Longer Views: Extended Essays
Page 52
Moore, Marianne, 149
More Than Human (Sturgeon), 321
Morgan, Robert, 261
“Morning” (Blake), 218
Morrison, Jim, 198n
“Riders of the Storm,” 198n
Motion of Light in Water, The (Delany), xv, xxvi, xxxi, 129
Mots et les choses, Les (Foucault), 9
Mouches, Les [The Flies] (Sartre), 80, 317
Mourning Becomes Electra (O’Neill), 317
Mozart, Wolfgang Amadeus, 75
Muir, Pat, 293
Munson, Gorham, 183, 217, 241, 244
Murray, A. T., 164, 165
Musil, Robert, 140, 205
Young Törless, 141, 205
Musset, Alfred de, 39
My Àntonia (Cather), 203
My Book House (Miller), 308, 313
Myth (Bricuth), 321
Nabokov, Vladimir, 147, 164
Nagle, John, 175
Naked Lunch (Burroughs), 166
Napoleon (Gance), 14
Nation, The, 222
National Enquirer, The, 78
National Reformer, The, 227, 233
“National Winter Garden” (Crane), 224
Natural Theology (Sebond), xxxv
Naumberg, Margaret, 241, 242
Naylor, Charles, 155
Neighboring Lives, 155
Neidecker, Lorine, 159
Neighboring Lives (Disch and Naylor), 155
Nerval, Gérard de, 3
Neue Zeitschrift für Musik, 72
New Hampshire (Frost), 208
New Sentence, The (Silliman), 171
New Worlds, 147
New York Daily News, 137
Newman, Ernest, 44
“Niagara” (Drake), 196
Nietzsche, Fredrich Wilhelm, 40–42, 68, 74, 79, 80, 82, 182, 188, 191
The Case of Wagner [Der Fall Wagner], 68, 79
“On Schopenhauer as Teacher,” 188
Thus Spake Zarathustra, 41
“Nightingale, The” (Coleridge), 145
Nilsen, Helge Normann, 188
Nin, Anaïs, 1
“1920 Whistles” (Crane), 223
Ninth Symphony (Beethoven), 57, 61, 65
“No More Masterpieces” (Artaud), 15, 30, 76
“Non Sum Qualis Eram Bonae Sub Regno Cynarae” (Dowson), 197–198
“Notes on a Text of Hart Crane” (Blackmur), 191–193
“Noth, Die” (Wagner), 52
Nouvelle Poesie et un Nouvelle Musique (Isou), 15
La Nouvelle Revue Francaise, 1, 23–26, 30
Novalis [Friedrich von Hardenberg], 229–233, 237, 246
Heinrich von Ofterdingen, 229, 232, 233
Hymnen an die Nacht [Hymns to the Night], 229–231
“Monologue,” 229
“Sensucht nach dem Tode” [“Yearning for Death”], 230
“O Caribe Isle!” (Crane), 239
O’Hara, Frank, 41
The Collected Poems of Frank O’Hara, 240
O’Neill, Eugene, 194, 317
The Great God Brown, 317
Mourning Becomes Electra, 317
Oates, Joyce Carol, 259
Angel Fire, 259
The Hostile Sun, 259
“Ode to Joy” (Schiller), 61
Odyssey, The (Homer), 164, 165, 313
Oedipe (Gide), 80
Oehme, Karl, 49
“Of the Cannibals” (Montaigne), 225
Olson, Charles, 166, 264, 307
Maximus Poems, 166, 167
On Modern Poets (Winters), 192
“On Schopenhauer as Teacher” (Nietzsche), 188
One Two Three . . . Infinity (Gamow), 310
Opera and Drama (Wagner), 3, 16, 48, 71
Opffer, Emil, Jr., 182, 185, 188, 190, 213, 214, 218, 239
Opffer, Emil, Sr., 182, 188
Opffer, Ivan, 182
Origins of Totalitarianism, The (Arendt), 71, 93
Orphée (Cocteau), 11
Our Bodies, Our Selves, 113
Ouspensky, P. D., 191, 216, 217
Tertium Organum, 217
Pabst, G. W., 14
Threepenny Opera, 14
Paradise (Silliman), 170
Paris Review, The, 25
Parisot, Henri, 3
Parkinson, Thomas, 243
Parsifal (Syberberg), 81
Parsifal (Wagner), 69, 70, 74, 204
“Passage to India” (Whitman), 192, 219, 221
Passages (Duncan), 166, 172
Passion of Joan of Arc, The (Dreyer), 14
Pater, Walter, 254
Paulhan, Jean, 4
Peirce, Charles Saunders, xxii
Perfect Wagnerite, The (Shaw), 43, 54, 68, 203
Perse, St.-John, 209
Amitie du Prince, 209
Anabase, 209
“Le Pèse-Nerfs” (Artaud), 15
Peterson, Robert, 261
Pettigrew, John, 167
Philosophy of Logic, The (Quine), 321, 322
Picabia, Francis, 7
Picasso, Pablo, xxviii, 4, 7, 14, 77
Guernica, xxviii, 77
Picture of Dorian Gray, The (Wilde), 202
Pickard, Tom, 261
“Rape,” 261
Planer, Natalie, 49, 61
Plato, 183, 225, 269
“Plato” (Emerson), 174, 187
Playboy, 109
Plowshare, The, 175, 179, 182, 244
Poe, Edgar Allan, xxix, 25, 40, 195, 196, 218, 231, 237
“The Purloined Letter,” xxix
“The Raven,” 35
Poems by Samuel Greenberg (Greenberg), 242
Poetical Works of James Thomson, The (Thomson [B.V.]), 237
Poetry (Drew), 196
Popper, Karl, 266
Porché, Wladimir, 10–12
Porges, Heinrich, 70, 71
Wagner Rehearsing the Ring, 70, 71
Portrait of a Genius, But . . . (Aldington), 174
Portrait of the Artist as a Young Man, A (Joyce), 72
“Possessions” (Crane), 239
Pouey, Fernand, 11, 12
Pound, Ezra, 15, 76, 82, 164–169, 181, 185, 189, 191, 193, 195, 199, 206, 209, 240, 243
The Cantos, 165–169, 172, 181, 185, 193, 206
“Envoi,” 193
“Powhatan’s Daughter” (Crane), 218, 219, 226
“Praise for an Urn” (Crane), 193, 198n
“Prayer of Columbus” (Whitman), 219
Presentation Piece (Hacker), 295
Price, Leontyne, 18
Principia Mathematica (Russell), 266
“Proem” [“To Brooklyn Bridge”] (Crane), 215, 216, 218, 224, 227, 231, 237, 245
“Prose Sketch” for Ring cycle (Wagner), 56, 61
Proudhon, Pierre-Joseph, 52
Proust, Marcel, 32, 37, 202, 208
A la recherche du temps perdu, 202
Pryne, J. H., 261
Purdy, James, xvi
“Purloined Letter, The” (Poe), xxix
“Quaker Hill” (Crane), 218, 224
Queneau, Raymond, 11
Quine, Willard Van Orman, xxv, xxxii, 273, 305, 307, 321, 322
The Philosophy of Logic, 321, 322
Raban, Jonathan, 261
The Sociology of the Poem, 261
Racine, Jean, 75
Ramayana, The (Valmikki), 316
Ransom, Mrs., 265
“Rape” (Pickard), 261
Ravel, Maurice, 173
“Raven, The” (Poe), 35
“Recitative” (Crane), 239
Redgrave, Michael, 316
Reich, Wilhelm, 141
Reissiger, Carl Gottlieb, 46
Report on Probability A (Aldiss), 280
“Return of Artaud, le Mômo, The” (Artaud), 4, 5
Return of Artaud, le Mômo, The (Artaud), 13
Return to Nevérÿon [series] (Delany), xvi, xvii, xix, xxiv–xxvi
Flight from Nevérÿon, xxvi, xxx, xxxi
Neveryóna, xxviii
Return to Nevérÿon, xxvi
“The Tale of Plagues and Carnivals,” xxvi, xxx
“The Tale of Rumor and Desire,” xxvi
Revue Wagnerienne, La, 71
“Revolution” (Wagner), 53, 63
Rexroth, Kenneth, 259
Das Rheingold (Wagner), 69, 83
“Rhetoric of Sex, the Discourse of Desire, The” (Delany), xxxi
Rich, Adrienne, xvi, 89, 115
Rickett, Dennis, 149, 157
“Ride of the Valkyries, The” (Wagner), 21
“Riders of the Storm” (Morrison), 198n
Ridge, Lola, 198
Riefenstahl, Leni, 14
Rienzi (Wagner), 16, 45
Riffaterre, Michael, 180
The Semiotics of Poetry, 180
Rilke, Rainer Maria, 149
Rimbaud, Arthur, 182, 191
“Rime of the Ancient Mariner, The” [“The Rime of the Ancyent Marinere, in Seven Parts”] (Coleridge), 145
Ring and the Book, The (Browning), 168
Ring des Nibelungen, Der (Wagner), 21, 22, 40, 42, 48, 49, 53, 54, 56, 57, 63, 66, 68–70, 72, 74, 76, 79, 83, 203
“River, The,” (Crane), 223
Riviére, Jacques, 1, 23–31, 78, 83, 172
Road to Xanadu, The (Lowes), 144, 209
Roads Must Roll, The (Heinlein), 257
Roan Stallion, Tamar, and Other Poems (Jeffers), 208
Robert Browning, The Poems (Browning), 167
Robinson, Bill, 265
Robinson, Edwin Arlington, 208, 209
Collected Poems, 208
The Man Who Died Twice, 209
Tristam, 209
Rōckel, August, 46, 49, 51–54, 58, 62, 65
Rocketship Galileo (Heinlein), 312, 320
Rogers and Hammerstein, 14
Carousel, 14
Rollins, Hyder Edward, 242
Roosevelt, Eleanor, 139
Rope (Hitchcock), 202
Rossini, Gioacchino, 21, 65
William Tell overture, 21
“Royal Palm” (Crane), 240
Rozzen, Paul, 147
Rubá’iyát of Omar Khayyám (FitzGerald), 32
Rubyfruit Jungle (Brown), 141
Rudolph, Archduke, 73
Russ, Joanna, xxxii, 90, 116, 130, 147–149, 158, 298
The Adventures of Alyx, 116
The Female Man, 116
“Toward an Aesthetic of Science Fiction,” 253
We Who Are About To . . ., xxxii, 91, 147–149
Russell, Bertrand, 265, 266, 274n, 297
Principia Mathematica, 266
“Ruth” (Wordsworth), 145
Ryle, Gilbert, 254, 262, 263
The Concept of Mind, 254
S/Z (Barthes), xxii
Saillet, Maurice, 6
Saint Joan (Shaw), 80
Salt, Henry S., 189, 232
Sand, George, 32, 33, 35, 37–39, 41, 65–74
Sandoval, Chela, 92
Sappho, 184, 205
Sartre, Jean-Paul, 4, 80, 317
Les Mouches [The Flies], 80, 317
Schaefer, William David, 232
Schiller, Johann Christoph Friedrich von, 61
“Ode to Joy,” 61
Schlegel, Friedrich, 230
Schoenberg, Arnold, 17, 80
Scholes, Robert, 80
Schopenhauer, Arthur, 188
Schorske, Carl, 41
Schroder-Devrient, Wilhelmine, 1, 59
Schwarzenegger, Arnold, 101
Scott, Sir Walter, 39, 165
Sea and the Mirror, The (Auden), 83
“Sea Surface Full of Clouds” (Stevens), 209
Seasons, The (Thomson [B.V.]), 196, 228
Sebond, Raymond, xxxv
Natural Theology, xxxv
Semiotics of Poetry, The (Riffaterre), 180
Semmig, on Wagner’s “flaming talk,” 47
Semper, Gottfried, 58
Seneca, 189
Medea, 189
“Sensucht nach dem Tode” [“Yearning for Death”] (Novalis), 230
“Serenade in Grey” (Greenberg), 179–181
Seven Types of Ambiguity (Empson), 181
“Seventh Street” (Toomer), 216
Sexual Visions (Jordanova), 139
“Shadow and the Flash, The” (London), 316
“Shadows” (Delany), 160
Shakespeare, William, 35, 75, 139, 144, 150, 184, 205, 224, 226
Hamlet, 150, 151
The Tempest, 224
“Shakespeare in the Bush” (Bohannan), 150
Shattuck, Roger, 37
The Banquet Years, 37
Shaw, George Bernard, 43, 54, 103, 203, 204
The Perfect Wagnerite, 43, 54, 68, 203
Saint Joan, 80
Shelley, Percy Bysshe, 13, 228, 237
Sherwin, Judith Johnson, 261
Ship Who Sang, The (McCaffrey), 87, 103, 115
Siebers, Tobin, xxxi
Heterotopia, xxxi
Siegfried (Wagner), 69
Siegfrieds Tod (Wagner), 56, 57
“Significance of The Bridge by Hart Crane . . ., The” (Winters), 192, 199
Silliman, Ron, xxxv, 146, 157, 159, 163, 169–172, 210
ABC, 146, 169, 172
“Albany,” 146, 169, 170, 172
The Alphabet series, 146, 157, 163, 169, 171, 172
“Blue,” 146, 169, 170, 172
“Canons and Institutions: New Hope for the Disappeared,” 171
“Carbon,” 163, 169, 170, 172
“Demo,” 170
Demo to Ink, 170, 172
“Engines,” 170
“Force,” 170
“Garfield,” 170
“Hidden,” 170
“Ink,” 170
Ketjak, 170, 171
Lit, 170
Manifest, 170
The New Sentence, 171
Paradise, 170
Tjanting, 170
What, 170
Simon, John Oliver, 261n
Simon, Marc, 238, 240, 243, 244
Sims, John, 256
Smith, Jeff, 103
Socialist Review, The, 89, 91
Society of the Spectacle, The (Debord), 229
Sociology of the Poem, The (Raban), 261
Sofoulis, Zoë, 95
Soloman, Carl, 15
Sontag, Susan, xxxvi, xxxvii, 16
Sordello (Browning), 167, 168
“South of the Slot” (London), 316
“Southern Cross” (Crane), 224
Specimen Days (Whitman), 220
Spencer-Brown, G., xxxixn, 265, 273, 322
The Laws of Form, xxxixn, 322
Spengler, Oswald, 95, 97, 110
Spenser, Edmund, 167
Sperling, Vikki, 263
Spicer, Jack, 27, 189, 321
“Language,” 321
Spielberg, Steven, 38, 154
The Color Purple, 154
Splendid Failure (Brunner), 191
Stalin, Joseph, 40
Stanislavsky, Konstantin, 16
Star Wars trilogy (Lucas), 101
Starboard Wine (Delany), xvi
Starship Troopers (Heinlein), 290
Stars My Destination, The (Bester), 288
Steele, Richard, xiv
Stein, Gertrude, 166, 206
Lucy Church Amiably, 166
The Making of Americans, 166
Steiner, K. Leslie, xvi
Stendhal, 13, 280
Stephen Crane (Beer), 205
Sterne, Lawrence, 161
Tristram Shandy, 161
Stevens, Wallace, 82, 199, 209
“Sea Surface Full of Clouds,” 209
Stevenson, Robert Louis, 13
The Master of Ballantrae, 13
Stowe, Harriet Beecher, 37
Uncle Tom’s Cabin, 37
Strachey, 189, 226
Strachey, Dorothy, 139
Straits of Messina, The (Delany), xvi
Structure of Rime, The (Dun
can), 166
Sturgeon, Theodore, 257, 261
“Baby Is Three,” 257
More Than Human, 321
Summer and Smoke (Williams), 197n
“Sunday at Hampstead” (Thomson [B.V.]), 228
Superluminal (Mclntyre), 116
Swift, Jonathan, 162
Swinburne, Algernon Charles, 32, 33
Syberberg, Hans-Jürgen, 81
Parsifal, 81
Symonds, John Addington, 151, 152
Taine, Hippolyte Adolphe, 36, 37, 81, 252
Histoire de la littérature anglaise, 36, 37
Tannhäuser (Wagner), 1, 45
Tarahumara Indians, 14
Tarakanova (Bernard), 14
Tate, Allen, 187, 190, 191, 199, 242
Tate, James, xi
Taylor, Deems, 209
Tempest, The (Shakespeare), 224
Tennent, Emma, 257
Tennyson, Alfred Lord, 32, 36, 157
Idylls of the King, 32
Terminator, The (Cameron), 101, 103
Tertium Organum (Ouspensky), 217
Tess of the D’Urbervilles (Hardy), 102
Thackeray, William Makepeace, 34, 36, 39, 260
Theater and Its Double, The (Artaud), 2, 14, 31, 76
Thévenin, Paule, 11–13, 78
Things to Come (Menzies), 146
“This Way Where November . . .” (Crane), 205, 239
Thomas, Dylan, 189
Thompson, Francis, 33
Thomson, James [B.V.], 189, 195, 227, 228, 231–238, 259
The City of Dreadful Night, 227, 228, 230, 236–238
The Doom of the City, 233–237
“In the Room,” 228
“Insomnia,” 228
The Poetical Works of James Thomson, 237
“Sunday at Hampstead,” 228
“Waddah and Om-El-Bonain,” 228
Thomson, James [not B.V.], 196
The Castle of Indolence, 228
The Seasons, 196, 228
“Thou Canst Read Nothing . . .” (Crane), 205, 239
“Three Songs” (Crane), 189, 218
Threepenny Opera (Pabst), 14
Thus Spake Zarathustra (Nietzsche), 41
Tichatschek, Joseph Aloys, 58
Tiger at the Gates (Giraudoux), 316
Tjanting (Silliman), 170
“To Build a Fire” (London), 316
To Have Done with the Judgment of God (Artaud), 10, 12, 31
“To One Shortly to Die” (Whitman), 220
Tod im Vennidig (Mann), 202
Tom Jones (Fielding), 202, 218
Toomer, Jean, 216, 217, 239–242, 244
Cane, 216, 241
“Kabnis,” 216
“Karintha,”216
“Seventh Street,”216
“Towards an Aesthetic of Science Fiction” (Russ), 253
Tractatus (Wittgenstein), 265
“Tradition and the Individual Talent” (Eliot), 194
Transition, 153
Transmemberment of Song (Edelman), 192
Travels (Bartram), 144
Trespasser, The [The Saga of Siegmund] (Lawrence), 73
Tric Trac du Ciel [Backgammon in the Sky] (Artaud), 13, 25
Tristan und Isolde (Wagner), 16, 21, 22, 44, 68, 80, 204