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Percy Bysshe Shelley

Page 115

by Percy Bysshe Shelley


  With love, and odor, and deep melody 330

  Through me, through me!

  THE EARTH

  Ha! ha! the caverns of my hollow mountains,

  My cloven fire-crags, sound-exulting fountains,

  Laugh with a vast and inextinguishable laughter.

  The oceans, and the deserts, and the abysses,

  And the deep air’s unmeasured wildernesses,

  Answer from all their clouds and billows, echoing after.

  They cry aloud as I do. Sceptred curse,

  Who all our green and azure universe

  Threatenedst to muffle round with black destruction, sending 340

  A solid cloud to rain hot thunder-stones

  And splinter and knead down my children’s bones,

  All I bring forth, to one void mass battering and blending,

  Until each crag-like tower, and storied column,

  Palace, and obelisk, and temple solemn,

  My imperial mountains crowned with cloud, and snow, and fire,

  My sea-like forests, every blade and blossom

  Which finds a grave or cradle in my bosom,

  Were stamped by thy strong hate into a lifeless mire:

  How art thou sunk, withdrawn, covered, drunk up 350

  By thirsty nothing, as the brackish cup

  Drained by a desert-troop, a little drop for all;

  And from beneath, around, within, above,

  Filling thy void annihilation, love

  Bursts in like light on caves cloven by the thunder-ball!

  THE MOON

  The snow upon my lifeless mountains

  Is loosened into living fountains,

  My solid oceans flow, and sing and shine;

  A spirit from my heart bursts forth,

  It clothes with unexpected birth 360

  My cold bare bosom. Oh, it must be thine

  On mine, on mine!

  Gazing on thee I feel, I know,

  Green stalks burst forth, and bright flowers grow,

  And living shapes upon my bosom move;

  Music is in the sea and air,

  Wingèd clouds soar here and there

  Dark with the rain new buds are dreaming of:

  ‘T is love, all love!

  THE EARTH

  It interpenetrates my granite mass, 370

  Through tangled roots and trodden clay doth pass

  Into the utmost leaves and delicatest flowers;

  Upon the winds, among the clouds ‘t is spread,

  It wakes a life in the forgotten dead, —

  They breathe a spirit up from their obscurest bowers;

  And like a storm bursting its cloudy prison

  With thunder, and with whirlwind, has arisen

  Out of the lampless caves of unimagined being;

  With earthquake shock and swiftness making shiver

  Thought’s stagnant chaos, unremoved forever, 380

  Till hate, and fear, and pain, light-vanquished shadows, fleeing,

  Leave Man, who was a many-sided mirror

  Which could distort to many a shape of error

  This true fair world of things, a sea reflecting love;

  Which over all his kind, as the sun’s heaven

  Gliding o’er ocean, smooth, serene, and even,

  Darting from starry depths radiance and life doth move:

  Leave Man even as a leprous child is left,

  Who follows a sick beast to some warm cleft

  Of rocks, through which the might of healing springs is

  poured; 390

  Then when it wanders home with rosy smile,

  Unconscious, and its mother fears awhile

  It is a spirit, then weeps on her child restored:

  Man, oh, not men! a chain of linkèd thought,

  Of love and might to be divided not,

  Compelling the elements with adamantine stress;

  As the sun rules even with a tyrant’s gaze

  The unquiet republic of the maze

  Of planets, struggling fierce towards heaven’s free wilderness:

  Man, one harmonious soul of many a soul, 400

  Whose nature is its own divine control,

  Where all things flow to all, as rivers to the sea;

  Familiar acts are beautiful through love;

  Labor, and pain, and grief, in life’s green grove

  Sport like tame beasts; none knew how gentle they could be!

  His will, with all mean passions, bad delights,

  And selfish cares, its trembling satellites,

  A spirit ill to guide, but mighty to obey,

  Is as a tempest-wingèd ship, whose helm

  Love rules, through waves which dare not overwhelm, 410

  Forcing life’s wildest shores to own its sovereign sway.

  All things confess his strength. Through the cold mass

  Of marble and of color his dreams pass —

  Bright threads whence mothers weave the robes their children wear;

  Language is a perpetual Orphic song,

  Which rules with dædal harmony a throng

  Of thoughts and forms, which else senseless and shapeless were.

  The lightning is his slave; heaven’s utmost deep

  Gives up her stars, and like a flock of sheep

  They pass before his eye, are numbered, and roll on! 420

  The tempest is his steed, he strides the air;

  And the abyss shouts from her depth laid bare,

  ‘Heaven, hast thou secrets? Man unveils me; I have none.’

  THE MOON

  The shadow of white death has passed

  From my path in heaven at last,

  A clinging shroud of solid frost and sleep;

  And through my newly woven bowers,

  Wander happy paramours,

  Less mighty, but as mild as those who keep

  Thy vales more deep. 430

  THE EARTH

  As the dissolving warmth of dawn may fold

  A half unfrozen dew-globe, green, and gold,

  And crystalline, till it becomes a wingèd mist,

  And wanders up the vault of the blue day,

  Outlives the noon, and on the sun’s last ray

  Hangs o’er the sea, a fleece of fire and amethyst.

  THE MOON

  Thou art folded, thou art lying

  In the light which is undying

  Of thine own joy, and heaven’s smile divine;

  All suns and constellations shower 440

  On thee a light, a life, a power,

  Which doth array thy sphere; thou pourest thine

  On mine, on mine!

  THE EARTH

  I spin beneath my pyramid of night

  Which points into the heavens, dreaming delight,

  Murmuring victorious joy in my enchanted sleep;

  As a youth lulled in love-dreams faintly sighing,

  Under the shadow of his beauty lying,

  Which round his rest a watch of light and warmth doth keep.

  THE MOON

  As in the soft and sweet eclipse, 450

  When soul meets soul on lovers’ lips,

  High hearts are calm, and brightest eyes are dull;

  So when thy shadow falls on me,

  Then am I mute and still, by thee

  Covered; of thy love, Orb most beautiful,

  Full, oh, too full!

  Thou art speeding round the sun,

  Brightest world of many a one;

  Green and azure sphere which shinest

  With a light which is divinest 460

  Among all the lamps of Heaven

  To whom life and light is given;

  I, thy crystal paramour,

  Borne beside thee by a power

  Like the polar Paradise,

  Magnet-like, of lovers’ eyes;

  I, a most enamoured maiden,

  Whose weak brain is overladen

  With the pleasure of her love,

  Maniac-like aroun
d thee move,

  Gazing, an insatiate bride, 470

  On thy form from every side,

  Like a Mænad round the cup

  Which Agave lifted up

  In the weird Cadmean forest.

  Brother, wheresoe’er thou soarest

  I must hurry, whirl and follow

  Through the heavens wide and hollow,

  Sheltered by the warm embrace

  Of thy soul from hungry space, 480

  Drinking from thy sense and sight

  Beauty, majesty and might,

  As a lover or a chameleon

  Grows like what it looks upon,

  As a violet’s gentle eye

  Gazes on the azure sky

  Until its hue grows like what it beholds,

  As a gray and watery mist

  Glows like solid amethyst

  Athwart the western mountain it enfolds, 490

  When the sunset sleeps

  Upon its snow.

  THE EARTH

  And the weak day weeps

  That it should be so.

  O gentle Moon, the voice of thy delight

  Falls on me like thy clear and tender light

  Soothing the seaman borne the summer night

  Through isles forever calm;

  O gentle Moon, thy crystal accents pierce

  The caverns of my pride’s deep universe, 500

  Charming the tiger joy, whose tramplings fierce

  Made wounds which need thy balm.

  PANTHEA

  I rise as from a bath of sparkling water,

  A bath of azure light, among dark rocks,

  Out of the stream of sound.

  IONE

  Ah me! sweet sister,

  The stream of sound has ebbed away from us,

  And you pretend to rise out of its wave,

  Because your words fall like the clear soft dew

  Shaken from a bathing wood-nymph’s limbs and hair.

  PANTHEA

  Peace, peace! a mighty Power, which is as darkness, 510

  Is rising out of Earth, and from the sky

  Is showered like night, and from within the air

  Bursts, like eclipse which had been gathered up

  Into the pores of sunlight; the bright visions,

  Wherein the singing Spirits rode and shone,

  Gleam like pale meteors through a watery night.

  IONE

  There is a sense of words upon mine ear.

  PANTHEA

  An universal sound like words: Oh, list!

  DEMOGORGON

  Thou, Earth, calm empire of a happy soul,

  Sphere of divinest shapes and harmonies, 520

  Beautiful orb! gathering as thou dost roll

  The love which paves thy path along the skies:

  THE EARTH

  I hear: I am as a drop of dew that dies.

  DEMOGORGON

  Thou, Moon, which gazest on the nightly Earth

  With wonder, as it gazes upon thee;

  Whilst each to men, and beasts, and the swift birth

  Of birds, is beauty, love, calm, harmony:

  THE MOON

  I hear: I am a leaf shaken by thee.

  DEMOGORGON

  Ye kings of suns and stars, Dæmons and Gods,

  Ethereal Dominations, who possess 530

  Elysian, windless, fortunate abodes

  Beyond Heaven’s constellated wilderness:

  A VOICE (from above)

  Our great Republic hears: we are blessed, and bless.

  DEMOGORGON

  Ye happy dead, whom beams of brightest verse

  Are clouds to hide, not colors to portray,

  Whether your nature is that universe

  Which once ye saw and suffered —

  A VOICE FROM BENEATH

  Or, as they

  Whom we have left, we change and pass away.

  DEMOGORGON

  Ye elemental Genii, who have homes

  From man’s high mind even to the central stone 540

  Of sullen lead; from Heaven’s star-fretted domes

  To the dull weed some sea-worm battens on:

  A CONFUSED VOICE

  We hear: thy words waken Oblivion.

  DEMOGORGON

  Spirits, whose homes are flesh; ye beasts and birds,

  Ye worms and fish; ye living leaves and buds;

  Lightning and wind; and ye untamable herds,

  Meteors and mists, which throng air’s solitudes:

  A VOICE

  Thy voice to us is wind among still woods.

  DEMOGORGON

  Man, who wert once a despot and a slave,

  A dupe and a deceiver! a decay, 550

  A traveller from the cradle to the grave

  Through the dim night of this immortal day:

  ALL

  Speak: thy strong words may never pass away.

  DEMOGORGON

  This is the day which down the void abysm

  At the Earth-born’s spell yawns for Heaven’s despotism,

  And Conquest is dragged captive through the deep;

  Love, from its awful throne of patient power

  In the wise heart, from the last giddy hour

  Of dread endurance, from the slippery, steep,

  And narrow verge of crag-like agony, springs 560

  And folds over the world its healing wings.

  Gentleness, Virtue, Wisdom, and Endurance —

  These are the seals of that most firm assurance

  Which bars the pit over Destruction’s strength;

  And if, with infirm hand, Eternity,

  Mother of many acts and hours, should free

  The serpent that would clasp her with his length,

  These are the spells by which to reassume

  An empire o’er the disentangled doom.

  To suffer woes which Hope thinks infinite; 570

  To forgive wrongs darker than death or night;

  To defy Power, which seems omnipotent;

  To love, and bear; to hope till Hope creates

  From its own wreck the thing it contemplates;

  Neither to change, nor falter, nor repent;

  This, like thy glory, Titan, is to be

  Good, great and joyous, beautiful and free;

  This is alone Life; Joy, Empire, and Victory!

  OEDIPUS TYRANNUS

  OR

  SWELLFOOT THE TYRANT.

  A TRAGEDY IN TWO ACTS

  TRANSLATED FROM THE ORIGINAL DORIC.

  ‘Choose Reform or Civil War,

  When through thy streets, instead of hare with dogs,

  A CONSORT-QUEEN shall hunt a king with hogs,

  Riding on the IONIAN MINOTAUR.’

  Begun at the Baths of San Giuliano, near Pisa, August 24, 1819; published anonymously by J. Johnston, Cheapside (imprint C.F. Seyfang), 1820. On a threat of prosecution the publisher surrendered the whole impression, seven copies — the total number sold — excepted. “Oedipus” does not appear in the first edition of the “Poetical Works”, 1839, but it was included by Mrs. Shelley in the second edition of that year. Our text is that of the editio princeps, 1820.

  CONTENTS

  ADVERTISEMENT.

  DRAMATIS PERSONAE.

  ACT 1.

  ACT 2.

  ADVERTISEMENT.

  This Tragedy is one of a triad, or system of three Plays (an arrangement according to which the Greeks were accustomed to connect their dramatic representations), elucidating the wonderful and appalling fortunes of the SWELLFOOT dynasty. It was evidently written by some LEARNED THEBAN, and, from its characteristic dulness, apparently before the duties on the importation of ATTIC SALT had been repealed by the Boeotarchs. The tenderness with which he treats the PIGS proves him to have been a sus Boeotiae; possibly Epicuri de grege porcus; for, as the poet observes,

  ‘A fellow feeling makes us wondrous kind.’

  No liberty has been taken with the translation of this remarkable piece of anti
quity, except the suppressing a seditious and blasphemous Chorus of the Pigs and Bulls at the last Act. The work Hoydipouse (or more properly Oedipus) has been rendered literally SWELLFOOT, without its having been conceived necessary to determine whether a swelling of the hind or the fore feet of the Swinish Monarch is particularly indicated.

  Should the remaining portions of this Tragedy be found, entitled, “Swellfoot in Angaria”, and “Charite”, the Translator might be tempted to give them to the reading Public.

  DRAMATIS PERSONAE.

  TYRANT SWELLFOOT, KING OF THEBES. IONA TAURINA, HIS QUEEN. MAMMON, ARCH-PRIEST OF FAMINE. PURGANAX, DAKRY, LAOCTONOS — WIZARDS, MINISTERS OF SWELLFOOT. THE GADFLY. THE LEECH. THE RAT. MOSES, THE SOW-GELDER. SOLOMON, THE PORKMAN. ZEPHANIAH, PIG-BUTCHER. THE MINOTAUR. CHORUS OF THE SWINISH MULTITUDE. GUARDS, ATTENDANTS, PRIESTS, ETC., ETC.

  SCENE. — THEBES.

  ACT 1.

  SCENE 1.1. — A MAGNIFICENT TEMPLE, BUILT OF THIGH-BONES AND DEATH’S-HEADS, AND TILED WITH SCALPS. OVER THE ALTAR THE STATUE OF FAMINE, VEILED; A NUMBER OF BOARS, SOWS, AND SUCKING-PIGS, CROWNED WITH THISTLE, SHAMROCK, AND OAK, SITTING ON THE STEPS, AND CLINGING ROUND THE ALTAR OF THE TEMPLE.

  ENTER SWELLFOOT, IN HIS ROYAL ROBES, WITHOUT PERCEIVING THE PIGS.

  SWELLFOOT:

  Thou supreme Goddess! by whose power divine

  These graceful limbs are clothed in proud array

  [HE CONTEMPLATES HIMSELF WITH SATISFACTION.]

  Of gold and purple, and this kingly paunch

  Swells like a sail before a favouring breeze,

  And these most sacred nether promontories 5

  Lie satisfied with layers of fat; and these

  Boeotian cheeks, like Egypt’s pyramid,

  (Nor with less toil were their foundations laid),

  Sustain the cone of my untroubled brain,

  That point, the emblem of a pointless nothing! 10

  Thou to whom Kings and laurelled Emperors,

  Radical-butchers, Paper-money-millers,

  Bishops and Deacons, and the entire army

  Of those fat martyrs to the persecution

  Of stifling turtle-soup, and brandy-devils, 15

  Offer their secret vows! Thou plenteous Ceres

  Of their Eleusis, hail!

  SWINE:

  Eigh! eigh! eigh! eigh!

  SWELLFOOT:

  Ha! what are ye,

  Who, crowned with leaves devoted to the Furies,

  Cling round this sacred shrine?

  SWINE:

  Aigh! aigh! aigh!

  SWELLFOOT:

  What! ye that are

  The very beasts that, offered at her altar 20

  With blood and groans, salt-cake, and fat, and inwards,

  Ever propitiate her reluctant will

  When taxes are withheld?

 

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