The Conor McBride Series Books 1-3

by Kathryn Guare

  “Right.”

  Conor bit down hard on the inside of his cheek and forced himself to stop talking. After several minutes of absolute, unbroken silence, Phillip twisted on his heel and turned to him. With his back to the fire, his face remained shadowed, but a glimmer of the firelight reflected back on him from the windows, and for an instant Conor saw a glint of something in his eyes he almost would have sworn was laughter. It sent an apprehensive tingle over his scalp, but when Phillip spoke, his voice sounded only stoic and sad.

  “At least I’d know where you are. You wouldn’t disappear on me again entirely. I’ll e-mail Kate and ask her. She’d be happy for a bit of help, I’m sure. She’ll be lucky to have you.”

  He rose stiffly, put the poker back in its stand, and went to lean against the doorway to the kitchen. “It’s late, and you need to get some sleep. I’ll see myself out through the back.”

  Conor rose as well but held himself in check, knowing instinctively that he couldn’t go to his friend. The evening had introduced something new between them—an awkward reserve had chilled the easy relationship they had long known. “I’ll help with the morning milking,” he offered, desperate to begin rebuilding what he’d lost. “Regular time?”

  “Yeah, sure, regular time.” Phillip shot him a look of cool disdain. “Why wouldn’t it be?”

  When he was gone, Conor left the lights off and walked aimlessly through each room of the house, his hands resting on tabletops, doorframes, bedposts, and windowsills. A studiously preserved lacuna occupied most of the space in his head, protecting him from memories that tried to assault him with every surface his fingers touched. He ended up back in the tiny kitchen and unlocked the top portion of the half door that led out to the flagstone patio. It swung open, and dampness floated in like the vaporous trail of a night-walking spirit, caressing his face and passing through him with a faint hint of the ocean’s echo against his ear.

  He stood looking out, considering the idea of a walk to the barn. There were few opportunities left to indulge in the satisfaction of treading through it in the darkness, listening to the peaceful, snuffling sleep of his herd. He lifted the latch on the bottom half of the door, but then he heard a sound like a sharp slap coming from the front of the house. Returning to the living room and switching on a light, he saw a CD case lying on the floor. He recognized it immediately: a recording of Bach’s violin concerti.

  I can remember when it was the fiddle you had to have with you everywhere.

  The memory of his brother’s words whispered in his mind, obliterating in an instant its carefully maintained zone of blankness. A tremor ran down his arms to the tingling tips of his fingers. He’d relied for too long on the molded grip of a handgun as his only tactile means of reassurance, and the weight of it—physical and spiritual—incorporated all the compacted mass of a black hole. Now he had an overwhelming desire to feel something else in his hands: the familiar, almost weightless heft of a violin. All at once, he felt like a wayward, thoughtless lover, too long away and with love’s object too long from his thoughts. He actually looked at his watch, calculating how many hours he would need to be camped on the Bank of Ireland’s steps until it opened, and he could retrieve his Pressenda.

  He finally set the feverish preoccupation aside and walked to the stereo system on the bookshelf. He watched with unusual attention as the disc slid silently into the player, and after a pause, Bach’s Violin Concerto in E Major erupted from the speakers. A small tickle fluttered in Conor’s gut as the three introductory chords sang out to him like a jovial, personal salute.

  He let the disc play through to the end. Twice. As the concerti moved through their varied tempos and moods— Allegro, Adagio, Presto, Largo—he lay stretched on the sofa, his left hand roaming over a phantom fingerboard. When the music fell silent for the second time, he stayed motionless, listening to the comfortable groans and creaks of the house and to the satisfying sound of his breath—deep, clear, and almost noiseless.

  He woke slowly about six hours later from a heavy, dreamless sleep, the most restful he’d had in months. A tuneful assembly of birds had gathered in the hawthorn bush outside the front door, and the monochromatic light of an overcast dawn was brightening the windows.

  Conor sat up, wondering if there was anything in the house to eat. He stepped over to the stereo to shut it off, but as the CD tray glided out beneath his waiting hand, he froze. A smile of understanding crept over his face. He removed the disc and pivoted to look again at the spot where he’d found it—slapped down in the middle of the floor.

  He left the disc on the bookshelf and headed for the kitchen with a lighter step. He was soon to be homeless, but he wasn’t alone after all, and he realized now that he never would be. For however long and however far he went, he would carry them with him—his familial basso continuo—and the whisper of their mysterious music would soothe and sustain him until the final, closing cadence brought him home.

  The End

  Thank you for reading Deceptive Cadence. If you enjoyed the story, I’d be grateful if you would take a moment to post a rating and a few words on Amazon before moving on to Book Two - The Secret Chord. More reviews help other readers discover the world of Conor McBride, and that helps your humble author enormously. Thank you!

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  Kathryn Guare

  Acknowledgements

  Book Two begins after this section

  I want to thank my family and friends—too numerous to name—who have supported me in so many ways as this project inched its way forward. To write and publish a book is an adventure. To do it with the warm encouragement and companionship that I have experienced is a treasure.

  In particular, I want to thank those who agreed to serve as Patrons for this publishing project. I am so grateful to each of you, and I dearly hope the result honors your support. In other words, I hope you like it!

  Jonathan Barth & Stan Dudek

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  April, 2004

  Dingle Peninsula, Ireland

  The house was still far from empty. apart from a few personal items sent to hired storage it remained intact, the fate of its contents left for others to judge. He was grateful for the illusion of permanence the furnishings offered, helping sustain the pretense that he had something left to lose.

  He considered it another small mercy—one he'd not always appreciated—that they'd never been the sort of family that collected things. His mother, with her abiding air of transience, had eschewed the decorative bric-a-brac colonizing every surface of the typical Irish household. She was singular in this respect among others. Brigid McBride was the ultimate esoteric day-tripper, fluent in the geography of dimensions most never visited. She traveled light and gathered no souvenirs.

  He remembered a particular period during his boyhood when her ways had seemed unbearably eccentric to him. Once, for a Christmas gift, he'd bought a cheap ceramic bird at a school jumble sale—a goldfinch, neck stretched in song, anatomy truncated by a clunky base encasing the area where its legs ought to have been. He p
resented the bauble with the half-formed hope of tickling some dormant gene, to nudge her into becoming someone more conventional, someone more like the mothers of his friends.

  She made much of the gaudy little ornament, and so much of him for his thoughtfulness that he'd felt sheepish, and almost relieved when it quickly disappeared from view. A few weeks later he caught sight of the thing on her bedside table, nestled into a tiny bower of dried sage and hawthorn twigs. It should have looked hopelessly cloying and twee but it didn't. The painted eyes gleamed in the shadows, seeming to peer straight at him, and a heady energy had passed through him. Suddenly, he was everywhere and nowhere at once, like lying on his back and staring too hard at the sky. He sensed an unseen presence sizzling the air close around him and was frightened, then somehow knew he needn't be. It was the first time he'd experienced this pulsing aura but not the last, and it was the moment when he recognized how wrong it would be to try changing his mother.

  So, it wasn't for any sentimental bits of rubbish Conor mourned, wandering back and forth through the house like a greedy ghost wanting to haunt all the rooms at once. It was for the aroma of its interior, every molecule saturated in decades of peat smoke, and for the ivy on its exterior walls rustling in tune with the ocean breeze, reflecting pieces of sunlight in its polished leaves. And for the land itself, arranged in parceled acres all around him. The unconditional love for a small patch of earth—and the desire to keep and hold it no matter how rocky, desolate or unforgiving—was the immutable obsession of his people. He'd thought to escape it at one time, but the land had captured him in the end.

  In the growing darkness Conor drifted into the kitchen and registered the ice-blue glimmer of computer light leaking from the adjacent pantry-turned-office. Bending around the door he found his farm manager, Phillip Ryan, where he'd left him hours earlier. Conor opened the door a little wider.

  "Jaysus, awfully late isn't it? I didn't know you were still here."

  Phillip raised his eyes from the laptop, surveying him with the jaded stare that had grown habitual over the past week. "You look half-dead. Are you all right?"

  "I'm okay. Just tired."

  "I brought some lunch 'round hours ago. It's in the fridge—the only feckin' thing in the fridge, in fact. Eat before you fall over for Christ's sake."

  "I'll have something later. Thanks, though." Conor smiled. "Next you'll be telling me I need a good dose of Bovril."

  "Bovril's your only man for puttin' the life back into you." Phillip glanced up as though he might play along, but then gave a dismissive shrug of his broad shoulders and dropped his eyes back to the keyboard. "But go ahead and fall over, if you'd rather."

  He'd turned up in the local pub more than five years earlier, a penitent émigré looking for re-entry, happy to absorb any insult to his Americanized accent if it led to a job. Conor was twenty-six at the time, grappling with his brother's disappearance and the chaos left behind for someone else to fix. He was in over his head and got talked into hiring Phillip. He wasn’t sure he even wanted a farm manager, but two weeks later Conor wondered how he would have survived without one. The two of them worked well together and their camaraderie had grown stronger over the years, a fellowship that helped him overcome the bitterness and confused anguish of his brother's desertion.

  For that and so much more, he owed Phillip Ryan a great deal. Certainly he owed him a better ending than this. In selfish moments and in the face of his friend's new aloof distrust, Conor ached for confession but couldn't risk it. His secrets were not safe for sharing. Phillip couldn't understand—nor should he be expected to—so the sacrifice of a friendship became one more penance to absorb as he went about the business of ending things.

  "That's it, then." Phillip shut the laptop and got to his feet, running a hand over his wiry rust-colored hair. "Thanks for letting me have it. I wiped it clean. Your stuff is all on the flash drive. You're flying out in the morning?"

  "I am."

  "Should I tell her you'll be there tomorrow, then? She wants to know."

  "Oh…ehm, not tomorrow, no. Can you say about a week?"

  "A week? Where are you—ah jayz, forget it." Phillip scowled. "I suppose I can tell her that."

  "Thanks. What about you? Have you got something lined up, yet?"

  "Yeah, they had a place open up on the ferry run over at Dunquin. Keep me going through the summer, I guess."

  "Right, so." Conor paused before adding, "For what it's worth Pip, I hate this, too."

  "I know you do. I see that much, anyway." Phillip's face softened into something approaching its old affection and he offered a parting handshake. "Look after yourself boss, and be careful, yeah? 'Be wide,' like they say. Be dog wide."

  An hour before dawn he walked to the barn one last time and stood in its doorway, staring through the shadows at the floor's rucked up layers of sawdust, waiting to see if he would weep. A breeze rumbled against the tin roof, sending an echo like a rolling drum into the empty space below.

  Like a final farewell.

  It had been his decision, and he'd needed it to happen quickly, but watching his birthright stripped almost to bedrock within a few days had torn something from him he'd never get back.

  Conor turned away and headed back across the pasture, dry-eyed.

  He was too damned tired to cry.

  1

  Hartsboro Bend, Vermont

  From the south-facing window of her attic studio, Kate Fitzpatrick surveyed a landscape that usually enchanted her and blew out a sigh. Yesterday, the first grass of spring had uncurled to stretch over the long rolling meadow below her house, but now only twenty-four hours later, the new blades lay stunned, smothered under a snowfall coating them like a layer of rock salt. She sensed their shock and disappointment as keenly as her own.

  In the distance, the bowl-shaped surface of Lake Rembrandt was colorless, its thinning crust of blue ice again obscured by a winter that had long ago outworn its welcome.

  Kate tossed her brush into a canning jar where it clattered against the others. A full complement of paint-free artist brushes. Stopping herself from sighing again, she gathered up the dark copper hair that fell around her face and let it drop behind her shoulders. A shadow caught the corner of her eye and she turned to the front window, which faced a dirt road that was falling short of even the lowest expectations for its Class 3 status. Already pot-holed by the sweep of winter plows, the road had thawed, rutted into impressively deep furrows . . . and then had frozen again.

  Jared Percy was on its opposite side, head down and slump-shouldered, lumbering up the steep driveway toward the barn. After a full day's work on his own property the young farmer was on his way to milk her sixteen cows.

  "I should go help him." Kate noted a habitual surge of guilt and indecision as soon as the words left her mouth. She tracked his weary progress to the top of the hill before turning back to her easel, but the room had grown cold and the blank canvas confronted her like an accusation. Surrendering, she crossed the floor at a trot, pulled the door shut on the ascetic chill of the artist's garret, and fled down to the more hospitable domain of the innkeeper.

  The temperature rose as she descended to the first floor but Kate's mood remained low. The Rembrandt Inn was just starting the second month of its annual two-month closure, and an inn on hiatus projected a forlorn emptiness that didn't exist in one simply waiting for its next guests. She went looking for comfort in the kitchen and found while she'd been moping, her chef—with sleeves rolled up under a blue tartan jumper—had been making more productive use of the day.

  Abigail Perini had transferred the entire contents of the spice cupboard to the stainless steel prep counter and was scouring the shelves as though they'd never been washed before. She turned at Kate's entrance, her plump face warm and red, and pushed aside the graying brown hair escaping from an improvised bun.

  "You're in a mood," she observed and went back to her shelves, transparently confident in her analysis. "Have you been pai
nting?"

  "By which you mean 'not' painting. No, I didn't really try today. It isn't that. It's the weather."

  Her chef responded with a guttural croak that conveyed a wealth of meaning, and Kate glared at her broad sturdy back. "A 'harrumph?' Why a 'harrumph?' You don't think I can be in an ugly mood about the weather?"

  Abigail glanced back, offering a peacemaking smile. "Ugly moods are few and far between where you're concerned, sweetie. I'd say you're entitled to one. Anyway, cheer up. Supposed to hit sixty tomorrow and then rain like hell later this week. Have you got a check ready for Jared? I just saw him on his way to the barn."

  "I saw him, too. Maybe I should take over again for a few weeks."

  "Take over the milking?" Abigail dropped the sponge on the shelf and turned, hands on hips. "You tend not to enjoy that Kate, and the cows know as much. Makes them nervous, and as I'm sure you recall—"

  "Makes them want to kick me. Yes, I remember." Kate absently stroked her left forearm, fractured by one such kick six months earlier. "I feel guilty for not helping more. I could give Jared a break, at least. He'd probably appreciate some time off."

  "I think what he appreciates is the extra money, and I think he likes helping you."

  Kate slid on to a kitchen stool. "Sure. The lonely widow Fitzpatrick and her crazy hillside dairy farm. Everyone wants to help. It's like a Disney film."

  "Lord, you are in a mood." Abigail rolled her eyes. "When is the Irish fellow going to turn up, anyway? He's supposed to be a farmer. Couldn't he—" She paused as Kate sprang up, grabbing the stool before it toppled to the floor. "What the hell's the matter now?"

  "I'd forgotten about him, and I haven't looked at my email for days. What if I was supposed to pick him up somewhere?"

  Hurrying to her office behind the registration desk, Kate sat at the computer and scanned her messages. Nothing. She sank against the chair, relief turning to annoyance. When was the Irish fellow going to turn up? It was a bit rude to keep her guessing. If he was coming at all.