Us

by David Nicholls

  Jackson Pollock. ‘You see, Connie? I’m learning,’ I said out loud. ‘Ik hou van je.’

  99. ferrovia

  The only way to arrive in Venice is an early-morning water taxi across the lagoon. I arrived by train at night with the backpackers and the students who tumbled, thrilled and dazed, out of the strange and rather elegant railway station, a low-ceilinged marble slab like the kind of coffee table that you crack your shins on. I had found the city’s last remaining room in a remote, unpromising pensione in Castello and decided to walk that considerable distance, striding along the still-bustling Strada Nova, peering into youthful faces in case Albie was already here. Venice in high summer was a new experience for me and I noted the humid air and the brackish, ammonia smell of the canals before realising with some embarrassment that the stagnant odour was coming from me. Somewhere between Munich and Venice I had come to smell like a canal, and I resolved to address this in the comfort of my hotel room.

  But for the first time my orienteering failed me, the fondamentas, rivas, salitas and salizzadas sending me in circles, and it wasn’t until after midnight that I arrived at the Pensione Bellini, a cramped and crumbling building in the shadow of the Arsenale.

  There’s something furtive and indecent about arriving at a hotel after midnight, and the resentful and suspicious night manager directed me up many flights of stairs to an attic room the size of a double bed, containing a single bed. Through the thin wall I could hear the hotel’s boiler gurgle and then roar into life. I peered into the mirror in the glare of the bare bulb. The heat and humidity were Amazonian and rubbing the skin on my perspiring forehead produced a grey scurf like the debris from a pencil eraser, the accumulated grime of seven nations. I had not shaved since Paris, barely slept since Amsterdam, not changed my clothes since Munich. Verona’s sun had glazed my nose, and only my nose, to a flowerpot red, while the skin beneath my eyes was blue-grey with exhaustion. I looked haggard, there was no denying it, like a hostage about to record a video message. To Albie’s eyes I would look frankly alarming but I was too worn out to remedy this now, even to make the journey to the shared bathroom in the hall. Instead I scraped at my armpits with plastic soap and brown water from the tiny sink, rinsed my fusty clothes and lay them like seaweed on the window ledge, collapsed onto the sagging mattress and, to the roar and gurgle of hotel plumbing, fell instantly asleep.

  100. an experiment with mice

  Imagine, if you will, a scale model of Venice. Not a huge city by any means, not much larger than Reading, but more intricate and with clearer boundaries. Now imagine two figures, also to scale, turning left and right at random in that maze for twelve hours like mice in, well, a maze. The maze is not regular; wide streets and immense squares alternate with narrow alleys and bridges that act as funnels. Allowing for constant movement over, say, fourteen hours, what is the probability of the two figures coming within sight of each other?

  I’m not a statistician, but instinctively I knew the chances were small. They were by no means inconceivable, however, and I would be aided by the fact that footfall in Venice tends to correspond to certain well-trodden paths, from the Ferrovia to St Mark’s, from St Mark’s to the Pescheria, to the Accademia, back to the Ferrovia. Much as we’d like to imagine ourselves free-spirited explorers, visitors walk around Venice in the same way that we walk around a supermarket, an airport or an art gallery, channelled by all kinds of factors, conscious and unconscious; should I walk down this dark, urine-stinking alley or towards that charming little bakery? Studies have been made of this sort of behaviour. We think we have independence and imagination, but we have no more freedom to roam than trams on rails.

  So the labyrinth was smaller than it first appeared, and factor in the assumption that I was probably looking for two people, that they were unlikely to be constantly on the move and that the sound of an accordion would be hard to ignore, and I felt mildly confident that I could find them. In fact, I don’t mind admitting that I was rather excited about the project as I settled down to a two-star Italian breakfast of sponge cake, orange squash and the world’s hardest pineapple. My mission had an element of espionage to it, and I was enjoying planning my route with a water-soluble felt-tip pen on the very same laminated map that I’d brought along all those years ago, allowing me to annotate then wipe it clean at the end of each day.

  ‘That is a very good system you have there,’ said the room’s sole other occupant, a smiling woman, German, Scandinavian perhaps.

  ‘Thank you,’ I replied. I had barely opened my mouth in twenty-four hours and my own voice sounded unfamiliar.

  ‘If ever a city demanded a map, it’s this one,’ she said.

  I smiled, not wishing to be rude. ‘It is important not to skimp on a good-quality map,’ I said, intriguingly.

  She sipped her tea. ‘Do you know the city well?’

  ‘I’ve been here once before. More than twenty years ago now.’

  ‘It must have changed enormously since then,’ she said.

  ‘No, it’s pretty much the— oh, I see. Yes, beyond recognition! All these new buildings!’ It had been a good joke on her part, and I thought perhaps I could run with it, riff on the idea in some way. ‘In those days, the streets weren’t even flooded!’ was the best that I could do, but she looked confused, and so I slipped the much-scrutinised map, a stolen banana and a sachet of dried toast from the buffet into my bag and left. Oh yes, Cat, I was quite the outlaw now.

  But first I would need to equip myself. As island-dwellers, Venetians face limited choices in menswear, but I bought three pairs of identical socks, three pairs of underwear, three T-shirts in pale blue, grey and white and, for evening wear, two button-down shirts and a thin jumper in case of a chill. To protect my vulnerable scalp from the sun, I bought a baseball cap, the most neutral I could find and the first I had ever owned, though perhaps it wouldn’t be necessary in the shady canyons of San Paolo and Santa Croce. Because I would be walking for most of the day, I bought some rather natty running shoes in moulded plastic, absurd outsized things that promised to mould themselves to my feet in a very space-age way. I bought some moistened toilet tissue and a single bottle of water that I would refill. Returning to the Pensione Bellini, I organised my purchases and caught sight of myself in the mirror once again.

  Sleep had repaired some of the damage. I still had not shaved, and now sported the beginnings of a rather fetching beard, flecked with white and grey, the kind Hollywood actors grow when required to appear less handsome than they are. I rather liked it. I looked … unfamiliar. I put on my new sunglasses, pulled down the baseball cap and hit the canals.

  101. the shape of time

  Imagine time as a long strip of paper.

  This is not the shape of time, of course. Time has no shape, being a dimension or conceivably a direction or vector, but imagine for the purposes of the metaphor that time can be represented as a long strip of paper, or a roll of celluloid, perhaps. And imagine that you are able to make two cuts in the strip, joining those ends to form a continuous loop. This strip of paper can be as long or as short as you wish, but that loop will roll forever.

  For me, the first snip of the scissors is easily apparent and comes about halfway across London Bridge on the night I first met Connie Moore. But the second cut is harder, and is that not the case for everyone? The edges of unhappiness are usually a little more blurred and graded than those of joy. Nevertheless, I find my scissors hovering, hovering …

  But not just yet. We aren’t even married yet.

  102. learning to say ‘wife’

  We married, and that was fun. We had been guests at so many weddings, Connie and I, that it had sometimes felt that we had been attending a three-year part-time course in wedding management. Both of us were clear about what we didn’t want, and that was a fuss. We’d have a city wedding, registry office then a meal in our local Italian restaurant with close family and good friends. It would be small but stylish. Connie would be responsible for the g
uest list, the readings, the décor, the menu, music and entertainment. I would be responsible for turning up.

  And making a speech, of course. In the run-up to the wedding, I went over the text again and again, putting more effort into that speech than almost any piece of prose since my PhD on protein-RNA interactions, though it’s arguable as to which contained the better jokes. Because I wanted everything down word for word in 14-point Arial, I had been obliged to transcribe my emotions several months before experiencing them. I predicted that she would be beautiful, that I would feel happy and proud – no, never happier, never more proud than when standing next to her, and certainly these predictions did come true. She was spectacular that day, dressed like an old-fashioned film star, in a rather tight-fitting low-cut black dress, an ironic antidote to traditional virginal white. In later years, she’d regret the choice. ‘What was I thinking?’ she would say. ‘I look like a prostitute in a Fellini film,’ but for the record I thought she looked wonderful. Certainly I was happy and proud, grateful and relieved. An underrated emotion, I think, relief. No one presents a bouquet with the words, ‘I’ve never been more relieved in my life’. But then I had never expected to marry at all, and to be marrying this woman …

  During the short service, Connie’s friend Fran read a poem by T. S. Eliot which sounded very nice but which I would challenge anyone to put into good plain English, and my sister gave a fraught rendition of the Beatles’ ‘In My Life’ on an electric keyboard, smiling bravely through a torrent of tears and mucus that might have been appropriate had Connie and I recently perished in a plane crash, but which seemed so ghoulish in our presence that Connie got the giggles, then passed them on to me. To distract myself I stole a glimpse at my father, who sat with elbows on knees, pinching the bridge of his nose as if attempting to stem a nosebleed.

  Then the ‘I do’s, the exchange of rings, the posing for photographs. I enjoyed it all, but weddings turn the bride and groom into performers and we were, I think, both a little self-conscious with each other that day, neither of us used to being the centre of attention. In the photographs I look sheepish, preoccupied, as if I’ve been shoved onto the stage from my place in the wings. We look happy, of course, and in love, however that manifests in photos, but one always hopes that wedding-day conversation between bride and groom will consist only of endearments, a perpetual ‘you complete me’, and there were taxis and seating plans and sound systems to organise, and of course the speeches too. My sister had volunteered, quite early on, to be my ‘best man’, and delivered a boastful speech that focused on how all our present and future happiness had been her idea, and how we could never possibly repay our vast debt and should not even try. Kemal, Connie’s step-father, made an amusing speech that returned, again and again, to my wife’s figure to uncomfortable effect, and then it was my turn.

  I told some of the stories that I’ve related here, about our first meeting, about Jake the trapeze artist, about Connie saying yes at the delicatessen counter of Kilburn Sainsbury’s. I am not a natural raconteur but there was a decent amount of laughter, as well as some muttering and shushing from the table containing Connie’s art-school friends.

  Because Angelo was there, did I mention that? In the months before the wedding, there had been some debate about his presence, but it would have seemed paranoid and conventional on my part to banish all her former boyfriends, not to mention that it would have halved the guest list. So here was good old Angelo, drinking heavily and providing, I imagined, a sardonic commentary on the event. To Angelo’s gang, I was clearly something of a Yoko Ono figure. Never mind. I focused my thoughts on my wife. ‘Wife’ – how strange that sounded. Would I ever get used to it? I brought the speech to a sentimental but sincere conclusion, kissed my wife – that word again – and raised a glass in her honour.

  We danced to Ella Fitzgerald’s recording of ‘Night and Day’, Connie’s choice. My only specification had been that our first dance shouldn’t be anything too fast or wild, so we rotated slowly like a child’s mobile. It can’t have been much of a spectacle, because after the first few revolutions, Connie started to improvise ducks and spins that left us momentarily tangled, to laughter from the guests. Then we cut the cake, we circulated, and occasionally my eyes would scan the room over the shoulder of a colleague or an uncle, searching out Connie, and we’d smile or pull a face or just grin at each other. My wife. I had a wife.

  My father, looking slighter since my mother’s death, left early. I had offered to find a hotel for the night, an indulgence that appalled him. Hotels, he thought, were for royalty and fools. ‘I have a perfectly good bed at home. I can’t sleep in strange beds anyway,’ he said. Now he was keen to catch the Ipswich train ‘in case your sister starts to sing again’. We laughed, and he placed one hand on my shoulder. ‘Well done,’ he said, as if I’d passed my driving test. ‘Thanks, Dad. Bye.’

  ‘Well done,’ was Angelo’s phrase too, as he maliciously embraced me then brushed the cigarette ash off my shoulder. ‘Well done, mate. You won. Treat her well, yeah? Connie’s a great girl. She’s golden.’ I agreed that she was golden, and thanked him. My sister, ever the keen-eyed critic of other people’s work, hung off my neck, drunk and emotional and gave me her feedback. ‘Great speech, D,’ she said, ‘but you forgot to tell Connie how gorgeous she is.’ Had I forgotten? I didn’t think I had. I thought I’d made it perfectly clear.

  And then, a little after midnight, exhausted and wine-mouthed we were in a cab, heading to a smart hotel in Mayfair, our one concession to luxury. We didn’t make love that night, though I’m reassured that this is not uncommon among newly married couples. Instead we lay facing each other, champagne and toothpaste on our breath.

  ‘Hello, husband.’

  ‘Hello, wife.’

  ‘Feel different?’

  ‘Not particularly. You? Suddenly feel jaded? Trapped, confined? Oppressed?’

  ‘Let me see …’ She rotated her shoulders, flexed her wrists. ‘No, no I don’t think so. Early days, though.’

  ‘I love you.’

  ‘I love you too.’

  Was it the happiest day of our lives? Probably not, if only because the truly happy days tend not to involve so much organisation, are rarely so public or so expensive. The happy ones sneak up, unexpected. But to me at least, it felt like the culmination of many happy days, and the first of many more. Everything was still the same and yet not quite the same, and in the moments before sleep I felt the kind of trepidation that I still feel the night before a long, complicated journey. Everything is in place, tickets, reservations and foreign currency, passports laid out on the table in the hall. If we are at our best at all times, or at least endeavour to be so, there is no reason why everyone shouldn’t have a wonderful time.

  Still, what if something goes wrong along the way? What if the plane’s engines fail, or I lose control of the car? What if it rains?

  103. il pesce

  Viewed from above, Venice resembles a broad-bodied fish with a gaping mouth, a bream or perch perhaps, with the Grand Canal as its intestinal tract. My route began at the fish’s tail, the eastern tip of the city, Castello, the old docks, long straight terraces of the loveliest workers’ houses in Europe. Then back along the northern shore, the dorsal fin, through Cannaregio, where the streets had a sunnier, almost coastal aspect. Through the Ghetto to the train station then down the main tourist drag, which felt like a drag, tourists queuing to squeeze over the Rialto Bridge. How many masks did one city need? I wondered, shuffling along another lightless shopping street, so that arriving in St Mark’s Square felt like coming up for air, so bright and immense that no crowd of tourists could fill it, though they were trying now. By the Grand Canal – the fish’s swim bladder, I suppose – I took a moment to rest. That morning I had seen adenoidal guitarists, ‘Dance of the Sugar Plum Fairy’ performed on the rims of wine glasses, a startlingly inept juggler whose routine consisted of dropping things, but fewer acts than I’d expected. Searching for the
terms ‘busker’ and ‘Venice’ on my phone revealed that the city was considered hostile territory. The internet was alive with angry and resentful living statues who had been bustled into motion by assiduous polizia municipale. A permit was required, and I was sure Cat was too wild and free-spirited to submit to Italian bureaucracy. I would be searching for a guerrilla accordionist, someone who hit fast, hit hard and disappeared into the crowd. No time to rest, then. For energy I ate my bruised banana and pushed on, shuffling through the crowds towards the Fenice theatre, where a busker in Pierrot costume sang a warbling ‘La donna è mobile’. Tired now; it was too much, too many people. I burrowed south, hurrying past West African men selling handbags and on to Dorsoduro, the belly of the fish.