Rabbit Redux

by John Updike

  Rabbit asks, “What does that have to do with Vietnam?”

  “It is the local hole. It is where the world is redoing itself. It is the tail of ourselves we are eating. It is the bottom you have to have. It is the well you look into and are frightened by your own face in the dark water down there. It is as they say Number One and Number Ten. It is the end. It is the beginning. It is beautiful, men do beautiful things in that mud. It is where God is pushing through. He’s coming, Chuck, and Babychuck, and Ladychuck, let Him in. Pull down, shoot to kill. The sun is burning through. The moon is turning red. The moon is a baby’s head bright red between his momma’s legs.”

  Nelson screams and puts his hands over his ears. “I hate this, Skeeter. You’re scaring me. I don’t want God to come, I want Him to stay where He is. I want to grow up like him” – his father, Harry, the room’s big man – “average and ordinary. I hate what you say about the war, it doesn’t sound beautiful it sounds horrible.”

  Skeeter’s gaze comes down off the ceiling and tries to focus on the boy. “Right,” he says. “You still want to live, they still got you. You’re still a slave. Let go. Let go, boy. Don’t be a slave. Even him, you know, your Daddychuck, is learning. He’s learning how to die. He’s one slow learner but he takes it a day at a time, right?” He has a mad impulse. He lets it guide him. He goes and kneels before the child where he sits on the sofa beside Jill. Skeeter kneels and says, “Don’t keep the Good Lord out, Nellie. One little boy like you put his finger in the dike; take it out. Let it come. Put your hand on my head and promise you won’t keep the Good Lord out. Let Him come. Do that for old Skeeter, he’s been hurtin’ so long.”

  Nelson puts his hand on Skeeter’s orb of hair. His eyes widen, at how far his hand sinks down. He says, “I don’t want to hurt you, Skeeter. I don’t want anybody to hurt anybody.”

  “Bless you, boy.” Skeeter in his darkness feels blessing flow down through the hand tingling in his hair like sun burning through a cloud. Mustn’t mock this child. Softly, stealthily, parting vines of craziness, his heart approaches certainty.

  Rabbit’s voice explodes. “Shit. It’s just a dirty little war that has to be fought. You can’t make something religious out of it just because you happened to be there.”

  Skeeter stands and tries to comprehend this man. “Trouble with you,” he sees, “you still cluttered up with common sense. Common sense is bullshit, man. It gets you through the days all right, but it leaves you alone at night. I keeps you from knowing. You just don’t know, Chuck. You don’t even know that now is all the time there is. What happens to you, is all that happens, right? You are it, right? You. Are. It. I’ve come down” – he points to the ceiling, his finger a brown crayon – “to tell you that, since along these two thousand years somewhere you’ve done gone and forgotten again, right?”

  Rabbit says, “Talk sense. Is our being in Vietnam wrong?”

  “Wrong? Man, how can it be wrong when that’s the way it is? These poor Benighted States just being themselves, right? Can’t stop bein’ yourself, somebody has to do it for you, right? Nobody that big around. Uncle Sam wakes up one morning, looks down at his belly, sees he’s some cockroach, what can he do? Just keep bein’ his cockroach self, is all. Till he gets stepped on. No such shoe right now, right? Just keep doing his cockroach thing. I’m not one of these white lib-er-als like that cracker Fulldull or that Charlie McCarthy a while back gave all the college queers a hard-on, think Vietnam some sort of mistake, we can fix it up once we get the cave men out of office, it is no mistake, right, any President comes along falls in love with it, it is lib-er-al-ism’s very wang and ding-dong pussy. Those crackers been lickin’ their mother’s ass so long they forgotten what she looks like frontwards. What is lib-er-alism? Bringin’joy to the world, right? Puttin’ enough sugar on dog-eat-dog so it tastes good all over, right? Well now what could be nicer than Vietnam? We is keepin’ that coast open. Man, what is we all about if it ain’t keepin’ things open? How can money and jizz make their way if we don’t keep a few cunts like that open? Nam is an act of love, right? Compared to Nam, beatin’ Japan was flat-out ugly. We was ugly fuckers then and now we is truly a civilized spot.” The ceiling agitates; he feels the gift of tongues descend to him. “We is the spot. Few old fools like the late Ho may not know it, we is what the world is begging for. Big beat, smack, black cock, big-assed cars and billboards, we is into it. Jesus come down, He come down here. These other countries, just bullshit places, right? We got the ape shit, right? Bring down Kingdom Come, we’ll swamp the world in red-hot real American blue-green ape shit, right?”

  “Right,” Rabbit says.

  Encouraged, Skeeter sees the truth: “Nam,” he says, “Nam the spot where our heavenly essence is pustulatin’. Man don’t like Vietnam, he don’t like America.”

  “Right,” Rabbit says. “Right.”

  The two others, pale freckled faces framed in too much hair, are frightened by this agreement. Jill begs, “Stop. Everything hurts.” Skeeter understands. Her skin is peeled, the poor girl is wide open to the stars. This afternoon he got her to drop some mescaline. If she’ll eat mesc, she’ll snort smack. If she’ll snort, she’ll shoot. He has her.

  Nelson begs, “Let’s watch television.”

  Rabbit asks Skeeter, “How’d you get through your year over there without being hurt?”

  These white faces. These holes punched in the perfection of his anger. God is pouring through the white holes of their faces; he cannot stanch the gushing. It gets to his eyes. They had been wicked, when he was a child, to teach him God was a white man. “I was hurt,” Skeeter says.

  BEATITUDES OF SKEETER

  (written down in Jill’s confident, rounded, private-school hand, in green felt pen, playfully one night, on a sheet of Nelson’s notebook filler)

  Power is bullshit.

  Love is bullshit.

  Common sense is bullshit.

  Confusion is God’s very face.

  Nothing is interesting save eternal sameness.

  There is no salvation, ’cepting through Me.

  Also from the same night, some drawings by her, in crayons Nelson found for her; her style was cute, linear, arrested where some sophomore art class had left it, yet the resemblances were clear. Skeeter of course was the spade. Nelson, his dark bangs and side-sheaves exaggerated, the club, on a stem of a neck. Herself, her pale hair crayoned in the same pink as her sharp-chinned face, the heart. And Rabbit, therefore, the diamond. In the center of the diamond, a tiny pink nose. Sleepy small blue eyes with worried eyebrows. An almost invisible mouth, lifted as if to nibble. Around it all, green scribbles she had to identify with an affectionate pointing arrow and a balloon: “in the rough.”

  One of these afternoons, when Nelson is home from soccer practice and Harry is home from work, they all cram into Jill’s Porsche and drive out into the county. Rabbit has to have the front seat; Nelson and Skeeter squeeze into the half-seats behind. Skeeter scuttles blinking from the doorway to the curb and inside the car says, “Man, been so long since I been out in the air, it hurts my lungs.” Jill drives urgently, rapidly, with the arrogance of the young; Rabbit keeps slapping his foot on the floor, where there is no brake. Jill’s cool profile smiles. Her little foot in a ballet slipper feeds gas halfway through curves, pumps up speed enough just to pinch them past a huge truck – a raging, belching house on wheels – before another hurtling the other way scissors them into oblivion, on a straight stretch between valleys of red earth and pale com stubble. The country is beautiful. Fall has lifted that heavy Pennsylvania green, the sky is cleared of the suspended summer milk, the hills edge into shades of amber and flaming orange that in another month will become the locust-husk tint that crackles underfoot in hunting season. A brushfire haze floats in the valleys like fog on a river’s skin. Jill stops the car beside a whitewashed fence and an apple tree. They get out into a cloud of the scent of fallen apples, overripe. At their feet apples rot in the long dank grass that banks
a trickling ditch, the grass still powerfully green; beyond the fence a meadow has been scraped brown by grazing, but for clumps where burdock fed by cow dung grows high as a man. Nelson picks up an apple and bites on the side away from wormholes. Skeeter protests, “Child, don’t put your mouth on that garbage!” Had he never seen a fruit eaten in nature before?

  Jill lifts her dress and jumps the ditch to touch one of the rough warm whitewashed slats of the fence and to look between them into the distance, where in the dark shelter of trees a sandstone farmhouse glistens like a sugar cube soaked in tea and the wide gaunt wheel of an old farm wagon, spokes stilled forever, waits beside a rusty upright that must be a pump. She remembers rusty cleats that waited for the prow line of visiting boats on docks in Rhode Island and along the Sound, the whole rusty neglected salt-bleached barnacled look of things built where the sea laps, summer sun on gull-gray wood, docks, sheds, metal creaking with the motion of the water, very distant from this inland overripeness. She says, “Let’s go.”

  And they cram back into the little car, and again there are the trucks, and the gas stations, and the “Dutch” restaurants with neon hex signs, and the wind and the speed of the car drowning out all smells and sounds and thoughts of a possible other world. The open sandstone country south of Brewer, the Amish farms printed on the trimmed fields like magazine covers, becomes the ugly hills and darker valleys north of the city, where the primitive iron industry had its day and where the people built with brick – tall narrow-faced homes with gables and dormers like a buzzard’s shoulders, perched on domed lawns behind spiked retaining walls. The soft flowerpot-red of Brewer hardens up here, ten miles to the north, to a red dark like oxblood. Though it is not yet the coal regions, the trees feel darkened by coal dust. Rabbit begins to remember accounts, a series run in the Vat, of strange murders, axings and scaldings and stranglings committed in these pinched valleys with their narrow main streets of oxblood churches and banks and Oddfellows’ halls, streets that end with, as with a wrung neck, a sharp turn over abandoned railroad tracks into a sunless gorge where a stream the color of tarnished silver is now and then crossed by a damp covered bridge that rattles as it swallows you.

  Rabbit and Nelson, Skeeter and Jill, crushed together in the little car, laugh a lot during this drive, laugh at nothing, at the silly expression on the face of a bib-overalled hick as they barrel past, at pigs dignified in their pens, at the names on mailboxes (Hinnershitz, Focht, Schtupnagel), at tractor-riding men so fat nothing less wide than a tractor seat would hold them. They even laugh when the little car, though the gas gauge stands at ½, jerks, struggles, slows, stops as if braked. Jill has time only to bring it to the side of the road, out of traffic. Rabbit gets out to look at the engine; it’s in the back, under a tidy slotted hood, a tight machine whose works are not open and tall and transparent as with a Linotype, but are tangled and greasy and closed. The starter churns but the engine will not turn over. The chain of explosions that works by faith is jammed. He leaves the hood up to signal an emergency. Skeeter, crouching down in the back, calls, “Chuck, know what you’re doin’ with that hood, you’re callin’ down the fucking fuzz!”

  Rabbit tells him, “You better get out of the back. We get hit from behind, you’ve had it. You too Nelson. Out.”

  It is the most dangerous type of highway, three-lane. The commuter traffic out from Brewer shudders past in an avalanche of dust and noise and carbon monoxide. No Good Samaritans stop. The Porsche has stalled atop an embankment seeded with that feathery finespun ground-cover the state uses to hold steep soil: crown vetch. Below, swifts are skimming a shorn cornfield. Rabbit and Nelson lean against the fenders and watch the sun, an hour above the horizon, fill the field with stubble-shadows, ridges subtle as those of corduroy. Jill wanders off and gathers a baby bouquet of the tiny daisylike asters that bloom in the fall, on stems so thin they form a cirrus hovering an inch or two above the earth. Jill offers the bouquet to Skeeter, to lure him out. He reaches to bat the flowers from her hand; they scatter and fall in the grit of the roadside. His voice comes muffled from within the Porsche. “You honky cunt, this all a way to turn me in, nothing wrong with this fucking car, right?”

  “It won’t go,” she says; one aster rests on the toe of one ballet slipper. Her face has shed expression.

  Skeeter’s voice whines and snarls in its metal shell. “Knew I should never come out of that house. Jill honey, I know why. Can’t stay off the stuff, right? No will at all, right? Easier than having any will, hand old Skeeter over to the law, hey, right?”

  Rabbit asks her, “What’s he saying?”

  “He’s saying he’s scared.”

  Skeeter is shouting, “Get them dumb honkies out of the way, I’m making a run for it. How far down on the other side of that fence?”

  Rabbit says, “Smart move, you’ll really stick out up here in the boondocks. Talk about a nigger in the woodpile.”

  “Don’t you nigger me, you honky prick. Tell you one thing, you turn me in I’ll get you all greased if I have to send to Philly to do it. It’s not just me, we’re everywhere, hear? Now you fuckers get this car to go, hear me? Get it to go.”

  Skeeter issues all this while crouched down between the leather backs of the bucket seats and the rear window. His panic is disgusting and may be contagious. Rabbit lusts to pull him out of his shell into the sunshine, but is afraid to reach in; he might get stung. He slams the Porsche door shut on the churning rasping voice, and at the rear of the car slams down the hood. “You two stay here. Calm him down, keep him in the car. I’ll walk to a gas station, there must be one up the road.”

  He runs for a while, Skeeter’s venomous fright making his own bladder burn. After all these nights together betrayal is the Negro’s first thought. Maybe natural, three hundred years of it. Rabbit is running, running to keep that black body pinned back there, so it won’t panic and flee. Like running late to school. Skeeter has become a duty. Late, late. Then an antique red flying-horse sign suspended above sunset-dyed fields. It is an old-fashioned garage: an unfathomable work space black with oil, the walls precious with wrenches, fan belts, peen hammers, parts. An old Coke machine, the kind that dispenses bottles, purrs beside the hydraulic lift. The mechanic, a weedy young man with a farmer’s drawl and black palms, drives him in a jolting tow truck back up the highway. The side window is broken; air whistles there, hungrily gushes.

  “Seized up,” is the mechanic’s verdict. He asks Jill, “When’d you last put oil in it?”

  “Oil? Don’t they do it when they put the gas in?”

  “Not unless you ask.”

  “You dumb mutt,” Rabbit says to Jill.

  Her mouth goes prim and defiant. “Skeeter’s been driving the car too.”

  Skeeter, while the mechanic was poking around in the engine and pumping the gas pedal, uncurled from behind the seats and straightened in the air, his glasses orange discs in the last of the sun. Rabbit asks him, “How far’ve you been taking this crate?”

  “Oh,” the black man says, fastidious in earshot of the mechanic, “here and there. Never recklessly. I wasn’t aware,” he minces on, “the automobile was your property.”

  “It’s just,” he says lamely, “the waste. The carelessness.”

  Jill asks the mechanic, “Can you fix it in an hour? My little brother here has homework to do.”

  The mechanic speaks only to Rabbit. “The enchine’s destroyed. The pistons have fused to the cylinders. The nearest place to fix a car like this is probably Pottstown.”

  “Can we leave it with you until we arrange to have somebody come for it?”

  “I’ll have to charge a dollar a day for the parking.”

  “Sure. Swell.”

  “And that’ll be twenty for the towing.”

  He pays. The mechanic tows the Porsche back to the garage. They ride with him, Jill and Harry in the cab (“Careful now,” the mechanic says as Jill slides over, “I don’t want to get grease on that nice white dress”), Skeeter an
d Nelson in the little car, dragged backwards at a slant. At the garage, the mechanic phones for a cab to take them into West Brewer. Skeeter disappears behind a smudged door and flushes the toilet repeatedly. Nelson settles to watching the mechanic unhitch the car and listens to him talk about “enchines.” Jill and Harry walk outside. Crickets are shrilling in the dark cornfields. A quarter-moon, with one sick eye, scuds above the flying horse sign. The garage’s outer lights are switched off. He notices something white on her slipper. The little flower that fell has stuck there. He stoops and hands it to her. She kisses it to thank him, then, silently lays it to rest in a trash barrel full of oil-wiped paper towels and punctured cans. “Don’t get your dress greasy.” Car tires crackle; an ancient fifties Buick, with those tailfins patterned on B-19s, pulls into their orbit. The taxi driver is fat and chews gum. On the way back to Brewer, his head bulks as a pyramid against the oncoming headlights, motionless but for the rhythm of chewing. Skeeter sits beside him. “Beautiful day,” Rabbit calls forward to him.

  Jill giggles. Nelson is asleep on her lap. She toys with his hair, winding it around her silent fingers.

  “Fair for this time of the year,” is the slow answer.

  “Beautiful country up here. We hardly ever get north of the city. We were driving around sightseeing.”

  “Not too many sights to see.”

  “The engine seized right up on us, I guess the car’s a real mess.”

  “I guess.”

  “My daughter here forgot to put any oil in it, that’s the way young people are these days, ruin one car and on to the next. Material things don’t mean a thing to ’em.”

  “To some, I guess.”

  Skeeter says sideways to him, “Yo’ sho’ meets a lot ob nice folks hevin’ en acci-dent lahk dis, a lot ob naas folks way up no’th heah.”