The Rise of Endymion

by Dan Simmons

  The meditation pavilion for Right Mindfulness is part of Aenea’s recent work and still smells of fresh bonsai cedar. Ten meters higher along the steep ladder, the Right Meditation pavilion perches out over the bulk of the Temple, its window looking out on the ridge wall. I stand there for several minutes, realizing for the first time that the shadow of the pagoda itself falls upon that slab of rock when the moon is rising as it is now, and that Aenea has designed the roof of the pavilion so that its shadow connects with natural clefts and discolorations in the rock to create a shadow character that I recognize as the Chinese character for Buddha.

  At this moment I am taken by a chill, although the wind is not blowing any harder than it has been. Goosebumps rise along my forearms and the back of my neck feels cold. I realize—no, see—in that instant, that Aenea’s mission, whatever it is, is doomed to failure. She and I are both going to be captured, interrogated, probably tortured, and executed. My promises to the old poet on Hyperion were so much wasted breath. Bring down the Pax, I had said. The Pax with its billions of faithful, millions of men and women in arms, thousands of warships … Bring back Old Earth, I had agreed. Well, I had visited it.

  I look out the window to see the sky, but there is only the rock wall in the moonlight and the slowly cohering shadow character of the Buddha’s name, the three vertical strokes like ink on slate-colored vellum, the three horizontal strokes flowing around and together, making three white faces in the negative spaces, three faces staring at me in the dark.

  I had promised to protect Aenea. I vow that I will die doing that.

  Shaking off the chill and the premonition, I go out onto the Meditation platform, clip to a cable, and hum thirty meters across the void to the platform below the top terrace where Aenea and I have sleeping pagodas. As I climb the last ladder to the highest level, I am thinking—perhaps I will sleep now.

  I MADE NO NOTES ON THIS IN THE DISKEY JOURNAL. I remember it now as I write it.

  Aenea’s light was out. I was pleased—she stayed up too late, worked too hard. The high work scaffolds and cliff cables were no place for an exhausted architect.

  I stepped into my own shack, slid shut the shoji door, and kicked off my boots. Things were as I had left them—the outer screen wall slid back a bit, moonlight bright across my sleeping mat, the wind rattling the walls in its soft conversation with the mountains. Neither of my lanterns was lit, but I had the light from the moon and my memory of the small room in the dark. The floor was bare tatami except for my sleeping futon and a single chest near the door that held my rucksack, few food items, beer mug, the rebreathers I’d brought from the ship, and my climbing gear: there was nothing to trip over.

  I hung my jacket on the hook near the door, splashed water on my face from the basin on the chest, and stripped off my shirt, socks, trousers, and underwear, stuffing them into the ditty bag in the chest. Tomorrow was laundry day. Sighing, feeling the premonition of doom I’d felt in the meditation pavilion now fading into simple fatigue, I walked over to the sleeping mat. I have always slept naked except for when in the Home Guard and during my trip in the Consul’s ship with my two friends.

  There was the slightest of movements in the darkness beyond the bright stripe of moonlight and, startled, I dropped into a fighting crouch. Nakedness makes one feel more vulnerable than usual. Then I realized—A. Bettik must have returned early. I unclenched my right fist.

  “Raul?” said Aenea. She leaned forward into the moonlight. She had wrapped my sleeping blanket around the lower part of her body, but her shoulders and breasts and abdomen were bare. The Oracle touched her hair and cheekbones with soft light.

  I opened my mouth to speak, started to turn back toward my clothes or jacket, decided not to walk that far, and dropped on one knee to the sleeping mat, pulling up the futon’s sheet to cover myself. I was not a prude, but this was Aenea. What was she …

  “Raul,” she said again, and this time there was no question in her voice. She moved closer to me on her knees. The blanket fell away from her.

  “Aenea,” I said stupidly. “Aenea, I … you … I don’t … you don’t really …”

  She set her finger on my lips and removed it a second later, but before I could speak she leaned closer and pressed her lips where her finger had been.

  Every time I had ever touched my young friend, the contact had been electric. I have described this before and always felt foolish discussing it, but I ascribed it to her … an aura … a charge of personality. It was real, not a metaphor. But never had I felt the surge of electricity between us as in this instant.

  For a second I was passive, receiving the kiss rather than sharing in it. But then the warmth and insistence of it overcame thought, overcame doubt, overcame all of my other senses in every nuance of the word, and then I was returning her kiss, putting my arms around her to pull her closer even as she slid her arms under mine and ran strong fingers up my back. More than five years ago for her, when she had kissed me farewell at the river on Old Earth, her kiss had been urgent, electric, filled with questions and messages—but still a sixteen-year-old girl’s kiss. This kiss was the warm, moist, open touch of a woman, and I responded to it in an instant.

  We kissed for an eternity. I was vaguely aware of my own nudity and excitement as something I should be concerned about, embarrassed about, but it was a distant thing, secondary to the -expanding warmth and urgency of the kisses that would not stop. When finally our lips came apart, feeling swollen, almost bruised, wanting to be kissed again, we kissed each other’s cheeks, eyelids, forehead, ears. I lowered my face and kissed the hollow of her throat, feeling the pulse against my lips there and inhaling the perfumed scent of her skin.

  She moved forward on her knees, arching her back slightly so that her breasts touched my cheek. I cupped one and kissed the nipple almost reverently, Aenea cupped the back of my head in her palm. I could feel her breath on me, quickening, as she bowed her face toward me.

  “Wait, wait,” I §aid, pulling my face up and leaning back. “No, Aenea, are you … I mean … I don’t think …”

  “Shhh,” she said, leaning over me again, kissing me again, pulling back so that her dark eyes seemed to fill the world. “Shhh, Raul. Yes.” She kissed me again, leaning to her right so that we both reclined on the sleeping mat, still kissing, the rising breeze rattling the rice-paper walls, the entire platform rocking to the depth of our kiss and the motion of our bodies.

  IT IS A PROBLEM. TO TELL OF SUCH THINGS. TO share the most private and sacred of moments. It feels like a violation to put such things into words. And a lie not to.

  To see and feel one’s beloved naked for the first time is one of life’s pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.

  I had never made love to the right person before. I knew that even as Aenea and I first kissed and lay against each other, even before we began moving slowly, then quickly, then slowly again. I realized that I had never really made love to anyone before—that the young-soldier-on-leave sex with friendly women or the bargeman-and-bargewoman-we-have-the-opportunity-so-why-not? sex that I had thought had explored and discovered everything to do with the subject was not even the beginning.

  This was the beginning. I remember Aenea rising above me at one point, her hand hard on my chest, her own chest slick with sweat, but she was still looking at me—looking at me so intensely and so warmly that it was as if we were connected intimately by our gaze as surely as by our thighs and genitals—and I was to remember that instant every time we made love in the future, even as I seemed to be remembering forward to all those future times even during these first few moments of our intimacy. />
  LYING TOGETHER IN THE MOONLIGHT, THE SHEETS and blankets and the futon curled and thrown around us, the cool wind from the north drying the sweat on our bodies, her cheek on my chest and my thigh across her hip, we kept touching each other—her fingers playing with the hair on my chest, my fingers tracing the line of her cheek, the sole of my foot sliding up and down the back of her leg, curling around her strong calf muscles.

  “Was this a mistake?” I whispered.

  “No,” she whispered back. “Unless …”

  My heart pounded. “Unless what?”

  “Unless you didn’t get those shots in the Home Guard that I’m sure you got,” she whispered. I was so anxious that I did not hear the teasing quality in her voice.

  “What? Shots? What?” I said, rolling onto my elbow. “Oh … shots … shit. You know I did. Jesus.”

  “I know you did,” whispered Aenea and I could hear the smile now.

  When we Hyperion lads had joined the Home Guard, the authorities had given us the usual battery of Pax-approved injections—antimaleria, anticancer, antivirus, and birth control. In a Pax universe where the vast majority of individuals chose the cruciform—chose to attempt to be immortal—birth control was a given. One could apply to Pax authorities for the antidote after marriage or simply buy it on the black market when it was time to start a family. Or, if one chose neither the way of the cross nor a family, it would last until old age or death made the issue moot. I had not thought of that shot for years. Actually, I think A. Bettik had asked me about those shots on the Consul’s ship a decade ago when we were discussing preventative medicine and I had mentioned the Home Guard induction battery, our young friend of eleven or twelve curled on a couch there on the holopit level, reading a book from the ship’s library, seemingly not paying attention at all …

  “No,” I said, still on my elbow, “I mean a mistake. You’re …”

  “Me,” she whispered.

  “Twenty-one standard years old,” I finished. “I’m …”

  “You,” she whispered.

  “… eleven standard years older than that.”

  “Incredible,” said Aenea. Her whole face was in the moonlight as she looked up at me. “You can do math. At such a moment.”

  I sighed and rolled over on my stomach. The sheets smelled of us. The wind was still rising and now it rattled the walls.

  “I’m cold,” whispered Aenea.

  In the days and months to come, I would have held her in my arms if she said such a thing, but that night I responded literally and stood to slide shut the shoji screen. The wind was colder than usual.

  “No,” she said.

  “What?”

  “Don’t close it all the way.” She was sitting up with the sheet raised to just below her breasts.

  “But it’s …”

  “The moonlight on you,” Aenea whispered.

  Her voice may have caused my physical response. Or the sight of her, waiting for me in the blankets. Besides holding in our own scents, the room smelled like fresh straw because of the new tatami and the ryokan in the ceiling. And of the fresh, cool air of the mountains. But the cold breeze did not slow my reaction to her.

  “Come here,” she whispered, and opened the blanket like a cape to fold me in.

  THE NEXT MORNING AND I AM WORKING ON SETTING the overhang walkway in place and it is as if I am sleepwalking. Part of the problem is lack of sleep—the Oracle had set and the east was paling with morning when Aenea slipped back to her own pavilion—but the major reason is sheer, simple stupefaction. Life has taken a turn that I had never anticipated, never imagined.

  I am setting supports into the cliff for the high walk with the high riggers Haruyuki, Kenshiro, and Voytek Majer moving ahead, drilling holes in the stone, while Kim Byung-Soon and Viki Groselj lay brick behind and beneath us and carpenter Changchi Kenchung begins work behind me on the laying of the wood floor of the terrace itself. There would be nothing to catch the high riggers and me if we fall from the wooden beams if Lhomo had not done his free-climbing exhibition yesterday and set fixed ropes and cables in place. Now as we jump from beam to beam, we just clip one of our harness carabiners into place on the next rope. I have fallen before and had the fall arrested by this sort of fixed rope: each can hold five times my weight.

  Now I leap from set beam to set beam, pulling along the next beam as it dangles from one of the cables. The wind is coming up and threatens to hurl me off into space, but I balance myself with one hand touching the hanging beam and three fingers on the rockface itself. I reach the end of the third fixed rope, unclip, and prepare to clip on to the fourth of seven lines Lhomo has rigged.

  I do not know what to think about last night. That is, I know how I feel—exhilarated, confused, ecstatic, in love—but I don’t how to think about it. I tried to intercept Aenea before breakfast in the communal dining pavilion near the monks’ quarters, but she had already eaten and headed far out to where the terrace carvers had run into trouble on the new eastern walkway. Then A. Bettik, George Tsarong, and Jigme Norbu had shown up with the porters and an hour or two was consumed sorting materials and transporting the beams, chisels, lumber, and other items to the new high scaffolds. I had headed out onto the eastern ledge before the beam work began, but A. Bettik and Tsipon Shakabpa were conferring with Aenea, so I jogged back to the scaffolds and got busy.

  Now I was jumping to the last beam set in place this morning, ready to install the next one in the hole Haruyuki and Kenshiro have chiseled and blasted into the rock with tiny, shaped charges. Then Voytek and Viki will cement the post in place. Within thirty minutes, it will be firm enough for Changchi to set a work platform on. I’ve become accustomed to leaping from beam to beam, catching my balance and squatting to set the next beam in place, and I do so now on the last beam, pinwheeling my left arm to keep my balance while my fingers stay in contact with the beam balancing from the cable. Suddenly the beam swings out too far ahead of me and I am off balance, leaning into nothing. I know that the safety line will catch me, but I hate to fall and be dangling here between the last beam and the newly drilled hole. If I don’t have enough momentum to kick back to the beam, I’ll have to wait for Kenshiro or one of the other riggers to kick out and rescue me.

  In a fraction of a second, I make up my mind and jump, catching the swinging beam and kicking out hard. Because the safety rope has several meters of slack before it will catch me, all of my weight is on my fingers now. The beam is too thick for me to get a good grip on it and I can feel my fingers sliding on the iron-hard wood. But rather than go dropping to the elastic end of my fixed line, I struggle to hang on, succeed in swinging the heavy post back toward the last beam in place, and jump the last two meters, landing on the slippery beam and flailing my arms for balance. Laughing at my own foolishness, I catch my balance and stand panting for a moment, watching the clouds boiling against the rock several thousand meters below my feet.

  Changchi Kenchung is leaping from beam to beam toward me, clipping onto the fixed ropes with a rapid urgency. There is something like horror in his eyes, and for a second I am sure that something has happened to Aenea. My heart begins beating so hard and anxiety washes over me so swiftly that I almost lose my balance. But I catch it again and stand balancing on the last fixed beam, waiting for Changchi with a sense of dread.

  When he leaps to the last beam with me, Changchi is too winded to speak. He gestures toward me urgently, but I do not understand the motion. Perhaps he had seen my comical swing and dance and leap with the dangling beam and was concerned. To show him that it was all right, I reach up to my harness line to show him that the carabiner is locked tight to the safety line.

  There is no carabiner there. I never tied on to the last fixed rope. I have been doing all this leaping, balancing, hanging, and jumping with no safety line. There has been nothing between me and …

  Feeling a sudden stab of vertigo and nausea, I stagger three steps to the cliff wall and lean against the cold stone. The overh
ang tries to push me away and it is as if the entire mountain is tilting outward, pushing me off the beam.

  Changchi tugs Lhomo’s fixed line around, lifts a ’biner from my harness rack, and clips me on. I nod my appreciation and try not to lose my breakfast while he is here with me.

  Ten meters around the bend in the cliff, Haruyuki and Kenshiro are gesturing. They have blasted another perfect hole. They want me to catch up with setting the beams in place.

  THE PARTY DEPARTING FOR THE DALAI LAMA’S EVENING reception for the Pax at Potala leaves just after the noon meal in the common dining hall. I see Aenea there, but except for a meaningful exchange of glances and a smile from her that makes my knees weak, we have no private communication.

  We assemble on the lowest level with hundreds of workers, monks, cooks, scholars, and porters waving and cheering from the platforms above. Rain clouds are beginning to curl and spill between the low gaps in the eastern ridgeline, but the sky above Hsuan-k’ung Ssu is still blue and the red prayer flags flapping from the high terraces stand out with almost shocking clarity.

  We are all dressed in travel clothes, our formal reception clothing carried in waterproof shoulder-strap satchels or—in my case—my rucksack. The Dalai Lama’s receptions are traditionally held late at night and we have more than ten hours until our presence is required, but it is a six-hour trip on the High Way, and couriers and one flyer coming into Jo-kung earlier that day have told of bad weather beyond the K’un Lun Ridge, so we step off lively enough.

  The order of march is set by protocol. Charles Chi-kyap Kempo, Mayor of Jo-kung and Lord Chamberlain of the Temple Hanging in Air, walks a few paces ahead of his near-peer, Kempo Ngha Wang Tashi, abbot of the Temple. Both men’s “traveling clothes” are more resplendent than my shot at formal wear, and they are surrounded by small hornet clusters of aides, monks, and security people.