The Bonesetter's Daughter

by Amy Tan

  If things became dangerous around the orphanage, we were supposed to use the money to take the girls to Peking, four or five at a time. There they could stay with former students and friends of the school. Miss Grutoff had already contacted these people, and they agreed that if the time came, they would willingly help us. We needed only to tell them by the ham radio when we were coming.

  Teacher Pan assigned each of us—teachers, helpers, and four older students—to an apostle for our share of the refugee money. And from the day that Miss Grutoff left, Teacher Pan had us practice and memorize which apostle was which and where the wood had been dug out of its body. I thought it was enough that we recognized which was our own statue, but Sister Yu said, "We should say all the names out loud. Then the apostles will protect our savings better." I had to say those names so many times they are still in my head: Pida, Pa, Matu, Yuhan, Jiama yi, Jiama er, Andaru, Filipa, Tomasa, Shaimin, Tadayisu, and Budalomu. The traitor, Judasa, did not have a statue.

  About three months after Miss Grutoff left us, Teacher Pan decided it was time for us to go. The Japanese had become angry that the Communists were hiding in the hills. They wanted to draw them out by slaughtering people in the nearby villages. Sister Yu also told GaoLing and me that the Japanese were doing unspeakable acts with innocent girls, some as young as eleven or twelve. That was what had happened in Tientsin, Tungchow, and Nanking. "Those girls they didn't kill afterward tried to kill themselves," she added. So we knew what she was saying just by using the frightened parts of our imaginations.

  Counting four older students who had stayed on through the war, we had twelve chaperones. We radioed Miss Grutoff's friends in Peking, who said the city was occupied, and although the situation was calm, we should wait to hear from them. The trains did not always run, and it would not be good for us to be stuck for days waiting at different cities along the way. Teacher Pan determined the order in which the groups would leave: first that led by Mother Wang, who could tell us how the journey went, then those of the four older girls, then those of Cook's wife, Teacher Wang, Cook, GaoLing, me, Sister Yu, and last, Teacher Pan.

  "Why should you be last?" I asked him.

  "I know how to use the radio."

  "You can teach me just as easily."

  "And me," said Sister Yu and GaoLing.

  We argued, taking turns at being brave. And to do that, we had to be a little unkind and criticize each other. Teacher Pan's eyes were too poor for him to be left alone. Sister Yu was too deaf. GaoLing had bad feet and a fear of ghosts that made her run the wrong way. Plenty was wrong with me, as well, but in the end, I was allowed to go last so I could visit Kai Jing's grave as long as possible.

  And now I can confess how scared I was those last few days. I was responsible for four girls: six years, eight, nine, and twelve. And while it was still comforting to think about killing myself, it made me nervous to wait to be killed. As each group of girls left, the orphanage seemed to grow larger and the remaining footsteps louder. I was afraid the Japanese soldiers would come and find the ham radio, then accuse me of being a spy and torture me. I rubbed dirt on the girls' faces and told them that if the Japanese came, they should scratch their heads and skin, pretending to have lice. Almost every hour, I prayed to Jesus and Buddha, whoever was listening. I lighted incense in front of Precious Auntie's photo, I went to Kai Jing's grave and was honest with him about my fears. "Where is my character?" I asked him. "You said I was strong. Where is that strength now?"

  On the fourth day of our being alone, we heard the message on the radio: "Come quickly. The trains are running." I went to tell the girls, and then I saw that a miracle had happened, but whether this came from the Western God or the Chinese ones, I don't know. I was simply thankful that all four girls had swollen eyes, green pus coming out of the corners. They had an eye infection, nothing serious, but it was awful to see. No one would want to touch them. As for myself, I thought quickly and had an idea. I took some of the leftovers of the rice porridge we had eaten that morning, and drained off the watery portion and smeared this liquid onto my skin, my cheeks, forehead, neck, and hands, so that when it dried I had the leathery, cracked appearance of an old country woman. I put some more of the sticky rice water into a thermos and to that I added chicken blood. I told the girls to gather all the chicken eggs left in the pens, even the rotten ones, and put them in sacks. Now we were ready to walk down the hill to the railway station.

  When we were about a hundred paces down the road, we saw the first soldier. I slowed my pace and took a sip from the thermos. The soldier remained where he was, and stopped us when we reached him.

  "Where are you going?" he asked. We five looked up and I could see an expression of disgust pass over his face. The girls started to scratch their heads. Before I answered, I coughed into a handkerchief, then folded it so he could see the blood-streaked mucus. "We are going to market to sell our eggs," I said. We lifted our sacks. "Would you like some as a gift?" He waved us on.

  When we were a short distance away, I took another sip of the rice water and chicken blood to hold in my mouth. Twice more we were stopped, twice more I coughed up what looked like the bloody sputum of a woman with tuberculosis. The girls stared with their green oozing eyes.

  When we arrived in Peking, I saw from the train window that Gao-Ling was there to meet us. She squinted to make sure it was I getting off the train. Slowly she approached, her lips spread in horror. "What happened to you?" she asked. I coughed blood one last time into my handkerchief. "Ai-ya!" she cried, and jumped back. I showed her my thermos of "Japanese chase-away juice." And then I began to laugh and couldn't stop. I was crazy-happy, delirious with relief.

  GaoLing complained: "The whole time I've been worried sick, and you just play jokes."

  We settled the girls in homes with former students. And over the next few years, some married, some died, some came to visit us as their honorary parents. GaoLing and I lived in the back rooms of the old ink shop in the Pottery-Glazing District. We had Teacher Pan and Sister Yu join us. As for GaoLing's husband, we all hoped he was dead.

  Of course, it made me angry beyond belief that the Chang family now owned the ink shop. For all those years since Precious Auntie died, I had not had to think about the coffinmaker too much. Now he was ordering us to sell more ink, sell it faster. This was the man who killed my grandfather and father, who caused Precious Auntie so much pain she ruined her life. But then I reasoned that if a person wants to strike back, she must be close to the person who must be struck down. I decided to live in the ink shop because it was practical. In the meantime, I thought of ways to get revenge.

  Luckily, the Chang father did not bother us too much about the business. The ink was selling much, much better than before we came. That was because we used our heads. We saw that not too many people had a use for inksticks and ink cakes anymore. It was wartime. Who had the leisure and calm to sit around and grind ink on an inkstone, meditating over what to write? We also noted that the Chang family had lowered the quality of the ingredients, so the sticks and cakes crumbled more easily. Teacher Pan was the one who suggested we make quick-use ink. We ground up the cheap ink, mixed it with water, and put it in small jars that we bought for almost nothing at a medicine shop that was going out of business.

  Teacher Pan also turned out to be a very good salesman. He had the manners and writing style of an old scholar, which helped convince customers that the quality of our quick-use ink was excellent, though it was not. To demonstrate it, however, he had to be careful not to write anything that could be interpreted as anti-Japanese or pro-feudal, Christian or Communist. This was not easy to do. Once he decided he should simply write about food. There was no danger in that. So he wrote, "Turnips taste best when pickled," but GaoLing worried that this would be taken either as a slur against the Japanese or as siding with the Japanese, since turnips were like radishes and radishes were what the Japanese liked to eat. So then he wrote, "Father, Mother, Brother, Sister." Sister Yu said t
hat this looked like a listing of those who had died, that this was his way of protesting the occupation. "It could also be a throwback to Confucian principles of family," GaoLing added, "a wish to return to the time of emperors." Everything had dangers, the sun, the stars, the directions of the wind, depending on how many worries we each had. Every number, color, and animal had a bad meaning. Every word sounded like another. Eventually I came up with the best idea for what to write, and it was settled: "Please try our Quick Ink. It is cheap and easy to use."

  We suspected that many of the university students who bought our ink were Communist revolutionaries making propaganda posters that would appear on walls in the middle of the night. "Resist Together," the posters said. Sister Yu managed the accounts, and she was not too strict when some of the poorer students did not have enough money to pay for the ink. "Pay what you can," she told them. "A student should always have enough ink for his studies." Sister Yu also made sure we kept some money for ourselves without the Chang father's noticing that anything was missing.

  When the war ended in 1945, we no longer had to think about secret meanings that could get us in trouble with the Japanese. Firecrackers burst in the streets all day long and this made everyone nervously happy. Overnight the lanes grew crowded with vendors of every delicious kind of thing and fortune-tellers with only the best news. GaoLing thought this was a good day to ask her fortune. So Sister Yu and I went wandering with her.

  The fortune-teller GaoLing chose could write three different words at one time with three different brushes held in one hand. The first brush he put between the tip of his thumb and one finger. The second rested in the web of his thumb. The third was pinched at the bend of his wrist. "Is my husband dead?" GaoLing asked him. We were all surprised by her bluntness. We held our breath as the three characters formed at once: "Return Lose Hope."

  "What does that mean?" Sister Yu said.

  "For another small offering," the fortune-teller answered, "the heavens will allow me to explain." But GaoLing said she was satisfied with this answer, and we went on our way.

  "He's dead," GaoLing announced.

  "Why do you say that?" I asked. "The message could also mean he's not dead."

  "It clearly said all hope is lost about his returning home."

  Sister Yu suggested: "Maybe it means he'll return home, then we'll lose hope."

  "Can't be," GaoLing said, but I could see a crack of doubt running down her forehead.

  The next afternoon, we were sitting in the courtyard of the shop, enjoying a new sense of ease, when we heard a voice call out, "Hey, I thought you were dead." A man was looking at GaoLing. He wore a soldier's uniform.

  "Why are you here?" GaoLing said as she rose from the bench.

  He sneered. "I live here. This is my house."

  Then we knew it was Fu Nan. It was the first time I saw the man who might have been my husband. He was large like his father, with a long, wide nose. GaoLing rose and took his bundle and offered him her seat. She treated him extra politely, like an unwanted guest. "What happened to your fingers?" she asked. Both of his little fingers were missing.

  He seemed confused at first, then laughed. "I'm a damn war hero," he said. He glanced at us. "Who are they?" GaoLing gave our names and said what each of us did to run the business. Fu Nan nodded, then gestured toward Sister Yu and said, "We don't need that one anymore. I'll manage the money from now on."

  "She's my good friend."

  "Who says?" He glared at GaoLing, and when she did not look away, he said, "Oh, still the fierce little viper. Well, you can argue with the new owner of this shop from now on. He arrives tomorrow." He threw down a document covered with the red marks of name seals. GaoLing snatched it.

  "You sold the shop? You had no right! You can't make my family work for someone else. And the debt—why is it now even bigger? What did you do, gamble the money away, eat it, smoke it, which one?"

  "I'm going to sleep now," he said, "and when I wake up, I don't want to see that woman with the hunchback. The way she looks makes me nervous." He waved one hand to dismiss any further protests. He left, and soon we smelled the smoke of his opium clouds. GaoLing began to curse.

  Teacher Pan sighed. "At least the war is over and we can see if our friends at the medical school might know of rooms where we can squeeze in."

  "I'm not going," GaoLing said.

  How could she say this after all she had told me about her husband? "You'd stay with that demon?" I exclaimed.

  "This is our family's ink shop. I'm not walking away from it. The war is over, and now I'm ready to fight back."

  I tried to argue and Teacher Pan patted my arm. "Give her time. She '11 come to her senses."

  Sister Yu left that afternoon for the medical school, but soon she returned. "Miss Grutoff is back," she told us, "released from the war camp. But she is very, very sick." The four of us immediately left for the house of another foreigner, named Mrs. Riley. When we went in, I saw how thin Miss Grutoff had become. We used to joke that foreign women had big udders because of the cow's milk they drank. But now Miss Grutoff looked drained. And her color was poor. She insisted on standing up to greet us, and we insisted she sit and not bother to be polite with old friends. Loose skin hung from her face and arms. Her once red hair was gray and thin. "How are you?" we asked.

  "Not bad," she said, cheerful and smiling. "As you can see, I'm alive. The Japanese couldn't starve me to death, but the mosquitoes almost had their way with me. Malaria."

  Two of the little girls at the school had had malaria and died. But I did not tell Miss Grutoff. There would be plenty of time for bad news later.

  "You must hurry and get well," I said. "Then we can reopen the school."

  Miss Grutoff shook her head. "The old monastery is gone. Destroyed. One of the other missionaries told me."

  We gasped.

  "The trees, the building, everything has been burned to the ground and scattered." The other foreigner, Mrs. Riley, nodded.

  I wanted to ask what had happened to the graves, but I could not speak. I felt as I had that day when I knew Kai Jing had been killed. Thinking about him caused me to try to remember his face. But I saw more clearly the stones under which he lay. How long had I loved him when he was alive? How long had I grieved for him since he had died?

  Mrs. Riley then said: "We 're going to open a school in Peking once we find a building. But now we need to help Miss Grutoff get well, don't we, Ruth?" And she patted Miss Grutoff's hand.

  "Anything," we took turns saying. "Of course we'll help. We love Miss Grutoff. She is mother and sister to us all. What can we do?" Mrs. Riley then said Miss Grutoff had to return to the United States to see the doctors in San Francisco. But she would need a helper to accompany her to Hong Kong and then across the ocean.

  "Would one of you be willing to go with me? I think we can arrange for a visa."

  "We can all go!" GaoLing answered at once.

  Miss Grutoff became embarrassed. I could see this. "I wouldn't want to trouble more than one of you," she said. "One is enough, I think." And then she sighed and said she was exhausted. She needed to lie down.

  When she left the room, we looked at one another, uncertain how to begin the discussion of who should be the one to help Miss Grutoff. America? Miss Grutoff did not ask this only as a favor. We all knew she was also offering a great opportunity. A visa to America. But only one of us could take it. I thought about this. In my heart, America was the Christian heaven. It was where Kai Jing had gone, where he was waiting for me. I knew this was not actually true, but there was a hope that I could find happiness that had stayed hidden from me. I could leave the old curse, my bad background.

  Then I heard GaoLing say, "Teacher Pan should go. He's the oldest, the most experienced." She had jumped in with the first suggestion, so I knew she wanted to go, as well.

  "Experienced at what?" he said. "I can't be of much help, I'm afraid. I'm an old man who can't even read and write unless the words are as large and cl
ose as my shaky hands. And it would not be proper for a man to accompany a lady. What if she needs help during the night?"

  "Sister Yu," GaoLing said. "You go, then. You're smart enough to overcome any obstacle." Another suggestion! GaoLing was desperate to go, to have someone argue that it should be she who went.

  "If people don't trample me first," Sister Yu said. "Don't be ridiculous. Besides, I don't want to leave China. To be frank, while I have Christian love for Miss Grutoff and our foreign friends, I don't care to be around other Americans. Civil war or not, I'd rather stay in China."

  "Then LuLing should go," GaoLing said.

  What could I do? I had to argue: "I could never leave my father-in-law or you."

  "No, no, you don't have to keep this old man company," I heard my father-in-law say. "I've been meaning to tell you that I may marry again. Yes, me. I know what you're thinking. The gods are laughing, and so am I."

  "But who?" I asked. I could not imagine he had any time to court a woman. He was always at the shop, except when he went on brief errands.

  "She lives next door to us, the longtime widow of the man who ran the bookshop."

  "Wah! The man who sued my family?" GaoLing said.

  "The books were fake," I reminded her. "The man lost the lawsuit, remember?" And then we remembered our manners and congratulated Teacher Pan by asking if she was a good cook, if she had a pleasant face, a kind voice, a family that was not too much trouble. I was happy for him but also glad that I no longer had to argue that I could not go to America.

  "Well, it's clear to me LuLing should be the one to go to America with Miss Grutoff," Sister Yu said. "Teacher Pan will soon be bossed around by a new wife, so LuLing has less need to stay."

  GaoLing hesitated a moment too long before saying, "Yes, that's the best. It's settled, then."

  "What do you mean?" I said, trying to be bighearted. "I can't leave my own sister."