Complete Dramatic Works of Thomas Dekker

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Complete Dramatic Works of Thomas Dekker Page 86

by Thomas Dekker


  TORMIELLA

  My shoemaker.

  KING

  Oh, hast fitted her? So, hence, sir.

  CORDOLENTE

  As a worm on my belly. What, should the ant

  On his poor mole-hill brave the elephant?

  No, Signior, no.

  No brains to stay, but saves a head to go. [Exit.

  KING

  Let me have no more of this; have not we eyes

  Pointed like sunbeams? Go to, get you in.

  TORMIELLA

  Angel from heaven, fall’n a king’s concubine. [Exit.

  Enter MARTINES.

  MARTINES

  May it please your grace —

  KING

  Ha!

  MARTINES

  Her highness drown’d in sorrow that your brow

  Has been so long contracted into frowns,

  Wishing to die unless she see it smooth’d,

  Commends her best love to you in this jewel,

  The image of her heart.

  KING

  My Lord Admiral,

  My wife’s grown kind, see?

  VALASCO

  One of the happiest hours

  Mine age e’er numbered. Would your highness now

  Would fetch up the red blood her cheeks hath lost

  By sending her some symbol of your love.

  KING

  Pray, step yourself unto her; say I lock

  My heart up in your bosom to her use,

  And give it her.

  VALASCO

  I’ll lend it in your name.

  KING

  Do.

  VALASCO

  She shall pay her heart for it in interest. [Exit.

  KING

  I’ll see her anon.

  Leave us. Stay you and set that table there.

  [Exeunt. Manent KING and MARTINES.

  A chair; none trouble us. Do you serve the Queen?

  MARTINES

  Yes, sir.

  KING

  We know you now; y’are in our eye.

  Are the doors fast?

  MARTINES

  They are, sir.

  KING

  Nearer yet.

  Do not you know of a conspiracy

  To take away my life upon Saunt — tush,

  No matter for the day. You know the plot, sir?

  MARTINES

  By heaven, I know of none!

  KING

  Blushing does you stain.

  MARTINES

  It is not guilt but anger.

  KING

  Y’ave all fix’d

  Your hands and seals to an indenture drawn

  By such a day to kill me.

  MARTINES

  For my part,

  My loyalty like a rough diamond shines

  The more ’tis cut. I have no hand in that

  Or any baseness else against your life

  Or kingdom.

  KING

  No?

  MARTINES

  None.

  KING

  Fetch me ink and paper.

  I soon shall try that. Come, sir, write your name.

  Stay; your own words shall choke you; ’twas a letter

  Wrapp’d up in hidden characters and sent

  Enclos’d in a pomgranet to a great Don,

  And thus subscrib’d, “At your pleasure, your obsequious vassal.”

  Write this, and then your name here.

  MARTINES

  [Writes.] “At your pleasure” —

  KING

  Thy hand shakes.

  MARTINES

  No, sir. [Writes.] “Your obsequious vassal.”

  KING

  Here, sir, your name now there so low it stood.

  MARTINES

  [Writes.] “Martines Cazalla de Barameda.”

  KING

  There’s in thy face to traitor. I cannot tell.

  Good mouths have given thee to me, on your life

  Be not you like a wolf’s skin drom to fright

  The whole herd by your sound. I will compare

  Your hand with this, that’s all. But, sir, beware

  You prate to none of what ‘twixt us is past.

  MARTINES

  Were I i’th’world above, I would desire

  To come from thence, to give that man the lie,

  That once should dare to blot my loyalty.

  KING

  Here, take this key; meet me some half hour hence

  I’th’privy gallery with two naked poniards.

  MARTINES

  Two poniards. [Exit.

  Enter GAZETTO as LUPO.

  KING

  Yes, go send somebody in. Stay, Lupo,

  Can you write?

  GAZETTO

  Yes.

  KING

  Indite a letter— ‘sdeath, sir — here begin.

  GAZETTO

  After my hearty commendations, so, sir.

  KING

  How! Write, “My most admired mistress.”

  GAZETTO

  [Writes.] “–mired mistress.”

  KING

  “With the fire you first kindled in me, still I am burnt.”

  GAZETTO

  [Writes.] “Still I am burnt.”

  KING

  “So that thunder shall not hinder me from climbing the highest step of the ladder.”

  GAZETTO

  [Writes.] “Climbing the highest step of the ladder.”

  KING

  “Of your perfections, though I be confounded forever.”

  GAZETTO

  [Writes.] “Be confounded forever.”

  KING

  “Your high pleasures are mine, mine yours.”

  GAZETTO

  [Writes.] “Mine yours.”

  KING

  “And I die everlastingly until I be in your bosom.”

  GAZETTO

  [Writes.] “And I die — until I be in your bosom.”

  KING

  So.

  GAZETTO

  So.

  KING

  Hold.

  GAZETTO

  Here, sir.

  KING

  Where are the gentlemen of our chamber?

  GAZETTO

  Without, sir.

  KING

  Bid them attend us close.

  GAZETTO

  I shall. [Exeunt.

  Act Four, Scene Five

  ENTER MARTINES WITH two poniards.

  MARTINES

  Would this day’s work were done. I do not like

  To see a bull to a wild fig tree tied

  To make him tame; beasts licking ‘gainst the hair

  Forshow some storm, and I foresee some snare.

  His sword is dipp’d in oil, yet does it wound

  Deadly; yet stand it, innocence wrong’d is crown’d.

  Enter KING, ALPHONSO, and GAZETTO as LUPO, and others.

  OMNES

  Treason!

  KING

  Where?

  OMNES

  Kill the villain! [All draw.

  KING

  Stay! None touch him

  On you lives! On king’s shoulders stand

  The heads of the colossi of the gods,

  Above the reach of traitors, were the beds

  Of twenty thousand snakes laid in this bosom,

  There’s thunder in our looks to break them all.

  Leave us.

  OMNES

  You are too venturous. [Exeunt. Manent KING and MARTINES.

  KING

  Jove cannot fall;

  Both person, place and business were quite lost

  Out of our memory. Lay aside these poniards.

  We have alter’d now our business; you shall bear, sir,

  Our salutation to the Queen. Not seal’d!

  ‘Sfoot, nor endors’d! Some ink; come let thy forehead

  Have no more wrinkles in’t. But this, to the Queen,

  Write it.

  MARTINES
>
  To the Queen, no more!

  KING

  No, no, ’tis well.

  Hast thou no seal about thee? If my wife

  Exceptions take missing our royal signet.

  Say that not having that, I borrowed yours.

  MARTINES

  I shall, sir. [Exit.

  KING

  Hide it, go. Without there!

  Enter All.

  OMNES

  Sir.

  KING

  You met him, did you not? How look’d the slave?

  OMNES

  Most strangely.

  KING

  Unparelled villain! Devils could not set

  To hatch such spiteful mischief. Guard me closely;

  When you see him at the stake than worry him.

  Are all weapon’d?

  OMNES

  All, all.

  KING

  When darts invisible fly,

  A slave may kill a lion in the eye. [Exeunt.

  Act Four, Scene Six

  ENTER QUEEN AND TORMIELLA.

  QUEEN

  Who gave you this?

  TORMIELLA

  A gentleman of your chamber.

  QUEEN

  Call in the villain.

  Enter MARTINES.

  Thou audacious serpent!

  How dar’st thou wind in knotted curls thy lust

  About our honour. Where hadst thou this letter?

  MARTINES

  I had it from the king.

  QUEEN

  Out, impudent traitor!

  Enter KING, IAGO, GAZETTO as LUPO, and APHONSO.

  KING

  How now at barley-break? Who art in hell?

  What’s that? To the Queen? What queen?

  QUEEN

  Me! ’Tis to me!

  Your mistress there the messenger; her secretary,

  He here.

  KING

  ‘Uds death!

  QUEEN

  Your trull and he have laid

  Trains to blow up mine honour. I am betray’d.

  KING

  Lupo, fasten her.

  QUEEN

  Fasten me!

  KING

  Iago, see.

  Look all; bind fast this devil. Is there no circle

  To be damn’d in but mine?

  QUEEN

  Slave, let me go.

  KING

  Oh, thou lustful harlot!

  QUEEN

  Guard me, heaven.

  MARTINES

  I’m sold.

  QUEEN

  Thou villain, speak truth!

  KING

  Keep her off.

  MARTINES

  Most basely

  Betray’d and baffled. Is that letter the same

  I sent in to the Queen?

  TORMIELLA

  The very same.

  KING

  Is this thy hand?

  MARTINES

  ’Tis, sir, but hear me.

  KING

  And this thy name, thy hand?

  MARTINES

  My name, my hand.

  QUEEN

  Save him and let him spit

  His blackest poison forth.

  KING

  Spare him. Unhand her.

  QUEEN

  Let me have justice as thou art a king!

  KING

  To prison with them both.

  QUEEN

  As I am thy wife,

  Make not thyself a strumpet of me.

  KING

  Hence, guard her.

  QUEEN

  I come, heaven, guarded with innocence. [Exit.

  KING

  Follow your mistress, go.

  TORMIELLA

  Yes, to her grave.

  Oh, that I now were swallowed in some wave! [Exit.

  KING

  Oh, that I

  Should in a woman’s lap my kingdom lay;

  Honour and life, and she should all betray

  To a groom, a slave.

  IAGO

  Let not her poison run

  Too near your heart.

  KING

  Iago, I have done.

  Pray, let my grief want company; this wrack

  So great shall make th’whole kingdom mourn in black. [Exeunt Court.

  Lupo!

  GAZETTO

  Did your highness call?

  KING

  Yes. Hark thee, Lupo.

  It may be th’art a serpent dull of sight;

  Be quick of hearing; maybe th’art a hare,

  And canst see sideways; let me lock up here

  Whatever’s laid in there.

  GAZETTO

  I am strongly charm’d.

  KING

  Wilt venture for me?

  GAZETTO

  To the threshold of hell.

  KING

  May I trust thee?

  GAZETTO

  Else employ me not.

  KING

  Didst ever kill a scorpion?

  GAZETTO

  Never. I ha’ been stung by one.

  KING

  Didst never bait a wild bull?

  GAZETTO

  That’s the pastime I most love and follow.

  KING

  A strange disease

  Hangs on me and our doctors say the blook

  Only of these two beast must do me good.

  Dar’st thou attempt to kill them?

  GAZETTO

  Were they devils

  With heads of iron and claws jointed with brass,

  Encounter them I shall. In what park run they?

  KING

  The Queen that scorpion is. Tormiella’s husband,

  The mad ox broken loose. In a small volume,

  What mischief may be writ! In a maze.

  GAZETTO

  No, in a muse.

  I’m plotting how to do’t, and to come off.

  KING

  This does it, but this key burst ope all doors

  That can betray thee; done, be sure to rise.

  Let a king’s royal breath send thee hence flying.

  GAZETTO

  As powder does the bullet.

  KING

  Heap’d up honours

  Are schedules to thine enterprise annex’d.

  Do it and mount.

  GAZETTO

  [Aside.] To th’gallows.

  KING

  [Aside.] Thyself goes next. [Exit.

  GAZETTO

  I scorn to be thy bloodhound.

  Why should I vex a soul did never grieve me?

  The Queen’s an honest lady; should I kill her

  It were as if I pull’d a temple down

  And from the ruins of that built up a stews.

  She lives, but butcher like the ox I’ll use. [Exit.

  Act Five, Scene One

  ENTER KING; AT another door VALASCO, MALEVENTO and IAGO.

  MALEVENTO

  Oh, royal sir, my daughter Tomiella

  Has lost her use of reason and run mad.

  KING

  When?

  MALEVENTO

  Not half an hour since.

  KING

  Mad now! Now frantic!

  When all my hopes are at their highest pitch

  T’enjoy her beauties! Take no more; thou liest.

  Enter GAZETTO as LUPO.

  GAZETTO

  May it please your majesty —

  KING

  Curses consume thee! Oh! [Strikes.

  GAZETTO

  It is dispatch’d; the Queen is lost, never to be found.

  KING

  Wave upon wave.

  Hard-hearted furies, when will you dig my grave.

  You do not hear him, thunder shakes heaven first

  Before dull earth can feel it.

  My dear, dearest Queen is dead.

  VALASCO

  Ha!

  OMNES

  The Queen dead!

  KING

  What said she l
ast?

  GAZETTO

  Commend me to the king,

  And tell him this: mine honour is not wrack’d,

  Though his love be.

  KING

  And so her heart-strings crack’d!

  VALASCO

  Some trick, upon my life. State-conjuring

  To raise up devils in prisons, and i’th’dark.

  If she be dead, I’ll see her.

  KING

  Villainous man,

  Thou see what we have enjoy’d, thou impudent fool

  Away, Iago, give this tumbling whale

  Empty barrels to play with till this troublous seas,

  Which he more raging makes, good heaven appease.

  VALASCO

  Well, I say nothing. Birds in cages mourn

  At first, but as last sing. I will take my turn. [Exit.

  KING

  My Queen dead! I shall now have rhyming slaves

  Libel upon us giving her innocent wings;

  But say we murdered her, scandal dare strike kings.

  Then here’s another moon of Spain eclips’d,

  One whom our best lov’d Queen put in her bosom,

  For sweetness of pure life, integrity,

  And, in court beauties wondrous, honesty.

  She’s mad too, Lupo, Tormiella’s mad!

  GAZETTO

  Mad!

  IAGO

  [Aside.] As a March whore.

  GAZETTO

  Mad, shall I work upon her?

  KING

  Use thy skill. [Exit GAZETTO.

  IAGO

  I would to heaven your highness —

  KING

  Ha! The Queen! Was she not at my elbow?

  OMNES

  Here was nothing.

  KING

  I must not live thus, Iago, if I lie

  After the kingly fashion without a woman

  I shall run mad at midnight. I will marry

  The lunatic lady, she shall be my queen.

  Proclaim her so.

  IAGO

  Your highness does but jest!

  KING

  All the world’s frantic, mad with mad are best. [Exit.

  IAGO

  Wretched state of kings, that standing high,

  Their faults are marks shot at by every eye. [Exeunt.

  Act Five, Scene Two

  ENTER TORMIELLA, MALEVENTO, and GAZETTO disguised as a Doctor.

  GAZETTO

  Give me the key. Make all fast. Leave us. I’ll screw her wits to the right place.

  MALEVENTO

  Apollo bless thee! [Exit.

  TORMIELLA

  Are not you a woollen-draper?

  GAZETTO

  Yes.

  TORMIELLA

  Whether is a woman’s life measured by the ell or the yard?

  GAZETTO

  All women by the yard, sure; it’s no life else.

  TORMIELLA

  I’m not near seventeen years old. If I should die at these years am I not a fool?

  GAZETTO

  Yes, marry you are, for the law allows none to be of discretion till they come to twenty-one.

  TORMIELLA

  Out upon you! You are a lawyer; pray, get you hence, for you’ll not leave me clothes to my back if I keep you company. I’m mad enough now, and you’ll make me stark mad.

 

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