forever.

  Lower East Side Red Brick Blues

 

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