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Complete Works of William Faulkner

Page 697

by William Faulkner


  “No,” Mr. Acarius whispered.

  “Come on now,” the nurse said. “You must try to cooperate.”

  “I can’t,” Mr. Acarius whispered.

  “OK,” the nurse said. “But you must eat some of it, or I’ll have to tell Doctor Hill on you.”

  So he tried, chewing down a little of the food anyway; presently the orderly came and removed the tray; immediately after that Miller entered rapidly and removed one of the bottles, the one Watkins had opened, from Mr. Acarius’s bed. “We appreciate this,” Miller said. “Sure you won’t have one?”

  “No,” Mr. Acarius whispered. Then he could crouch again, hearing the slow accumulation of the cloistral evening. He could see the corridor beyond his door. Occasionally other men in pajamas and dressing gowns passed; they seemed to be congregating toward another lighted door up the corridor; even as he knotted the cord of his robe he could hear the unmistakable voice: “Did you ever see a dream … walking,” then, creeping nearer, he could see inside the office or dispensary or whatever it was — a cabinet, open, the keys dangling on a ring from the lock, the nurse measuring whiskey from a brown unlabeled bottle in turn into the small glasses in the hands of the assembled devotees. “Did you ever hear a dream … talking,” Watkins said.

  “That’s right,” Miller said to him in a friendly voice. “Better take it while you can. It’s going to be a long dry spell after Goldie goes off at midnight.”

  But that was not what Mr. Acarius wanted; alone with the nurse at last, he said so. “It’s a little early to go to bed yet, isn’t it?” the nurse said.

  “I’ve got to sleep,” Mr. Acarius said. “I’ve got to.”

  “All right,” the nurse said. “Go get in bed and I’ll bring it to you.”

  He did so, swallowed the capsule and then lay, the hidden bottle cold against his feet, though it would warm in time or perhaps in time, soon even, he would not care, though he didn’t see how, how ever to sleep again; he didn’t know how late it was, though that would not matter either: to call his doctor now, have the nurse call him, to come and get him, take him away into safety, sanity, falling suddenly from no peace into something without peace either, into a loud crash from somewhere up the corridor. It was late, he could feel it. The overhead light was off now, though a single shaded one burned beside the bed, and now there were feet in the corridor, running; Watkins and Miller entered. Watkins wore a woman’s jade-colored raincoat, from the front of which protruded or dangled a single broken-stemmed tuberose; his head was bound in a crimson silk scarf like a nun’s wimple. Miller was carrying the same brown unlabeled bottle which Mr. Acarius had seen the nurse lock back inside the cabinet two or three hours or whatever it was ago, which he was trying to thrust into Mr. Acarius’s bed when there entered a nurse whom Mr. Acarius knew at once must be the new and dreaded one: an older woman in awry pince-nez, crying: “Give it back to me! Give it back to me!” She cried to Mr. Acarius: “I had the cabinet unlocked and was reaching down the bottle when one of them knocked my cap off and when I caught at it, one of them reached over my head and grabbed the bottle!”

  “Then give me back that bottle of mine you stole out of my flush tank,” Miller said.

  “I poured it out,” the nurse cried in triumph.

  “But you had no right to,” Miller said. “That was mine. I bought it myself, brought it in here with me. It didn’t belong to the hospital at all and you had no right to put your hand on it.”

  “We’ll let Doctor Hill decide that,” the nurse said. She snatched up the brown unlabeled bottle and went out.

  “You bet we will,” Miller said, following.

  “Did you ever hear a dream … talking,” Watkins said. “Move your feet,” he said, reaching into Mr. Acarius’s bed and extracting the unopened bottle. Mr. Acarius did not move, he could not, while Watkins opened the bottle and drank from it. From up the corridor there still came the sound of Miller’s moral indignation; presently Miller entered.

  “She wouldn’t let me use the telephone,” he said. “She’s sitting on it. We’ll have to go upstairs and wake him up.”

  “She has no sense of humor,” Watkins said. “Better kill this before she finds it too.” They drank rapidly in turn from the bottle. “We’ll have to have more liquor now. We’ll have to get the keys away from her.”

  “How?” Miller said.

  “Trip her up. Grab them.”

  “That’s risky.”

  “Not unless she hits her head on something. Get her out into the corridor first, where there’s plenty of room.”

  “Let’s go upstairs and wake up Hill first,” Miller said. “I’m damned if I’m going to let them get away with anything as highhanded as this.”

  “Right,” Watkins said, emptying the bottle and dropping it into Mr. Acarius’s wastebasket. Then Mr. Acarius was alone again — if he had ever been else, since there was no time to telephone anyone now, no one to telephone to: who was as isolate from help and aid here as if he had waked on an inaccessible and forgotten plateau of dinosaurs, where only beast might be rallied to protect beast from beast; he remembered in the group armed with the small ritual glasses at the dispensary one who looked like a truck driver or perhaps even a prize fighter; he might do to help, provided he was awake, though it was incredible to Mr. Acarius that anyone on the floor could still be asleep; certainly not now because at this moment there came through the ceiling overhead the sound of Doctor Hill’s voice roaring with rage, Mr. Acarius lying in a kind of suffering which was almost peaceful, thinking, Yes, yes, we will save her life and then I will get out of here, I don’t care how, I don’t care where; still lying so while Doctor Hill’s voice reached its final crescendo, followed by a curious faint sound which Mr. Acarius could define only as a suspended one: then one last thundering crash.

  He was off the bed now; the nurse and an orderly running, had already shown the way: A door in the corridor which, open now, revealed a flight of concrete stairs, at the foot of which lay Watkins. He looked indeed like a corpse now. In fact, he looked more than just dead: he looked at peace, his eyes closed, one arm flung across his breast so that the lax hand seemed to clasp lightly the broken stem of the tuberose. “That’s right!” Mr. Acarius cried, “tremble! You only hope he is!”

  Miller had said he put the suit behind the tub; it was there, wadded. Mr. Acarius had no shirt save his pajama jacket nor shoes save his carpet slippers. Nor did he have any idea where Miller’s room with its unlocked window on the fire escape was either. But he did not hesitate. I’ve done what I can, he thought. Let the Lord provide awhile.

  Something did, anyway. He had to wait while the orderly and two patients bore Watkins into his room and cleared the corridor. Then he found Miller’s room with no more effort than just selecting a door rapidly and opening it. He had had a fear of height all his life, though he was already on the dark fire escape before he even remembered it, thinking with a kind of amazement of a time, a world in which anyone had time to be afraid of anything consisting merely of vertical space. He knew in theory that fire escapes did not reach the ground and that you had to drop the remaining distance too; it was dark here and he did not know into what but again he did not hesitate, letting go into nothing, onto cinders; there was a fence too and then an alley and now he could see the sweet and empty sweep of the Park: that and nothing more between him and the sanctuary of his home. Then he was in the Park, running, stumbling, panting, gasping, when a car drew abreast of him. Slowing, and a voice said, “Hey, you!” and still trying to run even after the blue coats and the shields surrounded him: then he was fighting, swinging wildly and violently until they caught and held him while one of them sniffed his breath. “Don’t strike a match near him,” a voice said. “Call the wagon.”

  “It’s all right, officer,” his doctor said and, panting, helpless, even crying now, Mr. Acarius saw for the first time the other car drawn up behind the police one. “I’m his doctor. They telephoned me from the hospital that he had escap
ed. I’ll take charge of him. Just help me get him into my car.”

  They did so: the firm hard hands. Then the car was moving. “It was that old man,” he said crying. “That terrible, terrible old man, who should have been at home telling bedtime stories to his grandchildren.”

  “Didn’t you know there were police in that car?” the doctor said.

  “No,” Mr. Acarius cried. “I just knew that there were people in it.”

  Then he was at home, kneeling before the cellarette, dragging rapidly out not only what remained of the whiskey but all the rest of it too — the brandy, vermouth, gin, liqueurs — all of it, gathering the bottles in his arms and running into the bathroom where first one then a second and then a third crashed and splintered into the tub, the doctor leaning in the door, watching him.

  “So you entered mankind, and found the place already occupied,” the doctor said.

  “Yes,” Mr. Acarius said, crying, “You can’t beat him. You cannot. You never will. Never.”

  The Short Stories

  When Faulkner was five years old, his family moved to Oxford, Mississippi, where he lived on and off for the rest of his life.

  Faulkner attended the University of Mississippi (Ole Miss) in Oxford, enrolling in 1919, going three semesters before dropping out in November 1920.

  List of Short Stories in Chronological Order

  Please note: to retain the original structure of the collections, some short stories appear more than once in the list. The contents table also includes the short stories/chapters from the novels The Unvanquished, Go Down, Moses and Knight’s Gambit.

  AMBUSCADE

  RETREAT

  RAID

  RIPOSTE IN TERTIO

  VENDÉE

  SKIRMISH AT SARTORIS

  AN ODOR OF VERBENA

  WAS

  THE FIRE AND THE HEARTH

  PANTALOON IN BLACK

  THE OLD PEOPLE

  THE BEAR

  DELTA AUTUMN

  GO DOWN, MOSES

  SMOKE

  MONK

  HAND UPON THE WATERS

  TO-MORROW

  AN ERROR IN CHEMISTRY

  KNIGHT’S GAMBIT

  VICTORY

  AD ASTRA

  ALL THE DEAD PILOTS

  CREVASSE

  RED LEAVES

  A ROSE FOR EMILY

  A JUSTICE

  HAIR

  THAT EVENING SUN

  DRY SEPTEMBER

  MISTRAL

  DIVORCE IN NAPLES

  CARCASSONNE

  BARN BURNING

  SHINGLES FOR THE LORD

  THE TALL MEN

  A BEAR HUNT

  TWO SOLDIERS

  SHALL NOT PERISH

  A ROSE FOR EMILY

  HAIR

  CENTAUR IN BRASS

  DRY SEPTEMBER

  DEATH DRAG

  ELLY

  UNCLE WILLY

  MULE IN THE YARD

  THAT WILL BE FINE

  THAT EVENING SUN

  RED LEAVES

  A JUSTICE

  A COURTSHIP

  LO!

  AD ASTRA

  VICTORY

  CREVASSE

  TURNABOUT

  ALL THE DEAD PILOTS

  WASH

  HONOR

  DR. MARTINO

  FOX HUNT

  PENNSYLVANIA STATION

  ARTIST AT HOME

  THE BROOCH

  MY GRANDMOTHER MILLARD

  GOLDEN LAND

  THERE WAS A QUEEN

  MOUNTAIN VICTORY

  BEYOND

  BLACK MUSIC

  THE LEG

  MISTRAL

  DIVORCE IN NAPLES

  CARCASSONNE

  SPOTTED HORSES

  THE HOUND

  LIZARDS IN JAMSHYD’S COURTYARD

  FOOL ABOUT A HORSE

  RACE AT MORNING

  ONCE ABOARD THE LUGGER

  MISS ZILPHIA GANT

  THRIFT

  IDYLL IN THE DESERT

  TWO DOLLAR WIFE

  AFTERNOON OF A COW

  SEPULTURE SOUTH: GASLIGHT

  MR. ACARIUS

  List of Short Stories in Alphabetical Order

  Please note: to retain the original structure of the collections, some short stories appear more than once in the list. The contents table also includes the short stories/chapters from the novels Go Down, Moses and Knight’s Gambit.

  A BEAR HUNT

  A COURTSHIP

  A JUSTICE

  A JUSTICE

  AMBUSCADE

  A ROSE FOR EMILY

  A ROSE FOR EMILY

  AD ASTRA

  AD ASTRA

  AFTERNOON OF A COW

  ALL THE DEAD PILOTS

  ALL THE DEAD PILOTS

  AN ERROR IN CHEMISTRY

  AN ODOR OF VERBENA

  ARTIST AT HOME

  BARN BURNING

  BEYOND

  BLACK MUSIC

  CARCASSONNE

  CARCASSONNE

  CENTAUR IN BRASS

  CREVASSE

  CREVASSE

  DEATH DRAG

  DELTA AUTUMN

  DIVORCE IN NAPLES

  DIVORCE IN NAPLES

  DR. MARTINO

  DRY SEPTEMBER

  DRY SEPTEMBER

  ELLY

  FOOL ABOUT A HORSE

  FOX HUNT

  GO DOWN, MOSES

  GOLDEN LAND

  HAIR

  HAIR

  HAND UPON THE WATERS

  HONOR

  IDYLL IN THE DESERT

  KNIGHT’S GAMBIT

  LIZARDS IN JAMSHYD’S COURTYARD

  LO!

  MISS ZILPHIA GANT

  MISTRAL

  MISTRAL

  MONK

  MOUNTAIN VICTORY

  MR. ACARIUS

  MULE IN THE YARD

  MY GRANDMOTHER MILLARD

  ONCE ABOARD THE LUGGER

  PANTALOON IN BLACK

  PENNSYLVANIA STATION

  RACE AT MORNING

  RAID

  RED LEAVES

  RED LEAVES

  RETREAT

  RIPOSTE IN TERTIO

  SEPULTURE SOUTH: GASLIGHT

  SHALL NOT PERISH

  SHINGLES FOR THE LORD

  SKIRMISH AT SARTORIS

  SMOKE

  SPOTTED HORSES

  THAT EVENING SUN

  THAT EVENING SUN

  THAT WILL BE FINE

  THE BEAR

  THE BROOCH

  THE FIRE AND THE HEARTH

  THE HOUND

  THE LEG

  THE OLD PEOPLE

  THE TALL MEN

  THERE WAS A QUEEN

  THRIFT

  TO-MORROW

  TURNABOUT

  TWO DOLLAR WIFE

  TWO SOLDIERS

  UNCLE WILLY

  VENDÉE

  VICTORY

  VICTORY

  WAS

  WASH

  The Poetry Collections

  Faulkner’s home Rowan Oak in Oxford, Mississippi – Faulkner bought the house when it was in disrepair in the 1930’s and completed many of the renovations himself.

  Rowan Oak was declared a National Historic Landmark in 1968 and today the building functions as a museum dedicated to the life and works of the author.

  Faulkner’s Underwood Universal Portable typewriter in his office at Rowan Oak, which is now maintained by the University of Mississippi.

  Faulkner served as Writer-in-Residence at the University of Virginia at Charlottesville from February to June 1957 and again in 1958. For a time, he lived among the students after winning the Nobel Prize for Literature, bequeathing most of his papers to Alderman Library.

  The Marble Faun

  CONTENTS

  PROLOGUE

  THE MARBLE FAUN

  EPILOGUE

  To

  My Mother

  PROLOGUE

  The poplar trees sway to and fro

&nb
sp; That through this gray old garden go

  Like slender girls with nodding heads,

  Whispering above the beds

  Of tall tufted hollyhocks,

  Of purple asters and of phlox;

  Caught in the daisies’ dreaming gold

  Recklessly scattered wealth untold

  About their slender graceful feet

  Like poised dancers, lithe and fleet.

  The candled flames of roses here

  Gutter gold in this still air,

  And clouds glide down the western sky

  To watch this sun-drenched revery,

  While the poplars’ shining crests

  Lightly brush their silvered breasts,

  Dreaming not of winter snows

  That soon will shake their maiden rows.

  The days dream by, golden-white,

  About the fountain’s silver light

  That lifts and shivers in the breeze

  Gracefully slim as are the trees;

  Then shakes down its glistered hair

  Upon the still pool’s mirrored, fair

  Flecked face.

  Why am I sad? I?

  Why am I not content? The sky

  Warms me and yet I cannot break

  My marble bonds. That quick keen snake

  Is free to come and go, while I

  Am prisoner to dream and sigh

  For things I know, yet cannot know,

  ‘Twixt sky above and earth below.

  The spreading earth calls to my feet

  Of orchards bright with fruits to eat,

  Of hills and streams on either hand;

  Of sleep at night on moon-blanched sand:

  The whole world breathes and calls to me

  Who marble-bound must ever be.

  THE MARBLE FAUN

  IF I were free, then I would go

  Where the first chill spring winds blow,

  Wrapping a light shocked mountain’s brow

  With shrilling tongues, and swirling now,

  And fiery upward flaming, leap

  From craggy teeth above each deep

  Cold and wet with silence. Here

  I fly before the streaming year

  Along the fierce cold mountain tops

 

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