The Complete Works of L M Montgomery

by L. M. Montgomery

“But I don’t feel that way now. That was just a mood. You don’t know anything about moods, dearie. You don’t know what it is to yearn desperately one hour for something you wouldn’t take if it were offered you the next.”

  “But that is foolishness,” protested Louisa.

  “To be sure it is — rank foolishness. But oh, it is so delightful to be foolish after being compelled to be unbrokenly sensible for twenty years. Well, I’m going picking strawberries this afternoon, Lou. Don’t wait tea for me. I probably won’t be back till dark. I’ve only four more days to stay and I want to make the most of them.”

  Nancy wandered far and wide in her rambles that afternoon. When she had filled her jug she still roamed about with delicious aimlessness. Once she found herself in a wood lane skirting a field wherein a man was mowing hay. The man was Peter Wright. Nancy walked faster when she discovered this, with never a roving glance, and presently the green, ferny depths of the maple woods swallowed her up.

  From old recollections, she knew that she was on Peter Morrison’s land, and calculated that if she kept straight on she would come out where the old Morrison house used to be. Her calculations proved correct, with a trifling variation. She came out fifty yards south of the old deserted Morrison house, and found herself in the yard of the Wright farm!

  Passing the house — the house where she had once dreamed of reigning as mistress — Nancy’s curiosity overcame her. The place was not in view of any other near house. She deliberately went up to it intending — low be it spoken — to peep in at the kitchen window. But, seeing the door wide open, she went to it instead and halted on the step, looking about her keenly.

  The kitchen was certainly pitiful in its disorder. The floor had apparently not been swept for a fortnight. On the bare deal table were the remnants of Peter’s dinner, a meal that could not have been very tempting at its best.

  “What a miserable place for a human being to live in!” groaned Nancy. “Look at the ashes on that stove! And that table! Is it any wonder that Peter has got gray? He’ll work hard haymaking all the afternoon — and then come home to THIS!”

  An idea suddenly darted into Nancy’s brain. At first she looked aghast. Then she laughed and glanced at her watch.

  “I’ll do it — just for fun and a little pity. It’s half-past two, and Peter won’t be home till four at the earliest. I’ll have a good hour to do it in, and still make my escape in good time. Nobody will ever know; nobody can see me here.”

  Nancy went in, threw off her hat, and seized a broom. The first thing she did was to give the kitchen a thorough sweeping. Then she kindled a fire, put a kettle full of water on to heat, and attacked the dishes. From the number of them she rightly concluded that Peter hadn’t washed any for at least a week.

  “I suppose he just uses the clean ones as long as they hold out, and then has a grand wash-up,” she laughed. “I wonder where he keeps his dish-towels, if he has any.”

  Evidently Peter hadn’t any. At least, Nancy couldn’t find any. She marched boldly into the dusty sitting-room and explored the drawers of an old-fashioned sideboard, confiscating a towel she found there. As she worked, she hummed a song; her steps were light and her eyes bright with excitement. Nancy was enjoying herself thoroughly, there was no doubt of that. The spice of mischief in the adventure pleased her mightily.

  The dishes washed, she hunted up a clean, but yellow and evidently long unused tablecloth out of the sideboard, and proceeded to set the table and get Peter’s tea. She found bread and butter in the pantry, a trip to the cellar furnished a pitcher of cream, and Nancy recklessly heaped the contents of her strawberry jug on Peter’s plate. The tea was made and set back to keep warm. And, as a finishing touch, Nancy ravaged the old neglected garden and set a huge bowl of crimson roses in the centre of the table.

  “Now I must go,” she said aloud. “Wouldn’t it be fun to see Peter’s face when he comes in, though? Ha-hum! I’ve enjoyed doing this — but why? Nancy Rogerson, don’t be asking yourself conundrums. Put on your hat and proceed homeward, constructing on your way some reliable fib to account to Louisa for the absence of your strawberries.”

  Nancy paused a moment and looked around wistfully. She had made the place look cheery and neat and homelike. She felt that queer tugging at her heart-strings again. Suppose she belonged here, and was waiting for Peter to come home to tea. Suppose — Nancy whirled around with a sudden horrible prescience of what she was going to see! Peter Wright was standing in the doorway.

  Nancy’s face went crimson. For the first time in her life she had not a word to say for herself. Peter looked at her and then at the table, with its fruit and flowers.

  “Thank you,” he said politely.

  Nancy recovered herself. With a shame-faced laugh, she held out her hand.

  “Don’t have me arrested for trespass, Peter. I came and looked in at your kitchen out of impertinent curiosity, and just for fun I thought I’d come in and get your tea. I thought you’d be so surprised — and I meant to go before you came home, of course.”

  “I wouldn’t have been surprised,” said Peter, shaking hands. “I saw you go past the field and I tied the horses and followed you down through the woods. I’ve been sitting on the fence back yonder, watching your comings and goings.” “Why didn’t you come and speak to me at church yesterday, Peter?” demanded Nancy boldly.

  “I was afraid I would say something ungrammatical,” answered Peter drily.

  The crimson flamed over Nancy’s face again. She pulled her hand away.

  “That’s cruel of you, Peter.”

  Peter suddenly laughed. There was a note of boyishness in the laughter.

  “So it is,” he said, “but I had to get rid of the accumulated malice and spite of twenty years somehow. It’s all gone now, and I’ll be as amiable as I know how. But since you have gone to the trouble of getting my supper for me, Nancy, you must stay and help me eat it. Them strawberries look good. I haven’t had any this summer — been too busy to pick them.”

  Nancy stayed. She sat at the head of Peter’s table and poured his tea for him. She talked to him wittily of the Avonlea people and the changes in their old set. Peter followed her lead with an apparent absence of self-consciousness, eating his supper like a man whose heart and mind were alike on good terms with him. Nancy felt wretched — and, at the same time, ridiculously happy. It seemed the most grotesque thing in the world that she should be presiding there at Peter’s table, and yet the most natural. There were moments when she felt like crying — other moments when her laughter was as ready and spontaneous as a girl’s. Sentiment and humour had always waged an equal contest in Nancy’s nature.

  When Peter had finished his strawberries he folded his arms on the table and looked admiringly at Nancy.

  “You look well at the head of a table, Nancy,” he said critically. “How is it that you haven’t been presiding at one of your own long before this? I thought you’d meet a lots of men out in the world that you’d like — men who talked good grammar.”

  “Peter, don’t!” said Nancy, wincing. “I was a goose.”

  “No, you were quite right. I was a tetchy fool. If I’d had any sense, I’d have felt thankful you thought enough of me to want to improve me, and I’d have tried to kerrect my mistakes instead of getting mad. It’s too late now, I suppose.”

  “Too late for what?” said Nancy, plucking up heart of grace at something in Peter’s tone and look.

  “For — kerrecting mistakes.”

  “Grammatical ones?”

  “Not exactly. I guess them mistakes are past kerrecting in an old fellow like me. Worse mistakes, Nancy. I wonder what you would say if I asked you to forgive me, and have me after all.”

  “I’d snap you up before you’d have time to change your mind,” said Nancy brazenly. She tried to look Peter in the face, but her blue eyes, where tears and mirth were blending, faltered down before his gray ones.

  Peter stood up, knocking over his chair, and strode a
round the table to her.

  “Nancy, my girl!” he said.

  FURTHER CHRONICLES OF AVONLEA

  In 1920, L.C. Page & Company published a sequel to Chronicles of Avonlea (1912) without Lucy Maud Montgomery’s consent. She sued the company and eventually won the case after an eight year battle, receiving the unsold copies of Further Chronicles of Avonlea, and $18,000 in damages. Originally, Page had agreed to leave out all references to Montgomery’s beloved heroine, Anne Shirley, but reneged on the deal. Like its predecessor, the fifteen stories take place in the fictional town of Avonlea, Prince Edward Island, and feature characters and places familiar to readers of the Anne of Green Gables series.

  Today, Further Chronicles of Avonlea continues as a well-loved part of Montgomery’s canon, despite its tainted history and the fact that publishers refrained from reprinting it until the 1950’s. The popular 1990’s Canadian TV series, Road to Avonlea (shortened to Avonlea in the U.S.), created by Kevin Sullivan, includes some of the stories.

  A first edition, first impression copy of Further Chronicles of Avonlea

  CONTENTS

  AUNT CYNTHIA’S PERSIAN CAT

  THE MATERIALIZING OF CECIL

  HER FATHER’S DAUGHTER

  JANE’S BABY

  THE DREAM-CHILD

  THE BROTHER WHO FAILED

  THE RETURN OF HESTER

  THE LITTLE BROWN BOOK OF MISS EMILY

  SARA’S WAY

  THE SON OF HIS MOTHER

  THE EDUCATION OF BETTY

  IN HER SELFLESS MOOD

  THE CONSCIENCE CASE OF DAVID BELL

  ONLY A COMMON FELLOW

  TANNIS OF THE FLATS

  INTRODUCTION

  It is no exaggeration to say that what Longfellow did for Acadia, Miss Montgomery has done for Prince Edward Island. More than a million readers, young people as well as their parents and uncles and aunts, possess in the picture-galleries of their memories the exquisite landscapes of Avonlea, limned with as poetic a pencil as Longfellow wielded when he told the ever-moving story of Grand Pre.

  Only genius of the first water has the ability to conjure up such a character as Anne Shirley, the heroine of Miss Montgomery’s first novel, “Anne of Green Gables,” and to surround her with people so distinctive, so real, so true to psychology. Anne is as lovable a child as lives in all fiction. Natasha in Count Tolstoi’s great novel, “War and Peace,” dances into our ken, with something of the same buoyancy and naturalness; but into what a commonplace young woman she develops! Anne, whether as the gay little orphan in her conquest of the master and mistress of Green Gables, or as the maturing and self-forgetful maiden of Avonlea, keeps up to concert-pitch in her charm and her winsomeness. There is nothing in her to disappoint hope or imagination.

  Part of the power of Miss Montgomery — and the largest part — is due to her skill in compounding humor and pathos. The humor is honest and golden; it never wearies the reader; the pathos is never sentimentalized, never degenerates into bathos, is never morbid. This combination holds throughout all her works, longer or shorter, and is particularly manifest in the present collection of fifteen short stories, which, together with those in the first volume of the Chronicles of Avonlea, present a series of piquant and fascinating pictures of life in Prince Edward Island.

  The humor is shown not only in the presentation of quaint and unique characters, but also in the words which fall from their mouths. Aunt Cynthia “always gave you the impression of a full-rigged ship coming gallantly on before a favorable wind;” no further description is needed — only one such personage could be found in Avonlea. You would recognize her at sight. Ismay Meade’s disposition is summed up when we are told that she is “good at having presentiments — after things happen.” What cleverer embodiment of innate obstinacy than in Isabella Spencer—”a wisp of a woman who looked as if a breath would sway her but was so set in her ways that a tornado would hardly have caused her to swerve an inch from her chosen path;” or than in Mrs. Eben Andrews (in “Sara’s Way”) who “looked like a woman whose opinions were always very decided and warranted to wear!”

  This gift of characterization in a few words is lavished also on material objects, as, for instance; what more is needed to describe the forlornness of the home from which Anne was rescued than the statement that even the trees around it “looked like orphans”?

  The poetic touch, too, never fails in the right place and is never too frequently introduced in her descriptions. They throw a glamor over that Northern land which otherwise you might imagine as rather cold and barren. What charming Springs they must have there! One sees all the fruit-trees clad in bridal garments of pink and white; and what a translucent sky smiles down on the ponds and the reaches of bay and cove!

  “The Eastern sky was a great arc of crystal, smitten through with auroral crimsonings.”

  “She was as slim and lithe as a young white-stemmed birch-tree; her hair was like a soft dusky cloud, and her eyes were as blue as Avonlea Harbor in a fair twilight, when all the sky is a-bloom over it.”

  Sentiment with a humorous touch to it prevails in the first two stories of the present book. The one relates to the disappearance of a valuable white Persian cat with a blue spot in its tail. “Fatima” is like the apple of her eye to the rich old aunt who leaves her with two nieces, with a stern injunction not to let her out of the house. Of course both Sue and Ismay detest cats; Ismay hates them, Sue loathes them; but Aunt Cynthia’s favor is worth preserving. You become as much interested in Fatima’s fate as if she were your own pet, and the climax is no less unexpected than it is natural, especially when it is made also the last act of a pretty comedy of love.

  Miss Montgomery delights in depicting the romantic episodes hidden in the hearts of elderly spinsters as, for instance, in the case of Charlotte Holmes, whose maid Nancy would have sent for the doctor and subjected her to a porous plaster while waiting for him, had she known that up stairs there was a note-book full of original poems. Rather than bear the stigma of never having had a love-affair, this sentimental lady invents one to tell her mocking young friends. The dramatic and unexpected denouement is delightful fun.

  Another note-book reveals a deeper romance in the case of Miss Emily; this is related by Anne of Green Gables, who once or twice flashes across the scene, though for the most part her friends and neighbors at White Sands or Newbridge or Grafton as well as at Avonlea are the persons involved.

  In one story, the last, “Tannis of the Flats,” the secret of Elinor Blair’s spinsterhood is revealed in an episode which carries the reader from Avonlea to Saskatchewan and shows the unselfish devotion of a half-breed Indian girl. The story is both poignant and dramatic. Its one touch of humor is where Jerome Carey curses his fate in being compelled to live in that desolate land in “the picturesque language permissible in the far Northwest.”

  Self-sacrifice, as the real basis of happiness, is a favorite theme in Miss Montgomery’s fiction. It is raised to the nth power in the story entitled, “In Her Selfless Mood,” where an ugly, misshapen girl devotes her life and renounces marriage for the sake of looking after her weak and selfish half-brother. The same spirit is found in “Only a Common Fellow,” who is haloed with a certain splendor by renouncing the girl he was to marry in favor of his old rival, supposed to have been killed in France, but happily delivered from that tragic fate.

  Miss Montgomery loves to introduce a little child or a baby as a solvent of old feuds or domestic quarrels. In “The Dream Child,” a foundling boy, drifting in through a storm in a dory, saves a heart-broken mother from insanity. In “Jane’s Baby,” a baby-cousin brings reconciliation between the two sisters, Rosetta and Carlotta, who had not spoken for twenty years because “the slack-twisted” Jacob married the younger of the two.

  Happiness generally lights up the end of her stories, however tragic they may set out to be. In “The Son of His Mother,” Thyra is a stern woman, as “immovable as a stone image.” She had only one son, whom she worshipped
; “she never wanted a daughter, but she pitied and despised all sonless women.” She demanded absolute obedience from Chester — not only obedience, but also utter affection, and she hated his dog because the boy loved him: “She could not share her love even with a dumb brute.” When Chester falls in love, she is relentless toward the beautiful young girl and forces Chester to give her up. But a terrible sorrow brings the old woman and the young girl into sympathy, and unspeakable joy is born of the trial.

  Happiness also comes to “The Brother who Failed.” The Monroes had all been successful in the eyes of the world except Robert: one is a millionaire, another a college president, another a famous singer. Robert overhears the old aunt, Isabel, call him a total failure, but, at the family dinner, one after another stands up and tells how Robert’s quiet influence and unselfish aid had started them in their brilliant careers, and the old aunt, wiping the tears from her eyes, exclaims: “I guess there’s a kind of failure that’s the best success.”

  In one story there is an element of the supernatural, when Hester, the hard older sister, comes between Margaret and her lover and, dying, makes her promise never to become Hugh Blair’s wife, but she comes back and unites them. In this, Margaret, just like the delightful Anne, lives up to the dictum that “nothing matters in all God’s universe except love.” The story of the revival at Avonlea has also a good moral.

  There is something in these continued Chronicles of Avonlea, like the delicate art which has made “Cranford” a classic: the characters are so homely and homelike and yet tinged with beautiful romance! You feel that you are made familiar with a real town and its real inhabitants; you learn to love them and sympathize with them. Further Chronicles of Avonlea is a book to read; and to know.

  NATHAN HASKELL DOLE.

  AUNT CYNTHIA’S PERSIAN CAT

  Max always blesses the animal when it is referred to; and I don’t deny that things have worked together for good after all. But when I think of the anguish of mind which Ismay and I underwent on account of that abominable cat, it is not a blessing that arises uppermost in my thoughts.