S Is for Space

by Ray Bradbury

  Lantry sucked the cigarette, sucked the cigarette, sucked the cigarette, and, as many times, blew out, blew out, blew out. McClure was like some lean red-shagged hound listening and listening with a slick slide of eyes to one side, with an apprehension in that hand that was so precisely microscopic that one only sensed it, as one sensed the invisible whistle, with some part of the brain deeper than eyes or nostril or ear.

  The room was so quiet the cigarette smoke made some kind of invisible noise rising to the ceiling. McClure was a thermometer, a chemist’s scales, a listening hound, a litmus paper, an antennae; all these. Lantry did not move. Perhaps the feeling would pass. It had passed before. McClure did not move for a long while and then, without a word, he nodded at the sherry decanter, and Lantry refused as silently. They sat looking but not looking at each other, again and away, again and away.

  McClure stiffened slowly. Lantry saw the color getting paler in those lean cheeks, and the hand tightening on the sherry glass, and a knowledge come at last to stay, never to go away, into the eyes.

  Lantry did not move. He could not. All of this was of such a fascination that he wanted only to see, to hear what would happen next. It was McClure’s show from here on in.

  McClure said, “At first I thought it was the first psychosis I have ever seen. You, I mean. I thought, he’s convinced himself, Lantry’s convinced himself, he’s quite insane, he’s told himself to do all these little things.” McClure talked as if in a dream, and continued talking and didn’t stop.

  “I said to myself, he purposely doesn’t breathe through his nose. I watched your nostrils, Lantry. The little nostril hairs never once quivered in the last hour. That wasn’t enough. It was a fact I filed. It wasn’t enough. He breathes through his mouth, I said, on purpose. And then I gave you a cigarette and you sucked and blew, sucked and blew. None of it ever came out your nose. I told myself, well, that’s all right. He doesn’t inhale. Is that terrible, is that suspect? All in the mouth, all in the mouth. And then, I looked at your chest. I watched. It never moved up or down, it did nothing. He’s convinced himself, I said to myself. He’s convinced himself about all this. He doesn’t move his chest, except slowly, when he thinks you’re not looking. That’s what I told myself.”

  The words went on in the silent room, not pausing, still in a dream. “And then I offered you a drink but you don’t drink and I thought, he doesn’t drink, I thought. Is that terrible? And I watched and watched you all this time. Lantry holds his breath, he’s fooling himself. But now, yes, now, I understand it quite well. Now I know everything the way it is. Do you know how I know? I do not hear breathing in the room. I wait and I hear nothing. There is no beat of heart or intake of lung. The room is so silent. Nonsense, one might say, but I know. At the Incinerator I know. There is a difference. You enter a room where a man is on a bed and you know immediately whether he will look up and speak to you or whether he will not speak to you ever again. Laugh if you will, but one can tell. It is a subliminal thing. It is the whistle the dog hears when no human hears. It is the tick of a clock that has ticked so long one no longer notices. Something is in a room when a man lives in it. Something is not in the room when a man is dead in it.”

  McClure shut his eyes a moment. He put down his sherry glass. He waited a moment. He took up his cigarette and puffed it and then put it down in a black tray.

  “I am alone in this room,” he said.

  Lantry did not move.

  “You are dead,” said McClure. “My mind does not know this. It is not a thinking thing. It is a thing of the senses and the subconscious. At first I thought, this man thinks he is dead, risen from the dead, a vampire. Is that not logical? Would not any man, buried as many centuries, raised in a superstitious, ignorant culture, think likewise of himself once risen from the tomb? Yes, that is logical. This man has hypnotized himself and fitted his bodily functions so that they would in no way interfere with his self-delusion, his great paranoia. He governs his breathing. He tells himself, I cannot hear my breathing, therefore I am dead. His inner mind censors the sound of breathing. He does not allow himself to eat or drink. These things he probably does in his sleep, with part of his mind, hiding the evidences of this humanity from his deluded mind at other times.”

  McClure finished it. “I was wrong. You are not insane. You are not deluding yourself. Nor me. This is all very illogical and—I must admit—almost frightening. Does that make you feel good, to think you frighten me? I have no label for you. You’re a very odd man, Lantry. I’m glad to have met you. This will make an interesting report indeed.”

  “Is there anything wrong with me being dead?” said Lantry. “Is it a crime?”

  “You must admit it’s highly unusual.”

  “But, still now, is it a crime?” asked Lantry.

  “We have no crime, no criminal court. We want to examine you, naturally, to find out how you have happened. It is like that chemical which, one minute is inert, the next is living cell. Who can say where what happened to what. You are that impossibility. It is enough to drive a man quite insane.”

  “Will I be released when you are done fingering me?”

  “You will not be held. If you don’t wish to be examined, you will not be. But I am hoping you will help by offering us your services.”

  “I might,” said Lantry.

  “But tell me,” said McClure. “What were you doing at the morgue?”

  “Nothing.”

  “I heard you talking when I came in.”

  “I was merely curious.”

  “You’re lying. That is very bad, Mr. Lantry. The truth is far better. The truth is, is it not, that you are dead and, being the only one of your sort, were lonely. Therefore you killed people to have company.”

  “How does that follow?”

  McClure laughed. “Logic, my dear fellow. Once I knew you were really dead, a moment ago, really a—what do you call it—a vampire (silly word!) I tied you immediately to the Incinerator blasts. Before that there was no reason to connect you. But once the one piece fell into place, the fact that you were dead, then it was simple to guess your loneliness, your hate, your envy, all of the tawdry motivations of a walking corpse. It took only an instant then to see the Incinerators blown to blazes, and then to think of you, among the bodies at the morgue, seeking help, seeking friends and people like yourself to work with—”

  “Blast you!” Lantry was out of the chair. He was halfway to the other man when McClure rolled over and scuttled away, flinging the sherry decanter. With a great despair Lantry realized that, like an idiot, he had thrown away his one chance to kill McClure. He should have done it earlier. It had been Lantry’s one weapon, his safety margin. If people in a society never killed each other, they never suspected one another. You could walk up to any one of them and kill him.

  “Come back here!” Lantry threw the knife.

  McClure got behind a chair. The idea of flight, of protection, of fighting, was still new to him. He had part of the idea, but there was still a bit of luck on Lantry’s side if Lantry wanted to use it.

  “Oh, no,” said McClure, holding the chair between himself and the advancing man. “You want to kill me. It’s odd, but true. I can’t understand it. You want to cut me with that knife or something like that, and it’s up to me to prevent you from doing such an odd thing.”

  “I will kill you!” Lantry let it slip out. He cursed himself. That was the worst possible thing to say.

  Lantry lunged across the chair, clutching at McClure.

  McClure was very logical. “It won’t do you any good to kill me. You know that.” They wrestled and held each other in a wild, toppling shuffle. Tables fell over, scattering articles. “You remember what happened in the morgue?”

  “I don’t care!” screamed Lantry.

  “You didn’t raise those dead, did you?”

  “I don’t care!” cried Lantry.

  “Look here,” said McClure, reasonably. “There will never be any more like you, ever,
there’s no use.”

  “Then I’ll destroy all of you, all of you!” screamed Lantry.

  “And then what? You’ll still be alone, with no more like you about.”

  “I’ll go to Mars. They have tombs there. I’ll find more like myself!”

  “No,” said McClure. “The executive order went through yesterday. All of the tombs are being deprived of their bodies. They’ll be burned in the next week.”

  They fell together to the floor. Lantry got his hands on McClure’s throat.

  “Please,” said McClure. “Do you see, you’ll die.”

  “What do you mean?” cried Lantry.

  “Once you kill all of us, and you’re alone, you’ll die! The hate will die. That hate is what moved you, nothing else! That envy moves you. Nothing else! You’ll die, inevitably. You’re not immortal. You’re not even alive, you’re nothing but a moving hate.”

  “I don’t care!” screamed Lantry, and began choking the man, beating his head with his fists, crouched on the defenseless body. McClure looked up at him with dying eyes.

  The front door opened. Two men came in.

  “I say,” said one of them. “What’s going on? A new game?”

  Lantry jumped back and began to run.

  “Yes, a new game!” said McClure, struggling up. “Catch him and you win!”

  The two men caught Lantry. “We win,” they said.

  “Let me go!” Lantry thrashed, hitting them across their faces, bringing blood.

  “Hold him tight!” cried McClure.

  They held him.

  “A rough game, what?” one of them said. “What do we do now?”

  The beetle hissed along the shining road. Rain fell out of the sky and a wind ripped at the dark green wet trees. In the beetle, his hands on the half-wheel, McClure was talking. His voice was susurrant, a whispering, a hypnotic thing. The two other men sat in the back seat. Lantry sat, or rather lay, in the front seat, his head back, his eyes faintly open, the glowing green light of the dash dials showing on his cheeks. His mouth was relaxed. He did not speak.

  McClure talked quietly and logically, about life and moving, about death and not moving, about the sun and the great sun Incinerator, about the emptied tombyard, about hatred and how hate lived and made a clay man live and move, and how illogical it all was, it all was, it all was. One was dead, was dead, was dead, that was all, all, all. One did not try to be otherwise. The car whispered on the moving road. The rain spattered gently on the windshield. The men in the back seat conversed quietly. Where were they going, going? To the Incinerator, of course. Cigarette smoke moved slowly up on the air, curling and tying into itself in gray loops and spirals. One was dead and must accept it.

  Lantry did not move. He was a marionette, the strings cut. There was only a tiny hatred in his heart, in his eyes, like twin coals, feeble, glowing, fading.

  I am Poe, he thought. I am all that is left of Edgar Allan Poe, and I am all that is left of Ambrose Bierce and all that is left of a man named Lovecraft. I am a gray night bat with sharp teeth, and I am a square black monolith monster. I am Osiris and Bal and Set. I am the Necronomicon, the Book of the Dead. I am the house of Usher, falling into flame. I am the Red Death. I am the man mortared into the catacomb with a cask of Amontillado … I am a dancing skeleton. I am a coffin, a shroud, a lightning bolt reflected in an old house window. I am an autumn-empty tree, I am a rapping, flinging shutter. I am a yellowed volume turned by a claw hand. I am an organ played in an attic at midnight. I am a mask, a skull mask behind an oak tree on the last day of October. I am a poison apple bobbling in a water tub for child noses to bump at, for child teeth to snap … I am a black candle lighted before an inverted cross. I am a coffin lid, a sheet with eyes, a foot-step on a black stairwell. I am Dunsany and Machen and I am the Legend of Sleepy Hollow. I am The Monkey’s Paw and I am The Phantom Rickshaw. I am the Cat and the Canary, the Gorilla, the Bat. I am the ghost of Hamlet’s father on the castle wall.

  All of these things am I. And now these last things will be burned. While I lived they still lived. While I moved and hated and existed, they still existed. I am all that remembers them. I am all of them that still goes on, and will not go on after tonight. Tonight, all of us, Poe and Bierce and Hamlet’s father, we burn together. They will make a big heap of us and burn us like a bonfire, like things of Guy Fawkes’ day, gasoline, torches, cries, and all!

  And what a wailing will we put up. The world will be clean of us, but in our going we shall say, oh what is the world like, clean of fear, where is the dark imagination from the dark time, the thrill and the anticipation, the suspense of old October, gone, never more to come again, flattened and smashed and burned by the rocket people, by the Incinerator people, destroyed and obliterated, to be replaced by doors that open and close and lights that go on and off without fear. If only you could remember how once we lived, what Halloween was to us, and what Poe was, and how we gloried in the dark morbidities. One more drink, dear friends, of Amontillado, before the burning. All of this, all, exists but in one last brain on earth. A whole world dying tonight. One more drink, pray.

  “Here we are,” said McClure.

  The Incinerator was brightly lighted. There was quiet music nearby. McClure got out of the beetle, came around to the other side. He opened the door. Lantry simply lay there. The talking and the logical talking had slowly drained him of life. He was no more than wax now, with a small glow in his eyes. This future world, how the men talked to you, how logically they reasoned away your life. They wouldn’t believe in him. The force of their disbelief froze him. He could not move his arms or his legs. He could only mumble senselessly, coldly, eyes flickering.

  McClure and the two others helped him out of the car, put him in a golden box, and rolled him on a roller table into the warm glowing interior of the building.

  I am Edgar Allan Poe, I am Ambrose Bierce, I am Halloween, I am a coffin, a shroud, a Monkey’s Paw, a Phantom, a Vampire …

  “Yes, yes,” said McClure, quietly, over him. “I know. I know.”

  The table glided. The walls swung over him and by him, the music played. You are dead, you are logically dead.

  I am Usher, I am the Maelstrom, I am the MS Found In A Bottle, I am the Pit and I am the Pendulum, I am the Telltale Heart, I am the Raven nevermore, nevermore.

  “Yes,” said McClure, as they walked softly. “I know.”

  “I am in the catacomb,” cried Lantry.

  “Yes, the catacomb,” said the walking man over him.

  “I am being chained to a wall, and there is no bottle of Amontillado here!” cried Lantry weakly, eyes closed.

  “Yes,” someone said.

  There was movement. The flame door opened.

  “Now someone is mortaring up the cell, closing me in!”

  “Yes, I know.” A whisper.

  The golden box slid into the flame lock.

  “I’m being walled in! A very good joke indeed! Let us be gone!” A wild scream and much laughter.

  “We know, we understand …”

  The inner flame lock opened. The golden coffin shot forth into flame.

  “For the love of God, Montresor! For the love of God!”

  Zero Hour

  Oh, it was to be so jolly! What a game! Such excitement they hadn’t known in years. The children catapulted this way and that across the green lawns, shouting at each other, holding hands, flying in circles, climbing trees, laughing. Overhead the rockets flew, and beetle cars whispered by on the streets, but the children played on. Such fun, such tremulous joy, such tumbling and hearty screaming.

  Mink ran into the house, all dirt and sweat. For her seven years she was loud and strong and definite. Her mother, Mrs. Morris, hardly saw her as she yanked out drawers and rattled pans and tools into a large sack.

  “Heavens, Mink, what’s going on?”

  “The most exciting game ever!” gasped Mink, pink-faced.

  “Stop and get your breath,” said the mother.


  “No, I’m all right,” gasped Mink. “Okay I take these things, Mom?”

  “But don’t dent them,” said Mrs. Morris.

  “Thank you, thank you!” cried Mink, and boom! she was gone, like a rocket.

  Mrs. Morris surveyed the fleeing tot. “What’s the name of the game?”

  “Invasion!” said Mink. The door slammed.

  In every yard on the street children brought out knives and forks and pokers and old stovepipes and can openers.

  It was an interesting fact that this fury and bustle occurred only among the younger children. The older ones, those ten years and more, disdained the affair and marched scornfully off on hikes or played a more dignified version of hide-and-seek on their own.

  Meanwhile, parents came and went in chromium beetles. Repairmen came to repair the vacuum elevators in houses, to fix fluttering television sets, or hammer upon stubborn food-delivery tubes. The adult civilization passed and repassed the busy youngsters, jealous of the fierce energy of the wild tots, tolerantly amused at their flourishings, longing to join in themselves.

  “This and this and this,” said Mink, instructing the others with their assorted spoons and wrenches. “Do that, and bring that over here. No! Here, ninny! Right. Now get back while I fix this.” Tongue in teeth, face wrinkled in thought. “Like that. See?”

  “Yayyyy!” shouted the kids.

  Twelve-year-old Joseph Connors ran up.

  “Go away,” said Mink straight at him.

  “I wanna play,” said Joseph.

  “Can’t!” said Mink.

  “Why not?”

  “You’d just make fun of us.”

  “Honest, I wouldn’t.”

  “No. We know you. Go away or we’ll kick you.”

  Another twelve-year-old boy whirred by on little motor skates. “Hey, Joe! Come on! Let them sissies play!”

  Joseph showed reluctance and a certain wistfulness. “I want to play,” he said.