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Last Days at Hot Slit

Page 26

by Andrea Dworkin


  So the right blow may still strike in the right place at exactly the right time: to break my writer’s heart and stop me in my tracks. I do believe that survival is random, not a result of virtue or talent. But so far, especially in knowing John and Elaine, I have been blessed with monumental grace and staggering good luck.

  _____

  On April 30, 1992, at the age of forty-two, my brother Mark died of cancer. This was exactly eighteen years after the publication date of Woman Hating, an anniversary that will never make me happy again.

  He was living in Vienna when he died, a molecular biologist, married to his wife of ten years, Eva Rastl, also a molecular biologist, forty at the time of his death.

  He was chair of the department of molecular biology at the Ernst Boehringer Institute of Vienna. He and Eva worked together there and also earlier at Columbia University in New York City. He had done postdoctoral work in biochemistry at the Carnegie Institution in Baltimore, the National Cancer Institute in Bethesda, and the University of California at Davis. At the time Mark got ill, he and Eva were doing research on the metabolism of cancer cells. They were wonderful together, sharing love, friendship, and work. She, a Catholic from Austria, he, Jewish, born in Camden in 1949, reconciled cultural differences and historical sorrow through personal love, the recognition of each other as individuals, and the exercise of reason, which they both, as scientists, valued. A belief in reason was key to a world view that they had in common.

  When my brother died, part of me died. This is not hyperbole or cliche. I could feel some of the light that is life going dead inside me and when he died, it went out. He was a gentle boy, the one life I knew from infancy. I had a utopian memory of loving him, a kind of ecstatic love for him that was nonverbal, inexplicable, untouched by growing older. Although we were separated from the time I left home to go to college—there was a period of eleven years when I didn’t see him at all, although we wrote each other—the closeness of early childhood never changed, his emotional importance to me, mine to him. But he didn’t remember his early childhood or his later childhood; he didn’t remember anything from childhood. This terrified me. Because we had usually been sent to stay at separate places when my mother was ill, I had no idea what might have happened to him. As an adult, he had recurrent nightmares that he couldn’t understand. I was able to explain or identify the elements of one of them for him. He saw a big man dressed in black carrying a black bag and coming into the house at night—then he woke up in fear. This was my mother’s doctor, a cold, frightening figure. I always thought of him as death but I did know who he was. My brother didn’t. The childhood years were still blank when he died. He was the kind child, the nurturer of my parents. As they grew older, he took care of them, with his company, his true concern. My mother died a year before Mark, and I don’t believe he recovered from her death before his own. Like my father, like John, he was a good and giving man.

  I saw him about three weeks before he died. He had asked me to come to Vienna in October 1990 to visit. I didn’t want to go to Austria ever, but put these feelings aside to see him. Told in November 1991 he had cancer, he submitted to a major operation in which a large part of his esophagus near his stomach was removed. He recovered from the surgery but lost the use of his larynx. There were signs that the malignant cells had spread. I found myself the bearer of this knowledge, a confidant for Eva, the one who had to keep my father hoping and eventually the one who had to tell him that Mark would die soon, probably within a few days. In our childhood, Mark and I had learned to be alone with our troubles whatever they were. Mark undertook to die the same way. Eva was with him and they were close, tender, inseparable; but he didn’t want family or friends to make the journey to see him. I told him that I was coming to Vienna and he didn’t have to see me but I would be there; I had made the arrangements. I believe he was glad, but he got sicker much faster than he or Eva or I anticipated. When I went he was unbearably ill. He had asked me to bring him Skippy peanut butter, which was our staple as children. He was starving to death, a not unusual effect of cancer, and so Eva and I hoped he would eat it. But he couldn’t. I also took him marbles, especially cats’ eyes, which we had played with when we were children. Marbles and bottlecaps were currency among the kids in our neighborhood. Once he had stolen all mine and my mother had let him keep them because he was a boy—they were boys’ wealth, not girls’. He smiled when I told him but I don’t think he remembered. He kept the marbles near him.

  I sat with him during the day for as long as he would let me. Sometimes he could whisper—it was air, not sound, shaped by his mouth. But sometimes he was too weak for that, and I sat at a table in the same room—a modern living room with a large picture window that looked out on trees and bushes, a room filled with daylight—and read, or tried to read. I think it was only after he died and Eva sent me some photographs of him from those days of my visit that I realized how frail he had been, how much I hadn’t seen—how hard it had been for him to appear clean and groomed and calm and smiling. The cancer had spread to his liver. Tumors were growing on his neck, which he kept covered, and on other parts of his body.

  Then I’d go back to my hotel and I would wail; I’d scream and cry and wail. I would call John—it would still be late afternoon in Vienna, too expensive to call—and I’d howl and keen and cry wildly, again and again, until I was worn out. Then I’d take a walk in the park across from my hotel. The cold air would be bracing, and my head would stop hurting. Then I would return to my room and sit down to write. I had brought a legal pad with me and also an article that John Irving had recently published in The New York Times Book Review castigating feminists for opposing pornography, charging that we were purveyors of a new puritanism (see John Irving, “Pornography and the New Puritans,” March 29, 1992). I knew that to survive the pain I felt on seeing my brother dying I would have to find a way to use the pain. I truly thought that otherwise it would kill me. I decided, coldly and purposefully, to confront the most painful theme in my own life—repeated sexual abuse. The logic of my answer to Mr. Irving was that no one with the kind of experience I had could be called a puritan; and maybe I and other women actually knew more about sexual violence than he did; and it was the pornographers, not feminists, who punished women in the public square, as puritans had, for being sexual. The narrative was a first-person detailed telling of rapes and assaults (see The New York Times Book Review, May 3, 1992). The day my piece was published as a nearly full-page letter edited from the article I had intended, my father and I were on a plane to Vienna to bury Mark at the Central Cemetery. The chief rabbi of Vienna conducted the service. My father simply refused to sit with the men, as is Orthodox practice, and sat with Eva and me. My brother wasn’t religious but he loved walking in that great European graveyard. He was someone who walked miles for pleasure; and the Central Cemetery, miles from where he lived, had been one of his favorite places to walk to, then wander in. What does a man with no memory of childhood think of on long, solitary walks to the civilized, well-tended graves of the Austrians, the abandoned, overgrown graves of the Jews? My brother had taken me there on my first trip to Vienna—he had wanted me to see this place that was special to him. I had reacted with horror to the sight of the neglected Jewish graves, the latest stone I saw dated 1938. On my 1992 trip back to Vienna when Mark was sick, I saw on television that the mayor of Vienna had just made a speech acknowledging the importance of Jews, always, to life in Vienna, to its greatness as a city, and that a committee of non-Jewish Austrians was trying to make some restitution by cleaning up the abandoned graves and trying to find out what had happened to the families. Because of this change, we felt able to bury Mark in the Central Cemetery, in the contemporary Jewish burial ground, where he could rest near Eva, though she cannot be buried with him. I have gone back to visit his grave. Eva says it has helped her to have Mark buried there.

  I am less alive because I lost my brother. Yet I used what I felt while I watched him dying to write som
ething I considered necessary. I think this is a deep and perhaps terrible truth about writing. Surely, it is a deep and terrible truth about me. As long as I can, I will take what I feel, use it to face what I am able to know, find language, and write what I think must be written for the freedom and dignity of women.

  IN MEMORY OF NICOLE BROWN SIMPSON

  1994

  I. BEFORE THE TRIAL

  Its the Perpetrator; Stupid

  You wont ever know the worst that happened to Nicole Brown Simpson in her marriage, because she is dead and cannot tell you. And if she were alive, remember, you wouldn’t believe her.

  You heard Lorena Bobbitt, after John Wayne Bobbitt had been acquitted of marital rape. At her own trial for malicious wounding, she described beatings, anal rape, humiliation. She had been persistently injured, hit, choked by a husband who liked hurting her. John Wayne Bobbitt, after a brief tour as a misogynist-media star, beat up a new woman friend.

  It is always the same. It happens to women as different as Nicole Simpson, Lorena Bobbitt—and me. The perpetrators are men as different as O.J. Simpson, John Wayne Bobbitt, and the former flower-child I am still too afraid to name.

  There is terror, yes, and physical pain. There is desperation and despair. One blames oneself, forgives him. One judges oneself harshly for not loving him enough. “It’s your fault,” he shouts as he is battering in the door, or slamming your head against the floor. And before you pass out, you say yes. You run, but no one will hide you or stand up for you—which means standing up to him. You will hide behind bushes if there are bushes; or behind trash cans; or in alleys; away from the decent people who aren’t helping you. It is, after all, your fault.

  He hurts you more: more than last time and more than you ever thought possible; certainly more than any reasonable person would ever believe—should you be foolish enough to tell. And, eventually, you surrender to him, apologize, beg him to forgive you for hurting him or provoking him or insulting him or being careless with something of his—his laundry, his car, his meal. You ask him not to hurt you as he does what he wants to you.

  The shame of this physical capitulation, often sexual, and the betrayal of your self-respect will never leave you. You will blame yourself and hate yourself forever. In your mind, you will remember yourself—begging, abject. At some point, you will stand up to him verbally, or by not complying, and he will hit you and kick you; he may rape you; he may lock you up or tie you up. The violence becomes contextual, the element in which you try to survive.

  You will try to run away, plan an escape. If he finds out, or if he finds you, he will hurt you more. You will be so frightened you think dying might be okay.

  If you have no money, can’t find shelter, have no work, you will go back and ask him to let you in. If you work, he will find you. He may ask you back and make promises filled with repentance. He may beat you and force you back. But if you do stay away and make a break, he will strike out of nowhere, still beat you, vandalize your home, stalk you.

  Still, no one stops him. You aren’t his wife anymore, and he still gets to do it.

  Nicole Simpson, like every battered woman, knew she would not be believed. She may have been shrewd enough to anticipate the crowds along the Orange County freeways cheering on O.J. Every battered woman has to be careful, even with strangers. His friends won’t stop him. Neither will yours.

  Nicole Simpson went to many experts on domestic violence for help but none of them stopped him. That’s what it takes: the batterer has to be stopped. He will not stop himself. He has to be imprisoned, or killed, or she has to escape and hide, sometimes for the rest of her life, sometimes until he finds another woman to “love.” There is no proof that counseling the batterer stops him.

  It was Nicole who asked the police to arrest Simpson in 1989, the ninth time the police had been called. Arrest needs to be mandatory. The 1989 assault on Nicole Simpson should have resulted in O.J. Simpson’s ninth arrest. We don’t know by what factor to multiply the number nine: how many episodes of being beaten women endure, on average, per phone call to the police. In 1993 alone, there were 300, 000 domestic violence calls to the police in New York City.

  Wife-beating is not Amerika’s dirty little secret, as the press and Health and Human Services Secretary Donna Shalala say. Feminists have spent two decades exposing wife abuse with insistence and accuracy, organizing refuges and escape routes and changing law enforcement practices so that, increasingly, wife-beating is recognized as a violent crime.

  Wife-beating is commonplace and ordinary because men believe they have rights over women that women dispute. The control men want of women, the domination men require over women, is expressed in this terrible brutality. For me, it was for a four-year period, twenty-five years ago in another country. For 4 million women in the United States, one every fifteen seconds, it was yesterday and today.

  What no one will face is this: the problem is not with the woman; it is with the perpetrator. She can change every weakness, transform every dependency. She can escape with the bravado of a Jesse James or the subtle skill of a Houdini. But if the husband is committed to violence and she is not, she cannot win her safety or her freedom. The current legal system, victim advocates, counseling cannot keep her safe in the face of his aggression.

  Accounts of wife-beating have typically been met with incredulity and disdain, best expressed in the persistent question, “Why doesn’t she leave?” But after two decades of learning about battery, we now know that more battered women are killed after they leave than before.

  Nicole Simpson was living in her own home when she was murdered. Her divorce had been finalized in 1992. Whether or not her ex-husband committed the murder, he did continue to assault her, threaten her, stalk her, intimidate her. His so-called desire for reconciliation masks the awfulness of her situation, the same for every woman who escapes but does not disappear. Having ended the marriage, Nicole Simpson still had to negotiate her safety with the man who was hurting her.

  She had to avoid angering him. Any hint that her amiability was essentially coerced, any threat of public exposure, any insult to his dignity from his point of view, might trigger aggression. This cause-and-effect scenario is more imagined than real, since the perpetrator chooses when he will hurt or threaten or stalk. Still, the woman tries. All the smiling photographs of them together after the divorce should evoke alarm, not romantic descriptions of his desire to reconcile. Nicole Simpson followed a strategy of appeasement, because no one stood between her and him to stop him.

  Escape, in fact, is hell, a period of indeterminate length reckoned in years, not months, when the ex-husband commits assaults intermittently and acts of terrorism with some consistency. Part of the torment is that freedom is near but he will not let the woman have it. Many escaped women live half in hiding. I am still afraid of my ex-husband each and every day of my life—and I am not afraid of much.

  Maybe you don’t know how brave women are—the ones who have stayed until now and the ones who have escaped, both the living and the dead. Nicole Simpson is the hero. The perpetrator is the problem, stupid.

  II. DURING THE TRIAL

  In Nicole Brown Simpson’s Words

 

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