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The Oxford Book of Victorian Ghost Stories

Page 16

by Michael Cox


  The marriage was to all appearance a happy one, and each party obtained what each had desired—Lloyd 'a devilish fine woman', and Rosalind—but Rosalind's desires, as the reader will have observed, had remained a good deal of a mystery. There were, indeed, two blots upon their felicity, but time would perhaps efface them. During the first three years of her marriage Mrs. Lloyd failed to become a mother, and her husband on his side suffered heavy losses of money. This latter circumstance compelled a material retrenchment in his expenditure, and Rosalind was perforce less of a fine lady than her sister had been. She contrived, however, to carry it like a woman of considerable fashion. She had long since ascertained that her sister's copious wardrobe had been sequestrated for the benefit of her daughter, and that it lay languishing in thankless gloom in the dusty attic. It was a revolting thought that these exquisite fabrics should await the good pleasure of a little girl who sat in a high chair and ate bread-and-milk with a wooden spoon. Rosalind had the good taste, however, to say nothing about the matter until several months had expired. Then, at last, she timidly broached it to her husband. Was it not a pity that so much finery should be lost?—for lost it would be, what with colours fading, and moths eating it up, and the change of fashions. But Lloyd gave her so abrupt and peremptory a refusal, that she saw, for the present, her attempt was vain. Six months went by, however, and brought with them new needs and new visions. Rosalind's thoughts hovered lovingly about her sister's relics. She went up and looked at the chest in which they lay imprisoned. There was a sullen defiance in its three great padlocks and its iron bands which only quickened her cupidity. There was something exasperating in its incorruptible immobility. It was like a grim and grizzled old household servant, who locks his jaws over a family secret. And then there was a look of capacity in its vast extent, and a sound as of dense fullness, when Rosalind knocked its side with the toe of her little shoe, which caused her to flush with baffled longing. 'It's absurd,' she cried; 'it's improper, it's wicked'; and she forthwith resolved upon another attack upon her husband. On the following day, after dinner, when he had had his wine, she boldly began it. But he cut her short with great sternness.

  'Once for all, Rosalind,' said he, 'it's out of the question. I shall be gravely displeased if you return to the matter.'

  'Very good,' said Rosalind. 'I am glad to learn the esteem in which I am held. Gracious heaven,' she cried, 'I am a very happy woman! It's an agreeable thing to feel one's self sacrificed to a caprice!' And her eyes filled with tears of anger and disappointment.

  Lloyd had a good-natured man's horror of a woman's sobs, and he attempted—I may say he condescended—to explain. 'It's not a caprice, dear, it's a promise,' he said—'an oath.'

  'An oath? It's a pretty matter for oaths! and to whom, pray?'

  'To Perdita,' said the young man, raising his eyes for an instant, and immediately dropping them.

  'Perdita—ah, Perdita!' and Rosalind's tears broke forth. Her bosom heaved with stormy sobs—sobs which were the long-deferred sequel of the violent fit of weeping in which she had indulged herself on the night when she discovered her sister's betrothal. She had hoped, in her better moments, that she had done with her jealousy; but her temper, on that occasion, had taken an ineffaceable hold. 'And pray, what right had Perdita to dispose of my future?' she cried. 'What right had she to bind you to meanness and cruelty? Ah, I occupy a dignified place, and I make a very fine figure! I am welcome to what Perdita has left! And what has she left? I never knew till now how little! Nothing, nothing, nothing.'

  This was very poor logic, but it was very good as a 'scene'. Lloyd put his arm around his wife's waist and tried to kiss her, but she shook him off with magnificent scorn. Poor fellow! he had coveted a 'devilish fine woman', and he had got one. Her scorn was intolerable. He walked away with his ears tingling—irresolute, distracted. Before him was his secretary, and in it the sacred key which with his own hand he had turned in the triple lock. He marched up and opened it, and took the key from a secret drawer, wrapped in a little packet which he had sealed with his own honest bit of glazonry. Je garde, said the motto—'I keep.' But he was ashamed to put it back. He flung it upon the table beside his wife.

  'Put it back!' she cried. 'I want it not. I hate it!'

  'I wash my hands of it,' cried her husband. 'God forgive me!'

  Mrs. Lloyd gave an indignant shrug of her shoulders, and swept out of the room, while the young man retreated by another door. Ten minutes later Mrs. Lloyd returned, and found the room occupied by her little stepdaughter and the nursery-maid. The key was not on the table. She glanced at the child. Her little niece was perched on a chair, with the packet in her hands. She had broken the seal with her own small fingers. Mrs. Lloyd hastily took possession of the key.

  At the habitual supper-hour Arthur Lloyd came back from his counting-room. It was the month of June, and supper was served by daylight. The meal was placed on the table, but Mrs. Lloyd failed to make her appearance. The servant whom his master sent to call her came back with the assurance that her room was empty, and that the women informed him that she had not been seen since dinner. They had, in truth, observed her to have been in tears, and, supposing her to be shut up in her chamber, had not disturbed her. Her husband called her name in various parts of the house, but without response. At last it occurred to him that he might find her by taking the way to the attic. The thought gave him a strange feeling of discomfort, and he bade his servants remain behind, wishing no witness in his quest. He reached the foot of the staircase leading to the topmost flat, and stood with his hands on the banisters, pronouncing his wife's name. His voice trembled. He called again louder and more firmly. The only sound which disturbed the absolute silence was a faint echo of his own tones, repeating his question under the great eaves. He nevertheless felt irresistibly moved to ascend the staircase. It opened upon a wide hall, lined with wooden closets, and terminating in a window which looked westward, and admitted the last rays of the sun. Before the window stood the great chest. Before the chest, on her knees, the young man saw with amazement and horror the figure of his wife. In an instant he crossed the interval between them, bereft of utterance. The lid of the chest stood open, exposing, amid their perfumed napkins, its treasure of stuffs and jewels. Rosalind had fallen backward from a kneeling posture, with one hand supporting her on the floor and the other pressed to her heart. On her limbs was the stiffness of death, and on her face, in the fading light of the sun, the terror of something more than death. Her lips were parted in entreaty, in dismay, in agony; and on her blanched brow and cheeks there glowed the marks of ten hideous wounds from two vengeful ghostly hands.

  Pichon & Sons, of the Croix Rousse

  ANONYMOUS

  Giraudier, pharmacien, premiere classe, is the legend, recorded in huge, ill-proportioned letters, which directs the attention of the stranger to the most prosperous-looking shop in the grand place of La Croix Rousse, a well-known suburb of the beautiful city of Lyons, which has its share of the shabby gentility and poor pretence common to the suburban commerce of great towns.

  Giraudier is not only pharmacien but proprietaire, though not by inheritance; his possession of one of the prettiest and most prolific of the small vineyards in the beautiful suburb, and a charming inconvenient house, with low ceilings, liliputian bedrooms, and a profusion of persiennes, jalousies, and contrevents, comes by purchase. This enviable little terre was sold by the Nation, when that terrible abstraction transacted the public business of France; and it was bought very cheaply by the strong-minded father of the Giraudier of the present, who was not disturbed by the evil reputation which the place had gained, at a time when the peasants of France, having been bullied into a renunciation of religion, eagerly cherished superstition. The Giraudier of the present cherishes the particular superstition in question affectionately; it reminds him of an uncommonly good bargain made in his favour, which is always a pleasant association of ideas, especially to a Frenchman still more especially to a Lyonnais;
and it attracts strangers to his pharmacie, and leads to transactions in Grand Chartreuse and Crime de Roses, ensuing naturally on the narration of the history of Pichon and Sons. Giraudier is not of aristocratic principles and sympathies; on the contrary, he has decided republican leanings, and considers Le Progres a masterpiece of journalistic literature; but, as he says simply and strongly, 'it is not because a man is a marquis that one is not to keep faith with him; a bad action is not good because it harms a good-for-nothing of a noble; the more when that good-for-nothing is no longer a noble, but pour rire'. At the easy price of acquiescence in these sentiments, the stranger hears one of the most authentic, best-remembered, most popular of the many traditions of the bad old times 'before General Buonaparte', as Giraudier, who has no sympathy with any later designation of le grand homme, calls the Emperor, whose statue one can perceive—a speck in the distance—from the threshold of the pharmacie.

  The Marquis de Senanges, in the days of the triumph of the great Revolution, was fortunate enough to be out of France, and wise enough to remain away from that country, though he persisted, long after the old regime was as dead as the Ptolemies, in believing it merely suspended, and the Revolution a lamentable accident of vulgar complexion, but happily temporary duration. The Marquis de Senanges, who affected the style regence, and was the politest of infidels and the most refined of voluptuaries, got on indifferently in inappreciative foreign parts; but the members of his family—his brother and sisters, two of whom were guillotined, while the third escaped to Savoy and found refuge there in a convent of her order—got on exceedingly ill in France. If the ci-devant Marquis had had plenty of money to expend in such feeble imitations of his accustomed pleasures as were to be had out of Paris, he would not have been much affected by the fate of his relatives. But money became exceedingly scarce; the Marquis had actually beheld many of his peers reduced to the necessity of earning the despicable but indispensable article after many ludicrous fashions. And the duration of this absurd upsetting of law, order, privilege, and property began to assume unexpected and very unpleasant proportions.

  The Chateau de Senanges, with its surrounding lands, was confiscated to the Nation, during the third year of the 'emigration' of the Marquis de Senanges; and the greater part of the estate was purchased by a thrifty, industrious, and rich avocat, named Prosper Alix, a widower with an only daughter. Prosper Alix enjoyed the esteem of the entire neighbourhood. First, he was rich; secondly, he was of a taciturn disposition, and of a neutral tint in politics. He had done well under the old regime, and he was doing well under the new—thank God, or the Supreme Being, or the First Cause, or the goddess Reason herself, for all—he would have invoked Dagon, Moloch, or Kali, quite as readily as the Saints and the Madonna, who had gone so utterly out of fashion of late. Nobody was afraid to speak out before Prosper Alix; he was not a spy; and though a cold-hearted man, except in the instance of his only daughter, he never harmed anybody.

  Very likely it was because he was the last person in the vicinity whom anybody would have suspected of being applied to by the dispossessed family, that the son of the Marquis's brother, a young man of promise, of courage, of intellect, and of morals of decidedly a higher calibre than those actually and traditionally imputed to the family, sought the aid of the new possessor of the Chateau de Senanges, which had changed its old title for that of the Maison Alix. The father of M. Paul de Senanges had perished in the September massacres; his mother had been guillotined at Lyons; and he—who had been saved by the inter-position of a young comrade, whose father had, in the wonderful rotations of the wheel of Fate, acquired authority in the place where he had once esteemed the notice of the nephew of the Marquis a crowning honour for his son—had passed through the common vicissitudes of that dreadful time, which would take a volume for their recital in each individual instance.

  Paul de Senanges was a handsome young fellow, frank, high-spirited, and of a brisk and happy temperament; which, however, modified by the many misfortunes he had undergone, was not permanently changed. He had plenty of capacity for enjoyment in him still; and as his position was very isolated, and his mind had become enlightened on social and political matters to an extent in which the men of his family would have discovered utter degradation and the women diabolical possession, he would not have been very unhappy if, under the new condition of things, he could have lived in his native country and gained an honest livelihood. But he could not do that, he was too thoroughly 'suspect'; the antecedents of his family were too powerful against him: his only chance would have been to have gone into the popular camp as an extreme, violent partisan, to have out-Heroded the revolutionary Herods; and that Paul de Senanges was too honest to do. So he was reduced to being thankful that he had escaped with his life, and to watching for an opportunity of leaving France and gaining some country where the reign of liberty, fraternity, and equality was not quite so oppressive.

  The long-looked-for opportunity at length offered itself, and Paul de Senanges was instructed by his uncle the Marquis that he must contrive to reach Marseilles, whence he should be transported to Spain—in which country the illustrious emigrant was then residing— by a certain named date. His uncle's communication arrived safely, and the plan proposed seemed a secure and eligible one. Only in two respects was it calculated to make Paul de Senanges thoughtful. The first was, that his uncle should take any interest in the matter of his safety; the second, what could be the nature of a certain deposit which the Marquis's letter directed him to procure, if possible, from the Chateau de Senanges. The fact of this injunction explained, in some measure, the first of the two difficulties. It was plain that whatever were the contents of this packet which he was to seek for, according to the indications marked on a ground-plan drawn by his uncle and enclosed in the letter, the Marquis wanted them, and could not procure them except by the agency of his nephew. That the Marquis should venture to direct Paul de Senanges to put himself in communication with Prosper Alix, would have been surprising to any one acquainted only with the external and generally understood features of the character of the new proprietor of the Chateau de Senanges. But a few people knew Prosper Alix thoroughly, and the Marquis was one of the number; he was keen enough to know in theory that, in the case of a man with only one weakness, that is likely to be a very weak weakness indeed, and to apply the theory to the avocat. The beautiful, pious, and aristocratic mother of Paul de Senanges—a lady to whose superiority the Marquis had rendered the distinguished testimony of his dislike, not hesitating to avow that she was 'much too good for his taste'—had been very fond of, and very kind to, the motherless daughter of Prosper Alix, and he held her memory in reverence which he accorded to nothing beside, human or divine, and taught his daughter the matchless worth of the friend she had lost. The Marquis knew this, and though he had little sympathy with the sentiment, he believed he might use it in the present instance to his own profit, with safety. The event proved that he was right. Private negotiations, with the manner of whose transaction we are not concerned, passed between the avocat and the ci-devant Marquis; and the young man, then leading a life in which skulking had a large share, in the vicinity of Dijon, was instructed to present himself at the Maison Alix, under the designation of Henri Glaire, and in the character of an artist in house-decoration. The circumstances of his life in childhood and boyhood had led to his being almost safe from recognition as a man at Lyons; and, indeed, all the people on the ci-devant visiting-list of the chateau had been pretty nearly killed off, in the noble and patriotic ardour of the revolutionary times.

  The ancient Chateau de Senanges was proudly placed near the summit of the 'Holy Hill', and had suffered terrible depredations when the church at Fourvieres was sacked, and the shrine desecrated with that ingenious impiety which is characteristic of the French; but it still retained somewhat of its former heavy grandeur. The chateau was much too large for the needs, tastes, or ambition of its present owner, who was too wise, if even he had been of an ostentatious disposi
tion, not to have sedulously resisted its promptings. The jealousy of the nation of brothers was easily excited, and departure from simplicity and frugality was apt to be commented upon by domiciliary visits, and the eager imposition of fanciful fines. That portion of the vast building occupied by Prosper Alix and the citoyenne Berthe, his daughter, presented an appearance of well-to-do comfort and modest ease, which contrasted with the grandiose proportions and the elaborate decorations of the wide corridors, huge flat staircases, and lofty panelled apartments. The avocat and his daughter lived quietly in the old place, hoping, after a general fashion, for better times, but not finding the present very bad; the father becoming day by day more pleasant with his bargain, the daughter growing fonder of the great house, and the noble bocages, of the scrappy little vineyards, struggling for existence on the sunny hill-side, and the place where the famous shrine had been. They had done it much damage; they had parted its riches among them; the once ever-open doors were shut, and the worn flags were untrodden; but nothing could degrade it, nothing could destroy what had been, in the mind of Berthe AlLx, who was as devout as her father was unconcernedly unbelieving. Berthe was wonderfully well educated for a Frenchwoman of that period, and surprisingly handsome for a Frenchwoman of any. Not too tall to offend the taste of her compatriots, and not too short to be dignified and graceful, she had a symmetrical figure, and a small, well-poised head, whose profuse, shining, silken dark-brown hair she wore as nature intended, in a shower of curls, never touched by the hand of the coiffeur—curls which clustered over her brow, and fell far down on her shapely neck. Her features were fine; the eyes very dark, and the mouth very red; the complexion clear and rather pale, and the style of the face and its expression lofty. When Berthe Alix was a child, people were accustomed to say she was pretty and refined enough to belong to the aristocracy; nobody would have dared to say so now, prettiness and refinement, together with all the other virtues admitted to a place on the patriotic roll, having become national property.

 

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