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We Are the Ashes, We Are the Fire

Page 18

by Joy McCullough


  our honor?

  He sneers.

  What would you have me do,

  little sister? Get myself killed?

  How then would you two survive?

  He sent me

  to shepherd

  shattered women

  when I was barely more

  than shards of glass myself

  into a world content

  to dash our shards

  our jagged selves

  along the unforgiving rocks

  so he could play

  at furious elder brother

  while doing nothing

  and now, enraged, inadequate

  he strikes the vessel

  I’ve managed to rebuild

  despite the cracks

  the missing pieces.

  How then will we survive,

  my sister and I?

  By our own strength.

  Helene lets Philippe sit

  at her side, resting her hand

  on his, granting affection

  she never grants me.

  Sometimes I catch a glimpse

  of the boy who didn’t yet know

  his status, who still believed

  his sisters equal to his strength

  and temper, wit, before the world

  taught him such equality

  would make him weak.

  Sometimes I see it

  and the fury rises

  that he didn’t care enough

  to fight against the lies.

  My own brother.

  CHAPTER TWENTY-NINE

  My own mother.

  She didn’t tell me. Lies or protection? It doesn’t really matter which. But what if I had known this part of her story?

  USELESS

  Emilde glares daggers

  at Philippe when she thinks

  nobody sees, but when I catch her

  I give the faintest smile, nod.

  Philippe can play defender.

  She and I will protect Helene.

  Philippe barricades himself

  in the library with René,

  waxing bombastic about

  the prince of Orange.

  Leave them to it.

  Isabella drags me

  away from the doors

  that close in my face.

  Let him think

  his talk important.

  Your brother’s arrival

  changes nothing.

  We still need to refine

  your footwork.

  Our bags are packed,

  the horses ready.

  At dinner, René lets slip

  a hint of our plans

  though he is meant

  to keep them from Philippe.

  Philippe laughs as though

  it is absurd, as though

  with a wife like Isabella

  René would joke

  about a woman’s power.

  My brother has always

  been a fool.

  After dinner Isabella walks me

  through the grounds, this refuge

  where we’ve grown and healed,

  tissue reforming, stronger than before,

  prepared for the next battle.

  Are you ready?

  I wish she wouldn’t ask.

  If I consider it

  I might change my mind.

  You do not

  have to go.

  I shake her off,

  walk more quickly.

  Philippe thinks

  the very idea

  is a joke.

  Your brother should know better

  with you for a sister, but

  he would have to care enough

  to look past what the world

  has told him of women.

  Do you excuse him?

  Of course not.

  We walk in silence.

  I wish

  I could know

  your baby.

  My baby will know you

  come what may.

  My baby will need

  stories of warrior women

  who fight for justice

  with word or sword

  and yours will be

  the first she learns.

  You cannot be serious!

  Philippe throws open the doors

  to my chambers, sending my heart

  through the vaulted ceiling.

  A man barging into a room

  will never be mere annoyance again.

  I’m so sorry!

  Zahra bursts after him.

  He found our bags—

  What is this lunacy?

  Philippe’s rage

  almost convinces me

  he cares for me,

  that this isn’t about

  his own inability

  to protect this family.

  Charging off

  to be a hero?

  He sneers.

  With your chambermaid?

  You can barely hold a sword!

  I can do more with a sword

  than you have, else you would have

  spilled some blood, rather than

  slunk back to torment me!

  Philippe strikes me.

  Father never did

  and Mother only

  when I was small.

  Zahra gasps

  stumbles forward

  and Philippe smacks her

  so hard she falls to the floor.

  No hesitation

  I take him out at the knees

  as Isabella’s done to me

  so many times, but far less

  gently. I’m on his chest,

  knee on his throat.

  Tell me again

  how useless I am.

  CHAPTER THIRTY

  Mom sits at the kitchen table, surrounded by papers, as per usual. Her coffee mug is empty.

  I start pulling out the things I need to make masala chai the way Nor taught me—peppercorns, cardamom pods, cinnamon, fresh ginger, sugar, mortar and pestle. “Want some chai?”

  She glances up, “Sure, sweetie. Thanks.”

  I put the spices into the mortar.

  Mom taught us about consent in elementary school. Early elementary school. In middle school she gave us Speak and We Should All Be Feminists. The parents of someone in my Girl Scout troop got upset when Mom talked about rape statistics while we were working on our self-defense badges. That was the end of my participation in Scouts. (Mainly because I was tired of being a cog in the machine of Big Cookie. But still.)

  I throw my weight into grinding the spices. They don’t need to be dust—they need to be cracked and bruised and flayed open. Like our family. I grind them to dust, then drown the spices in milk and water, setting the pot on the burner to heat up.

  Mom’s hunched over some college student’s terrible analysis of The Scarlet Letter or The Great Gatsby, when what she studied—what she threw her heart into and went into grad school debt for—was the depiction of female vengeance in films made by men. And how the male gaze of one generation of filmmakers bleeds into the male gaze of the next generation—but not only filmmakers, because art reflects life.

  Mom’s life sent her down this path, the things that happened she doesn’t talk about. The part of herself she keeps in darkness. From the sound of the note from her high school friend, it was a teacher. Maybe she had to write terrible papers on The Scarlet Letter for his class, hand them in, await his evaluation,
his judgment on her voice.

  A wave of nausea breaks over me and I grip the counter.

  “Love?” She’s there, hand on my cheek. “Are you all right?” She peers in the pot and turns the heat down. I always rush chai, when really it needs to simmer, give the flavors time to intermingle.

  “You haven’t been eating well. I don’t think you’re sleeping, either. Honey, maybe you should take a break from your writing project.”

  She thinks this is about Marguerite. “Yeah, okay. I will.”

  I want to ask her. I want to know this piece of her. Want her to know her story is worth telling. But also she doesn’t owe it to me, or anyone. And if, after all these years of being a mother who was so open about all the ins and outs of womanhood, she hasn’t chosen to tell us, asking would only hurt her all over again.

  Will Nor tell her children? Her daughters? If she has them, someday when they’re old enough to understand, if that’s an age that ever comes, will she tell them or will they somehow one day wander upon some evidence, an internet post, maybe even one I wrote, and then Nor will be flayed open again.

  AINSI TU SERAS

  Emilde appears, helps Zahra

  to her feet, then curtsies

  as though my brother

  is not clearly at my mercy.

  Master Philippe

  my mistress asks for you.

  I keep pressure

  on his throat.

  Is Helene unwell?

  She says

  only her brother

  can ease her worries.

  I release him.

  The pure loathing

  in his eyes would

  flatten me if

  I hadn’t seen it

  a million times before.

  I move to follow him

  but Emilde stops me.

  Go. Helene

  will distract him.

  Go now.

  In the stable

  I ask a question

  Isabella cannot answer.

  Am I a fool?

  It matters not.

  I won’t be deterred.

  You are a young woman

  of great conviction.

  And you have been wounded

  in such a way that only you

  know how to heal.

  If this is what you must do

  then no one shall stop you.

  Weapons and armor

  to suit our frames

  are concealed in packs

  but Isabella insists

  we have daggers

  strapped against our thighs

  constant reminders

  of our power

  and yet, now that

  the moment is here

  my limbs are lead.

  What will this solve?

  What will it change?

  But, Marguerite.

  Isabella draws me aside.

  I’ll think no less of you

  if you decide

  against this path.

  There’s more than one way

  to fight. You do not

  have to wield a sword.

  Helene appears

  on silent footsteps

  holding out her labor

  of these many weeks.

  It’s folded over

  larger than I realized.

  Perhaps

  everything about Helene

  has always been larger

  than I realized.

  She unfurls the cloth,

  a banner edged in silver tears

  human bones and at the center

  an orange impaled

  on a lance.

  The Prince of Orange.

  Ainsi tu seras,

  the script reads

  both delicate and bold.

  Thus shall you be.

  I choke back a sob,

  rush to embrace Helene

  before remembering

  she shrinks from touch.

  But as I retreat, she

  pulls me close, clings

  to me like she never has before.

  And Philippe?

  A ghost of a smile

  flits over Helene’s face.

  Locked in the cellar.

  Emilde stands guard.

  On the road before dawn:

  two girls

  once mistress, servant

  now comrades in arms

  two women who won’t

  pass this way again

  but will complete

  what they set out to do.

  CHAPTER THIRTY-ONE

  I don’t even like to ride the bus at night and Marguerite and Zahra are setting out into the unknown with only a few weeks of combat training and each other. What they’ll find along the road could make up whole other books.

  Maybe I’ll write them, one day.

  But this is the story I’m telling now. So what I choose to show has to be a piece of the bigger picture. Is every man they meet along the way a threat? Or could there be men who don’t instill fear?

  #notallmen and all that.

  But they are a threat, unless proven otherwise. And two young women traveling alone don’t have the luxury of allowing men to prove themselves trustworthy.

  It wasn’t just Craig.

  It was the players and football fans who immediately rallied to support a water boy they’d never given the time of day to before, who thought the distraction to a football program was more damaging than the destruction of a girl’s life.

  It was the administration pledging a crackdown on the Greek system that fizzled the second the media looked away.

  It was fraternity brothers who made him their pet, even though they hadn’t considered him manly enough when he pledged. Because if he was guilty, what were they?

  It was even running back Reece Hutchinson, hailed by feminist Twitter as the #notallmen hero we’d been waiting for because he testified on Nor’s behalf, to the fury of the Husky faithful. He saw Nor and Craig together, saw how completely plastered she was. Saw Craig grabbing her arm and pulling her toward the back door. Even tried to stop them.

  Didn’t get drafted to the NFL, despite being a top-ranked prospect. But that’s okay because at least he’s a Twitter hero.

  Except here’s the thing: Reece Hutchinson is a human battering ram. Does anyone believe Craig Lawrence would have stood a chance against him? It didn’t even have to get physical. If Hutchinson had done more than the barest minimum, had leveraged his status and done more than say, “Bro, maybe leave her alone,” none of this would be happening.

  Then, maybe, I’d consider him a hero. Except no one would know. And if no one applauds your feminism, did you even perform it?

  PLEASE, SIR

  A full day’s travel later

  Zahra sinks into a hayloft

  and she is gone to a land

  I hope is more peaceful

  than the one I visit

  in my own dreams.

  Sleep will not come for me

  but the farmer will. I do not

  block out Zahra’s snores

  the animal smells, my racing mind.

  I pick hay from my stockings

  and wait.

  Dependable as the goats

  that must endure his rough hands

  every morning, the farmer appears

  silhouetted by the moon.

  He scans the barn and

  doesn’t see us in the corner

  where he said we could stay.

  Finally he spots me leaning

  over
the edge of the hayloft.

  I’m in no mood to hide.

  He limps to the base of a ladder

  in no condition to climb.

  What you doing up there?

  I smile at his frustration.

  A girlish whim.

  He retreats

  to his safe, warm house,

  no word of why

  he came to the barn

  in the dead of night.

  We both know why.

  Zahra and I creep

  from the barn

  saddle our horses

  and slink away

  before the sun

  has cracked the horizon.

  What we will miss in breakfast

  is worth avoiding what we will pay

  in a thwarted farmer’s anger.

  Please, madame.

  My sister is with child,

  her husband fallen in the war.

  We travel to his village

  so at least she may give birth

  surrounded by his kin.

  Please, monsieur.

  My cousin is unwell.

  If only you could see

  her mastery of womanly arts—

  she sings, she dances,

  she lifts the hearts of men.

  A bit of food might set her right

  and then . . .

  Please, Father,

  we are lowly novitiates,

  our convent overrun by scoundrels,

  even our habits

  ripped from our heads.

  We only need

  a place to rest

  before we move on

  to the Mother house.

  Each time, a story

  wilder than the last.

  Each time, a meal,

  some shelter, a bit of hope

  to help us on our way.

  Each time, my dagger at the ready.

  What if he’d asked

  to see your womanly arts?

  Zahra guffaws,

  the ale we pinched

  from our last benefactor

  gone straight to her head.

  We’re close now.

  By all reports we’ll reach

  de Gaucourt’s camp by morning.

  Didn’t you know?

 

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