The Complete Stories

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The Complete Stories Page 45

by Franz Kafka


  Your rivals behind you, firmly in the saddle, are trying to ignore the bad luck that has befallen them and the injustice they have somehow suffered; they are putting a brave new face on things, as if a different race were due to start, and this time a serious one after such child's play.

  For many ladies the victor cuts a ridiculous figure because he is swelling with importance and yet cannot cope with the never-ending handshaking, saluting, bowing, and waving, while the defeated keep their mouths shut and casually pat the necks of their whinnying horses.

  And finally from the now overcast sky rain actually begins to fall.

  Translated by Willa and Edwin Muir

  The Wish to Be a Red Indian

  IF ONE WERE only an Indian, instantly alert, and on a racing horse, leaning against the wind, kept on quivering jerkily over the quivering ground, until one shed one's spurs, for there needed no spurs, threw away the reins, for there needed no reins, and hardly saw that the land before one was smoothly shorn heath when horse's neck and head would be already gone.

  Translated by Willa and Edwin Muir

  Unhappiness

  WHEN it was becoming unbearable — once toward evening in November — and I ran along the narrow strip of carpet in my room as on a racetrack, shrank from the sight of the lit-up street, then turning to the interior of the room found a new goal in the depths of the looking glass and screamed aloud, to hear only my own scream which met no answer nor anything that could draw its force away, so that it rose up without check and could not stop even when it ceased being audible, the door in the wall opened toward me, how swiftly, because swiftness was needed and even the cart horses down below on the paving stones were rising in the air like horses driven wild in a battle, their throats bare to the enemy.

  Like a small ghost a child blew in from the pitch-dark corridor, where the lamp was not yet lit, and stood a-tiptoe on a floor board that quivered imperceptibly. At once dazzled by the twilight in my room she made to cover her face quickly with her hands, but contented herself unexpectedly with a glance at the window, where the mounting vapor of the street lighting had at last settled under its cover of darkness behind the crossbars. With her right elbow she supported herself against the wall in the open doorway and let the draught from outside play along her ankles, her throat, and her temples.

  I gave her a brief glance, then said "Good day," and took my jacket from the hood of the stove, since I didn't want to stand there half-undressed. For a little while I let my mouth hang open, so that my agitation could find a way out. I had a bad taste in my mouth, my eyelashes were fluttering on my cheeks, in short this visit, though I had expected it, was the one thing needful.

  The child was still standing by the wall on the same spot, she had pressed her right hand against the plaster and was quite taken up with finding, her cheeks all pink, that the whitewashed walls had a rough surface and chafed her finger tips. I said: "Are you really looking for me? Isn't there some mistake? Nothing easier than to make a mistake in this big building. I'm called So-and-so and I live on the third floor. Am I the person you want to find?"

  "Hush, hush," said the child over her shoulder, "it's all right."

  "Then come farther into the room, I'd like to shut the door."

  "I've shut it this very minute. Don't bother. Just be easy in your mind."

  "It's no bother. But there's a lot of people living on this corridor, and I know them all, of course; most of them are coming back from work now; if they hear someone talking in a room, they simply think they have a right to open the door and see what's happening. They're just like that. They've turned their backs on their daily work and in their provisionally free evenings they're not going to be dictated to by anyone. Besides, you know that as well as I do. Let me shut the door."

  "Why, what's the matter with you? I don't mind if the whole house comes in. Anyhow, as I told you, I've already shut the door, do you think you're the only person who can shut doors? I've even turned the key in the lock."

  "That's all right then. I couldn't ask for more. You didn't need to turn the key, either. And now that you are here, make yourself comfortable. You are my guest. You can trust me entirely. Just make yourself at home and don't be afraid. I won't compel you either to stay or to go away. Do I have to tell you that? Do you know me so little?"

  "No. You really didn't need to tell me that. What's more, you shouldn't have told me. I'm just a child; why stand on so much ceremony with me?"

  "It's not so bad as that. A child, of course. But not so very small. You're quite big. If you were a young lady, you wouldn't dare to lock yourself so simply in a room with me."

  "We needn't worry about that. I just want to say: my knowing you so well isn't much protection to me, it only relieves you of the effort of keeping up pretenses before me. And yet you're paying me a compliment. Stop it, I beg you, do stop it. Anyhow, I don't know you everywhere and all the time, least of all in this darkness. It would be much better if you were to light up. No, perhaps not. At any rate I'll keep it in mind that you have been threatening me."

  "What? Am I supposed to have threatened you? But, look here. I'm so pleased that you've come at last. I say 'at last' because it's already rather late. I can't understand why you've come so late. But it's possible that in the joy of seeing you I have been speaking at random and you took up my words in the wrong sense. I'll admit ten times over that I said something of the kind, I've made all kinds of threats, anything you like. Only no quarreling, for Heaven's sake! But how could you think of such a thing? How could you hurt me so? Why do you insist on spoiling this brief moment of your presence here? A stranger would be more obliging than you are."

  "That I can well believe; that's no great discovery. No stranger could come any nearer to you than I am already by nature. You know that, too, so why all this pathos? If you're only wanting to stage a comedy I'll go away immediately."

  "What? You have the impudence to tell me that? You make a little too bold. After all, it's my room you're in. It's my wall you're rubbing your fingers on like mad. My room, my wall! And besides, what you are saying is ridiculous as well as impudent. You say your nature forces you to speak to me like that. Is that so? Your nature forces you? That's kind of your nature. Your nature is mine, and if I feel friendly to you by nature, then you mustn't be anything else."

  "Is that friendly?"

  "I'm speaking of earlier on."

  "Do you know how I'll be later on?"

  "I don't know anything."

  And I went to the bed table and lit the candle on it. At that time I had neither gas nor electric light in my room. Then I sat for a while at the table till I got tired of it, put on my greatcoat, took my hat from the sofa, and blew out the candle. As I went out I tripped over the leg of a chair.

  On the stairs I met one of the tenants from my floor.

  "Going out again already, you rascal?" he asked, pausing with his legs firmly straddled over two steps.

  "What can I do?" I said, "I've just had a ghost in my room."

  "You say that exactly as if you had just found a hair in your soup."

  "You're making a joke of it. But let me tell you, a ghost is a ghost."

  "How true. But what if one doesn't believe in ghosts at all?"

  "Well, do you think I believe in ghosts? But how can my not believing help me?"

  "Quite simply. You don't need to feel afraid if a ghost actually turns up."

  "Oh, that's only a secondary fear. The real fear is a fear of what caused the apparition. And that fear doesn't go away. I have it fairly powerfully inside me now." Out of sheer nervousness I began to hunt through all my pockets.

  "But since you weren't afraid of the ghost itself, you could easily have asked it how it came to be there."

  "Obviously you've never spoken to a ghost. One never gets straight information from them. It's just a hither and thither. These ghosts seem to be more dubious about their existence than we are, and no wonder, considering how frail they are."

&nb
sp; "But I've heard that one can fatten them up."

  "How well informed you are. It's quite true. But is anyone likely to do it?"

  "Why not? If it were a feminine ghost, for instance," said he, swinging onto the top step.

  "Aha," said I, "but even then it's not worth while."

  I thought of something else. My neighbor was already so far up that in order to see me he had to bend over the well of the staircase. "All the same," I called up, "if you steal my ghost from me all is over between us, forever."

  "Oh, I was only joking," he said and drew his head back.

  "That's all right," said I, and now I really could have gone quietly for a walk. But because I felt so forlorn I preferred to go upstairs again and so went to bed.

  Translated by Willa and Edwin Muir

  Bachelor's Ill Luck

  IT SEEMS so dreadful to stay a bachelor, to become an old man struggling to keep one's dignity while begging for an invitation whenever one wants to spend an evening in company, to lie ill gazing for weeks into an empty room from the corner where one's bed is, always having to say good night at the front door, never to run up a stairway beside one's wife, to have only side doors in one's room leading into other people's living rooms, having to carry one's supper home in one's hand, having to admire other people's children and not even being allowed to go on saying: "I have none myself," modeling oneself in appearance and behavior on one or two bachelors remembered from one's youth.

  That's how it will be, except that in reality, both today and later, one will stand there with a palpable body and a real head, a real forehead, that is, for smiting on with one's hand.

  Translated by Willa and Edwin Muir

  Unmasking a Confidence Trickster

  AT LAST, about ten o'clock at night, I came to the doorway of the fine house where I was invited to spend the evening, after the man beside me, whom I was barely acquainted with and who had once again thrust himself unasked upon me, had marched me for two long hours around the streets.

  "Well!" I said, and clapped my hands to show that I really had to bid him goodbye. I had already made several less explicit attempts to get rid of him. I was tired out.

  "Are you going straight in?" he asked. I heard a sound in his mouth that was like the snapping of teeth.

  "Yes."

  I had been invited out, I told him when I met him. But it was to enter a house where I longed to be that I had been invited, not to stand here at the street door looking past the ears of the man before me. Nor to fall silent with him, as if we were doomed to stay for a long time on this spot. And yet the houses around us at once took a share in our silence, and the darkness over them, all the way up to the stars. And the steps of invisible passers-by, which one could not take the trouble to elucidate, and the wind persistently buffeting the other side of the street, and a gramophone singing behind the closed windows of some room — they all announced themselves in this silence, as if it were their own possession for the time past and to come.

  And my companion subscribed to it in his own name and — with a smile — in mine too, stretched his right arm up along the wall and leaned his cheek upon it, shutting his eyes.

  But I did not wait to see the end of that smile, for shame suddenly caught hold of me. It had needed that smile to let me know that the man was a confidence trickster, nothing else. And yet I had been months in the town and thought I knew all about confidence tricksters, how they came slinking out of side streets by night to meet us with outstretched hands like tavernkeepers, how they haunted the advertisement pillars we stood beside, sliding around them as if playing hide-and-seek and spying on us with at least one eye, how they suddenly appeared on the curb of the pavement at cross-streets when we were hesitating! I understood them so well, they were the first acquaintances I had made in the town's small taverns, and to them I owed my first inkling of a ruthless hardness which I was now so conscious of, everywhere on earth, that I was even beginning to feel it in myself. How persistently they blocked our way, even when we had long shaken ourselves free, even when, that is, they had nothing more to hope for! How they refused to give up, to admit defeat, but kept shooting glances at us that even from a distance were still compelling! And the means they employed were always the same: they planted themselves before us, looking as large as possible, tried to hinder us from going where we purposed, offered us instead a habitation in their own bosoms, and when at last all our balked feelings rose in revolt they welcomed that like an embrace into which they threw themselves face foremost.

  And it had taken me such a long time in this man's company to recognize the same old game. I rubbed my finger tips together to wipe away the disgrace.

  My companion was still leaning there as before, still believing himself a successful trickster, and his self-complacency glowed pink on his free cheek.

  "Caught in the act!" said I, tapping him lightly on the shoulder. Then I ran up the steps, and the disinterested devotion on the servants' faces in the hall delighted me like an unexpected treat. I looked at them all, one after another, while they took my greatcoat off and wiped my shoes clean.

  With a deep breath of relief and straightening myself to my full height, I then entered the drawing room.

  Translated by Willa and Edwin Muir

  The Sudden Walk

  WHEN it looks as if you had made up your mind finally to stay at home for the evening, when you have put on your house jacket and sat down after supper with a light on the table to the piece of work or the game that usually precedes your going to bed, when the weather outside is unpleasant so that staying indoors seems natural, and when you have already been sitting quietly at the table for so long that your departure must occasion surprise to everyone, when, besides, the stairs are in darkness and the front door locked, and in spite of all that you have started up in a sudden fit of restlessness, changed your jacket, abruptly dressed yourself for the street, explained that you must go out and with a few curt words of leave-taking actually gone out, banging the flat door more or less hastily according to the degree of displeasure you think you have left behind you, and when you find yourself once more in the street with limbs swinging extra freely in answer to the unexpected liberty you have procured for them, when as a result of this decisive action you feel concentrated within yourself all the potentialities of decisive action, when you recognize with more than usual significance that your strength is greater than your need to accomplish effortlessly the swiftest of changes and to cope with it, when in this frame of mind you go striding down the long streets — then for that evening you have completely got away from your family, which fades into insubstantiality, while you yourself, a firm, boldly drawn black figure, slapping yourself on the thigh, grow to your true stature.

  All this is still heightened if at such a late hour in the evening you look up a friend to see how he is getting on.

  Translated by Willa and Edwin Muir

  Resolutions

  To LIFT YOURSELF out of a miserable mood, even if you have to do it by strength of will, should be easy. I force myself out of my chair, stride around the table, exercise my head and neck, make my eyes sparkle, tighten the muscles around them. Defy my own feelings, welcome A. enthusiastically supposing he comes to see me, amiably tolerate B. in my room, swallow all that is said at C.'s, whatever pain and trouble it may cost me, in long draughts.

  Yet even if I manage that, one single slip, and a slip cannot be avoided, will stop the whole process, easy and painful alike, and I will have to shrink back into my own circle again.

  So perhaps the best resource is to meet everything passively, to make yourself an inert mass, and, if you feel that you are being carried away, not to let yourself be lured into taking a single unnecessary step, to stare at others with the eyes of an animal, to feel no compunction, in short, with your own hand to throttle down whatever ghostly life remains in you, that is, to enlarge the final peace of the graveyard and let nothing survive save that.

  A characteristic movement in s
uch a condition is to run your little finger along your eyebrows.

  Translated by Willa and Edwin Muir

  A Dream

  JOSEF K. was dreaming.

  It was a beautiful day and K. felt like going for a walk. But hardly had he taken a couple of steps when he was already at the cemetery. The paths there were very winding, ingeniously made, and unpractical, but he glided along one of them as if on a rushing stream with unshaken poise and balance. From a long way off his eye was caught by a freshly heaped grave mound which he wanted to pause beside. This grave mound exerted almost a fascination over him and he felt he could not reach it fast enough. But he often nearly lost sight of it, for his view was obscured by banners which veered and flapped against each other with great force; one could not see the standard-bearers, but there seemed to be a very joyous celebration going on.

  While he was still peering into the distance, he suddenly saw the grave mound quite near his path, indeed he was almost leaving it behind him. He made a hasty spring onto the grass. But since the path went rushing on under his shifting foot, he tottered and fell on his knees just in front of the grave mound. Two men were standing behind the grave and were holding a gravestone between them in the air; scarcely had K. arrived when they thrust the stone into the earth and it stood as if cemented there. Out of some bushes there came at once a third man, whom K. recognized immediately as an artist. He was clad only in trousers and a badly buttoned shirt; on his head was a velvet cap; in his hand he held an ordinary pencil with which he was already drawing figures in the air as he approached.

 

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