The Story of the Lost Child

by Elena Ferrante

  51.

  I was afraid, yes, I was terrified. But to my great amazement I wasn’t as frightened as Lila. In those seconds of the earthquake she had suddenly stripped off the woman she had been until a moment before—the one who was able to precisely calibrate thoughts, words, gestures, tactics, strategies—as if in that situation she considered her a useless suit of armor. Now she was someone else. She was the person I had glimpsed the time Melina walked along the stradone eating soap; or the one of the night of New Year’s Eve in 1958, when the fireworks war broke out between the Carraccis and the Solaras; or the one who had sent for me in San Giovanni a Teduccio, when she worked in Bruno Soccavo’s factory and, thinking something was wrong with her heart, wanted to leave me Gennaro because she was sure she would die. But now that other person seemed to have emerged directly from the churning guts of the earth; she bore almost no resemblance to the friend who a few minutes before I had envied for her ability to choose words deliberately; there was no resemblance even in the features, disfigured by anguish.

  I could never have undergone such an abrupt metamorphosis, my self-discipline was stable, the world existed around me, in a natural way, even in the most terrible moments. I knew that Dede and Elsa were with their father in Florence, and Florence was an elsewhere out of danger, which in itself calmed me. I hoped that the worst had passed, that no house in the neighborhood had collapsed, that Nino, my mother, my father, Elisa, my brothers were surely, like us, frightened, but surely, like us, alive. She, on the other hand, no, she couldn’t think in that way. She writhed, she trembled, she caressed her stomach, she no longer seemed to believe in solid connections. For her Gennaro and Enzo had lost every connection with each other and with us, they were destroyed. She emitted a sort of death rattle, eyes wide, she clutched herself, held tight. And she repeated obsessively adjectives and nouns that were completely incongruous with the situation we were in, she uttered sentences without sense and yet she uttered them with conviction, tugging on me.

  For a long time it was useless for me to point out people we knew, to open the window, wave my arms, call out to anchor her to names, to voices that would have their own stories of that terrible experience and so draw her into an orderly conversation. I pointed out Carmen with her husband and children, and others, hurrying, on foot, toward the station. I pointed out Antonio with his wife and children, I was astonished at how handsome they all were, like characters in a film, as they calmly got into a green van, which then left. I pointed out to her the Carracci family and their relations, husbands, wives, fathers, mothers, people living together, lovers—that is to say Stefano, Ada, Melina, Maria, Pinuccia, Rino, Alfonso, Marisa, and all their children—who appeared and disappeared in the throng, shouting continuously for fear of losing each other. I pointed out Marcello Solara’s fancy car that was trying, with a roar, to get free of the jam of vehicles; he had my sister Elisa with her child next to him, and in the back seat the pale shadows of my mother and father. I shouted names with the window open, I tried to involve Lila, too. But she wouldn’t move. In fact, I realized that the people—especially those we knew well—frightened her even more, especially if they were agitated, if they were shouting, if they were running. She squeezed my hand hard and closed her eyes when, against all the rules, Marcello’s car went up on the sidewalk honking and made its way amid the people who were standing there talking, or were hauling things along. She exclaimed: Oh Madonna, an expression I had never heard her use. What’s wrong, I asked. Gasping for breath, she cried out that the car’s boundaries were dissolving, the boundaries of Marcello, too, at the wheel were dissolving, the thing and the person were gushing out of themselves, mixing liquid metal and flesh.

  She used that term: dissolving boundaries. It was on that occasion that she resorted to it for the first time; she struggled to elucidate the meaning, she wanted me to understand what the dissolution of boundaries meant and how much it frightened her. She was still holding my hand tight, breathing hard. She said that the outlines of things and people were delicate, that they broke like cotton thread. She whispered that for her it had always been that way, an object lost its edges and poured into another, into a solution of heterogeneous materials, a merging and mixing. She exclaimed that she had always had to struggle to believe that life had firm boundaries, for she had known since she was a child that it was not like that—it was absolutely not like that—and so she couldn’t trust in their resistance to being banged and bumped. Contrary to what she had been doing, she began to utter a profusion of overexcited sentences, sometimes kneading in the vocabulary of the dialect, sometimes drawing on the vast reading she had done as a girl. She muttered that she mustn’t ever be distracted: if she became distracted real things, which, with their violent, painful contortions, terrified her, would gain the upper hand over the unreal ones, which, with their physical and moral solidity, pacified her; she would be plunged into a sticky, jumbled reality and would never again be able to give sensations clear outlines. A tactile emotion would melt into a visual one, a visual one would melt into an olfactory one, ah, what is the real world, Lenù, nothing, nothing, nothing about which one can say conclusively: it’s like that. And so if she didn’t stay alert, if she didn’t pay attention to the boundaries, the waters would break through, a flood would rise, carrying everything off in clots of menstrual blood, in cancerous polyps, in bits of yellowish fiber.

  52.

  She spoke for a long time. It was the first and last time she tried to explain to me the feeling of the world she moved in. Up to now, she said—and here I summarize in my own words, of the present—I thought it was a matter of bad moments that came and then passed, like a childhood illness. Do you remember New Year’s Eve of 1958, when the Solaras shot at us? The shots were the least frightening part. First, even before they started shooting, I was afraid that the colors of the fireworks were sharp—the green and the purple especially were razorlike—that they could butcher us, that the trails of the rockets were scraping my brother Rino like files, like rasps, and broke his flesh, caused another, disgusting brother to drip out of him, whom I had to put back inside right away—inside his usual form—or he would turn against me and hurt me. All my life I’ve done nothing, Lenù, but hold back moments like those. Marcello scared me and I protected myself with Stefano. Stefano scared me and I protected myself with Michele. Michele scared me and I protected myself with Nino. Nino scared me and I protected myself with Enzo. But what does that mean, protect, it’s only a word. I could make you, now, a detailed list of all the coverings, large and small, that I constructed to keep myself hidden, and yet they were of no use to me. Do you remember how the night sky of Ischia horrified me? You all said how beautiful it is, but I couldn’t. I smelled an odor of rotten eggs, eggs with a greenish-yellow yolk inside the white and inside the shell, a hard-boiled egg cracked open. I had in my mouth poisoned egg stars, their light had a white, gummy consistency, it stuck to your teeth, along with the gelatinous black of the sky, I crushed it with disgust, I tasted a crackling of grit. Am I clear? Am I making myself clear? And yet on Ischia I was happy, full of love. But it was no use, my head always finds a chink to peer through, beyond—above, beneath, on the side—where the fear is. In Bruno’s factory, for example, the bones of the animals cracked in your fingers if you merely touched them, and a rancid marrow spilled out. I was so afraid that I thought I was sick. But was I sick? Did I really have a murmur in my heart? No. The only problem has always been the disquiet of my mind. I can’t stop it, I always have to do, redo, cover, uncover, reinforce, and then suddenly undo, break. Take Alfonso, he’s always made me nervous, ever since he was a boy, I’ve felt that the cotton thread that held him together was about to break. And Michele? Michele thought he was who knows what, and yet all I had to do was find his boundary line and pull, oh, oh, oh, I broke it, I broke his cotton thread and tangled it with Alfonso’s, male material inside male material, the fabric that I weave by day is unraveled by night, the head finds a wa
y. But it’s not much use, the terror remains, it’s always in the crack between one normal thing and the other. It’s there waiting, I’ve always suspected it, and since yesterday evening I’ve known for certain: nothing lasts, Lenù, even here in my belly, you think the creature will endure but it won’t. You remember when I married Stefano and I wanted the neighborhood to start again from the beginning, to be only beautiful things, the ugliness of before was not supposed to be there anymore. How long did it last? Good feelings are fragile, with me love doesn’t last. Love for a man doesn’t last, not even love for a child, it soon gets a hole in it. You look in the hole and you see the nebula of good intentions mixed up with the nebula of bad. Gennaro makes me feel guilty, this thing here in my belly is a responsibility that cuts me, scratches me. Loving courses together with hating, and I can’t, I can’t manage to solidify myself around any goodwill. Maestra Oliviero was right, I’m bad. I don’t even know how to keep friendship alive. You’re kind, Lenù, you’ve always had a lot of patience. But tonight I finally understood it: there is always a solvent that acts slowly, with a gentle heat, and undoes everything, even when there’s no earthquake. So please, if I insult you, if I say ugly things to you, stop up your ears, I don’t want to do it and yet I do. Please, please, don’t leave me, or I’ll fall in.

  53.

  Yes—I kept saying—all right, but now rest. I held her tight beside me, and finally she fell asleep. I stayed awake watching her, as she had once begged me to do. Every so often I felt new small aftershocks, someone in a car shouted with terror. Now the stradone was empty. The infant moved in my belly like rolling waters, I touched Lila’s stomach, hers was moving, too. Everything was moving: the sea of fire under the crust of the earth, and the furnaces of the stars, and the planets, and the universes, and the light within the darkness and the silence in the cold. But, even now as I pondered the wave of Lila’s distraught words, I felt that in me fear could not put down roots, and even the lava, the fiery stream of melting matter that I imagined inside the earthly globe, and the fear it provoked in me, settled in my mind in orderly sentences, in harmonious images, became a pavement of black stones like the streets of Naples, a pavement where I was always and no matter what the center. I gave myself weight, in other words, I knew how to do that, whatever happened. Everything that struck me—my studies, books, Franco, Pietro, the children, Nino, the earthquake—would pass, and I, whatever I among those I was accumulating, I would remain firm, I was the needle of the compass that stays fixed while the lead traces circles around it. Lila on the other hand—it seemed clear to me now, and it made me proud, it calmed me, touched me—struggled to feel stable. She couldn’t, she didn’t believe it. However much she had always dominated all of us and had imposed and was still imposing a way of being, on pain of her resentment and her fury, she perceived herself as a liquid and all her efforts were, in the end, directed only at containing herself. When, in spite of her defensive manipulation of persons and things, the liquid prevailed, Lila lost Lila, chaos seemed the only truth, and she—so active, so courageous—erased herself and, terrified, became nothing.

  54.

  The neighborhood emptied, the stradone became quiet, the air turned cold. In the buildings, transformed into dark rocks, there was not a single lamp lighted, no colorful glow of a television. I, too, fell asleep. I awoke with a start, it was still dark. Lila had left the car, the window on her side was half open. I opened mine, I looked around. The stopped cars were all inhabited, people coughed, groaned in their sleep. I didn’t see Lila, I grew concerned, I went toward the tunnel. I found her not far from Carmen’s gas pump. She was moving amid fragments of cornices and other debris, she looked up toward the windows of her house. Seeing me she had an expression of embarrassment. I wasn’t well, she said, I’m sorry, I filled your head with nonsense, luckily we were together. There was the hint of an uneasy smile on her face, she said one of the many almost incomprehensible phrases of that night—“Luckily” is a breath of perfume that comes out when you press the pump—and she shivered. She still wasn’t well, I persuaded her to return to the car. In a few minutes she fell asleep again.

  As soon as it was day I woke her. She was calm, she wanted to apologize. She said softly, making light of it: You know I’m like that, every so often there’s something that grabs me here in my chest. I said: It’s nothing, there are periods of exhaustion, you’re looking after too many things, and anyway it’s been terrible for everyone, it wouldn’t end. She shook her head: I know how I’m made.

  We organized ourselves, we found a way of returning to her house. We made a great number of phone calls, but either they didn’t go through or the phone rang in vain. Lila’s parents didn’t answer, the relatives in Avellino, who could have given us news of Enzo and Gennaro, didn’t answer, no one answered at Nino’s number, his friends didn’t answer. I talked to Pietro, he had just found out about the earthquake. I asked him to keep the girls for a few days, long enough to be sure the danger had passed. But as the hours slid by, the dimensions of the disaster grew. We hadn’t been frightened for nothing. Lila murmured as if to justify herself: You see, the earth was about to split in two.

  We were dazed by emotions and by weariness, but still we walked through the neighborhood and through a sorrowing city, now silent, now streaked by the nagging sounds of sirens. We kept talking to alleviate anxiety: where was Nino, where was Enzo, where was Gennaro, how was my mother, where had Marcello Solara taken her, where were Lila’s parents. I realized that she needed to return to the moments of the earthquake, and not so much to recount again its traumatic effects as to feel them as a new heart around which to restructure sensibility. I encouraged her every time, and it seemed to me that the more she regained control of herself the more evident became the destruction and death of entire towns of the South. Soon she began to speak of the terror without being ashamed and I was reassured. But something indefinable nevertheless remained: her more cautious steps, a hint of apprehension in her voice. The memory of the earthquake endured, Naples contained it. Only the heat was departing, like a foggy breath that rose from the body of the city and its slow, strident life.

  We reached the house of Nino and Eleonora. I knocked for a long time, I called, no answer. Lila stood a hundred meters away, staring at me, her belly stretched, pointed, a sulky expression on her face. I talked to a man who came out of the entrance with two suitcases, he said that the whole building was deserted. I stayed another moment, unable to make up my mind to leave. I observed Lila’s figure. I remembered what she had said and implied shortly before the earthquake, I had the impression that a legion of demons was pursuing her. She used Enzo, she used Pasquale, she used Antonio. She remodeled Alfonso. She subdued Michele Solara, leading him into a mad love for her, for him. And Michele was thrashing about to free himself, he fired Alfonso, he closed the shop in Piazza dei Martiri, but in vain. Lila humiliated him, continued to humiliate him, subjugating him. How much did she know now of the two brothers’ business. She had set eyes on their affairs when she collected data for the computer, she even knew about the drug money. That’s why Marcello hated her, that’s why my sister Elisa hated her. Lila knew everything. She knew everything out of pure, simple fear of all that was living or dead. Who knows how many ugly facts she knew about Nino. She seemed to say to me from a distance: Forget him, we both know that he’s safely with his family and doesn’t give a damn about you.

  55.

  It turned out to be essentially true. Enzo and Gennaro returned to the neighborhood in the evening, worn-out, overwhelmed, looking like survivors of an atrocious war, with a single preoccupation: How was Lila. Nino, on the other hand, reappeared many days later, as if he’d come back from a vacation. I couldn’t understand anything, he said, I took my children and fled.

  His children. What a responsible father. And the one I carried in my belly?

  He said in his confident voice that he had taken refuge with the children, Eleonora, his in-laws in
a family villa in Minturno. I sulked. I kept him away for days, I didn’t want to see him, I was worried about my parents. I heard from Marcello himself, who had returned alone to the neighborhood, that he had brought them to a safe place, with Elisa and Silvio, to a property he had in Gaeta. Another savior of his family.

  Meanwhile I returned to Via Tasso, alone. It was very cold now, the apartment was freezing. I checked the walls one by one, there didn’t seem to be any cracks. But at night I was afraid to fall asleep, I feared that the earthquake would return, and I was glad that Pietro and Doriana had agreed to keep the children for a while.

  Then Christmas came; I couldn’t help it, I made peace with Nino. I went to Florence to get Dede and Elsa. Life began again but like a convalescence whose end I couldn’t see. Now, every time I saw Lila, I felt on her part a mood of uncertainty, especially when she took an aggressive tone. She looked at me as if to say: You know what is behind my every word.

  But did I really know? I crossed barricaded streets and passed by countless uninhabitable buildings, shored up by strong wooden beams. I often ended up in the havoc caused by the basest complicit inefficiency. And I thought of Lila, of how she immediately returned to work, to manipulate, motivate, deride, attack. I thought of the terror that in a few seconds had annihilated her, I saw the trace of that terror in her now habitual gesture of holding her hands around her stomach with the fingers spread. And I wondered apprehensively: who is she now, what can she become, how can she react? I said to her once, to underline that a bad moment had passed: