Complete Works of Virginia Woolf

by Virginia Woolf

  Crosby was stooping to put Rover on the chain.

  “You’re sure you want him?” said Eleanor, looking at the rather smelly, wheezy and unattractive old dog. “We could easily find a nice home for him in the country.”

  “Oh, miss, don’t ask me to give him up!” said Crosby. Tears checked her speech. Tears were running freely down her cheeks. For all Eleanor could do to prevent it, tears formed in her eyes too.

  “Dear Crosby, good-bye,” she said. She bent and kissed her. She had a curious dry quality of skin she noticed. But her own tears were falling. Then Crosby, holding Rover on the chain, began to edge sideways down the slippery steps. Eleanor, holding the door open, looked after her. It was a dreadful moment; unhappy; muddled; altogether wrong. Crosby was so miserable; she was so glad. Yet as she held the door open her tears formed and fell. They had all lived here; she had stood here to wave Morris to school; there was the little garden in which they used to plant crocuses. And now Crosby, with flakes of snow falling on her black bonnet, climbed into the four-wheeler, holding Rover in her arms. Eleanor shut the door and went in.

  Snow was falling as the cab trotted along the streets. There were long yellow ruts on the pavement where people, shopping, had pressed it into slush. It was beginning to thaw slightly; loads of snow slipped off the roofs and fell onto the pavement. Little boys, too, were snowballing; one of them threw a ball which struck the cab as it passed. But when it turned into Richmond Green the whole of the vast space was completely white. Nobody seemed to have crossed the snow there; everything was white. The grass was white; the trees were white; the railings were white; the only marks in the whole vista were the rooks, sitting huddled black on the tree tops. The cab trotted on.

  The carts had churned the snow to a yellowish clotted mixture by the time the cab stopped in front of the little house off the Green. Crosby, carrying Rover in her arms lest his feet should mark the stairs, went up the steps. There was Louisa Burt standing to welcome her; and Mr Bishop, the lodger from the top floor who had been a butler. He lent a hand with the luggage, and Crosby followed after, to her little room.

  Her room was at the top, and at the back, overlooking the garden. It was small, but when she had unpacked her things it was comfortable enough. It had a look of Abercorn Terrace. Indeed for many years she had been hoarding odds and ends with a view to her retirement. Indian elephants, silver vases, the walrus that she had found in the waste-paper basket one morning, when the guns were firing for the old Queen’s funeral — there they all were. She ranged them askew on the mantelpiece, and when she had hung the portraits of the family — some in wedding-dress, some in wigs and gowns, and Mr Martin in his uniform in the middle because he was her favourite — it was quite like home.

  But whether it was the change to Richmond, or whether he had caught cold in the snow, Rover sickened immediately. He refused his food. His nose was hot. His eczema broke out again. When she tried to take him shopping with her next morning he rolled over with his feet in the air as if he begged to be left alone. Mr Bishop had to tell Mrs Crosby — for she wore the courtesy title in Richmond — that in his opinion the poor old chap (here he patted his head) was better out of the way.

  “Come along with me, my dear,” said Mrs Burt, putting her arm on Crosby’s shoulder, “and let Bishop do it.”

  “He won’t suffer, I can assure you,” said Mr Bishop, rising from his knees. He had put her Ladyship’s dogs to sleep scores of time before this. “He’ll just take one sniff” — Mr Bishop had his pocket-handkerchief in his hand— “and he’ll be off in a jiffy.”

  “It’ll be for his good, Annie,” Mrs Burt added, trying to draw her away.

  Indeed, the poor old dog looked very miserable. But Crosby shook her head. He had wagged his tail; his eyes were open. He was alive. There was a gleam of what she had long considered a smile on his face. He depended on her, she felt. She was not going to hand him over to strangers. She sat by his side for three days and nights; she fed him with a teaspoon on Brand’s Essence; but at last he refused to open his lips; his body grew stiffer and stiffer; a fly walked across his nose without its twitching. This was in the early morning with the sparrows twittering on the trees outside.

  “It’s a mercy she’s got something to distract her,” said Mrs Burt as Crosby passed the kitchen window the day after the funeral in her best mantle and bonnet; for it was Thursday, when she fetched Mr Pargiter’s socks from Ebury Street. “But he ought to have been put down long ago,” she added, turning back to the sink. His breath had smelt.

  Crosby took the District Railway to Sloane Square and then she walked. She walked slowly, with her elbows jutting out from her sides as if to protect herself from the haphazardry of the streets. She still looked sad; but the change from Richmond to Ebury Street did her good. She felt more herself in Ebury Street than in Richmond. A common sort of people lived in Richmond she always felt. Here the ladies and gentlemen had the same kind of way with them. She glanced approvingly into the shops as she passed. And General Arbuthnot, who used to visit the Master, lived in Ebury Street she reflected as she turned into that gloomy thoroughfare. He was dead now; Louisa had shown her the notice in the papers. But when he was alive, he had lived here. She had reached Mr Martin’s lodgings. She paused on the steps and adjusted her bonnet. She always had a word with Martin when she came to fetch his socks; it was one of her pleasures; and she enjoyed a gossip with Mrs Briggs, his landlady. Today she would have the pleasure of telling her of the death of Rover. Sidling cautiously down the area steps which were slippery with sleet she stood at the back door and rang the bell.

  Martin sat in his room reading his newspaper. The war in the Balkans was over; but there was more trouble brewing — that he was sure. Quite sure. He turned the page. The room was very dark with the sleet falling. And he could never read while he was waiting. Crosby was coming; he could hear voices in the hall. How they gossiped! How they chattered! he thought impatiently. He threw the paper down and waited. Now she was coming; her hand was on the door. But what was he to say to her? he wondered, as he saw the handle turning. He put down the paper. He made use of the usual formula: “Well, Crosby, how’s the world treating you?” as she came in.

  She remembered Rover; and the tears started to her eyes.

  Martin listened to the story; he wrinkled his brow sympathetically. Then he got up, went into his bedroom, and came back holding a pyjama jacket in his hand.

  “What d’you call that, Crosby?” he said. He pointed to a hole under the collar, fringed with brown. Crosby adjusted her gold-rimmed spectacles.

  “A burn, sir,” she said with conviction.

  “Brand new pyjamas; only worn them twice,” said Martin, holding them extended. Crosby touched them. They were made of the finest silk, she could tell.

  “Tut — tut — tut!” she said, shaking her head.

  “Will you please take this pyjama to Mrs What’s-her-name,” he went on, holding it out in front of him. He wanted to use a metaphor; but one had to be very literal and use only the simplest language, he remembered, when one talked to Crosby.

  “Tell her to get another laundress,” he concluded, “and send the old one to the devil.”

  Crosby gathered the injured pyjama tenderly to her breast; Mr Martin never could abide wool next the skin, she remembered. Martin paused. One must pass the time of the day with Crosby, but the death of Rover had seriously limited their topics of conversation.

  “How’s the rheumatics?” he asked, as she stood very upright at the door of the room with the pyjamas on her arm. She had grown distinctly smaller, he thought. She shook her head, Richmond was very low compared with Abercorn Terrace, she said. Her face dropped. She was thinking of Rover, he supposed. He must get her mind off that; he could not bear tears.

  “Seen Miss Eleanor’s new flat?” he asked. Crosby had. But she did not like flats. In her opinion Miss Eleanor wore herself out.

  “And the people’s not worth it, sir,” she said, referri
ng to the Zwinglers, Paravicinis and Cobbs who used to come to the back door for cast-off clothing in the old days.

  Martin shook his head. He could not think what to say next. He hated talking to servants; it always made him feel insincere. Either one simpers, or one’s hearty, he was thinking. In either case it’s a lie.

  “And are you keeping pretty well yourself, Master Martin?” Crosby asked him, using the diminutive, which was a perquisite of her long service.

  “Not married yet, Crosby,” said Martin.

  Crosby cast her eye round the room. It was a bachelor’s apartment, with its leather chairs; its chessmen on top of a pile of books and its soda-water syphon on a tray. She ventured to say that she was sure that there were plenty of nice young ladies who would be very glad to take care of him.

  “Ah, but I like lying in bed of a morning,” said Martin.

  “You always did, sir,” she said, smiling. And then it was possible for Martin to take out his watch, step briskly to the window and exclaim as if he had suddenly remembered an appointment,

  “By Jove, Crosby, I must be off!” and the door shut upon Crosby.

  It was a lie. He had no engagement. One always lies to servants, he thought, looking out of the window. The mean outlines of the Ebury Street houses showed through the falling sleet. Everybody lies, he thought. His father had lied — after his death they had found letters from a woman called Mira tied up in his table-drawer. And he had seen Mira — a stout respectable lady who wanted help with her roof. Why had his father lied? What was the harm of keeping a mistress? And he had lied himself; about the room off the Fulham Road where he and Dodge and Erridge used to smoke cheap cigars and tell smutty stories. It was an abominable system, he thought; family life; Abercorn Terrace. No wonder the house would not let. It had one bathroom, and a basement; and there all those different people had lived, boxed up together, telling lies.

  Then as he stood at the window looking at the little figures slinking along the wet pavement he saw Crosby come up the area steps with a parcel under her arm. She stood for a moment, like a frightened little animal, peering round her before she ventured to brave the dangers of the street. At last, off she trotted. He saw the snow falling on her black bonnet as she disappeared. He turned away.

  1914

  It was a brilliant spring; the day was radiant. Even the air seemed to have a burr in it as it touched the tree tops; it vibrated, it rippled. The leaves were sharp and green. In the country old church clocks rasped out the hour; the rusty sound went over fields that were red with clover, and up went the rooks as if flung by the bells. Round they wheeled; then settled on the tree tops.

  In London all was gallant and strident; the season was beginning; horns hooted; the traffic roared; flags flew taut as trout in a stream. And from all the spires of all the London churches — the fashionable saints of Mayfair, the dowdy saints of Kensington, the hoary saints of the city — the hour was proclaimed. The air over London seemed a rough sea of sound through which circles travelled. But the clocks were irregular, as if the saints themselves were divided. There were pauses, silences. . . . Then the clocks struck again.

  Here in Ebury Street some distant frail-voiced clock was striking. It was eleven. Martin, standing at his window, looked down on the narrow street. The sun was bright; he was in the best of spirits; he was going to visit his stockbroker in the city. His affairs were turning out well. At one time, he was thinking, his father had made a lot of money; then he lost it; then he made it; but in the end he had done very well.

  He stood at the window for a moment admiring a lady of fashion in a charming hat who was looking at a pot in the curiosity shop opposite. It was a blue pot on a Chinese stand with green brocade behind it. The sloping symmetrical body, the depth of blue, the little cracks in the glaze pleased him. And the lady looking at the pot was also charming.

  He took his hat and stick and went out into the street. He would walk part of the way to the City. “The King of Spain’s daughter” he hummed as he turned up Sloane Street, “came to visit me. All for the sake of. . . .” He looked into the shop windows as he passed. They were full of summer dresses; charming confections of green and gauze, and there were flights of hats stuck on little rods. “. . . all for the sake of” he hummed as he walked on, “my silver nutmeg tree.” But what was a silver nutmeg tree he wondered? An organ was fluting its merry little jig further down the street. The organ moved round and round, shifted this way and that, as if the old man who played it were half dancing to the tune. A pretty servant girl ran up the area steps and gave him a penny. His supple Italian face wrinkled all over as he whipped off his cap and bowed to her. The girl smiled and slipped back into the kitchen.

  “. . . all for the sake of my silver nutmeg tree” Martin hummed, peering down through the area railings into the kitchen where they were sitting. They looked very snug, with teapots and bread and butter on the kitchen table. His stick swung from side to side like the tail of a cheerful dog. Everybody seemed light-hearted and irresponsible, sallying out of their houses, flaunting along the streets with pennies for the organ-grinders and pennies for the beggars. Everybody seemed to have money to spend. Women clustered round the plate-glass windows. He too stopped, looked at the model of a toy boat; at dressing-cases, shining yellow with rows of silver bottles. But who wrote that song, he wondered, as he strolled on, about the King of Spain’s daughter, the song that Pippy used to sing him, as she wiped his ears with a piece of slimy flannel? She used to take him on her knee and croak out in her wheezy rattle of a voice, “The King of Spain’s daughter came to visit me, all for the sake of. . . .” And then suddenly her knee gave, and down he was tumbled onto the floor.

  Here he was at Hyde Park Corner. The scene was extremely animated. Vans, motor-cars, motor omnibuses were streaming down the hill. The trees in the Park had little green leaves on them. Cars with gay ladies in pale dresses were already passing in at the gates. Everybody was going about their business. And somebody, he observed, had written the words “God is Love” in pink chalk on the gates of Apsley House. That must need some pluck, he thought, to write “God is love” on the gates of Apsley House when at any moment a policeman might nab you. But here came his bus; and he climbed on top.

  “To St. Paul’s,” he said, handing the conductor his coppers.

  The omnibuses swirled and circled in a perpetual current round the steps of St. Paul’s. The statue of Queen Anne seemed to preside over the chaos and to supply it with a centre, like the hub of a wheel. It seemed as if the white lady ruled the traffic with her sceptre; directed the activities of the little men in bowler hats and round coats; of the women carrying attaché cases; of the vans, the lorries and the motor omnibuses. Now and then single figures broke off from the rest and went up the steps into the church. The doors of the Cathedral kept opening and shutting. Now and again a blast of faint organ music was blown out into the air. The pigeons waddled; the sparrows fluttered. Soon after midday a little old man carrying a paper bag took up his station half-way up the steps and proceeded to feed the birds. He held out a slice of bread. His lips moved. He seemed to be wheedling and coaxing them. Soon he was haloed by a circle of fluttering wings. Sparrows perched on his head and his hands. Pigeons waddled close to his feet. A little crowd gathered to watch him feeding the sparrows. He tossed his bread round him in a circle. Then there was a ripple in the air. The great clock, all the clocks of the city, seemed to be gathering their forces together; they seemed to be whirring a preliminary warning. Then the stroke struck. “One” blared out. All the sparrows fluttered up into the air; even the pigeons were frightened; some of them made a little flight round the head of Queen Anne.

  As the last ripple of the stroke died away, Martin came out in the open space in front of the Cathedral.

  He crossed over and stood with his back against a shop window looking up at the great dome. All the weights in his body seemed to shift. He had a curious sense of something moving in his body in harmony with the bu
ilding; it righted itself: it came to a full stop. It was exciting — this change of proportion. He wished he had been an architect. He stood with his back pressed against the shop trying to get the whole of the cathedral clear. But it was difficult with so many people passing. They knocked against him and brushed in front of him. It was the rush hour, of course, when City men were making for their luncheons. They were taking short cuts across the steps. The pigeons were swirling up and then settling down again. The doors were opening and shutting as he mounted the steps. The pigeons were a nuisance, he thought, making a mess on the steps. He climbed up slowly.

  “And who’s that?” he thought, looking at someone who was standing against one of the pillars. “Don’t I know her?”

  Her lips were moving. She was talking to herself.

  “It’s Sally!” he thought. He hesitated; should he speak to her, or should he not? But she was company; and he was tired of his own.

  “A penny for your thoughts, Sal!” he said, tapping her on the shoulder.

  She turned; her expression changed instantly. “Just as I was thinking of you, Martin!” she exclaimed.

  “What a lie!” he said, shaking hands.

  “When I think of people, I always see them,” she said. She gave her queer little shuffle as if she were a bird, a somewhat dishevelled fowl, for her cloak was not in the fashion. They stood for a moment on the steps, looking down at the crowded street beneath. A gust of organ music came out from the Cathedral behind them as the doors opened and shut. The faint ecclesiastical murmur was vaguely impressive, and the dark space of the Cathedral seen through the door.

  “What were you thinking . . . ?” he began. But he broke off. “Come and lunch,” he said. “I’ll take you to a City chop house,” and he shepherded her down the steps, along a narrow alley, blocked by carts, into which packages were being shot from the warehouses. They pushed through the swing doors into the chop house.