Delphi Works of Robert E. Howard (Illustrated) (Series Four)

by Robert E. Howard

  “Cowboys, hell!” I roared. “Them’s Harrison’s outlaws! I’ll save you, Brother Rembrandt!”

  I swooped him up with one arm and gouged Cap’n Kidd with the spurs and he went from there like a thunderbolt with its tail on fire. Them outlaws come on with wild yells. I ain’t in the habit of running from people, but I was afeared they might do the Reverant harm if it come to a close fight, and if he stopped a chunk of lead, Blink might not get to marry his niece, and might get disgusted and go back to War Paint and start sparking Dolly Rixby again.

  I was heading for the canyon, aiming to make a stand in the ravine if I had to, and them outlaws was killing their hosses trying to get to the bend of the trail ahead of me, and cut me off. Cap’n Kidd was running with his belly to the ground, but I’ll admit Brother Rembrandt warn’t helping me much. He was laying acrost my saddle with his arms and laigs waving wildly because I hadn’t had time to set him comfortable, and when the horn jobbed him in the belly he uttered some words I wouldn’t of expected to hear spoke by a minister of the gospel.

  Guns begun to crack and lead hummed past us, and Brother Rembrandt twisted his head around and screamed: “Stop that — shootin’, you — sons of — ! You’ll hit me!”

  I thought it was kind of selfish from Brother Rembrandt not to mention me, too, but I said: “‘Tain’t no use to remonstrate with them skunks, Reverant. They ain’t got no respeck for a preacher even.”

  But to my amazement, the shooting did stop, though them bandits yelled louder’n ever and flogged their cayuses harder. But about that time I seen they had me cut off from the lower canyon crossing, so I wrenched Cap’n Kidd into the old Injun track and headed straight for the canyon rim as hard as he could hammer, with the bresh lashing and snapping around us, and slapping Brother Rembrandt in the face when it whipped back. Them outlaws yelled and wheeled in behind us, but Cap’n Kidd drawed away from them with every stride, and the canyon rim loomed jest ahead of us.

  “Pull up, you jack-eared son of Baliol!” howled Brother Rembrandt. “You’ll go over the edge!”

  “Be at ease, Reverant,” I reassured him. “We’re goin’ over the log.”

  “Lord have mercy on my soul!” he squalled, and shet his eyes and grabbed a stirrup leather with both hands, and then Cap’n Kidd went over that log like thunder rolling on Jedgment Day.

  I doubt if they is another hoss west of the Pecos, or east of it either, which would bolt out onto a log foot-bridge acrost a canyon a hundred and fifty foot deep like that, but they ain’t nothing in this world Cap’n Kidd’s scairt of except maybe me. He didn’t slacken his speed none. He streaked acrost that log like it was a quarter-track, with the bark and splinters flying from under his hoofs, and if one foot had slipped a inch, it would of been Sally bar the door. But he didn’t slip, and we was over and on the other side almost before you could catch yore breath.

  “You can open yore eyes now, Brother Rembrandt,” I said kindly, but he didn’t say nothing. He’d fainted. I shaken him to wake him up, and in a flash he come to and give a shriek and grabbed my laig like a b’ar trap. I reckon he thought we was still on the log. I was trying to pry him loose when Cap’n Kidd chose that moment to run under a low-hanging oak tree limb. That’s his idee of a joke. That there hoss has got a great sense of humor.

  I looked up jest in time to see the limb coming, but not in time to dodge it. It was as big around as my thigh, and it took me smack acrost the wish- bone. We was going full-speed, and something had to give way. It was the girths — both of ‘em. Cap’n Kidd went out from under me, and me and Brother Rembrandt and the saddle hit the ground together.

  I jumped up but Brother Rembrandt laid there going: “Wug wug wug!” like water running out of a busted jug. And then I seen them cussed outlaws had dismounted off of their hosses and was coming acrost the bridge single file on foot, with their Winchesters in their hands.

  I didn’t waste no time shooting them misguided idjits. I run to the end of the foot-bridge, ignoring the slugs they slung at me. It was purty pore shooting, because they warn’t shore of their footing, and didn’t aim good. So I only got one bullet in the hind laig and was creased three or four other unimportant places — not enough to bother about.

  I bent my knees and got hold of the end of the tree and heaved up with it, and them outlaws hollered and fell along it like ten pins, and dropped their Winchesters and grabbed holt of the log. I given it a shake and shook some of ’em off like persimmons off a limb after a frost, and then I swung the butt around clear of the rim and let go, and it went down end over end into the river a hundred and fifty feet below, with a dozen men still hanging onto it and yelling blue murder.

  A regular geyser of water splashed up when they hit, and the last I seen of ’em they was all swirling down the river together in a thrashing tangle of arms and laigs and heads.

  I remembered Brother Rembrandt and run back to where he’d fell, but he was already on his feet. He was kind of pale and wild-eyed and his laigs kept bending under him, but he had hold of the saddle-bags, and was trying to drag ’em into a thicket, mumbling kind of dizzily to hisself.

  “It’s all right now, Brother Rembrandt,” I said kindly. “Them outlaws is all horse-de-combat now, as the French say. Blink’s gold is safe.”

  “—” says Brother Rembrandt, pulling two guns from under his coat tails, and if I hadn’t grabbed him, he would of ondoubtedly shot me. We rassled around and I protested: “Hold on, Brother Rembrandt! I ain’t no outlaw. I’m yore friend, Breckinridge Elkins. Don’t you remember?”

  His only reply was a promise to eat my heart without no seasoning, and he then sunk his teeth into my ear and started to chaw it off, whilst gouging for my eyes with both thumbs, and spurring me severely in the hind laigs. I seen he was out of his head from fright and the fall he got, so I said sorrerfully: “Brother Rembrandt, I hates to do this. It hurts me more’n it does you, but we cain’t waste time like this. Blink is waitin’ to git married.” And with a sigh I busted him over the head with the butt of my six-shooter, and he fell over and twitched a few times and then lay limp.

  “Pore Brother Rembrandt,” I sighed sadly. “All I hope is I ain’t addled yore brains so’s you’ve forgot the weddin’ ceremony.”

  So as not to have no more trouble with him when, and if, he come to, I tied his arms and laigs with pieces of my lariat, and taken his weppins which was most surprising arms for a circuit rider. His pistols had the triggers out of ‘em, and they was three notches on the butt of one, and four on t’other’n. Moreover he had a bowie knife in his boot, and a deck of marked kyards and a pair of loaded dice in his hip-pocket. But that warn’t none of my business.

  About the time I finished tying him up, Cap’n Kidd come back to see if he’d kilt me or jest crippled me for life. To show him I could take a joke too, I give him a kick in the belly, and when he could get his breath again, and ondouble hisself, I throwed the saddle on him. I spliced the girths with the rest of my lariat, and put Brother Rembrandt in the saddle and clumb on behind and we headed for Teton Gulch.

  After a hour or so Brother Rembrandt come to and says kind of dizzily: “Was anybody saved from the typhoon?”

  “Yo’re all right, Brother Rembrandt,” I assured him. “I’m takin’ you to Teton Gulch.”

  “I remember,” he muttered. “It all comes back to me. Damn Jake Roman! I thought it was a good idea, but it seems I was mistaken. I thought we had an ordinary human being to deal with. I know when I’m licked. I’ll give you a thousand dollars to let me go.”

  “Take it easy, Brother Rembrandt,” I soothed, seeing he was still delirious. “We’ll be to Teton in no time.”

  “I don’t want to go to Teton!” he hollered.

  “You got to,” I told him. “You got to unite yore niece and Blink Wiltshaw in the holy bums of parsimony.”

  “To hell with Blink Wiltshaw and my — niece!” he yelled.

  “You ought to be ashamed usin’ sech langwidge, and you a minister o
f the gospel,” I reproved him sternly. His reply would of curled a Piute’s hair.

  I was so scandalized I made no reply. I was jest fixing to untie him, so’s he could ride more comfortable, but I thought if he was that crazy, I better not. So I give no heed to his ravings which growed more and more unbearable as we progressed. In all my born days I never seen sech a preacher.

  It was sure a relief to me to sight Teton at last. It was night when we rode down the ravine into the Gulch, and the dance halls and saloons was going full blast. I rode up behind the Yaller Dawg Saloon and hauled Brother Rembrandt off with me and sot him onto his feet, and he said, kind of despairingly: “For the last time, listen to reason. I’ve got fifty thousand dollars cached up in the hills. I’ll give you every cent if you’ll untie me.”

  “I don’t want no money,” I said. “All I want is for you to marry yore niece and Blink Wiltshaw. I’ll untie you then.”

  “All right,” he said. “All right! But untie me now!”

  I was jest fixing to do it, when the bar-keep come out with a lantern, and he shone it on our faces and said in a startled tone: “Who the hell is that with you, Elkins?”

  “You wouldn’t never suspect it from his langwidge,” I says, “but it’s the Reverant Rembrandt Brockton.”

  “Are you crazy?” says the bar-keep. “That’s Rattle snake Harrison!”

  “I give up,” said my prisoner. “I’m Harrison. I’m licked. Lock me up somewhere away from this lunatic!”

  I was standing in a kind of daze, with my mouth open, but now I woke up and bellered: “What? Yo’re Harrison? I see it all now! Jake Roman overheard me talkin’ to Blink Wiltshaw, and rode off and fixed it with you to fool me like you done, so’s to git Blink’s gold! That’s why you wanted to hold my Winchester whilst I saddled yore cayuse.”

  “How’d you ever guess it?” he sneered. “We ought to have shot you from ambush like I wanted to, but Jake wanted to catch you alive and torture you to death account of your horse bitin’ him. The fool must have lost his head at the last minute and decided to shoot you after all. If you hadn’t recognized him we’d had you surrounded and stuck up before you knew what was happening.”

  “But now the real preacher’s gone on to Wahpeton!” I hollered. “I got to foller him and bring him back—”

  “Why, he’s here,” said one of the men which was gathering around us. “He come in with his niece a hour ago on the stage from War Paint.”

  “War Paint?” I howled, hit in the belly by a premonishun. I run into the saloon, where they was a lot of people, and there was Blink and a gal holding hands in front of a old man with a long white beard, and he had a book in his hand, and the other’n lifted in the air. He was saying: “ — And I now pernounces you-all man and wife. Them which God has j’ined togither let no snake-hunter put asunder.”

  “Dolly!” I yelled. Both of ’em jumped about four foot and whirled, and Dolly jumped in front of Blink and spread her arms like she was shooing chickens.

  “Don’t you tech him, Breckinridge!” she hollered. “I jest married him and I don’t aim for no Humbolt grizzly to spile him!”

  “But I don’t sabe all this—” I said dizzily, nervously fumbling with my guns which is a habit of mine when upsot.

  Everybody in the wedding party started ducking out of line, and Blink said hurriedly: “It’s this way, Breck. When I made my pile so onexpectedly quick, I sent for Dolly to come and marry me, like she’d promised that night, jest after you pulled out for Yavapai. I wasaimin’ to take my gold out today, like I told you, so me and Dolly could go to San Francisco on our honeymoon, but I learnt Harrison’s gang was watchin’ me, jest like I told you. I wanted to git my gold out, and I wanted to git you out of the way before Dolly and her uncle got here on the War Paint stage, so I told you that there lie about Brother Rembrandt bein’ on the Wahpeton stage. It was the only lie.”

  “You said you was marryin’ a gal in Teton,” I accused fiercely.

  “Well,” says he, “I did marry her in Teton. You know, Breck, all’s fair in love and war.”

  “Now, now, boys,” says Brother Rembrandt — the real one, I mean. “The gal’s married, yore rivalry is over, and they’s no use holdin’ grudges. Shake hands and be friends.”

  “All right,” I said heavily. No man can’t say I ain’t a good loser. I was cut deep, but I concealed my busted heart.

  Leastways I concealed it all I was able to. Them folks which says I crippled Blink Wiltshaw with malice aforethought is liars which I’ll sweep the road with when I catches ‘em. I didn’t aim to break his cussed arm when we shaken hands. It was jest the convulsive start I give when I suddenly thought of what Glory McGraw would say when she heard about this mess. And they ain’t no use in folks saying that what imejitly follered was done in revenge for Dolly busting me in the head with that cuspidor. When I thought of the rawhiding I’d likely get from Glory McGraw I kind of lost my head and stampeded like a loco bull. When something got in my way I removed it without stopping to see what it was. How was I to know it was Dolly’s Uncle Rembrandt which I absent-mindedly throwed through a winder. And as for them fellers which claims they was knocked down and trompled on, they ought to of got outa my way, dern ‘em.

  As I headed down the trail on Cap’n Kidd I wondered if I ever really loved Dolly, after all, because I was less upsot over her marrying another feller than I was about what Glory McGraw would say.

  * * *

  10. THE HAUNTED MOUNTAIN

  THEY say when a critter is mortally wounded he generally heads for his den, so maybe that’s why I headed for Bear Creek when I rode out of Teton Gulch that night; I’d had about as much civilization as I could stand for awhile.

  But the closer I got to Bear Creek the more I thought about Glory McGraw and I bust into profuse sweat every time I thought about what she’d say to me, because I’d sent her word by one of the Braxton boys that I aimed to bring Dolly Rixby to Bear Creek as Miz Breckinridge Elkins.

  I thought about this so much that when I cut the Chawed Ear road I turned aside and headed up it. I’d met a feller a few miles back which told me about a rodeo which was going to take place at Chawed Ear, so I thought it was a good way to pick up some easy money whilst avoiding Glory at the same time. But I forgot I had to pass by the cabin of one of my relatives.

  The reason I detests tarantulas, stinging lizards, and hydrophobia skunks is because they reminds me so much of Aunt Lavaca Grimes, which my Uncle Jacob Grimes married in a absent-minded moment, when he was old enough to know better.

  That there woman’s voice plumb puts my teeth on aidge, and it has the same effect on Cap’n Kidd, which don’t otherwise shy at nothing less’n a cyclone. So when she stuck her head out of her cabin as I was riding by and yelled: “Breck-in-ri-i-idge!” Cap’n Kidd jumped like he was shot, and then tried to buck me off.

  “Stop tormentin’ that pore animal and come here,” commanded Aunt Lavaca, whilst I was fighting for my life agen Cap’n Kidd’s spine-twisting sunfishing. “Always showin’ off! I never see such a inconsiderate, worthless, no- good—”

  She kept on yapping away till I had wore him down and reined up alongside the cabin-stoop, and said: “What you want, Aunt Lavaca?”

  She give me a scornful stare, and put her hands onto her hips and glared at me like I was something she didn’t like the smell of.

  “I want you to go git yore Uncle Jacob and bring him home,” she said at last. “He’s off on one of his idjiotic prospectin’ sprees again. He snuck out before daylight with the bay mare and a pack mule — I wisht I’d woke up and caught him. I’d of fixed him! If you hustle you can catch him this side of Haunted Mountain Gap. You bring him back if you have to lasso him and tie him to his saddle. Old fool! Off huntin’ gold when they’s work to be did in the alfalfa fields. Says he ain’t no farmer. Huh! I ‘low I’ll make a farmer outa him yet. You git goin’.”

  “But I ain’t got time to go chasin’ Uncle Jacob all over Haunted Mountain,”
I protested. “I’m headin’ for the rodeo over to Chawed Ear. I’m goin’ to winme a prize bull-doggin’ some steers—”

  “Bull-doggin’!” she snapped. “A fine ockerpashun! Gwan, you worthless loafer! I ain’t goin’ to stand here all day argyin’ with a big ninny like you be. Of all the good-for-nothin’, triflin’, lunk-headed—”

  When Aunt Lavaca starts in like that you might as well travel. She can talk steady for three days and nights without repeating herself, with her voice getting louder and shriller all the time till it nigh splits a body’s ear drums. She was still yelling at me as I rode up the trail towards Haunted Mountain Gap, and I could hear her long after I couldn’t see her no more.

  Pore Uncle Jacob! He never had much luck prospecting, but trailing around with a jackass is a lot better’n listening to Aunt Lavaca. A jackass’s voice is mild and soothing alongside of her’n.

  Some hours later I was climbing the long rise that led up to the gap and I realized I had overtook the old coot when something went ping! up on the slope, and my hat flew off. I quick reined Cap’n Kidd behind a clump of bresh, and looked up towards the Gap, and seen a pack-mule’s rear end sticking out of a cluster of boulders.

  “You quit that shootin’ at me, Uncle Jacob!” I roared.

  “You stay whar you be,” his voice come back rambunctious and warlike. “I know Lavacky sent you after me, but I ain’t goin’ home. I’m onto somethin’ big at last, and I don’t aim to be interfered with.”

  “What you mean?” I demanded.

  “Keep back or I’ll ventilate you,” he promised. “I’m goin’ after the Lost Haunted Mine.”

  “You been huntin’ that thing for fifty years,” I snorted.

  “This time I finds it,” he says. “I bought a map off’n a drunk Mexican down to Perdition. One of his ancestors was a Injun which helped pile up the rocks to hide the mouth of the cave whar it is.”

  “Why didn’t he go find it and git the gold?” I ast.