The Mirror and the Light: 2020’s highly anticipated conclusion to the best selling, award winning Wolf Hall series (The Wolf Hall Trilogy, Book 3)
Page 42
Gregory says, ‘Father, when the king sent me to look for Merlin books, I lifted up the lid of a chest, and what did I see? I saw three volumes, on their binding the badge of the falcon, and the letters “AB”. I ask myself, does the king know they are there?’
He puts his finger to his lips.
Gregory says, ‘I think it might be like Cranmer’s wife. He knows and does not know. All of us can do this. But kings in higher degree.’
They are going to bed themselves; but he has one last mission. ‘Kitchens,’ he says.
‘You are still hungry?’ His son looks incredulous.
On the stairs he meets Rafe, with papers in his hand and tomorrow’s agenda swimming in his eyes. ‘You wish you were at home with Helen,’ he says.
Rafe pinches the bridge of his nose, blinks as if to dispel sleep. ‘What about you, master – another tryst with a lady?’
‘No, but I have a billet doux. Norfolk writes every hour.’
Rafe says, ‘The king says tonight, if it will hold off the rebels, Norfolk can promise Jane will be crowned in York. It would be to the city’s profit, so they will be keen, the king thinks. And if Norfolk is forced to it, he may offer a parliament in the north.’
‘They want to push me off my patch. They believe, get Cromwell outside London and his power will falter.’
Rafe says, ‘I don’t think the king wants to go to York any more than you do. But every week Norfolk gains by promises is a week nearer winter.’
He wonders why rebels would disperse on a promise. Himself, he would want performance.
Rafe yawns. ‘Call-Me has listed the names of all gentlemen who have been sworn by the Pilgrims. Did you know Lord Latimer is among them? Perhaps the king will hang him, and you can marry Kate Parr. In furtherance of your vow.’
‘Shame on you!’ he says. ‘When you know I am pledged to the Lady Mary, and to Margaret Douglas. I swear I will not marry below royal degree.’
Outside the king’s room the nightwatch is set; but his gentlemen, as they leave him, place his sword by his bed, with a lighted candle. In the last instance, a king must defend himself.
At Windsor there has never been enough space for the kitchens, so they are always throwing up some lean-to in the courts around, and such temporary arrangements have been subsiding and leaking fumes since Adam was a lad. He wants to know if they have damped their fires and cleaned their pans, and see it with his own eyes: no point saving your king from rebels if he is burned up by grease from a loyal turnspit. He swoops in on odd nights to catch them out – just as, on odd days without warning, he arrives at the Tower Mint and weighs their gold coins.
A mist is rising; he rubs his hands against the cold. He knows these back-courts; in all the king’s houses he knows them, the forgotten yards and unpatrolled snickets. In a corner where a wall-torch burns, he sees the jester Sexton alone in a pool of light, scuffling a deerskin football against a wall. ‘Sexton? Why are you abroad?’
Sexton scoops up the ball. ‘No curfew in Patchtown.’
‘You have no business in the kitchens.’
Sexton huddles the ball against his chest. ‘You never know where you’ll find a joke, do you?’
He lunges, knocks the ball out of the man’s grasp, tosses it up and catches it. ‘Your head, Patch.’ A slap of his palm sends it over the wall. He hears a yelp from the darkness; some stranger has had a shock.
Returning, he sees there is a guard set outside his door. The man says, good night and God bless you. The shapes of other men, armed, occupy each recess.
Christophe is sitting up for him. His spaniel is snoring; the marmoset is huddled close to the embers, chattering to himself. When he first brought the creature in, the king had said, ‘Beware, Lord Cromwell, my father had a little monkey that got hold of one of his books of memoranda, and tore it to shreds with his nails and teeth. They pieced the fragments together, but no one could read the result. And so it falls out that today there are gentlemen in luxury, who would have been beggars if my father had sent them their tax bills, and others snug in their parlours who would have been clapped in a strait prison, if the monkey had not altered their fate.’
‘Gregory is abed already,’ Christophe yawns, then absently kisses his cheek: ‘Do not sit up writing, sir.’
Christophe rolls towards his pallet, pulling off his jerkin, scratching himself as he goes. Alone, he – Lord Cromwell – takes the knife from under his shirt, and sets it down. If some north country ogre burst up the stair, would he defend his son, or his son defend him? As the king says, Gregory promises brawn and sinew, the keen level eye of the sportsman, the set jaw of a man accustomed to the weight of a helm. But still like a child he whispers in the dark: ‘The king would see Anne’s books if he pleased. Kings can see through stone walls, and hear remarks passed in the reign of Uther Pendragon. They feel more than common men – as the spider feels the finger before the finger touches it. A king is more like an animal in certain regards, but do not say I said so, it might be ill-taken.’
His head hits the pillow. ‘Might it?’ he says. ‘Well, perhaps you should err on the side of caution. Men have lost their heads for less.’
You think of the prince as living on an exalted plane, finer and higher than other men. But perhaps Gregory has a point: is a prince even human? If you add him up, does the total make a man? He is made of shards and broken fragments of the past, of prophecies and of the dreams of his ancestral line. The tides of history break inside him, their current threatens to carry him away. His blood is not his own, but ancient blood. His dreams are not his own, but the dreams of all England: the dark forest, deserted heath; the stir in the leaves, the dragon’s footprint; the hand breaking the waters of a lake. His forefathers interrupt his sleep to castigate, to warn, to shake their heads in mute disappointment. At a prince’s coronation, God transfigures him, his human faults falling away, his human capacities increased; but that burst of light has to last him. That instant’s transfusion of grace must sustain him for thirty years, forty years, for the rest of his mortal life.
He lies sleepless: Baron Cromwell, Lord Privy Seal, his mind ranging across country over the dales and rivers to where the factious in their encampments stir in their sleep and curse his name. It ranges west, far west, beyond the river Tamar, to where the sons of Cornishmen cold-sweat and heave, their ale foaming through their blood, and where Bolster in his sea cave blows giant bubbles in the midnight deeps, and dreams of swimming up for air; of planting his giant feet on hill and dale, fording the rivers in spate and demolishing the bridges with his heels; of marching to London, to net the ministers of the king, and snap their necks, and grind them up like spices to sprinkle on his porridge.
A giant cannot imagine what it is like to be a man of ordinary height. He cannot enter into their feelings. He never learns to bargain, or deceive: why would he, when he gets his way simply by cracking his knuckles?
When you are a child you think you have to kill the giant, but as you grow up you think different. Suppose you meet him by chance one day: you about your common business, picking up sticks or inspecting your rabbit traps, and he taking the air at the entrance to his cave, or toiling on a mountainside to uproot great oaks. Giants are lonely; they don’t know any other giants. Sometimes they want a boy like Jack to amuse them, to run errands and teach them songs.
Conquer your awe then, grab your chance. If you know how to talk to a giant it works like a spell. The monster becomes your creature. He thinks you serve him, but in fact you serve yourself.
He is restless – he, Lord Cromwell. He gets out of bed. Opens the shutter. Rain. He shields a candle flame with his hand. His head bobs against the ceiling. But he is not the giant – he is sprightly Jack. You leave your home and head east, you cross the sea, you think Bolster is behind you, but he is ahead. Wherever you arrive, he has arrived first. It’s here at Windsor, the swollen Thames surging under your w
alls, the water gurgling in downspouts and ditches – it’s here, after all the years, you find your confluence.
In his spare moments he is studying to improve his Greek. Old Bishop Fisher was in his seventies when he began the language, and he is not to be bested by a dead prelate. In a year or two, he wishes to be able to join the divines in their subtle dissection of each point of translation. This week he is reading a book of letters written by the philosophers and soldiers of those ancient times; though you wonder Alexander the Great had time for letters. Our king does not care to write his own – his writing seems to turn back on itself, so after long labour he makes no progress. Instead he corrects the manuscripts of others, or makes marginal notes of a startling nature. Probably the great Macedonian was the same – no doubt he laid aside his lyre and murmured the gist of his message, and a slave inscribed it, the Thomas Wriothesley of his day: bowing in a tent on a day of still heat, the perfume of frankincense masking the reek of elephants on the move.
Long ago in Venice he bought this book, trusting sometime he would have leisure for study. It is from the Aldus workshop, with his dolphin mark: clean, though one page marred by a thumbprint from its first owner. Sometimes he wonders who he was, and why he would part with such a work. Perhaps he is dead and his heirs sold his book, thumbprint and all. Or perhaps he lost interest in the ancient world and turned his mind back to business; tomorrow morning he will be strolling to the piazza with a basket and a street-child to carry it, shopping for olives and pumpkins, pine-nuts and garlic.
When he was an infant, Thomas was afraid of the river: of high tide as it crept around his ankles. He feared it would burst its banks and widen like the sky above us – he had no other way of thinking of it, for he had never seen the sea. He thought the river should be walled off to keep the streets safe, or banks built, to allow men to walk dry-shod above it and view its rising. Imagine then when he came to Venice. The child stirred inside him, crying, ‘Look, look what it’s done! I told you so!’
In Venice he saw, by torchlight, the whole of Heaven painted, and high above the canal a woman’s face brooding in the space between planets. He went back in daylight to view it better, and saw the world painted on a wall, with scaly landmasses and blue oceans; forests where deer sprang from coverts, where nymphs with the heads of birds sang in the trees. He saw a rider richly dressed riding into the distance, his horse’s shoes turned back to the onlooker; the hoof prints are impressed in memory, while the rider fades into an avenue of fallen columns, diminishing to a dot and vanishing from view.
Sometimes Henry says to him, ‘Still at the antique letters, Lord Cromwell? What did you learn today?’
He says, ‘I learned that ars longa, vita brevis: I learned how to say it in Greek.’
‘That is Hippocrates,’ Henry says. ‘He tells us, life is short and our task so great that we will die before we can …’
The king breaks off. It is an offence for his subjects to speculate about his death or predict it, but it is not an offence for him to speak of it himself; yet he looks chary, as if he thinks it should be. ‘“Life is short and art is long, the opportunity sudden and fleeting: experiment dangerous, judgement difficult.” I think I have the sense of it.’
He bows. ‘I am the better instructed, sir.’
Daily, daily, one must practise the courtier’s art, and nightly, the art of governance: and never get it right. Chaucer says it in our own English tongue. ‘The lyf so short, the craft so long to lerne.’
Just before 5 a.m. on Monday, 13 November, the merchant Robert Packington, a member of Parliament, leaves his house in the City of London to attend early Mass. A thick mist blankets the streets around Cheapside, and bells are ringing from all the parishes nearby. As Packington crosses towards the church of St Thomas of Acon, he falls to the ground. Some day-labourers, gathered on Soper’s Lane waiting for hire, will claim to have heard a boom, a blast, a crack, or a soft detonation like a giant’s fist punching a cushion.
Other churchgoers are close behind. They sprint towards the fallen man, shouting, and the labourers shout too, and the noise brings the neighbours into the street, lanterns in their hands, nightcaps on their heads, faces gaping, blankets thrown over their shoulders. By the time they reach Packington he is dead. Looming out of the mist, a woman screams, ‘Help! Murder!’ Men run for the watch.
A crowd gathers. Packington is recognised: he is well-known in the Mercers’ Company and one of our chief citizens. A surgeon arrives, and identifies the wound as a gunshot wound. No one saw the assailant.
Before seven o’clock he, Lord Cromwell, is under siege at Austin Friars. I can tell you nothing, he says, shouldering through the crowd of guildsmen; I just want witnesses. Where did the attacker come from? In what direction go? And how, in so thick a mist, did he pick out Packington? Because we suppose Packington was his target – you do not crack at random at good men going to Mass.
‘Fetch Stephen Vaughan,’ he says. He has brought his trusted friend over, to keep an eye on the Mint, and he is the man for this business, as for all business requiring sternness and a quick eye; and he has known Packington for years. The coroner comes down with his clerks. The news is broken to the dead man’s brothers. The Lord Mayor puts up a reward for information. Packington’s friends add to it. Meanwhile the labourers have carried the body back to the dead man’s house, and someone has paid them to scrub the blood away. Packington cannot have known he was shot. The surgeon says he would have felt nothing, unless the sensation of flying as West Cheap came up to meet him. He would have been dead before he could say a Pater Noster.
No one saw a strange man in the street. No one saw fire in the murk – as it might be, the match-flare for an arquebus. No one was seen carrying a parcel or wrapping, that could have disguised an arquebus. It seems possible a pistol was employed, that a man could carry in his coat and fire with one hand; moreover, a wheel-lock device, which needs no flare. There are few such weapons in London. Some countries have banned them, but that does not weigh with felons. If the pistol is still with its owner, it convicts him. If it was hidden, it will soon be found. Unless, of course, it’s at the bottom of the river: in which case he is not just a whoreson, but a whoreson with a rich paymaster, to toss such a weapon away.
Packington was a gospeller, he was a Bible man, these many years he has travelled between here and Flanders, not only on cloth business but on the business of scripture; he carried Testaments home, when it was death to do it. ‘He saw Tyndale just before –’ a mercer tells him, and he holds up a palm: ‘I cannot hear what you are telling me. If you met Tyndale yourself I must not know.’ I am your brother in Christ, he thinks, but I am also the king’s servant.
By noon he, the Lord Privy Seal, has visited Packington’s widow, a daughter of the Skinners’ Company. Rob had two stepchildren with her, and five of his own from his first marriage; the city wants to know who will make decisions for them. Chief Justice Baldwin, father of Robert’s first wife, steps forward as their guardian. ‘Guard yourself, Cromwell,’ the judge tells him. ‘I doubt not this killer has stalked you and you have never seen him.’
‘What remedy?’ he says.
‘Body armour?’ Baldwin says.
He has worn it before, in times of civic excitement, under his court robes. It is hot and as the day wears on it becomes a hoop around the ribs and a band tightening the heart. It is the same feeling you get when you are standing before the king, agenda in your hand, twenty items on it and every one crucial – and the king decides to talk about the medicinal properties of lilies. You think you might choke; you feel the ache of being bound to your desk while your nephew rides east, while Wyatt rides north, while Norfolk in some distant tent makes the fate of the commonwealth. And now he is told he is not safe in his own streets – not in his own house, not in his own bed, where Walter stands at the bedpost, sneering at him and fingering the king’s purple and silver curtains.
It is no distance from Austin Friars to where Packington fell. He sits down in the parlour of the woman who cried ‘Murder!’ He listens to her recitation of her morning, from first opening an eye to the moment she ran into the street. But it is clear she saw nothing: except in a dream, she says, two or three nights back, where she saw the city on fire. Outside a restless crowd mutters and gossips on the spot: as if the gunman might come back and do it again, so they can witness. The labourers from Soper’s Lane have changed their story. They now remember a tall man wrapped in a cloak, clutching something under it, and incanting to himself as he crossed the road.
Judge Baldwin is unstrung by the morning’s events. ‘Tall man in a cloak? How does that aid us? We did not think it was a naked dwarf did the deed.’
‘But Lord Cromwell,’ the men plead, ‘he looked Italian.’
‘How does an Italian look, in a thick fog?’
They shuffle their feet. He gives them some coins anyway, for showing willing. ‘You’re too soft,’ Baldwin says, but he says, have mercy, Baldwin, they are only boys, and they carried the corpse – in acting as good citizens, they lost their earnings for the day.
‘Listen, Cromwell. You don’t get a good name among the lowly by sharing their concerns and handing out coin. You get their respect by overlooking them, as if you did not understand their sort, and your own belly had never been empty.’
‘I could not so belie myself.’
‘I’m not telling you what to do. I’m telling you how it is.’
Vaughan says, ‘Do not advise my lord how to be lordly. A great man is open-handed.’
The labourers follow them, encouraged to more suggestions: perhaps the miscreant was a Yorkshireman? ‘We would walk in the procession for the obsequy, sirs, if we got black gowns and fourpence. Pity he was felled on his way into church, and not his way out, for he might have flown straight to paradise and be looking down on us now.’