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The Changing Light at Sandover

Page 4

by James Merrill


  For how we live—that good enough?” Tom smiled

  And rose. “I’ve heard worse. Those thyroid

  Pills—you still use them? Don’t. And keep in touch.”

  I walked out into much

  Guilt-obliterating sunlight. FREUD

  We learned that evening DESPAIRS

  OF HIS DISCIPLES & SAYS BITTE NIE

  ZU AUFGEBEN THE KEY

  TO YR OWN NATURES We felt clouds disperse

  On all sides. Our beloved friend

  Was back with us! We’d think some other time

  About the hour with Tom

  —Nonchalance that would gradually extend

  Over a widening area. The question

  Of who or what we took Ephraim to be,

  And of what truths (if any) we considered

  Him spokesman, had arisen from the start.

  If he had blacked out reason (or vice versa)

  On first sight, we instinctively avoided

  Facing the eclipse with naked eye.

  Early attempts to check what he let fall

  Failed, E’s grasp of dates and places being

  Feeble as ours, his Latin like my own

  Vestigial; even D knew better German.

  As through smoked glass, we charily observed

  Either that his memory was spotty

  (Whose wouldn’t be, after two thousand years?)

  Or that his lights and darks were a projection

  Of what already burned, at some obscure

  Level or another, in our skulls.

  We, all we knew, dreamed, felt and had forgotten,

  Flesh made word, became through him a set of

  Quasi-grammatical constructions which

  Could utter some things clearly, forcibly,

  Others not. Like Tosca hadn’t we

  Lived for art and love? We were not tough-

  Or literal-minded, or unduly patient

  With those who were. Hadn’t—from books, from living—

  The profusion dawned on us, of “languages”

  Any one of which, to who could read it,

  Lit up the system it conceived?—bird-flight,

  Hallucinogen, chorale and horoscope:

  Each its own world, hypnotic, many-sided

  Facet of the universal gem.

  Ephraim’s revelations—we had them

  For comfort, thrills and chills, “material.”

  He didn’t cavil. He was the revelation

  (Or if we had created him, then we were).

  The point—one twinkling point by now of thousands—

  Was never to forego, in favor of

  Plain dull proof, the marvelous nightly pudding.

  Joanna (Chapter One) sat in the plane,

  Smoke pouring from her nostrils. Outside, rain;

  Sunset; mild azure; sable bulks awince

  With fire—and all these visible at once

  While Heaven, quartered like a billionaire’s

  Coat of arms, put on stupendous airs.

  Earth lurched and shivered in the storm’s embrace

  But kept her distances, lifting a face

  Unthinkingly dramatic in repose

  As was Joanna’s. Desiccated rose

  Light hot on bone, ridge, socket where the streak

  Of glancing water—if a glance could speak—

  Said, “Trace me back to some loud, shallow, chill,

  Underlying motive’s overspill.”

  Ephraim scolds me for the lost novel’s

  Fire and brimstone version of his powers.

  Meteorological eeriness

  On the above lines left him cold, let’s say.

  Yet who originally makes us feel

  The eeriness of Santa Fe?

  He cannot think why we have gone out there

  That summer (1958). THE AIR

  ABOVE LOS ALAMOS IS LIKE A BREATH

  SUCKED IN HORROR TOD MORT MUERTE DEATH

  —Meaning the nearby nuclear research

  Our instinct first is to deplore, and second

  To think no more of. Witter Bynner reads

  Renderings of T’ang poetry he made

  As a young man. Firelight on spinach jade

  Or white jade buckles, and austere

  Bass-bullfrog notes. Li Po himself draws near—

  NO BEAUTY Ephraim dryly judges, yet

  IN SIMPLE HONESTY MY SLEEVE WAS WET

  Or, afternoons, an easy drive from town,

  Chimayo’s clay and water spell works on us:

  Adobe sanctuary for the glow

  Of piñon-scented candles. Circus-tent

  Rainbow carpentry frames booth on booth

  From which, adroitly skewered, smocked by Sears,

  Tall dolls personify the atmosphere’s

  Overall anguish and high spirits, both.

  Whatever these old carnivals once meant,

  The wonder is, how they still entertain!

  Pale blue wax roses—we’re outdoors again—

  Deck the wooden crosses, a poor crop,

  Sun-bleached Martínez, splintering Ortiz,

  Bees buzzing, or a dozen terminal z’s.

  Between them and the present flows a clear

  Stream shaded by great cottonwoods. It’s here

  That Ephraim tangles with A KIND OF GOD

  HALF MAN HALF TALKING TREE ICECAPPED PEATSHOD

  Transported from ALEUTIA 40 ODD

  MILLENIA BC and on this spot

  Left by his followers TO MELT & ROT

  While they pressed southward. Soon as we appear

  Crossing his stream, he stumps up full of fear

  That we will claim it—HOW HE DITHERS ON

  FIRST GOD OF MY ACQUAINTANCE & O DEAR

  Back to the novel for a bit, it’s here

  Gentle Sergei Markovich, in his bone

  And turquoise necklace, was to come one day

  As he had done for years—alone or with

  People who mattered, Leo, Mrs Smith—

  And find the very crosses turned to stone;

  Crutches (that thick as bats hung from the ceiling

  Above a pit of wonder-working clay

  Beyond the altar—Lucy swears by it)

  Gone; whitewash everywhere. He’d have the feeling

  He too was cured, refurbished, on his way…

  Here as well, Joanna and Sergei

  “Recognize” each other, or I as author

  Recognize in them the plus and minus

  —Good and evil, let my reader say—

  Vital to the psychic current’s flow.

  Joanna worries me. (Sergei I know.)

  I need to dip into that murky roman

  Fleuve our friends, lawyers, the press, worked on

  Throughout my awkward age, when glances did

  Speak volumes. We called this one The Other Woman.

  The stepmother whom in due course I met

  Bore no resemblance to its heroine.

  Whereas Joanna…Jung on the destructive

  Anima would one day help me breathe

  The smoke of her eternal cigarette

  Coiling round Old Matt Prentiss—with a cough

  Woken by acrid nothings in his ear,

  His knobby fingers gripped between her thighs

  (In the twin bed Lucy sleeps on and off).

  Would help me hear Joanna, her ex-drunk’s

  Snorts of euphoria, the Magic Fir
e

  Music filling her earphones. Help me see

  By the cruel reading light her sun-scabbed brow,

  Thin hair dyed setter-auburn. Finally

  To be, as she can never, this entire

  Parched landscape my lost pages fly her toward,

  Carrying a gift-wrapped Ouija board.

  Kimono’d in red gold, SWIRLS BEFORE PINE

  Ayako sights us through a pale bronze disc

  Half mirror and half gong

  Hanging at Kamakura, in the shrine.

  From the Osaka puppets we are learning

  What to be moved means. And at Koya-san—

  Sun-shaft and cryptomeria,

  Smoke-samurai, incensed retainers turning

  To alabaster—word comes of my father’s

  Peaceful death, his funeral tomorrow.

  There will be no way to fly back in time.

  Trapped by a phone booth, my transparency

  Betrays (a young Zen priest centuries old

  Tells Ephraim with approval) 16FOLD

  LACK OF EMOTION Which may be the view

  From where they sit. Then CEM gets through,

  High-spirited, incredulous—he’d tried

  The Board without success when Nana died.

  Are we in India? Some goddam fool

  Hindoo is sending him to Sunday School.

  He loved his wives, his other children, me;

  Looks forward to his next life. Would not be

  Weeping in my shoes. An offhand salute,

  And gone! TOO BOYISH IN HIS NEW GREEN SUIT

  Ephraim, who enjoys this flying trip

  Round the world more than we do, sees us next

  At the tailor’s in Kowloon:

  MY DEARS I AM BEST SUITED WHEN U STRIP

  In Bangkok stumbles on us laid full length

  Each on a bamboo dais, flexible

  And polished dark as teak by smokers’ oils.

  While DJ dreams, I retch all night.

  Wat Arun’s tall rice-paper lantern not

  Unfolded quite sways with the current

  —A vision? No, a sight. As I’m afraid

  We both are. Cure: whole jars of marmalade.

  Short but sweet spells on Earth. And in between,

  Broad silver wings drone forth our own cloud-backed

  Features fainter than pearl

  On white brow (Paradiso, III, 14).

  Christmas. A jeweler in Kandy pushes

  Flawed white sapphires for the price of glass.

  D buys his mother one—see his rapt face

  Broadcast in facets to the brink of Space!

  Effect reversed by the ceiling at Fatehpur-Sikri

  Embedded in which uncountable quicksilver

  Convexities reduce and multiply

  The visitor to swarms of the same fly.

  Stupefied by Mother India

  VEDANTA IS A DULLARDS DISCIPLINE

  Ephraim adores these Mogul palaces

  Ghosts of flouzis primp and twitter through;

  Calls himself A TEMPERAMENTAL MOSLEM

  I CLIMB ABOARD THE PRAYER RUG OF YR LEAST

  WHIM TO BE CARRIED WESTWARD FACING EAST

  To Istanbul. Blue DJs, red JMs

  Or green or amber ones, we sweat among

  The steam room’s colored panes.

  I DECK MYSELF IN GLIMPSES AS IN GEMS

  YR FATHER JM he goes on (we’re back

  At the hotel now) WAS BORN YESTERDAY

  To a greengrocer: name, address in Kew

  Spelt out. Oh good, then I can look him up,

  Do something for him? We’ll be there—The cup

  All but cracks with consternation. WILL

  U NEVER LEARN LOOK LOOK LOOK LOOK YR FILL

  BUT DO DO DO DO NOTHING I admit

  That what with market, mackerel, minaret,

  Simmering mulligatawny of the Real,

  I had forgotten we were on parole.

  Ephraim, relax. How’s little Wendell P?

  HE IS AN ANGEL HE HAS DREAMED OF ME

  And so forth. But deep down I chafe. Dusk. Sleet

  Hissing from the Bosporus? Steam heat?

  A gale that stifles. A fierce cold that warms.

  Chairs like brocaded tombstones, or “French Forms”

  Squirmed from, at twelve, in my Verse Manual.

  Despite our insights (Section I) we fall

  Back on the greater coziness of being

  Seen by him, and by that very seeing

  Forgiven for the spectacles we’ve made

  Of everything, ourselves, the world, the mud

  Gullies skipped over, rut on trickling rut,

  All in the name of life. Life? Shh. En route.

  CLAY SAW GENEVA AT A TENDER AGE

  Odder to bob up in—but can it be

  The same old man’s bifocals

  Who scissored Hans in profile from a page

  Black as pitch? The flashing swerve of shears

  Deftly stealing eyelash, brow and lip.

  Tough shadow that remains,

  The sitter long removed to sunless shores.

  Also cut out (from our itinerary)

  Is Capri, where we’d promised—but so what?

  Another day. If we are characters

  As now and then strikes us, in some superplot

  Of Ephraim’s, isn’t our prerogative

  To run away with its author? A disappointment

  He takes smoothly, though the Prinsengracht

  Shudders once, our images are racked

  By a long ripple in the surface, depths

  Revealed of unreflecting…

  But the plane’s leaving and we haven’t packed.

  A mapmaker (attendant since Jaipur)

  Says that from San Francisco our path traces

  The Arabic for GREAT WONDER

  —Small wonder we feel ready to expire.

  Riddled by roads, ruled by the peregrine,

  England, these last days, dozes in a Spring

  Habit of blade and bud,

  Old lives made new, wheat green or oakshade green.

  Not ours though. At the mere notion of Kew—

  Ten thousand baby-carriages each maybe

  Wheeling You Know Who—

  NOTHING is exactly what we do.

  Life like the periodical not yet

  Defunct kept hitting the stands. We seldom failed

  To leaf through each new issue—war, election,

  Starlet; write, scratch out; eat steak au poivre,

  Chat with Ephraim. Above Water Street

  Things were advancing in our high retreat.

  We patched where snow and rain had come to call,

  Renewed the flame upon the mildewed wall.

  Unpacked and set in place a bodhisattva

  Green with age—its smile, to which clung crumbs

  Of gold leaf, like traces of a meal,

  Proof against the Eisenhower grin

  Elsewhere so disarming. Tediums

  Ignited into quarrels, each “a scene

  From real life,” we concluded as we vowed

  Not to repeat it. People still unmet

  Had bought the Baptist church for reconversion.

  A slight, silverhaired man in a sarong,

  Noticing us from his tower window, bowed.

  Down at the point, the little beach we’d missed

  Crawled with infa
ntry, and wavelets hissed.

  Wet sand, as pages turned, covered a skull

  Complete with teeth and helmet. Beautiful—

  Or were they?—ash-black poppies filled the lens.

  Delinquency was rising. Maisie made

  Eyes at shadows—time we had her spayed.

  Now from California DJ’s parents

  Descended. The nut-brown old maniac

  Strode about town haranguing citizens

  While Mary, puckered pale by slack

  Tucks the years had taken, reminisced,

  Thread snapping at the least attention paid.

  They left no wiser our mysterious East.

  David and I lived on, limbs thickening

  For better and worse in one another’s shade.

  Remembered, is that summer we came back

  Really so unlike the present one?

  The friends who stagger clowning through U.S.

  Customs in a dozen snapshots old

  Enough to vote, so different from us

  Here, now? Oh god, these days…

  Thermometer at 90, July haze

  Heavy with infamy from Washington.

  Impeachment ripens round the furrowed stone

  Face of a story-teller who has given

  Fiction a bad name (I at least thank heaven

  For my executive privilege vis-à-vis

  Transcripts of certain private hours with E).

  The whole house needs repairs. Neither can bring

  Himself to say so. Hardly lingering,

  We’ve reached the point, where the tired Sound just washes

  Up to, then avoids our feet. One wishes—

  I mean we’ve got this ton of magazines

  Which someone might persuade the girl who cleans

  To throw out. Sunset. On the tower a gull

  Opens and shuts its beak. Ephemeral

  Orange lilies grow beneath like wild.

  Our self-effacing neighbor long since willed

  His dust to them, the church is up for sale.

  This evening’s dinner: fried soup, jellied sole.

  Three more weeks, and the stiff upper lip

  Of luggage shuts on us. We’ll overlap

  By winter, somewhere. Meanwhile, no escape

  From Greece for me, then Venice…D must cope

  With the old people, who are fading fast…

  But that’s life too. A death’s-head to be faced.

 

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