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The Complete Stories of J. G. Ballard

Page 127

by J. G. Ballard


  For all his self-assurance, he seemed surprised when I first introduced him to Serena, his suave ‘Good morning, madam . . .’ ending in a mumble. Shivering in the cool air, he gazed at her open-mouthed, clearly stunned by her beauty and calm repose. I left him to get on with it and spent the next hour working in my study, distracted now and then by a few bars from The Barber of Seville and My Fair Lady that sounded down the stairs. When he had finished I inspected his work, delighted to see that he had restored every breath of her first glory to Serena. The over-domesticated housewife had vanished, and in her place was the naive Aphrodite I had first seen in the curio shop six months earlier.

  So pleased was I that I decided to call on the young man’s services again, and his visits became a weekly event. Thanks to his attentions, and my own devotion to the temperature and humidity controls, Serena’s complexion regained all its perfection. Even my guests commented on the remarkable bloom of her appearance. Deeply contented, I looked forward to the coming spring and the celebration of our first anniversary.

  Six weeks later, while the young hairdresser was at work in Serena’s sitting room upstairs, I happened to return to my bedroom to collect a book. I could clearly hear the young man’s voice, at a low pitch as if communicating some private message. I glanced through the open door. He was kneeling in front of Serena, his back to me, cosmetic pallet in one hand and paint stick in the other, gesticulating with them in a playful and mock-comical manner. Illuminated by his handiwork, Serena gazed straight into his face, her freshly painted lips almost moist with anticipation. Unmistakably, the young man was murmuring a discreet and private endearment.

  During the following days I felt that my head had been seized by some kind of vice. As I tried helplessly to master the pain of that first intense jealousy, I was forced to realize that the young man was Serena’s age, and that she would always have more in common with him than with me. Superficially our life continued as before – we sat together in the study when I returned from the office, I would carry Serena into the sitting room when my friends called, and she would join us at the dining table – but I was aware that a formal note had entered our relationship. No more did Serena pass the night in my bedroom, and I noticed that for all her calm smile I no longer caught her eye as I used to.

  Despite my mounting suspicions, the young hairdresser continued to make his calls. Whatever crisis through which Serena and I were passing, I was determined not to give in. During the long hour of his visits I had to fight through every second to prevent myself from rushing up the staircase. From the hall I could often hear his voice murmuring in that insinuating tone, louder now as if he were trying to incite me. When he left I could sense his contempt.

  It would take me an hour before I could walk slowly up the stairs to Serena’s room. Her extraordinary beauty, relit by the taper of the young man’s flattery, made my anger all the greater. Unable to speak, I would pace around her like a doomed husband, aware of the subtle changes to Serena’s face. Although in every way more youthful, reminding me painfully of the thirty years that separated us, her expression after each visit became fractionally less naive, like that of a young wife contemplating her first affair. A sophisticated wave now modulated the curve of blonde hair that crossed her right temple. Her lips were slimmer, her mouth stronger and more mature.

  Inevitably I began an affair with another woman, the separated wife of a close friend, but I made certain that Serena knew nothing of this or of the other infidelities that followed during the next weeks. Also, pathetically, I began to drink, and in the afternoons would sit around drunkenly in my friends’ empty apartments, holding long imaginary conversations with Serena in which I was both abject and aggressive. At home I began to play the dictatorial husband, leaving her all evening in her room upstairs and moodily refusing to talk to her at the dining table. All the while, through paralysed eyes I watched the young hairdresser come and go, an insolent suitor whistling as he sauntered up the stairs.

  After the last of his visits came the weary denouement. I had spent the afternoon drinking alone in a deserted restaurant, watched by the patient staff. In the taxi home I had a sudden confused revelation about Serena and myself. I realized that our breakdown had been entirely my fault, that my jealousy of her harmless flirtation with the young man had magnified everything to absurd proportions.

  Released from weeks of agony by this decision, I paid off the taxi at my door, let myself into the cool air of the house and rushed upstairs. Dishevelled but happy, I walked towards Serena as she sat quietly in the centre of her sitting room ready to embrace her and forgive us both.

  Then I noticed that for all her immaculate make-up and extravagant hair her brocade gown hung strangely from her shoulders. The right strap exposed the whole of her collar-bone, and the bodice had slipped forward as if someone had been fumbling with her breast. Her smile still hovered on her lips, calling on me in the most kindly way to resign myself to the realities of adult life.

  Angrily I stepped forward and slapped her face.

  How I regret that senseless spasm. In the two years that have passed I have had ample time to reflect on the dangers of an over-hasty catharsis. Serena and I still live together, but all is over between us. She sits on her gilt chair by the sitting-room fireplace and joins me at the dining table when I entertain my friends. But the outward show of our relationship is nothing more than the dried husk from which the body of feeling has vanished.

  At first, after that blow to her face, little seemed to change. I remember standing in that room upstairs with my bruised hand. I calmed myself, brushed the face powder from my knuckles and decided to review my life. From then on I stopped drinking and went to the office each day, devoting myself to my work.

  For Serena, however, the incident marked the first stage in what proved to be a decisive transformation. Within a few days I realized that she had lost something of her bloom. Her face became drawn, her nose more protuberant. The corner of her mouth where I had struck her soon became puffy and took on a kind of ironic downward twist. In the absence of the young hairdresser – whom I had sacked within ten minutes of striking her – Serena’s decline seemed to accelerate. The elaborate coiffure which the young man had foisted upon her soon became undone, the straggling hairs falling on her shoulders.

  By the end of our second year together Serena Cockayne had aged a full decade. At times, looking at her hunched on her gilt chair in the still brilliant gown, I almost believed that she had set out to catch and overtake me as part of some complex scheme of revenge. Her posture had slumped, and her rounded shoulders gave her the premature stoop of an old woman. With her unfocused smile and straggling hair she often reminded me of a tired and middle-aged spinster. Her hands had at last come together, clasped in a protective and wistful way.

  Recently a far more disquieting development has taken place. Three years after our first meeting Serena entered upon a radically new stage of deterioration. As a result of some inherent spinal weakness, perhaps associated with the operation whose scars cross the small of her back, Serena’s posture has altered. In the past she leaned forward slightly, but three days ago I found that she had slumped back in her chair. She sits there now in a stiff and awkward way, surveying the world with a critical and unbalanced eye, like some dotty faded beauty. One eyelid has partly closed, and gives her ashen face an almost cadaverous look. Her hands have continued on their slow collision, and have begun to twist upon each other, rotating to produce a deformed parody of themselves that will soon become an obscene gesture.

  Above all, it is her smile that terrifies me. The sight of it has unsettled my entire life, but I find it impossible to move my eyes from it. As her face has sagged, the smile has become wider and even more askew. Although it has taken two years to achieve its full effect, that blow to her mouth has turned it into a reproachful grimace. There is something knowing and implacable about Serena’s smile. As I look at it now across the study it seems to contain a complete understandi
ng of my character, a judgment unknown to me from which I can never escape.

  Each day the smile creeps a little further across her face. Its progress is erratic, revealing aspects of her contempt for me that leave me numb and speechless. It is cold here, as the low temperature helps to preserve Serena. By turning on the heating system I could probably dispose of her in a few weeks, but this I can never do. That smirk of hers alone prevents me. Besides, I am completely bound to Serena.

  Fortunately, Serena is now ageing faster than I am. Helplessly watching her smile, my overcoat around my shoulders, I wait for her to die and set me free.

  1976

  THE ULTIMATE CITY

  All winter, while he worked on the sailplane, Halloway had never been certain what drove him to build this dangerous aircraft, with its ungainly wings and humpback fuselage. Even now, as he crouched in the cockpit during the final seconds before his first flight, he was still unsure why he was perched on the steep cliffs above the Sound, waiting to be catapulted into the overlit water. The tapered wings shivered in the cold air, as if the aircraft were trying to rip open the cockpit and eject its foolhardy pilot on to the beach below.

  It had taken since dawn for Halloway and his helpers – the crowd of ten-year-olds who formed an enthusiastic claque and coolie-gang – to drag the sailplane from the barn behind his grandfather’s house and secure it to the catapult. By the time they reached the cliffs the other contestants in the gliding championship had been aloft for hours. From his cockpit Halloway could see a dozen of the brightly painted craft hanging above his head in the calm sky.

  On the ground, by contrast, the turbulent air sweeping up the face of the cliffs seemed to have broken loose from a tornado. Exhausted by the effort of carrying the glider, the boys hung limply from the wings like a line of ballast bags. At any moment a sudden gust would sweep them all into the air together.

  In front of Halloway were thirty feet of miniature railway-track and the steel cable linking the sailplane to the sand-filled trolley at the edge of the cliff which would either pull the craft apart or, with luck, catapult it into the air. Halloway signalled the boys aside, and gripped the catapult release lever in both hands. Once again he reminded himself that the Wright Brothers’ first sustained flights, little more than a hundred years earlier, had also been launched by catapult.

  ‘Thanks, everybody – now stand back!’ he shouted above the wind. One of the smallest boys was still clinging absent-mindedly to the port wing-tip. ‘Jamie, let go, for God’s sake! Take off! ’

  As the trolley lurched forward, dragging the sailplane after it like a startled bird, Halloway felt the sudden strength of the huge wings and knew already that the aircraft would be the most successful of all those his father had designed before his death. At the edge of the cliffs the trolley hurtled down its track. Halloway released the towing cable, and the glider rose steeply, carried upwards by a cold hand, almost falling on to its back in the rush of wind. The dunes and the beach reeled away to starboard, taking the world from him. The cheers of the spectators were lost in the shrill soughing of the slipstream.

  Thirty seconds later, Halloway had climbed a turbulent staircase that carried him in a right-hand spiral to a height of a thousand feet. Abruptly everything around him had become quiet. Little more than a whisper, the wind sucked softly at the fabric of the glider. The heat from the sun stung his blond skin, but Halloway ignored the pain and trimmed the glider into a stable attitude. As always, his father’s design had been without error. After the first yawing subsided he began to move the glider across the sky, almost feeling his father’s presence in its powerful span. The sailplane soared like a condor in the thermals, dominating the other competitors now far below. Relaxed and happy now, Halloway sat back, ready to preside generously over his domain.

  Halloway had begun to build the sailplanes two years earlier. After his parents’ death he had moved to his grandfather’s house, and for a long while had been reluctant to return to his old home. The charred remains of the sauna where his mother and father had died lay untouched below the derelict sail of the solar energy rig. The hundreds of occluded mirrors, fused by the intense heat of the fire, towered fifty feet above the calcinated roof tiles, an all too melancholy memorial.

  One evening, while discussing the annual gliding competition, which the residents of Garden City organized in order to let a little civilized rivalry into their pastoral lives, his grandmother mentioned that Halloway’s father had been a keen amateur pilot during the last days of powered aviation. On an impulse Halloway borrowed the keys to the house and wandered through the gutted rooms. Only the studio and workshop, separated from the house by an arm of the canal which irrigated his parents’ market garden, had escaped the fire. The shelves were filled with relics of his father’s restless mind – antique gear-boxes and carburettors, mementoes of the vanished petroleum age, and the designs for a series of progressively more ambitious sailplanes. The half-completed skeleton of a small glider still lay on its trestles in the workshop.

  Halloway pored over the blueprints for months, intrigued by his father’s casual but clear calligraphy. The marginal jottings formed a running diary of the rich inner life of this endlessly inventive man, by a bitter irony killed beside his wife in his own home by the overloaded circuitry of an advanced solar device he had designed himself. Like some pastoral Leonardo, he had sat in his studio in the centre of this placid market garden. As the canals flowed between the greenhouses filled with flowers and vegetables, as the waterwheels turned and the hundreds of solar sails silently drained light from the sun, he had devised ever more complex tidal-energy pumps and solar batteries, refuse recycle units and windmills. His real passion, though, apart from his curious interest in old internal-combustion engines, was for these gliders.

  All that first winter Halloway had examined the blueprints, feeling the contours of his father’s mind in these graceful airframes and wing designs. Several of the aircraft featured extensive control-surfaces, strengthened fuselage-members far in excess of any wing-loading they might need, almost as if they were designed to carry some secret cargo. But Halloway began with the most basic of the gliders. Fortunately, the art and practice of carpentry had reached an advanced level in Garden City. Where an earlier generation of teenage boy learned to strip a carburettor or re-set a distributor, the young of Garden City were expert by the age of twelve in joining and flitching and dovetailing. Within a month his group of eager assistants had helped him to build his first modest sailplane, ready in time for the summer’s gliding championship.

  As he urged them on, however, watching them cut and stitch the fabric, plane and polish the struts and stringers, Halloway had known already that the competition was only an excuse. He was driven by some other need, connected not so much with his father as with the metal relics, the superchargers embedded in lucite, the fuel pumps and speedometers that lay around the studio like the ornaments of a shrine dedicated to the vanished spirit of the Otto Cycle.

  Long before he became a skilled pilot, Halloway had been able to outfly his rivals, as much by pure aggression as by airmanship. None of the other competitors would rise to his baiting, let alone put up a fight. Although the championships were the climax of the year’s flying, the other pilots were happy to award him the prize. When he banked and dived towards the beach, chasing the faster thermals behind the dunes, the two gliders he forced aside made way for him without complaint. Their pilots, a thirty-five-year-old architect whom Halloway was always beating at tennis, and an elderly hydrographer with a red beard, had both visited the workshop to watch the construction of this huge glider, and warned him of the impossibility of launching such a craft.

  Both had been suitably impressed by Halloway’s catapult. They were clearly glad to see Halloway succeed – too glad, in fact. If they had not been so naturally lacking in deceit they might have questioned his motives for building this elaborate craft – not that he would have been able to answer them – but Halloway’s b
lond hair and guileless blue eyes turned aside any suspicion. Eager for action at all costs, yet shy and very much the dreamer, Halloway had a natural talent for rallying people around him.

  At the same time, he liked to provoke the crowd. Looking down at the spectators with their picnic hampers among the dunes, the officials gazing at the sky from their canvas chairs, Halloway imagined himself as a World War II fighter ace, diving out of the sun and raking these amiable neighbours with bursts of machine-gun fire. The whole bucolic landscape of Garden City, this elegant but toy-like world of solar sails and flower-filled gardens, the serene windmills and gently nodding reduction gear of the tidal-power machines – all these cried out for a Pearl Harbor.

  Surprised by this strain of aggression in himself, Halloway checked his temper. Most of the three hundred spectators he had known since childhood, intelligent, civilized and kindly people who had done their best to care for him since his parents’ death, and enjoyed being shocked by his desperado stunts.

  They were all watching him now, hands shielding their eyes from the sun. The coolie-gang of small boys squatted on the catapult rails, obviously waiting for Halloway to astonish them.

  A mile away, across the Sound, the steep concrete walls of an artificial island rose from the sea like the hull of a cruise liner. The island was a former naval station, a collection of rusting metal buildings around a lighthouse. Although little more than swimming distance away, Halloway had noticed that few people in Garden City were aware of the island, as if they mentally assigned it to the tower blocks of the old metropolis on the opposite shore of the Sound. The previous summer Halloway had rowed out to the island, winding through the dangerous labyrinth of tidal power pontoons and rocker arms that separated the beach from the sea. In the pump-room below the lighthouse he found the huge diesel engines that once powered the warning beacon, each the size of a steam locomotive.

 

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