Wilbur Smith's Smashing Thrillers

by Wilbur Smith

  He knew he must try and keep her close, smother her with his weight and size and strength and he hooked at her with the clawed crippled fingers of his knife hand; they caught for a moment and then she jerked free. He had ripped away the flimsy strip of elasticized cloth that covered her breasts, and she spun lightly under and out of the sweep of his other arm as he. tried desperately to club her down with his forearm.

  He saw that her face was bone-white with the adrenalin overdose coursing through her blood. Her lips were drawn back into a fixed snarl of concentration and fury and her teeth seemed as sharp as those of a female leopard in a trap.

  It was like fighting a leopard; she attacked him with an unrelenting savagery and total lack of fear, no longer human, dedicated only to his total destruction.

  The long hair swirled about him, at one moment flicking like a whiplash into his eyes to blind and unbalance him, and she weaved and dodged and struck like a mongoose at the cobra, every movement flowing into the next, her taunting red-tipped breasts dancing and jerking with each blow she hurled at him.

  With a jar of disbelief, Peter realized that she was beating him down. So far he had managed barely to survive each blow that he caught on arm and shoulder; each time her bare feet crashed into his thigh or lower belly, each time her knees drove for his groin and jarred against the bone of his pelvis, he felt a little more of his strength dissipate, felt his reactions becoming more rubbery, just that instant slower. He had countered her attack with luck and instinct, but any instant she must land solidly and drop him, for she was never still, cutting him with hands and feet, keeping him off balance and he had not hurt her yet, had not touched her with any of his counter-strokes.

  Still there was no feeling in his hands and fingers. He needed respite, he needed a weapon, and he thought desperately of the knife that had fallen into the cockpit behind him.

  He gave ground to her next attack, and the bridge rail caught him in the small of the back; at the same moment another of her strokes aimed at the soft of his throat deflected off his arm and crunched into his nose. Instantly his eyes flooded with tears, and he felt the warm salt flood of blood over his upper lip and down the back of his throat; he doubled over swiftly, then in the same movement he threw himself backwards, like a diver making a one-and-ahalf from the three-metre board. The rail behind him helped his turn in the air, and he had judged it finely. He landed like a cat on both feet on the deck of the cockpit ten feet below the bridge, flexing at the knees to absorb the shock, and flicking the tears from his eyes, wringing his arms to return blood and feeling.

  As he spun into a crouch he saw the knife. It had slid down the cockpit into the stern scuppers. He went for it.

  The dive had taken her by surprise, just as she was poised for the final killing stroke to the back of his exposed neck, but she swirled to the head of the ladder and gathered herself while below her Peter launched himself across the cockpit for the big ugly Ninja knife.

  She went for him feet first, dropping from ten feet, and the bare soles of her feet hit him together, the impetus of her falling body enhanced by the stabbing kick that she released at the moment that she hit him.

  She caught him high in the back, hurling him forward so that the top of his head cracked into the bulkhead and darkness rustled through his head. He felt his senses going, and it required all of his resolve to roll over and pull his knees swiftly to his chest, to guard himself against the next killing stroke. He caught it on his shins, and once again launched himself after the knife. His fingers felt swollen and clumsy on the rough cheque red surface of the hilt, and at the moment they touched he unwound his doubled-up body like a steel coil spring, lashing out with both feet together.

  It was a blind stroke, delivered in complete desperation.

  It was the first solid blow he had landed; it caught her at the moment when she had already launched herself into her next onslaught; both his feet slammed into her belly just below the ribs, and had the flesh there been soft or yielding it would have ended it; but she was just able to absorb the force of it with flat hard muscle though it hurled her backwards across the cockpit with the breath hissing from her lungs and the long slim body doubling over in an agonized convulsion.

  Peter realized that this was the only chance that he had had, and the only one he would ever have yet his body was racked with such pain that he could hardly drag himself up onto his elbow, and his vision swam and blurred with tears and blood and sweat.

  He did not know how he had managed it, some supreme exertion of will, but he was on his feet with the knife in his hand, instinctively extending the blade down the back of his right thigh to keep it protected until the moment it had to be used, crouching as he went in, left arm raised as a shield and knowing that now he had to end it swiftly, he could not go on longer. "this was his last effort.

  Then she had a weapon also. Moving so swiftly that it had happened before she was halfway across the cockpit, she had knocked the retaining clip off the boat hook that stood in the rack beside the cabin entrance.

  It was eight feet of heavy varnished ash, with an ornate but vicious brass head, and she cut at him with a low swinging warning blow to hold him off while she forced air back into her empty lungs.

  She was recovering swiftly, much more swiftly than Peter himself.

  He could see the cold killing light rekindle in her eyes. He knew he could not go on much longer, he must risk it all in one last total effort.

  He threw the knife, aiming at her head. The Ninja, not designed as a throwing weapon, rolled out of line of flight, hilt foremost but still it forced her to lift the staff of the boat hook and deflect it.

  It was the distraction he had wanted.

  Peter used the momentum of his throw to go in under the swinging staff, and he hit her with his shoulder while her arms were raised.

  Both of them reeled backwards into the cabin bulkhead, and Peter groped desperately for a grip. He found it in the thick lustrous tresses of her hair, and he wove his fingers into it.

  She fought like a dying animal with strength and fury and courage that he could never have believed possible, but now at last he could pit his superior weight and strength directly against hers.

  He smothered her against his chest, trapping one arm between their bodies, while he was able to pull her head backwards at an impossible angle, exposing the long smooth curve of her throat.

  And then he scissored his thighs across her, so that those lethal feet and legs were unable to reach him, and they crashed over onto the deck.

  She managed with an incredible effort to swing her weight so that she landed on top of him, her breasts sliding against his chest, lubricated by sweat and blood that dribbled down from his nose, but Peter heaved all his remaining strength into his shoulders and rolled back on top of her.

  They were locked breast to chest and groin to groin in some bizarre parody of the act of love, only the stock of the boat hook between them.

  Peter twisted down hard on the rope of hair in his left hand, pinning her head to the deck so that her eyes were only six inches from his and blood from his nose and mouth dripped onto her upturned face.

  Neither of them had spoken a word, the only sound the hiss and suck of laboured breathing, the explosive grunt of a blow delivered or the involuntary gasp of pain as it landed.

  They glared into each other's eyes, and at that moment neither of them was a human being, they were two animals fighting to the death, and Peter shifted quickly so the stock of the boat hook fell across her unprotected throat. She had not been ready for that and she ducked her chin too late.

  Peter knew he could not dare to release his grip on her hair, nor the arm around her body, nor the scissors that enfolded her legs. He -could feel the steely tension of her whole body, that required all his own strength to hold. If he relaxed his grip in the slightest, she would twist away, and he would not have the strength to go on after that.

  With the elbow of the hand that held her hair, he began t
o bear down on the ash staff of the boat hook, slowly crushing down into her throat.

  She knew it was over then, but still she fought on. As she weakened Peter was able to transfer more and more of his weight onto the stock of the boat hook. Slowly blood suffused her face, turning it dark mottled plum, her lips quivered with each painful rasping breath and a little frothy saliva broke from the corners of her mouth and ran back down her cheek.

  Watching her die was the most horrible thing Peter had ever had to do. He shifted cautiously, going for the few extra ounces of weight which would force the heavy wooden Stock down that last eighth of an inch and crush in her throat, and she recognized the moment in her eyes.

  She spoke for the first time. It was a croak slurred through swollen and gaping lips.

  "They warned me." He thought he had mis-heard her, and he checked the final thrust downwards which would pinch out the last spark of life. "I couldn't believe it." The faintest whisper, only just intelligible. "Not you." Then the last resistance went out of her, her body relaxed, the complete acceptance of death at last. The fierce green light went out in her eyes, replaced at the very end with a sadness so heavy that it seemed to acknowledge the ultimate betrayal of all goodness and trust.

  Peter could not force himself to make the final thrust downwards that would end it. He rolled off her and flung the heavy wooden stock across the cockpit. It crashed into the bulkhead and he sobbed as he crawled painfully across the deck, turning his back to her completely, knowing that she was still alive and therefore still as dangerous as she had ever been yet no longer caring. He had gone as far as he could go. It didn't matter any more if she killed him; something in him even welcomed the prospect of release.

  He reached the rail and tried to drag himself onto his feet, expecting at any moment the killing blow into the nape of his neck as she attacked him again.

  It did not come, and he managed to get onto his knees, but his whole body was trembling violently so that his teeth chattered in his jaws and every strained and bnlised tendon and muscle screamed for surcease. Let her kill me, he thought, it doesn't matter. Nothing matters now.

  Half supporting himself on the rail, he turned slowly and his vision swam and flickered with patches of darkness and little shooting stars of crimson and white flame. Through the swirl of senses at the end of their usefulness, he saw that she was kneeling in the centre of the cockpit, facing him.

  Her naked torso was splattered and smeared with his blood and the smooth tanned skin oiled with slippery sweat of near death. Her face was still and swollen and inflamed, wreathed in a great tangle of matted and disordered hair.

  There was a flaming livid weal across her throat where the stock had crushed her, and as she fought for breath her small pert breasts lifted and dropped to the painful pumping of her chest.

  They stared at each other, far beyond speech, driven to the very frontiers of their existence.

  She shook her head, as though trying desperately to deny the horror of it all, and at last she tried to speak; no sound came and she licked her lips and lifted one slim hand to her throat as though to ease the pain of it.

  She tried again, and this time she managed one word.

  "Why?" He could not reply for fully half a minute, his own throat seemed to have closed, grown together like an old wound.

  He knew that he had failed in his duty and yet he could not yet hate himself for it. He formed the words in his own mind, as though he were trying to speak a foreign language, and when he spoke his voice was a stranger's broken and coarsened by the knowledge of failure.

  "I couldn't do it," he said.

  She shook her head again, and tried to frame the next question.

  But she could not articulate it, only one word came out, the same word again.

  "Why ?" And he had no answer for her.

  She stared at him, then slowly her eyes filled with tears; they ran down her cheeks and hung from her chin like early morning dew on the leaf of the vine.

  Slowly she pitched forward onto the deck, and for many seconds he did not have the strength to go to her, and then he lurched across the deck and dropped to his knees beside her; he lifted her upper body in his arms suddenly terrified that he had succeeded after all, that she was dead.

  His relief soared above the pain of his battered body as he felt her breathing still sawing through her damaged throat, and as her head rolled against his shoulder he realized that fat oily tears still welled out from between her closed eyelids.

  He began to rock her like a child in his arms, a completely useless gesture, and only then did her words begin to make any sense to him.

  "They warned me, "she had whispered.

  "I couldn't believe it," she had said.

  "Not you." He knew then that had she not spoken he would have gone through with it. He would have killed her and weighted her body and dropped it beyond the 1,000-fathom line but the words, although they did not yet make sense, had reached deep into some recess of his mind.

  She stiffed against his chest. She said something, it sounded like his name. It roused him to reality. The big Chris-craft was still roaring blindly through the channels and reefs of the outer passage.

  He laid her back gently on the deck, and scrambled up the ladder to the flying bridge. The whole of that horrific conflict had taken less than a minute, from his knife-stroke to her collapse under him.

  The steering of the Chris-craft was locked into the automatic pilot and the vessel had run straight out through the channel into the open sea. It reinforced his knowledge that she had been ready for his attack. She had been acting that total concentration in steering the vessel, luring him into the attack while the Chris-craft was on automatic pilot and she was ready to throw that backward blow at him.

  It did not make sense, not yet. All that he knew was that he had made some terrible miscalculation. He threw out the switch of the automatic steering, and shut down both throttles to the idle position before disengaging the main drive. The diesels bur bled softly, and she rounded up gently into the wind and wallowed beam-on to the short steep blue seas of the open ocean.

  Peter took one glance back over the stern. The islands were just a low dark smudge on the horizon, and then he was stumbling back to the ladder.

  Magda had dragged herself into a half sitting position, but she recoiled swiftly as he came to her an this time he saw fear pass like cloud shadow across her eyes.

  "It's all right," he told her, his own voice still ragged. Her fear offended him deeply. He did not want her ever to be afraid of him again.

  He took her up in his arms, and her body was stiff with uncertainty, like that of a cat picked up against its will, but too sick to resist.

  "It's all right," he repeated awkwardly, and carried her down into the saloon of the Chris-craft. His own body felt battered as though his very bones were bruised and cracked, but he handled her so tenderly that slowly the resistance went out of her and she melted against him.

  He lowered her onto the leather padded bench, but when he tried to straighten up she slid one arm around his neck and restrained him, clinging to him.

  "I left the knife there," she whispered huskily. "It was a test."

  "Let me get the medicine chest. "He tried to pull away.

  "No." She shook her head and winced at the pain in her throat.

  Don't go away, Peter. Stay with me. I am so afraid.

  I was going to kill you if you took the knife. I nearly did.

  Oh, Peter, what is happening to us, are we both going mad?" She held him desperately and he sank to his knees on the deck and bowed over her.

  "Yes," he answered her, holding her to his chest. "Yes, we must be going mad. I don't understand myself or any of it any more."

  "Why did you have to take the knife, Peter? Please you must tell me. Don't lie, tell me the truth, I have to know why."

  "Because of Melissa-Jane because of what you had done to her." He felt her jerk in his arms as though he had struck her again. Sh
e tried to speak but now her voice was only a croak of despair, and Peter went on to explain it to her.

  "When I discovered that you were Caliph, I had to kill you." She seemed to be gathering herself for some major effort, but then when she spoke it was still in that scratchy broken whisper. "Why did you stop yourself, Peter?"

  "Because-" He knew the reason then. Because I suddenly I knew that I loved you. Nothing else counted." She gasped and was silent again for nearly a minute.

  "Do you still think that I am Caliph?"she asked at last.

  "I don't know. I don't know anything any more except that I love you. That's all that matters."

  "What happened to us, Peter?" She lamented softly. "Oh God, what has happened to us?"

  "Are you Caliph, Magda?"

  "But Peter, you tried to kill me. That was the test with the knife. You are Caliph." On Magda's direction Peter took the Chris craft in through a narrow passage in the coral reef that surrounded The des Oiseaux, while the seabirds wheeled about them in a raucous cloud, filling the air with their wingbeats.

  He anchored in five fathoms in the protected lee, and then called the main island on the VHF radio, speaking to the head boatman.

  "The Baronne has decided to sleep on board overnight," he explained. "Don't worry about us." When he went down to the saloon again Magda had recovered sufficiently to be sitting up. She had pulled on one of the terry to welling track suits from the clothes locker, and she had wound a clean towel around her throat to protect it and to hide the fierce fresh bruise that was already staining her skin like the squeezed juice of an overripe plum.

  Peter found the medicine box in a locker above the toilet bowl of the heads, and she protested when he brought two Temprapain capsules for the pain, and four tablets of Brufin for the swelling and bruising of her throat and body.

  "Take them," he commanded and held the glass while she did so.

  Then he carefully unwrapped the towel from her throat and lightly rubbed a creamy salve into the bruise with his fingertips.

  "That feels better already," she whispered, but now she had lost her voice almost entirely.