Sound Pictures
Page 74
“All Those Years Ago,” 452
“All Together Now,” 249, 253, 257, 288, 303, 320, 321
All You Need is Cash (television show), 478
All You Need is Ears (Hornsby and Martin, G.), 440–441
“All You Need Is Love”
albums featuring, 291, 320
commercial success, 267
concept and purpose, 260–261
copyright issues, 268
gala concert performances of, 484
recording/production, 261–262, 263, 267, 288
single release of, 264, 267
television documentary filming of, 264, 265–267
Allen, Joe, 411–412
Alpert, Richard, 32
ambiophonics, 201–203
America, 418–419, 420, 426, 440
American Federation of Musicians (AFM), 22
American sound, 18–23, 35, 48, 155
And I Love Her (album), 11
“And Your Bird Can Sing,” 57–58, 60, 77, 86, 97
Andrade, Levine, 476
Angadi, Ayana, 26, 44
Angadi, Patricia, 26
Anthology project, 472–474
“Anyone Who Had a Heart,” 7, 295
Apocalypse (LP), 427
Apollo 15, 411–412
Apple Boutique, 308
Apple Corps (formerly Apple Music, Limited). See also Apple Studios
business model descriptions, 308–309
engineering divisions, 309–310
filmmaking, 338
financial issues, 358, 373, 377
founding and purpose, 246
logo designs, 246
record production division, 313, 326, 330, 333, 353, 382
recording studios of, 358–362, 371, 374, 383
Apple Films, 338
Apple Records, 326, 330, 333, 353, 382
Apple Studios, 358–362, 371, 374, 383
Are You Experienced? (LP), 257
Argo Records, 407
artificial double-tracking (ADT), 40–41, 56, 57, 65, 99, 228, 231, 235, 267
Asher, Jane, 30, 62, 76, 229, 266, 292, 307, 313
Asher, Peter, 24
Asian Music Circle, 25, 26, 44, 222, 228
Aspinall, Neil
documentaries produced by, 472–473
film documentaries produced by, 473
instrument transportation, 106
listening sessions, 74
as McCartney music arranger, 224
recordings featuring, 95, 153, 223, 229
at Sgt. Pepper release party, 247
Starr management, 396
studio schedule pattern, 43–44
At the Speed of Sound (LP), 430
ATOC (Automatic Transient Overload Control), 53–54
“Auntie Maggie’s Remedy,” 116
Austerlitz (film), 190
auto accidents, 157, 179, 357, 379
“Average Person,” 450
“Baby, You’re a Rich Man,” 225–223, 267, 291, 334
“Baby, You’ve Got It,” 10
“Baby Loves to Rock,” 445
Bach, Johann Sebastian, 171–172, 306, 416
Bacharach, Burt, 7–8, 396
Back in ’64 at the Hollywood Bowl (album), 431
“Back in the USSR,” 337–338, 346
backward recordings, 24–25, 55–56, 75, 305–306
“Bad Boy,” 136–137, 167
“Bad Penny Blues,” 27, 299
Badfinger, 382
Bailey, David, 475–476
Baker, Ginger, 142
“Ballad of John and Yoko, The,” 374, 377–378
“Ballroom Dancing,” 449, 451
Band on the Run (LP), 420
Barrow, Tony, 118, 120, 126, 128, 149, 393–394
Barry, John, 412, 413
Bart, Lionel, 6–7, 267
Bassey, Shirley, 132, 298, 435, 484
“Batman Theme,” 58
Bay, James, 491
BBC Radio One jingles, 280
BBC Radio Two, 72–73, 478
Beach Boys. See also Wilson, Brian
awards, 143
Beatles as competition, 144, 145, 178
as Beatles influence, 142
“Good Vibrations” single, 127–128, 142–143, 144
Pet Sounds album, 50–51, 74–75, 102, 127, 141, 145, 228
“Sloop John B” single, 50, 102
Smiley Smile album, 143, 178, 256, 257
television pre-recorded performances of, 102
“Beatle Talk,” 225
Beatlemania. See Beatles’ fans
Beatlemania (musical), 473
Beatles. See also Beatles’ films; Beatles’ performances; Beatles’ recording sessions; Beatles’ tours; specific song, album and film titles
appearance descriptions, 146, 174
awards and honors, 70, 435, 478
breakup, 138–139, 143, 392–393, 401
celebrity challenges, 14–15, 17–18, 147
classical music knowledge, 83–84
collectors’ recordings, 101–102, 174
compilation albums, 135–137, 167, 430–431, 463, 472, 481–482
concert recordings, 3–5, 431–433
controversies, 101, 117–118, 120–124, 126, 247–248, 393–394
Eastern philosophy studies, 271
gender role expectations, 311
in India, 306–307
influences on, 18–26, 31–33, 35, 48, 142, 155
interpersonal tension between, 322, 336, 338, 354–357, 359–360, 386
legacy of, 492
longevity predictions, 73–74, 87
management issues, 357
management of, 357, 373 (see also Epstein, Brian)
Martin’s production relationship with
authoritarian control, 4, 23, 28, 35–36, 186
collaboration, 35–36, 283
friendship, 326, 446–447
included out, 336, 368
Lennon’s view of, 408–410, 419–420
tactical withdrawal, 186, 313, 315, 323, 325, 341–342, 351–352, 354
music recognition issues, 18
musical development, 23–26, 146–147, 187, 245
as musical influence, 129
production descriptions, 410
production goals and policies, 21, 47, 125
recording contracts, 167–168, 249, 349, 392, 393
talent hierarchy, 45–46, 206, 230, 328, 356
television program interviews, 72–73
Beatles, The. See White Album, The
Beatles, The (cartoon show), 240, 269
Beatles at Shea Stadium, The (documentary), 5
Beatles at the Hollywood Bowl, The (album), 431–433
Beatles’ fans
as backup singers, 300
Beatlemania examples, 74
concert behavior, 14, 18, 25, 146
concert recordings of, for sound effects, 237
at film premieres, 319
growth and demographic expansion, 17
in Japan, 117
“Paul Is Dead” controversy, 394
at recording studios, 44
Beatles’ films. See also Magical Mystery Tour (television film)
animated, 240–241, 303, 319–320
documentaries, 5, 264–266, 329, 463, 469, 472–473, 476, 489
rejected offers, 21
Beatles for Sale (LP), 135, 462
Beatles’ performances
American concerts, 3–5, 14, 121, 128
Christmas concerts, 14
fan behavior at, 14, 18, 25, 146
last concerts, 70, 128
live recordings of, 3–5, 237, 350–354, 431–433
musicianship quality issues, 14–15, 17–18, 117, 118
New Musical Express Poll Winners’ Concerts, 69–70
security and safety for, 69, 117, 126–127, 128
on television, 14, 91, 100, 102, 142, 338–339
Beatles’ recording sessions. See also u
nder specific song and album titles
American-style sound, 19–22
backwards recordings, 24–25, 55–56, 75, 305–306
Beatles as producers, 336
beds in, 380, 386
for Christmas messages, 149, 290
costumed, 200
creative philosophy of, 189–190
daily schedule of, 44, 352
descriptions of, 80, 279, 313, 335, 361
direct injection techniques, 184–185
documentaries filmed during, 329, 349–352, 362–365
engineer expectations and treatment, 222, 282, 312–313, 325
Epstein’s death impact on, 258, 277–278
Kinfauns demo tapes, 307
privacy of, 51
sound quality issues, 18–20
walkouts, 106–107, 337–338, 356–358
without Martin, 89, 250
working style descriptions, 29–30, 107, 182, 216, 227, 281, 301, 343
Beatles to Bond and Bach (concert series and album), 416
Beatles’ tours
advantages to lack of, 187, 245
albums as substitutes for, 184
burnout on, 14–15, 17–18, 118, 127, 135, 147
music reproduction limitations, 70, 146
security and safety, 117, 126–127
UK winter (1965), 2, 14
world (1966), 107, 116–118, 120–124, 126, 128
Beatles VI (LP), 136
“Beautiful Night,” 475
Beaver, Paul, 385
“Because,” 384, 386, 396
Beck, Jeff, 427–430, 456, 482
Bee Gees, 177, 249, 395, 436, 437
“Being for the Benefit of Mr. Kite,” 207–210, 221–222, 228, 229, 236, 238, 331
“Bend It,” 395
Bendall, Haydn, 467
Benge, Martin, 265, 300
Benn, Al, 121
Benson, Roy, 281
Bent, Billy “Sparkle,” 417
Bentine, Michael, 93
Berio, Luciano, 23, 194
Berklee College of Music, 467
Bernstein, Elmer, 397, 454
Bernstein, Sid, 121
“Bésame Mucho,” 474
Best, Pete, 230, 473
Between the Buttons (LP), 252
Beyond the Fringe (live recording), 6, 219
Bhagwat, Anil, 44–45
Bicknell, Alf, 5
“Big Bright Green Pleasure Machine, The,” 131–132
Big Train, 478
Billy J. Kramer and the Dakotas, 87, 131
Birnbaumn, Leo, 287
“Birthday,” 342, 346
Black, Cilla
as AIR artist, 87
AIR Oxford inaugural recording sessions with, 406
albums, 12, 280, 296, 348, 376, 406–407, 491
autobiographies, 8
birthday celebrations, 490
charity albums featuring, 395
commercial success, 239, 295–296, 376, 407
at costume ball, 292
death of, 491
Epstein’s death, 275, 279–280, 289, 295
husband’s death and memorial, 490
management, 134, 296
marriage, 361
Martin relationship, 296
Martin’s television documentary with, 454
release schedules and competition, 131
song recordings, 7–8, 223, 289–290, 295–296, 376, 407
television performances, 102
television variety shows, 280, 295–296, 406, 407
Black, Don, 412
“Blackbird,” 315, 346, 348, 487
Blake, Peter, 223, 254–255
Blow by Blow (LP), 428–429
“Blue Jay Way,” 278, 286, 288
Bonzo Dog Doo-Dah Band, 291
Bosch, Fred, 3–4
Boult, Sir Adrian, 201
Boulting, John, 139
Boulting, Roy, 140
Bowen, Greg, 155
Bown, Peter, 136, 314
Boyd (Harrison), Pattie, 31, 95, 133, 200, 266, 292, 490
Boys, Jerry, 300
Bramwell, Tony, 302
Branscombe, Alan, 79
Branson, Richard, 421, 456
Bravo, Lizzie, 300
Brennell tape recorders, 24–25
Bridges, Denny, 428
Britannia Centenary Awards, 435–436
British Maid (LP), 297
Broccoli, Albert, 413
Brodax, Al, 240, 241, 269, 303, 319
Bromberg, Sheila, 224, 311
Bron, Eleanor, 30
Brooker, Gary, 440
Brothers in Arms (CD), 462
Brown, Alan, 347, 387
Brown, Peter, 117, 134, 248, 292–293, 374, 401
Brown, Sam, 484
Browne, Tara, 157, 179
Bruce, Jack, 142
Buchanan, Margo, 484
Buck, James W., 218
“Building a Wall,” 412
Burden, John, 218
Burgess, John, 4, 71, 87, 320, 406, 425
Burns, George, 436
Burns, Robert, 158
Burrell-Davis, Derek, 263, 264, 267
“Bus Stop,” 239
Bush, Kate, 472
“By George! It’s The David Frost Theme,” 113, 114, 339
“Bye Bye Blackbird,” 397
Byrds, 57–58
Cage, John, 194
“Calico Skies,” 475
Calvert, Bernie, 239
Calvert, Leon, 171
Campbell, Duncan, 172
“Can You Take Me Back,” 346
“Candle in the Wind 1997,” 476–477
Candlestick Park concert, 128
Cann, Warren, 455
Capitol Records
album recalls, 101
albums releases, 76–77, 86, 100–101, 136, 288, 291
compilation albums, 393, 430
live recording releases, 431–433
marketing practices, criticism on, 77–78, 110–111
recording contracts, 168, 392, 393
single releases, 174
Caribou, 420–421
Carlos, Bun E., 444, 445–446
Carnegie Hall concerts, 121
“Carnival of Light,” 169–170
“Caroline, No,” 228
Carrey, Jim, 483
“Carrie Anne,” 239
“Carry That Weight,” 379, 382, 383, 387, 436
Cathode, Ray, 56, 157
Cellarful of Noise, A (Epstein), 122
censorship, 247–248
Chapman, Mark David, 449
Chappell Recording Studios, 270, 289
Charles, Prince of Wales, 470
Charles, Tommy, 120–121
Cheap Trick, 443–445
Chermayeff, Maro, 489
Cherokee Studios, 433
Chipperfield, Chips, 473
Chkiantz, George, 261, 306
Christian, David, 137
Christianity controversies, 120–124, 126–127
Christmas events and recordings, 14, 149, 290, 291–292, 397
Christmas Time (Is Here Again) (disc), 290
Chrysalis Records, 424–425
Cilla (television show), 280, 295–296, 300, 406, 407
Cilla Sings a Rainbow (LP), 12
Cine-Tele Sound Studios (CTS), 2–5, 140, 196, 305–306
“Circles,” 13–14
Cirque du Soleil, 486–488
Civil, Alan, 82–86, 199, 202
Clapton, Eric
as Beatle replacement, 357
Beatles’ song guitar solos by, 342, 345
at Beatles’ television documentary filming, 266
benefit concert performances, 469
golden jubilee concert performances, 484
Harrison songwriting inspired by, 344, 380
Martin’s producers’ book contributions of, 456
recording studios frequented by, 439
rock groups of, 141–142
Clark, Tony, 53–
54, 56, 205
Clarke, Allan, 239
Clarke, Frank, 172
Clarke, Jeremiah, 258
Clarke, Stanley, 449, 450
Clayton, Freddy, 171
Clayton, Peter, 111
Cleave, Maureen, 50, 58, 73, 87, 120, 122–123
Clegg, Jack, 306, 412
Cleverdon, Douglas, 465–466
Cliff Richard and the Shadows, 51, 69, 395, 442
“C’mon People,” 470
Coe, Peter, 79
Coleman, David, 59
Collection of Beatles Oldies (but Goldies!), A (LP), 135–137, 167
Collins, Phil, 469, 482–483, 484
Columbia TWO, 11
“Come and Get It,” 382
“Come Together,” 377, 382, 390, 392, 438, 482
comedy recordings, 10–11, 25, 71–72, 114, 209, 269, 297–298
“Coming Up,” 447
compact discs (CDs), 461–465
Compleat Beatles, The (documentary), 463
Condon, Les, 79–80
Condon, Terry, 95
Congregation, 269
Connery, Sean, 483
“Continuing Story of Bungalow Bill, The,” 344, 347
“Conversations,” 376
Cook, Peter, 479
Cook, Roger (David and Jonathan), 10, 116, 129–130, 169, 268–269, 407
“Cool Change,” 455
Cooper, Michael, 230, 254–255
Cooper, Ray, 414, 484
Copestake, Roy, 252
copyright, 93, 225, 268
costumes, 200, 291–292
Courtley, Bert, 172
Cowell, Johnny, 131
Cox, Tony, 137
Crawford, Michael, 132
Cream, 142, 177
Cribbins, Bernard, 454
Cropper, Steve, 20–21
Crosby, David, 31, 106, 212
“Cry Baby Cry,” 324, 325, 342
“Cuddly Old Koala,” 395
Currie, Billy, 455
Dankworth, Johnny, 130, 397, 406
Dark Side of the Moon (LP), 412–413, 435, 463
Darling, David, 411
Dave Dee, Dozy, Beaky, Mick and Tich, 395, 398
David, Hal, 7–8, 396
David and Jonathan, 10, 116, 129–130, 238, 268–269
David and Jonathan (LP), 130
David Frost Show, The, 114
Davies, Hunter, 220, 225, 293
Davies, Malcolm, 205, 237, 338
Davies, Pippa, 477
Davies, Ray, 111, 417
Day by Day with Cilla (LP), 407
“Day in the Life, A”
album song order, 236
inspiration for, 179
listening sessions for, 213, 228
lyric censorship, 247–248
orchestra composition for, 194–195
postproduction on, 237
recording, 179–182, 190–195, 198–205, 210–212
reviews, 213, 248
“Day Tripper,” 2, 18, 47, 70, 98, 136
“Daydream,” 66, 99
De Lane Lea Music Recording Studio, 257–258, 286
“Dear Prudence,” 338
death threats, 117, 126–127