The Last Enchantment

by Mary Stewart

  "We looked for you that night, Prince Merlin. I understand that you were led by your vision to find the Queen, before even my son got back to the Island with the news. Will you not tell us, my lord, what this vision was?"

  Melwas had jerked to attention. His bold look defied me to elaborate. I smiled, and my gaze bore his down. Without my prompting, the old woman had asked the very question that I wanted. I raised my voice.

  "Willingly, lady. It is true that I had a vision, but whether it came from the gods of air and silence who have spoken to me in the past, or from the Mother Goddess to whose worship the shrine beyond those apple trees is sacred, I cannot tell. But I had a vision that led me straight through the marshland like a fledged arrow to its mark. It was a double vision, a bright dream through which the dreamer passes to a darker dream below; a reflection seen in deep water where the surface colour lies like glass over the dark world beneath. The visions were confused, but their meaning was clear. I would have followed them more quickly, but I think the gods willed it otherwise."

  Guinevere's head came up at that, and her eyes widened. Again, in Melwas', that spark of doubt. It was the old queen who asked: "How otherwise? They did not want the Queen found? What riddle is this, Prince Merlin?"

  "I shall tell you. But first I will tell you about the dream that came to me. I saw a king's hall paved with marble, and pillared with silver and gold, where no servants waited, but where the lamps and tapers burned with scented smoke, bright as day..." I had let my voice take on the rhythm of the bard who sings in hall; its resonance filled the room and carried the words right out through the colonnade to the silent crowds outside. Fingers moved to make the sign against strong magic; even Guinevere's. The old queen listened with evident satisfaction and pleasure; it was to be remembered that she was the chief patroness of the Goddess's sacred shrine. As for Melwas, as I spoke I watched him move from suspicion and apprehension into bewilderment, and, finally, awe.

  To everyone there, already, the dream had taken on a familiar pattern, the archetype of every man's journey into the world from which few travellers return.

  "... And on the precious table a set of gold chessmen, and nearby a great chair with arms curled like lions' heads, waiting for the King, and a stool of silver with doves' claws, waiting for the Lady. So I knew it for Llud's hall, where the sacred vessel is kept, and where once the great sword hung that now hangs on Arthur's wall in Camelot. And from overhead, in the sky beyond the hollow hill, I heard them galloping, the Wild Hunt, where the knights of the Otherworld course down their prey, and carry them deep, deep, into the jewelled halls of no return. But just as I began to wonder if the god was telling me the Queen was dead, the vision changed —"

  To my right was a window, high in the wall. Outside was a prospect of sky, cloudy above the tops of the orchard trees. The budding apple boughs showed lighter, in their young sorrel-and-green, than the slaty sky. The poplars stood pale like spears. But there had been that breath of change in the morning; I felt it still; I kept my eye on that indigo cloud, and spoke again, more slowly.

  "... And I was in an older hall, a deeper cavern. I was in the Underworld itself, and the dark King was there, who is older even than Llud, and by him sat the pale young Queen who was left from the bright fields of Enna and carried out of the warm world to be the Queen of Hell; Persephone, daughter of Demeter, the Mother of all that grows on the face of the earth —"

  The cloud was moving slowly, slowly. Beyond the budding boughs I could see the edge of its shadow drawing its veil aside. From somewhere a breeze came wandering to shiver the tall poplars that edged the orchard.

  Most of the people there would not know the story, so I told it, to the obvious satisfaction of the old queen, who must, like all devotees of the Mother's cult, be feeling the cold threat of change even here in this, its ancient stronghold. Once, when Melwas, doubting my drift, would have spoken, she silenced him with a gesture, and (herself perhaps with more instinctive understanding) put out a hand and drew the Queen closer to her side. I looked neither at the dark Melwas nor at Guinevere, pale and wondering, but watched the high window out of the side of my eye, and told the old tale of Persephone's abduction by Hades, and the long, weary search for her that Demeter, the Mother Goddess, undertook, while the earth, robbed of its spring growth, languished in cold and darkness.

  Beyond the window the poplars, brushed with the early light, bloomed suddenly golden.

  "And when the vision died I knew what I had been told. Your Queen, your young and lovely Queen, was alive and safe, succoured by the Goddess and waiting only to be carried home. And with her coming, spring will come at last, and the cold rains will cease, and we shall have a land growing rich once again to harvest, in the peace brought by the High King's sword, and the joy brought by the Queen's love for him. This was the dream I had, and which I, Merlin, prince and prophet, interpret to you." I spoke straight past Melwas to the old queen. "So I beg you now, madam, to let me take the Queen home, with honour and with joy."

  And at that moment, the blessed sun came bursting out and laid a shaft of light clear across the floor to the Queen's feet, so that she stood, all gold and white and green, in a pool of sunshine.

  * * *

  We rode home through a brilliant day smelling of primroses. The clouds had packed away, and the Lake showed blue and glittering under its golden willows. An early swallow hawked for flies, close over the bright water. And the Spring Queen, refusing the litter we had brought for her, rode beside me.

  She spoke only once, and then briefly.

  "I lied to you that night. You knew?"

  "Yes."

  "You do see, then? You really do? You see all?"

  "I see a great deal. If I set out to look, and if God wills it, I see."

  The colour came into her face, and her look lightened, as if something had set her free. Before, I had believed her innocent; now I knew it. "So you, too, have told my lord the truth. When he did not come for me himself, I was afraid."

  "You have no need to be, now or ever. I think you need never doubt that he loves you. And I can tell you, too, Guinevere my cousin, that even if you never bear an heir for Britain, he will not put you aside. Your name will stand alongside his, as long as he is remembered."

  "I will try," she said, so softly that I could hardly hear it. Then the towers of Camelot came in sight, and she was silent, bracing herself against what was to come.

  * * *

  So the seeds of legend were sown. During the golden weeks of spring that followed, I was more than once to hear men talking under their breaths of the "rape" of the Queen, and how she had been taken down almost to the dark halls of Llud, but brought back by Bedwyr, chiefest of Arthur's knights. So the sting of the truth was drawn; no shame attached to Arthur, none even to the Queen; and to Bedwyr was credited the first of his many glories, the story growing, and its hero gaining in stature, as his hurts healed and at last were well.

  As for Melwas, in the way these things have, if the "Dark King" of the Underworld became linked in men's minds with the dark-avised king whose stronghold was the Tor, it was still without blame to Guinevere. What Melwas thought nobody knew. He must have realized that Guinevere had told Arthur the truth. He may have grown tired of being cast as the villain of the story, and of waiting (as everyone was waiting) for the High King to move against him. He may even have cherished hopes, still, that he might in some dim future come to possess the Queen.

  Whatever the case, it was he who made the next move, and by doing so gave Arthur his way. One morning he rode to Camelot, and, perforce leaving his armed escort outside the council hall, took his seat in the Chair of Complaining.

  * * *

  The council hall had been built on the style of a smaller hall that Arthur had seen on one of the visits paid to the Queen's father in Wales. That had been merely a larger version of the daub-and-wattle round house of the Celts; this in Camelot was a big circular building, impressively built to last, with ribs of dres
sed stone, and between them walls of narrow Roman brick from the long-abandoned kilns nearby. There were vast double doors of oak, carved with the Dragon, and finely gilded. Inside, the place was open, with a fine floor of tiles laid out from the center, like a spider's web. And like the outer ring of a web, the walls were not curved, but sectioned off with flat panelling. These panels were covered with matting of a fine golden straw to keep out the draughts, but in time would be ablaze with needlework; Guinevere already had her maids set to it. Against each of these sections stood a tall chair, with its own footstool, and the King's was no higher than the next man's. This place was to be, he said, a hall for free discussion between the High King and his peers, and a place where any of the King's leaders could bring their problems. The only thing that marked Arthur's chair was the white shield that hung above it; in time, perhaps, the Dragon would shimmer there in gold and scarlet. Some of the other panels already showed the blazons of the Companions. The seat opposite the King's was blank. This was the one taken by anyone with a grievance to be settled by the court. Arthur had called it the Chair of Complaining. But in later years I heard it called the Perilous Chair, and I think the name was coined after that day.

  * * *

  I was not present when Melwas tabled his complaint. Though I had at that time a place in the Round Hall (as it came to be called), I seldom took it. If his peers were equal there to the King, then the King must be seen to match them in knowledge, and to give his judgements without leaning on the advice of a mentor. Any discussions Arthur and I had were held in private.

  We had talked over the Melwas affair for many hours before it came to the council table. To begin with, Arthur seemed sure that I would try to stop him from fighting Melwas, but here was a case where the cold view and the hot coincided. To Arthur it would be satisfying and to me expedient that Melwas should suffer publicly for his actions. The lapse of time, and Arthur's silence, with the legend I had invoked, ensured that Guinevere's honour would not be in question; the people had taken her once more into their love, and wherever she went flowers strewed the way with blessings thrown like petals. She was their Queen — their darling's darling — who had almost been taken from them by death, and had been saved by Merlin's magic. So the story went among the common folk. But among the more worldly there were those who looked for the King to move against Melwas, and who would have been quick to despise him had he failed. He owed it to himself, as man and as King. The discipline he had imposed on himself over the Queen's rape had been severe. Now, when he found that I agreed with him, he turned, with a fierce joy, to planning.

  He could, of course, have summoned King Melwas to the council hall on a trumped-up excuse, but this he would not do. "If we harass him until he makes a complaint himself, it comes to much the same thing in the sight of God," he said dryly, "but in terms of my conscience — or my pride, if you like — I will not use a false charge in the Round Hall. It must be known as a place were no man need fear to come before me, unless he himself is false."

  So harass him we did. Situated as the Island was, between the High King's stronghold and the sea, it was easy enough to find causes. Somehow or another there came to be constant arguments about harbour dues, rights of free way, levies and taxes arbitrarily imposed and hotly contested. Any of the petty kings would have grown restive under the constant stream of minor vexations, but Melwas was even quicker to protest than most. According to Bedwyr (to whom I owed an account of the council meeting), it was apparent from the start that Melwas guessed he had been deliberately brought before the King to answer the older, more dangerous charge. He seemed eager to do so, but naturally enough allowed no hint of this to come into words: that must have meant his certain death for treason by the vote of the whole Council. So the grievances over dues and taxes, the arguments over the right levies for the protection offered by Camelot, took their long-drawn and tedious course, while the two men watched one another as swordsmen do, and at last came to the heart of the matter.

  It was Melwas who suggested single combat. How he was brought towards this was not quite clear; my guess was that he took very little steering. Young, keen-tempered, a good swordsman, knowing himself to be in grave danger, he must have leaped at the chance of a quick decisive solution that gave him a half-hope of success. He may have counted on more. His challenge came at last, hotly: "A meeting to settle these matters here and now, and man to man, if we are ever to agree as neighbours again! You are the law, King; then prove it with your sword!"

  Uproar followed, arguments flying to and fro across the hall. The older of those present found it unthinkable that the King should risk himself, but all had by this time some inkling that there was more at stake than harbour dues, and the younger knights were quite frankly eager to see a fight. More than one of them (Bedwyr was the most insistent) offered himself as combatant in Arthur's place, until finally the King, judging his moment, got decisively to his feet. In the sudden silence he strode to the round table at the hall's center, lifted the tablets where Melwas' grievances were listed, and sent them smashing to the floor.

  "Now bring me my sword," he said.

  * * *

  It was midday when they faced one another on the level field in the northeast quarter of Caer Camel. The sky was cloudless, but a steady cool breeze tempered the warmth of the day. The light was high and even. The edge of the field was deep in people, the very ramparts furred with folk. At the top of one of Camelot's gilded towers I saw the cluster of azure and green and scarlet where the women had gathered to watch. The Queen, among them, was in white, Arthur's colour. I wondered how she was feeling, and could guess at the still composure with which she would hide her fear. Then the trumpet sounded, and silence fell.

  The two combatants were armed with spears and shields, and each man had sword and dagger at his belt. Arthur was not using Caliburn, the royal sword. His armour — a light helmet and leather corselet — showed neither jewel nor device. Melwas' dress was more princely, and he was a shade the taller. He looked fierce and eager, and I saw him cast a look toward the palace tower where the Queen stood. Arthur had not glanced that way. He looked cool and infinitely experienced, listening apparently with grave attention to the herald's formal announcement.

  There was a sycamore tree to one side of the field. Bedwyr, beside me in its shade, gave me a long look, and then drew a breath of relief.

  "So. You're not worried. Thank God for that!"

  "It had to come to this in the end. It's best. But if there had been danger for him, I would have stopped it."

  "All the same, it's folly. Oh, I know that he wanted to, but he should never risk himself so. He should have let me do it."

  "And what sort of showing would you make, do you suppose? You're still lame. You could have been cut down, if not worse, and then the legend would have had to start again. There are still simple folk who think that right is with the strongest sword."

  "As it is today, or you'd not be standing idly by. I know. But I wish..." He fell silent.

  "I know what you wish. I think you will have your wish, not once but many times, before your life's end."

  He glanced sharply at me, started to say something more, but then the pennon fell, and the fight had begun.

  For a long time the men circled one another, spears poised for the throw, shields ready. The light advantaged neither. It was Melwas who attacked first. He feinted once, then, with great speed and strength behind the throw, hurled the spear. Arthur's shield flashed up to deflect it. The blade slid screaming past the boss, and the spear buried itself harmlessly in the grass. Melwas, snatching for his sword-hilt, sprang back. But Arthur, in the same moment as he turned the spear aside, flung his own. By doing so he cancelled the advantage that Melwas' first thrown had given him; but he did not draw his own sword; he reached for the other's spent spear, upright by him in the turf, pulled it up, and hefted it, just as Melwas, abandoning his sword-hilt, sent the King's spear also whizzing harmlessly from his shield, and turned, swift as
a fox, to pick it up in the same way and face spear with spear once more.

  But Arthur's weapon, harder flung, and more desperately parried, flew spinning to one side, to bounce level along the turf and skid away from Melwas' hand. There was no hope of snatching it up before Arthur could throw. Melwas, shield at the ready, feinted this way and that, hoping to draw the other's spear and so regain the advantage. He reached the fallen weapon; he stooped for it where it lay, the shaft half-propped to his hand by a clump of thistles. Arthur's arm moved, and the blade of his spear flashed in the light, drawing Melwas' eye. Melwas ducked, throwing his shield up into the line of the cast, at the same time swerving down to grab the fallen weapon. But the King's move had been a false one; in the unguarded moment when Melwas stooped sideways for the other spear, the King's, thrown straight and low, took him in the outstretched arm. Arthur's sword whipped into his hand as he followed the spear.

  Melwas staggered. As a great shout hit the walls and echoed round the field he recovered, grabbed the spear, and hurled it straight at the King.

  Had he been any less fast, Arthur must have closed with him before he could use the spear. As it was, Melwas' weapon struck true when the King was halfway across the space between them. Arthur caught it on his shield, but at that short range the force was too great to turn. The long shaft whipped in a half-circle, checking the King's rush. With the sword still held in his right hand, he tried to tear the spear-point from the leather, but it had gone in close by one of the metal stays, and jammed there, caught by its barbs. He flung the shield aside, spear and all, and ran in on Melwas, with nothing to guard his naked side but the dagger at his left hand.