The Summer Guest

by Justin Cronin

  I showed my father the letter that night at dinner. He read it slowly, the one good eye squinting. His glass eye was nothing unusual to me—I had never known him otherwise—but still there were times when its misdirected, jewellike gaze seemed aimed right at me.

  When he was done he placed the letter aside. “You passed your physical?”

  “Last May.”

  He regarded me a moment, but said nothing about my deception. Probably he had already guessed it. Then: “What are you going to do?”

  I had imagined this moment so many times my answer was ready. “I’m going to do my duty,” I said.

  “Is that a fact. Tell me what that is, you’re so sure of yourself.”

  “To fight. Like you did.”

  “I see.” He nodded. “Let me ask you this. What if we were Germans, and it was 1939. Your boss Hitler has just invaded Poland and told you to come along and join the fun. Would you fight then?”

  “We’re not Germans. It’s not the same.”

  “That’s where you may be wrong. You better hope you’re not.”

  “I’m not wrong.”

  “Tanner have anything to do with this?”

  I wanted to laugh. “Tanner’s an asshole.”

  “What are you fighting for?”

  I thought a moment. There was only one answer. “Myself.”

  I expected him to argue: all these strangers, shuttling through the camp, riding the rails of some underground of which my father was a part. Tanner’s warning was no joke. By this time everyone in town knew what my father was doing, or else suspected. There were people who wouldn’t have pushed my father out of the way of a logging truck, who would have watched him choke or drown. He’d given everything away, or nearly: his reputation, his name, most of his friends. And yet, when I told him what I intended to do, to fight the war he loathed, the war that seemed to undo the very meaning of his own sacrifice, he had no words. For a moment we sat without speaking, the only sound in the room the rhythm of our own synchronized breathing. I had never been more aware of his presence, the sheer, unassailable fact of him, his mysterious existence. We had lived alone, just the two of us, for thirteen years. Rarely did I speak of my mother, and never to him. Once a year, each June on her birthday, we would put on our suits and take the pickup to the cemetery; but even on those mornings, the silence was like a cold blade between us. We did not say we missed her, or that we loved her; he did not tell me, your mother would be proud of you, I’m sorry she’s not still here, to watch you grow up. We always brought flowers—irises, her favorite. After we had placed them on the ground by her headstone, we would stand a moment longer, and then my father would place his hand on my shoulder and, in his smoke-coarsened voice, say, “Well. It’s nice here. A pretty spot. I’m glad to see they take good care of it. We’d better get going.” I understand now that what I wanted most was simply to know him, and to do that, I had to be like him. But not back then; I might have said I hated him.

  Finally, he pushed back from the table and rose.

  “If you’ll forgive me, I’ve lost my appetite.” He carried his dish to the sink and turned to face me. “When the time comes, I’ll take you,” he said. “At least let me do that. You won’t have to go alone.”

  A strange energy surged through me in those weeks, like a current in the blood. Until that time, everything in my life had been handed to me: the camp, the small world I lived in. Even Lucy, in a way, whom it seemed I had always known. And the bad things too, like my mother’s dying, the hole it scooped in my father’s plans of happiness and the kind of man he had become because of it; the stark loneliness of my need for him, so fierce and unrequited, like standing on a treeless plain, wind-blasted and without a scrap of shade, and the feeling always that I was somehow unworthy, not up to the task of being his son. I would go to Vietnam and do what was required of me: stand up straight, say “yes, sir,” clean my weapon, and sleep bareheaded in the rain, all things I knew well how to do, and also things I didn’t. Shoot and be shot at. Stake my fate on something larger than myself, on the urgent brotherhood of war. Become somebody else: a man who had earned his life.

  I don’t remember telling Lucy I was going, only that I did it. Sometimes I think I told her on the porch; she swears it was in the office at the mill. In either case it would have felt the same. A year, I probably said, and then I’d be home. Don’t believe everything you hear. I’d probably end up in some supply hut, handing out socks and skivvies, listening to American radio. You? she said. I doubt that. Maybe some city boy, slept his whole life on silk sheets and taking cabs. A man like you, handing out underwear? They’ll know just what to do with you, Joe Crosby.

  My father said nothing else; my impending departure was one more wedge of silence hammered down between us. There were times I even imagined that I felt in him a new respect, albeit begrudging, for the path I had chosen to follow. We were still boarding up for the season when the first snow fell, a week into November. I awoke that morning and looked out the window and saw, where just a day ago there had been channels of open water, a solid disk of ice, a world of absolute stillness mantled in white. Not since I was a young boy had I taken any pleasure in the first snowfall. For months my father and I would be locked away, like a pair of convicts grumbling their way through meals and chores and freezing their asses off. My junior year in high school our English teacher had taken us down to Orono to see a college production of King Lear—he was the new guy in town, hadn’t yet learned that anything resembling “culture” was pretty much wasted on a bunch of hick kids with nothing more serious in mind for their lives than working at the post office or shoving lumber through a sawmill—and when it came to the part where the mad king talked about how great it would be to spend the rest of his life in jail with his daughter, I started laughing so hard I had to leave the theater. We had to write a paper about the play, and all I could think to say was that Shakespeare might have been a great writer, but he had obviously never spent a hard January freeze at the end of an eight-mile driveway with my old man.

  I dressed and went downstairs. I could smell my father’s cigarette smoke even before I reached the kitchen. He slept at most four hours a night, and had been up since well before dawn. Probably he had already shoveled the walk and dug out the truck. As I entered the kitchen he turned from the window.

  “First snow, I guess,” I said.

  He looked at me, his face impossible to read, like a headstone faded by decades of weather. He ran his cigarette under the tap, then deposited the butt in the trash pail under the sink.

  “It’s stopped for now, but there’s more on the way.” He cleared his throat. “A bad one. Supposed to start tonight. They’re saying a foot, anyway.”

  I took a cigarette from the pack on the kitchen table. Before that fall I had almost never smoked in front of him. I lit it and sat, his eyes still on me.

  “You should call Lucy,” he said.

  “Why should I call Lucy?”

  “Here,” he said, and placed the saucer from his empty cup on the table in front of me. “At least use an ashtray.”

  For a moment we said nothing. I smoked my cigarette and waited.

  “You should call Lucy,” he said at last, “to tell her you’re going away for a while.”

  “You know something I don’t?”

  “We’re going for a trip.”

  “A trip.” I paused another moment, for effect. Why hadn’t I seen this coming? But then I realized I had seen it, all along. “Like my cousin David.”

  He took a place across from me. “Listen, Joey, there are things you don’t understand—”

  “This isn’t up to you, Dad.”

  “Goddamnit, I know it’s not!” He thumped the table with his fist, and I felt my insides jump. But I had long since stopped being afraid of him. His anger seemed weightless, like a bird banging at a windowpane. “If it were up to me you’d already be gone from here, you never even would have taken the physical. We would have filed a
n appeal months ago. There are things we could have done.”

  “But we didn’t. Did we, Dad?”

  He sighed impatiently. “Joey, I’m going to tell you something. I’m going to tell you something and I want you to listen. The night your mother and I came up here, that first night—”

  “You’ve told me the story.”

  He shook his head. “Not all of it. Just do me a favor and listen. There was a woman, at the station in Augusta. It was snowing, and we had to change trains. She showed us a picture. Her son.”

  I saw where this was headed. “He’d been killed in the war.”

  “Yes. In Italy, where I was. Where this—” His hand drifted upward to his cheek but stopped midair. “Close to where this happened. Not far, anyway. He was killed at Salerno. Some army screwup. His company dropped too far behind the lines. I’d heard something about it, but it wasn’t until later that I was certain. They were totally annihilated. Germans shot them out of the sky like skeet pigeons.”

  “That was twenty years ago, Dad.”

  “Twenty years.” His voice was quiet. “Twenty years is nothing, Joey. The boy was dead, you read me? He probably never even got the chance to fire his weapon.” He breathed deeply, steadying himself. “But you see, it wasn’t wrong, that he died. You could say it was a tragedy, somebody’s stupid mistake, or just bad luck. It was easy to get killed for all kinds of reasons. But it wasn’t wrong. The woman in the office, his mother, she knew that. She knew her son hadn’t died for no reason. That’s what made it bearable for her. When I understood that, I didn’t mind what had happened to me so much anymore. I don’t think a day goes by that I don’t think about her. We got on the train and came up here, and it was like a gift, a reward for finally figuring that out.”

  Is it a trick of memory, or did something happen to me at that moment? It was, after all, just a story he was telling me—a war story. I had never heard this one before, but I had heard dozens, even hundreds. Yet listening to him talk that morning, I suddenly felt all my resolve drain out of me, an almost physical sensation. The flat winter light of the kitchen and the miles of quiet all around, the smell of our cigarettes, the feeling, inexpressible, that we had reached, together, a kind of final moment, the end of a story that had begun the day my mother died: all combined to arouse in me a boy’s simple desire to help his father. And all at once I understood. I was the only cousin David. Those other boys were nothing. Everything my father had done, he’d done for me, to prepare us for this day.

  “What I’m saying to you, Joey, is you’re all I have. I know I haven’t been the best father. There are things I should have told you, things I should have done.” He looked at his chapped hands. “You were there in the station, you know, with us. Me and your mother. Just a baby.” He stopped; it was as if he had never said any of these words before, not even to himself. “It was snowing, like today, and it was as if I’d found something nobody else knew, a way to understand my life. And then your mother died, and I kept on anyway. I told her I would keep you safe. Those were the last words I said to her, and that’s what I’m saying to you now. If something happened to you, I couldn’t bear it, Joey.”

  He rose and stood before me. My father: it was as if I hadn’t really looked at him in years. Beneath his flannel shirt and jeans, his body had grown thin; his face was gray and lined. White stubble covered his cheeks, except for a square of pinkish skin where his jaw had shattered, a bare patch the color of a burn, where hair could never grow. Of course I would do as he asked; I had been waiting for him to ask it, all along.

  “You were there at the station, you see, in that room,” he said quietly. “That’s what I’m telling you. That’s why I want you to come with me now, Joey, before the storm.”

  He had it all arranged; we would drive north, ahead of the weather, and reach the border in late afternoon, where a man named Marcel would be waiting to take me the rest of the way. My father had money for me, two thousand dollars in American cash, and another thousand Canadian. Upstairs in my room I stuffed my belongings into a duffel bag: warm clothing, a few pictures, my high school yearbook, some old letters Lucy had written me on a trip she had taken with her family to Yosemite that I didn’t want anyone finding, though they contained nothing shocking or even terribly personal. It seemed meager. Hanging from my shoulder, my bag weighed less than twenty pounds. How did you pack to become a fugitive? Atop my bureau was a framed black-and-white photo of my mother: a young woman with high cheekbones and hair the color of onyx, sitting at a great, gleaming piano, wearing a dark dress and smiling. It had been taken by a professional photographer, some kind of publicity shot, when she was a student at the conservatory. She couldn’t have been nineteen years old. A scoop of pearls gleamed across the white skin of her breastbone; she wore a huge corsage. Her eyes, bright and full of pleasure, seemed to shine with all the hopeful reflection of an entire life waiting to unfold. Though, of course, this was an illusion: she had no idea what lay ahead, how little time she had left. I hadn’t really looked at the photo in years, and in fact, my memories of my mother bore almost no resemblance to the girl in the picture. She seemed a different woman entirely. When I remembered her, it wasn’t even a picture I saw, but more a feeling my mind seemed to wrap around: the heat and sound and smell of her, like a pillow I had slept on for years; the close air of the bedroom where she was sick so long; her quiet, milky voice. But not even these. If I closed my eyes, as I did that snowy November morning, and asked myself to think about her, what I remembered most was a song she used to play: Debussy, the Children’s Corner, an airy thing with notes that floated like fireflies on a summer lawn, a thousand of them winking here and there, but never quite where you looked. I think she used to play it for me when I was small, and fussing; at least that’s what I remembered her telling me. She would place me on her lap and play, giving me a song to listen to but also her hands to watch: her long white fingers and the long white piano keys moving together like dancers in a dream, to make the music that would quiet me. Her piano, a Steinway baby grand that her parents had bought her for her eighteenth birthday, was still in the lodge, in a room we called the library, where we kept old books and magazines for guests to read. From time to time someone would open the keys and try to play it but would quickly discover how badly out of tune it was. The felts were all moth-eaten; one of the pedals was permanently jammed in the down position. Once in a while I’d thought about getting it fixed, with the idea that I might learn to play. But it had been silent so long, its music sealed away in its coffinlike bulk, that even to open the cabinet seemed impossible.

  The truth was, my mother hadn’t lived long enough to ever become a person to me, real and distinct; like all small children, I had absorbed her presence as a force of nature, and the day she died this feeling had frozen in me, a piece of stopped time. Looking at her picture now, I realized it meant nothing; my mother was inside that piano, and inside me. For a moment I considered leaving the photo behind, but this seemed foolish, something I might regret later, so I removed it from the frame and tucked it between the pages of an English-French dictionary I still had from high school, thinking this might come in handy, too, and tucked that into my duffel bag as well.

  Outside, my father was warming up the truck. The air was damp and still; the low gray sky seemed to bulge with snow, like a river about to overflow its banks. I heaved my bag into the bed and joined him in the cab.

  He gently touched my sleeve. The gesture was so surprising I actually looked at it, his hand on my arm. The realization hit me like a fist: this winter he would be alone.

  “Did you call her?”

  The answer was I hadn’t. Lucy would be in the sawmill office at this hour; they would probably be sending everyone home early, due to the snow. How could I explain something I didn’t understand myself? I couldn’t have said why I was going, only that I was, and that this made me feel ashamed but also relieved, as if some unseen hand had lifted a burden I didn’t even know I was carryi
ng. I wondered if this was how cowards felt, or men lost at sea who had given up their struggles and agreed to let the waves take them. In fact, these were the very words I used when, a week later, I wrote to Lucy to tell her what had happened, how instantly sorry I had felt about leaving.

  “That’s all right,” he said when I failed to answer, and with this, one more burden was taken from me. He put the truck in gear. “Maybe it’s better if you don’t. They have phones up there. It’s not like you’re going to the moon.”

  By the time we reached the border it was past three and snowing hard. Marcel was waiting at the roadside, parked in a rusted Jeep with Quebec plates and a huge rack of lights over the roll bar. He was a slender man, strong across the chest, with a neatly trimmed beard and half-glasses he removed to regard me; I thought of him at once as a kind of skinny Santa Claus. He and my father greeted one another with a grave handshake, which I understood was meant for me. My father had brought many men over, but I was his son, his flesh and blood.

  I put my duffel bag in the Jeep. Then, in the falling snow, my father hugged me, hard. “Be good now, Joey.” Before I could answer he turned and walked to the truck without looking back, got in, and drove away. I watched him until the image was swallowed in the whirling white and silence. A feeling of cold loneliness doused me like water. I had no idea how or even if we would see each other again. The moment had passed so quickly I hadn’t even said good-bye.

  I got into the Jeep’s cab. On the passenger seat lay the Montreal newspaper that Marcel had been reading, and the remains of his lunch, a bacon sandwich wrapped in waxed paper and a thermos of coffee.

  “You think he’ll get back okay?” I asked.

  “It’s not him I’m worried about,” Marcel said, but when he saw my face he smiled encouragingly. “I’ve known your father since the war. We served together in Italy. Not many men could go through what he did. A little snow won’t slow him down any.”