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Sleeper’s Castle

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by Barbara Erskine




  Copyright

  Published by HarperCollinsPublishers Ltd

  The News Building

  1 London Bridge Street

  London SE1 9GF

  www.harpercollins.co.uk

  First published in Great Britain by HarperCollinsPublishers 2016

  Copyright © Barbara Erskine 2016

  Cover layout design © HarperCollinsPublishers Ltd 2016

  Barbara Erskine asserts the moral right to be identified as the author of this work.

  A catalogue copy of this book is available from the British Library.

  This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Source ISBN: 9780007513161

  Ebook Edition © June 2016 ISBN: 9780007513185

  Version 2016-05-04

  Time

  The past, present and future regarded as a continuous whole

  Collins English Dictionary

  A space of continued existence, as the interval between two successive events or acts, or the period through which an action, condition, or state continues

  The Shorter Oxford English Dictionary

  Oneirology

  The science or subject of dreams, or of their interpretation

  Oneiromancy

  Divination by dreams

  Table of Contents

  Cover

  Title Page

  Copyright

  Epigraph

  Prologue

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Author’s Note

  Historical Note

  Keep Reading Barbara Erskine’s Novels

  About the Author

  Also by Barbara Erskine

  About the Publisher

  In the never-ending battle between the principalities of Wales and their aggressive, acquisitive neighbours, the victorious king, Edward I of England, having subdued the native princes had banned the bards, recognising their power, their ability to remember, their position in society as the keepers of memories of freedom and power. To be a bard was to be the inspiration of a people; to be the instigator of longing for freedom; it was a position of enormous influence.

  To be a bard was now punishable by death.

  Bards had come back of course. Or never gone away.

  For two hundred years the Welsh people lay under the English yoke, their impatience growing, their dissatisfaction ever increasing, their bards and poets studying the dream of independence. They were waiting for Y Mab Darogan, the Son of Destiny, who would come to liberate them and make them a great nation once more.

  In the middle of the fourteenth century such a man was born, his arrival heralded by a comet in the sky. By the year 1400 he was ready for his destiny.

  Prologue

  In their dream they smelt smoke. Far below the hillside where they stood the castle nestled within the angle of the great river, a black silhouette against the green of flood-meadow grass. The keep stood four-square, the stone walls massive cliffs pierced by slit windows, lit from without by the dying sun and from within by fire. The moan of the wind and the yelp of circling kites were broken by the occasional thunder of cannon fire and they thought they could hear the screams of injured men. Creeping closer to the edge of the wood, heart in mouth, they watched the topmost battlement crumble and heard the crash of falling stone. The cannon fell silent and there was a roar of cheering, though from here they could see no men, no banners, no rippling standards. The smoke grew thicker as the green-cut oak of the ceiling beams began to burn, the smell sweet on the air until, slowly, insidiously, it was flavoured with a rancid undertone of smouldering fabric and burning wool, as ancient dusty wall hangings and cushions, banners and silks from a bygone age flared and collapsed into the conflagration. Then, a sharp thread winding through the smell, the scent of cooking mutton and beef as the animals, herded into the shelter of the curtain walls, began to roast alive; and with the burning flesh of animals outside the walls was mingled the scent of the burning flesh of men.

  Horrified, they watched, hidden in the trees, hands clutching the mossy trunks, fingernails clawing at the lichen-stained bark. Far below they heard the crash as the roof of the keep fell and they saw the sparks fly up in the wind, a curtain of shimmering red against the smoke-filled sky.

  When they woke, suddenly, with the sweat of fear icy on their bodies, they lay staring up at the ceiling in the dark and then slowly moved their heads, still hardly daring to move, to look towards the window where the sky was growing light behind the shoulder of the hill. They climbed from bed and padded to the window, leaning on the cold stone of the sill, looking out between the mullions, shivering, knowing that it had been a dream, seeing the sky clear, watching the silver crescent of the moon lying on its back above the trees.

  Two women.

  Two ice-cold silver dawns, centuries apart.

  One endless nightmare.

  1

  The present day

  Towards the end of September

  ‘Take care of Pepper! Tell him I love him!’

  Sue handing her the keys. Laughing. Giving her a quick hug then running down the steep uneven stone steps to the gate and her waiting car. ‘You remember where everything is? Enjoy.’

  The engine revs. She is gone.

  Andy stands listening as the car takes the succession of Z bends down the steep single-track lane with its high banks and its wild hedges until the sound of the engine is swallowed by the silence. She is alone.

  Slowly she turns and surveys her new home. A year, rent-free, in exchange for looking after an ancient house with mullioned windows and a moss-covered slate roof and an old and grumpy cat called Pepper. Overwhelmed with unexpected happiness she begins to smile.

  ‘He’s too old to go into a cattery, Andy. It would kill him. He needs to stay at home. He needs someone to feed him regularly and make sure the house is warm. That’s all. He won’t need anything else. He’s his own man. Well, his own cat! And he knows you.’ Sue’s voice was pleading, though she had already known that Andy would say yes.

  Yes, the cat had met her. Once. For a couple of weeks when she and Graham had stayed here with Sue four summers ago. Andy’s smile faded at the memory, then it returned. In her head, for a moment, the house was full of the sound of Sue’s irrepressible laughter and Graham’s deep guffaws.
r />   Exhausted after the long drive, she sat down on the cold stone slab of the top step and, hugging her knees, stared down over the almost vertical wild rock garden which fronted the ancient stone building, down towards the parking space, no more than a lay-by really, off the narrow lane, occupied now only by her old Passat. She could see the low sun glinting on its dark blue roof, almost hidden by the tangle of autumn flowers. The car contained almost all she owned in the whole world.

  She hadn’t expected this – to be suddenly and irrevocably homeless.

  ‘It’s your fault he died!’ Rhona Wilson, Graham’s widow, shouted at Andy. ‘If he had never met you we would have been happy. He would be alive now.’ It took Rhona’s sister, Michelle, to drag her away as Andy stood there, numb with shock, too overwhelmed with grief to move.

  ‘Get out of our house!’ Michelle almost spat the words at Andy. ‘Go. Haven’t you done enough damage here, stealing Graham away from us? Killing him!’

  Andy backed out of the room, turned and ran down the stairs. She shouldn’t have been surprised. She knew Rhona hated her. The woman had left Graham long before Andy had come into his life, run off with another man, left him as well and moved in with a second, followed that one to the States, come back with someone quite different, but never had she lost her sense of ownership. She didn’t want Graham, but she didn’t want anyone else to have him either and she obviously didn’t intend to let anyone else benefit, if that was the right word, from his death. In the past she had contented herself with the odd vitriolic phone call, occasional nasty letters and postcards, but in the past Graham had been there to protect Andy. Now he was gone and Rhona had found allies in her war of attrition.

  Andy’s life had been idyllic. She had lived with Graham for nearly ten years in his beautiful detached house in the quiet tree-lined street in Kew. She wrote her column for the local paper. She illustrated his books, fulfilling her contractual duties as his co-author by providing exquisite, tiny watercolours of the exotic rare plants he wrote about. That was how she had met him; his publisher had contacted her with a suggestion that she might be the person to illustrate his next book. She was happy. He was happy. Then the cancer came, swift and deadly, diagnosed far too late.

  Within days of his death his ex-wife, technically still his wife, and her family had made it clear that Andy had no place, no rights, no security, no home.

  She didn’t even know they had keys to the house; they were in before she realised it. They tried to stop her taking even her own things, this vicious greedy cabal of women, his wife, her sister, her friends. They had supervised her packing, had checked everything as she threw her cases and bags into her car. They grabbed her sketchbooks and paintings. Graham had paid for them, they screeched, though technically they had not yet been paid for; she was contracted to his publisher. She didn’t argue. Didn’t fight back. Did not care. He was gone. She doubted she could live without him anyway.

  But then the phone calls had started and the threats had continued even though Andy had left the house. Rhona was sure she had stolen things. But, if there had been theft it was not on Andy’s side. Graham’s will, and Andy had seen his will, leaving his house and garden and books and manuscripts to her, had disappeared. The solicitor, Rhona’s sister’s husband, as it happened, said he had no copy and knew nothing of it. Andy gave up. She wouldn’t, she couldn’t, fight them.

  To escape Rhona’s vicious calls she kept her phone switched off. She slept on sofas and floors and drank a great deal of wine with her mother and her wonderful loyal friends as she tried to come to terms with the fact that she had no home, very little money, no future and, it seemed, no past. Without her friends to steady her, replace the rock which had been Graham, she would have been a wreck, if she had survived at all.

  Then Sue had phoned. She had heard what had happened on the grapevine. ‘I’m not sure if this would be a port in a storm, Andy. If you like the idea it would surely help me. I planned this trip to Australia to go to my brother’s wedding and then spend time visiting the folks, blithely assuming I could get a tenant in time. I’d much rather it was you than a stranger, and Rhona will never find you in Wales.’

  And so, here she was. Rubbing her face wearily Andy stood up, conscious of the roar of water from the brook that ran along the edge of the garden, plunging over rocks and between deep overhanging banks thick with moss and fern, under the bridge in the lane and on down towards the valley.

  The house, with its wonderful romantic name of Sleeper’s Castle, was in the foothills of the Black Mountains, a few miles from the nearest town. The countryside was huge and empty and the contours on the map had been, as she reminded herself on her way here, suspiciously close to each other, a clue to the presence of steep hills and deep secluded valleys. Sue called it her retreat. She had no neighbours. None close by, anyway.

  Andy turned her back on the endless view of misty hills and the turbulent sky and she made her way towards the front door, past the rough wooden bench which stood with its back to the stone wall, facing the view.

  Sleeper’s Castle was not, never had been, a castle, but it had once been a much bigger house. The name Sleeper’s, Sue had told her vaguely, came from something in Welsh. It didn’t matter. It was perfect. Wild, unspoilt, magical, built on the eastern fringe of the Black Mountains, the remote, mysterious range at the north-easternmost end of the Brecon Beacons National Park, on the Welsh side of the border between England and Wales. Andy took a deep breath of the soft sweet upland air and infinitesimally, without her noticing, the first of her cares began gently to drop away.

  Nowadays the downstairs of the house comprised only four rooms, the largest by far, which had once been the medieval hall, paying lip service to its duties now as a sitting/living room only by the presence of an enormous baggy inelegant sofa and a couple of old, all-enveloping, velvet-covered armchairs. Smothered with an array of multi-coloured rugs they had been arranged in a semicircle around a huge open fireplace built of ancient stone, topped by a bressummer beam, split and scorched from countless roaring fires over many centuries. At the moment the fireplace was empty and swept clean of ash but the sweet smell of woodsmoke still clung in the corners of the room and hung about the beams. The rest of the room, with its oak table, bureau bookcase, ancient kneehole desk and scattered multi-dimensional chairs served Sue as a potting-shed-cum-office. Andy gave a wry smile. She had lived with a plantsman for years, but never once had he allowed his garden to encroach on the elegance of his home. His wellies – and hers – stayed firmly in the utility room at the back of the house. Where hers still were, she realised with a pang of misery. Here, judging by the state of the threadbare rug, Sue still wore hers indoors. The fact that there was a mirror on the wall was somehow counter-intuitive.

  Andy caught sight of herself and briefly she stood still, staring. Her shoulder-length wild curly light brown hair stood out round her head in a tangled mass, her eyes, grey and usually clear and expressive, looked sore and reddened with exhaustion and misery. Her face, which Graham used to describe as beautiful, was drawn and sad. She was not a pretty sight. She stepped back with a grimace, turned her back on the mirror and with a last, affectionate glance round the room made her way through to the kitchen.

  It took several seconds to absorb the shock of what she saw there. When she and Graham had stayed with Sue four years ago the kitchen had more or less matched the living room. Used. Scruffy. Barely, to be honest, even remotely hygienic. She remembered the ever-watchful cat strolling along the worktop to lick the butter when someone left the top off the dish, and Sue laughing at Andy’s consternation when the same dish turned up on the table at lunch. But now it had all changed. Sue’s kitchen had transformed, to Andy’s astonishment and disbelief, into the epitome of every woman’s dream. There was a butler’s sink with brass taps, a large scrubbed refectory table and, joy of joys, an Aga like the one she and Graham had had in his kitchen in Kew, with next to it, a rocking chair, the only concession to comfort in
the room and on the chair a large tabby cat.

  ‘Hello, Pepper,’ she said. Pepper, short for Culpepper, the herbalist.

  He narrowed his eyes briefly then closed them, his expression bored but proprietorial. She got the message at once. His chair, his kitchen, his Aga.

  She smiled as she walked slowly round the table, admiring every detail. On the dresser were two bottles of Merlot with a note.

  To be taken x 2 daily with food. Enjoy. Sue xxxxx

  It took several trips to drag her belongings up the steep steps from the car. Rhona’s family had not been interested in her clothes, or the books she had time to rescue or, in the end, most of her painting gear. She had little jewellery, but what there was – seeing which way the wind was blowing – she had hidden in a flower pot, to be tipped later straight into the boot of her car, and after that into a drawer in her mother’s house. Only two or three of those pretty things had been gifts from Graham; he didn’t see the point of jewellery when a live flower tucked into Andy’s hair was so much more perfect. The rest of the rings and bangles had come from her family, but she doubted the Wilson clique would listen and believe her.

  ‘Go to the police!’ her friends had said, or ‘For God’s sake find a solicitor,’ but she had shrugged and shaken her head and now, please God, hidden away here in the Welsh borders she would at last be free of Rhona and her family. Only three people knew where she was and they had sworn to keep her secret: her mother, obviously, and two of the friends who had come to her rescue, James Allardyce, a former university pal of Graham’s, and his wife, her former school friend, Hilary, to whom Andy had introduced him. Oh, and her father, but he lived far away in Northumberland.

 

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