BIOCENTRISM
Page 13
us to intuit that space and time belong solely to animal-sense perception, because the implications are so startling.
Yet we all instinctively know that space and time are not things—
the kind of objects that we can see, feel, taste, touch, or smell. There
is a peculiar intangibility about them. We cannot pick them up
and put them on a shelf, like shells or stones found at the shore. A
physicist cannot bring back space or time to the laboratory in a vial,
like an entomologist collects insects to be examined and classified.
There is something oddly different about them. And that is because
space and time are neither physical nor fundamentally real. They
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are conceptual, which means that space and time are of a uniquely
subjective nature . They are modes of interpretation and understanding.
They are part of the mental logic of the animal organism, the soft-
ware that molds sensations into multidimensional objects.
Along with time, space is the other human construct, as if every
conceivable object is displayed within a vast container that has no
walls. Unfortunately, the actual tangible perception of no-space is
often confined to experiments that produce “changes of conscious-
ness,” where the subject reports all separate objects to lose their real-
ity as individual, separate items.
For the moment, confined to logic alone, we still should be able
to see that the appearance of a myriad of separate objects existing
within a matrix of space requires that each item first be learned and
identified as separate, and the pattern imprinted on the mind.
When we gaze upon known objects, say a set of dishes and sil-
verware on a table, we cognize each as individual, and separated by
empty space—it is a long-standing mental habit to do so. No par-
ticular joy or transcendent experience occurs; the forks and spoons
are not marvelous in any way. These are items blocked out by the
thinking mind, within boundaries of color, shape, or utility. The
fork’s tines are seen as specific separate items solely because they
have been named. By contrast, the fork’s curved section between
handle and tine has no name, and therefore exists as no real separate
cognized entity for us.
Consider those rarer occasions when the logical mind is left
behind by a wholly new visual experience that catches it off guard,
so to speak, such as the riotously changing patterns of the Northern
Lights, as seen from one of the great aurora places of the world, cen-
tral Alaska. Now everyone gapes and gasps with delight. The patterns
have no individual names, and at any rate keep mutating. None are
perceived as separate entities because they exist outside our normal
boxy system of categorization. In cognizing the phenomenon, space,
too, vanishes—because an object and its surroundings go together.
The entire kaleidoscopic show is a wondrous new entity where space
does not play any defining role. Such an all-encompassing perception
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is therefore not unknown in the non-psychedelically-drugged world; it
merely requires a more direct perception rather than cognition employ-
ing habitual conceptions that are decidedly learned and not inherent.
Because human language and ideation decides where the
boundaries of one object end and another begins, we’ll occasion-
ally take complex visual phenomena or events with multiple colors
and patterns—a sunset, say—and, unable to break it further into
parts, brand one’s entire field of vision with a single label. A sparrow
or an enlightened person may be swept away by the ineffable gran-
deur of this ever-mutating crepuscular play of shape and color, while
the intellectual will simply brand it with a word—and then perhaps
continue with a stream of mind-babble about other sunsets or what
poets say about them or whatever. Another example might be the
tirelessly changing patterns in a summer cloud or the countless
rivulets and clusters of moving drops in a raging waterfall. There’s
plenty of space there, but we have not been conditioned to observe
a waterfall closely and separate the various watery components, and
name or identify the liquidy streams, drops, or other elements and
conceive of the space between them, even as they rapidly change.
Too much work. So, instead, the entire phenomenon gets a single
label of cloud or waterfall and the normal mental categorization of objects separated by spaces is “given a bye.” As a result, we tend
to view it cleanly, staring at what we’re seeing rather than cogniz-
ing a flow of mental symbols. The Niagara experience, which would
probably be fun no matter what, gains an extra notch of exhilaration
simply because our habitual mental cages are now temporarily built
of less dense material. Helping things along in this case is the sound
track of undifferentiated “roar,” which doesn’t lend itself to a lot of
ideation, either.
“Name the colors, blind the eye” is an old Zen saying, illustrat-
ing that the intellect’s habitual ways of branding and labeling creates
a terrible experiential loss by displacing the vibrant, living reality
with a steady stream of labels. It is the same way with space, which
is solely the conceptual mind’s way of clearing its throat, of pausing
between identified symbols.
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At any rate, the subjective truth of this is now supported by
actual experiments (as we saw in the quantum theory chapters) that
strongly suggest distance (space) has no reality whatsoever for entan-
gled particles, no matter how great their apparent separation.
The eternal seas of space and Time?
Einstein’s relativity, too, has shown that space is not a constant,
not absolute, and therefore not inherently substantive. By this, we
mean that extremely high speed travel makes intervening space
essentially shrink to nothingness. Thus, when we step out under
the stars, we may marvel at how far away they are, and at how vast
are the spaces within the universe, but it has been shown repeat-
edly, for a full century now, that this seeming separation between
ourselves and anything else is subject to point of view and therefore
has no inherent bedrock reality. This doesn’t by itself totally negate space but merely makes it tentative. If we lived on a world with a
very strong gravitational field or traveled outbound at a high speed,
those stars would lie at an entirely different distance. To use real
figures, if we headed toward the star Sirius at 99 percent of light’s
speed of 186,282.4 miles per second, we would find that it was
barely more than one light-year away, and not the 8.6 light-years
our friends back on Earth measure it to be. If we crossed a living
room twenty-one feet in length going at that speed, every instru-
ment and perception would show that it was actually now three feet
in length. Here’s the amazing thing: the living room, and the inter-
vening space from Earth to Sirius, is now
not artificially shrunk by
some illusion. The star is that far away. The living room is only three feet across. And if we could move at 99.9999999 percent of lightspeed, which is perfectly allowable by the laws of physics, the living
room would now be 1/22,361th its original size or just a hundredth
of an inch across—barely larger than the period at the end of this
sentence. All items, furniture, or people in the room would be like-
wise Lilliputian, and yet we’d notice nothing amiss. Space would
have changed to nearly nothing. Where, then, is that supposedly
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trustworthy gridwork within which we place our habitually estab-
lished “things”?
Actually, the first clues that space may be more curious and
iffy than anyone had imagined came in the nineteenth century,
when physicists assumed, just as most still do, that space and time
have an external, independent existence that is independent of
consciousness.
This takes us to the man most associated with the contempla-
tion of space. As we’ll see, the genius of Einstein has a dimension
that goes beyond his relativity theories of 1905 and 1915. For the
extraordinary timing of history placed him, at the start of his career,
at a time when the foundations of Western natural philosophy were
on the verge of crisis and confusion. Quantum theory was still years
off in the future, and there was a surprising lack of understand-
ing of the interaction between the observer and the phenomenon
observed.
The generation to which Einstein belonged had been taught that
there existed an objective physical world that unfolded itself accord-
ing to laws independent of life. “The belief in an external world inde-
pendent of the perceiving subject,” Einstein later wrote, “is the basis
of all natural science.” The universe was viewed as a great machine
set in motion at the beginning of time, with wheels and cogs that
turned according to immutable laws independent of us. “Everything
is determined, the beginning as well as the end, by forces over which
we have no control. It is determined for the insect as well as for the
star. Human beings, vegetables, or cosmic dust, we all dance to a
mysterious tune, intoned in the distance by an invisible piper.”
Of course, this notion is not, as science has subsequently dis-
covered, in agreement with the experimental findings of quantum
theory. Reality—according to the most stringent interpretation
of the scientific data—is created by or at least correlative with the
observer. It is in this light that natural philosophy needs now to be
reinterpreted, with science placing a new emphasis on those special
properties of life that make it fundamental to material reality. Yet
even back then in the eighteenth century, Immanuel Kant, ahead of
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his time, said that “we must rid ourselves of the notion that space
and time are actual qualities in things in themselves . . . all bodies,
together with the space in which they are, must be considered noth-
ing but mere representations in us, and exist nowhere but in our
thoughts.”
Biocentrism, of course, shows that space is a projection from
inside our minds, where experience begins. It is a tool of life, the
form of outer sense that allows an organism to coordinate sensory
information, and to make judgments regarding the quality and inten-
sity of what is being perceived. Space is not a physical phenomenon
per se—and should not be studied in the same way as chemicals
and moving particles. We animal organisms use this form of percep-
tion to organize our sensations into outer experience. In biological
terms, the interpretation of sensory input in the brain depends on
the neural pathway it takes from the body. For instance, all informa-
tion arriving on the optic nerve is interpreted as light, whereas the
localization of a sensation to a particular part of the body depends
on the particular pathway it takes to the central nervous system.
“Space,” said Einstein, refusing to let metaphysical thinking inter-
fere with his equations, “is what we measure with a measuring rod.”
But, once again, this definition should emphasize the we. For what is space if not for the observer? Space is not merely a container without
walls. It is pertinent to ask what would be left if all objects and life
were removed. Where would space be then? What would define its
borders? It is inconceivable to think of anything existing in the phys-
ical world without any substance or end. It is metaphysical vacuity
for science to ascribe independent reality to truly empty space.
Yet another way of appreciating the vacuity of space (yes, that’s
a joke) is the modern finding that seeming emptiness seethes with
almost unimaginable energy, which manifests as virtual particles of
physical matter, jumping in and out of reality like trained fleas. The
seemingly empty matrix upon which the storybook of reality is set
is actually a living, animated “field,” a powerful entity that is any-
thing but empty. Sometimes called Z-point energy, it starts to show
itself when the all-pervasive kinetic energies around us have quieted
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to a stop at the temperature of absolute zero, at -459.67°F. Z-point
or vacuum energy has been experimentally confirmed since 1949
via the Casimir effect, which causes closely spaced metal plates to
become powerfully pressed together by the waves of vacuum energy
outside them. (The tiny space between the plates stifles the energy
waves by leaving them insufficient “breathing room” to push back
against the force.)
So we have multiple illusions and processes that routinely impart
a false view of space. Shall we count the ways? (1) Empty space is not
empty. (2) Distances between objects can and do mutate depending
on a multitude of conditions, so that no bedrock distance exists any-
where, between anything and anything else. (3) Quantum theory
casts serious doubt about whether even distant individual items are
truly separated at all. (4) We “see” separations between objects only
because we have been conditioned and trained, through language
and convention, to draw boundaries.
Ever since the remotest of times, philosophers have been
intrigued by object and background, like those illusions in which
one can see either a fancy wine glass or two profiled faces looking at
each other. It is the same way with space, objects, and the observer.
Now, space and time illusions are certainly harmless. A problem
only arises because, by treating space as something physical, exist-
ing in itself, science imparts a completely wrong starting point for
investigations into the nature of reality, or in the current obsession
with trying to create a Grand Unified Theory that truly explains the
cosmos.
early space probes: The Nineteenth-Century pioneers
“It seems,” wrote Hume, “that men are carried by a natural instinct
/>
or prepossession to repose faith in their senses, and that without
any reasoning, or even almost before the use of reason, we always
suppose an external universe which depends not on our percep-
tion but would exist though we and every creature were absent or
annihilated.”
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The physical qualities that the physicists had bestowed upon
space, of course, could not possibly be found. But that didn’t stop
them from trying. The most famous attempt was the Michelson–
Morley experiment, designed in 1887 to resolve any doubt about the
existence of the “ether.” When Einstein was very young, scientists
thought this ether pervaded and defined space. The ancient Greeks
had detested the notion of nothingness: being excellent and obses-
sive logicians, they were fully aware of the contradiction built into
the idea of being nothing. Being, the verb to be, patently contradicts nothing and putting the two together was like saying you were going
to walk not walk. Even before the nineteenth century, scientists, too,
believed that something had to exist between the planets, or else
light would have no substance through which to fly. Although ear-
lier attempts to demonstrate the presence of this supposed ether had proved unsuccessful, Albert Michelson argued that if the Earth was
streaming through the ether, then a beam of light traveling through
the medium in the same direction should reflect back faster than a
similar beam of light at right angles to the direction of Earth’s flight.
With the help of Edward Morley, Michelson made the test, with
the apparatus attached to a firm concrete platform floating atop a
generous pool of liquid mercury. The multiple-mirror device could
be readily rotated without introducing unwanted tilt. The results
were incontrovertible: the light that traveled back and forth across
the “ether stream” accomplished the journey in exactly the same time
as light traveling the same distance up and down the “ether stream.”
It seemed as if the Earth had stalled in its orbit round the Sun, as if
to preserve Ptolemy’s natural Greek philosophy. But to renounce the
whole Copernican theory was unthinkable. To assume that the ether
was carried along with the Earth also made no sense at all and had