by George Eliot
 She sank into silence again till it was nearly midnight. The weary enfeebled 
   spirit seemed to be making its slow way with difficulty through the windings of 
   thought; and when she began to whisper again, it was in reply to Maynard's 
   words. 
   'But I had had such wicked feelings for a long while. I was so angry, and I 
   hated Miss Assher so, and I didn't care what came to anybody, because I was so 
   miserable myself. I was full of bad passions. No one else was ever so wicked.' 
   'Yes, Tina, many are just as wicked. I often have very wicked feelings, and am 
   tempted to do wrong things; but then my body is stronger than yours, and I can 
   hide my feelings and resist them better. They do not master me so. You have seen 
   the little birds when they are very young and just begin to fly, how all their 
   feathers are ruffled when they are frightened or angry; they have no power over 
   themselves left, and might fall into a pit from mere fright. You were like one 
   of those little birds. Your sorrow and suffering had taken such hold of you, you 
   hardly knew what you did.' 
   He would not speak long. Lest he should tire her, and oppress her with too many 
   thoughts. Long pauses seemed needful for her before she could concentrate her 
   feelings in short words. 
   'But when I meant to do it,' was the next thing she whispered, 'it was as bad as 
   if I had done it.' 
   'No, my Tina,' answered Maynard slowly, waiting a little between each sentence; 
   'we mean to do wicked things that we never could do, just as we mean to do good 
   or clever things that we never could do. Our thoughts are often worse than we 
   are, just as they are often better than we are. And God sees us as we are 
   altogether, not in separate feelings or actions, as our fellow-men see us. We 
   are always doing each other injustice, and thinking better or worse of each 
   other than we deserve, because we only hear and see separate words and actions. 
   We don't see each other's whole nature. But God sees that you could not have 
   committed that crime.' 
   Caterina shook her head slowly, and was silent. After a while, 'I don't know,' 
   she said; 'I seemed to see him coming towards me, just as he would really have 
   looked, and I meant �I meant to do it.' 
   'But when you saw him�tell me how it was, Tina?' 
   'I saw him lying on the ground and thought he was ill. I don't know how it was 
   then; I forgot everything. I knelt down and spoke to him, and�and he took no 
   notice of me, and his eyes were fixed, and I began to think he was dead.' 
   'And you have never felt angry since? ' 
   'O no, no; it is I who have been more wicked than any one; it is I who have been 
   wrong all through.' 
   'No, Tina; the fault has not all been yours; he was wrong; he gave you 
   provocation. And wrong makes wrong. When people use us ill, we can hardly help 
   having ill feeling towards them. But that second wrong is more excusable. I am 
   more sinful than you, Tina; I have often had very bad feelings towards Captain 
   Wybrow; and if he had provoked me as he did you, I should perhaps have done 
   something more wicked.' 
   'O, it was not so wrong in him; he didn't know how he hurt me. How was it likely 
   he could love me as I loved him? And how could he marry a poor little thing like 
   me?' 
   Maynard made no reply to this, and there was again silence, till Tina said, 
   'Then I was so deceitful; they didn't know how wicked I was. Padroncello didn't 
   know; his good little monkey he used to call me; and if he had known, O how 
   naughty he would have thought me! ' 
   'My Tina, we have all our secret sins; and if we knew ourselves, we should not 
   judge each other harshly. Sir Christopher himself has felt, since this trouble 
   came upon him, that he has been too severe and obstinate.' 
   In this way�in these broken confessions and answering words of comfort�the hours 
   wore on, from the deep black night to the chill early twilight, and from early 
   twilight to the first yellow streak of morning parting the purple cloud. Mr 
   Gilfil felt as if in the long hours of that night the bond that united his love 
   for ever and alone to Caterina had acquired fresh strength and sanctity. It is 
   so with the human relations that rest on the deep emotional sympathy of 
   affection: every new day and night of joy or sorrow is a new ground, a new 
   consecration, for the love that is nourished by memories as well as hopes�the 
   love to which perpetual repetition is not a weariness but a want, and to which a 
   separated joy is the beginning of pain. 
   The cocks began to crow; the gate swung; there was a tramp of footsteps in the 
   yard, and Mr Gilfil heard Dorcas stirring. These sounds seemed to affect 
   Caterina, for she looked anxiously at him and said, 'Maynard, are you going 
   away?' 
   'No, I shall stay here at Callam until you are better, and then you will go away 
   too.' 
   'Never to the Manor again, O no! I shall live poorly, and get my own bread.' 
   'Well, dearest, you shall do what you would like best. But I wish you could go 
   to sleep now. Try to rest quietly, and by-and-by you will perhaps sit up a 
   little. God has kept you in life in spite of all this sorrow; it will be sinful 
   not to try and make the best of His gift. Dear Tina, you will try;�and little 
   Bessie brought you some crocuses once, you didn't notice the poor little thing; 
   but you will notice her when she comes again, will you not?' 
   'I will try,' whispered Tina humbly, and then closed her eyes. 
   By the time the sun was above the horizon, scattering the clouds, and shining 
   with pleasant morning warmth through the little leaded window, Caterina was 
   asleep. Maynard gently loosed the tiny hand, cheered Dorcas with the good news, 
   and made his way to the village inn, with a thankful heart that Tina had been so 
   far herself again. Evidently the sight of him had blended naturally with the 
   memories in which her mind was absorbed, and she had been led on to an 
   unburthening of herself that might be the beginning of a complete restoration. 
   But her body was so enfeebled�her soul so bruised� that the utmost tenderness 
   and care would be necessary. The next thing to be done was to send tidings to 
   Sir Christopher and Lady Cheverel; then to write and summon his sister, under 
   whose care he had determined to place Caterina. The Manor, even if she had been 
   wishing to return thither, would, he knew, be the most undesirable home for her 
   at present: every scene, every object there, was associated with still unallayed 
   anguish. If she were domesticated for a time with his mild gentle sister, who 
   had a peaceful home and a prattling little boy, Tina might attach herself anew 
   to life, and recover, partly at least, the shock that had been given to her 
   constitution. When he had written his letters and taken a hasty breakfast, he 
   was soon in his saddle again, on his way to Sloppeter, where he would post them, 
   and seek out a medical man, to whom he might confide the moral causes of 
   Caterina's enfeebled condition. 
   Chapter 20
   IN less than a week from that time, Caterina was persuaded to travel in a 
   comfortahle carriage, under the care of Mr Gilfil and his sis
ter, Mrs Heron, 
   whose soft blue eyes and mild manners were very soothing to the poor bruised 
   child�the more so as they had an air of sisterly equality which was quite new to 
   her. Under Lady Cheverel's uncaressing authoritative goodwill, Tina had always 
   retained a certain constraint and awe; and there was a sweetness before unknown 
   in having a young and gentle woman, like an elder sister, bending over her 
   caressingly, and speaking in low loving tones. 
   Maynard was almost angry with himself for feeling happy while Tina's mind and 
   body were still trembling on the verge of irrecoverable decline; but the new 
   delight of acting as her guardian angel, of being with her every hour of the 
   day, of devising everything for her comfort, of watching for a ray of returning 
   interest in her eyes, was too absorbing to leave room for alarm or regret. 
   On the third day the carriage drove up to the door of Foxholm Parsonage, where 
   the Rev. Arthur Heron presented himself on the door-step, eager to greet his 
   returning Lucy, and holding by the hand a broad-chested tawny-haired boy of 
   five, who was smacking a miniature hunting-whip with great vigour. 
   Nowhere was there a lawn more smooth-shaven, walks better swept, or a porch more 
   prettily festooned with creepers, than at Foxholm Parsonage, standing snugly 
   sheltered by beeches and chestnuts half-way down the pretty green hill which was 
   surmounted by the church, and overlooking a village that straggled at its ease 
   among pastures and meadows, surrounded by wild hedgerows and broad shadowing 
   trees, as yet unthreatened by improved methods of farming. 
   Brightly the fire shone in the great parlour, and brightly in the little pink 
   bedroom, which was to be Caterina's, because it looked away from the churchyard, 
   and on to a farm homestead, with its little cluster of beehive ricks, and placid 
   groups of cows, and cheerful matin sounds of healthy labour. Mrs Heron, with the 
   instinct of a delicate, impressible woman, had written to her husband to have 
   this room prepared for Caterina. Contented speckled hens, industriously 
   scratching for the rarely-found corn, may sometimes do more for a sick heart 
   than a grove of nightingales; there is something irresistibly calming in the 
   unsentimental cheeriness of top-knotted pullets, unpetted sheep-dogs, and 
   patient cart-horses enjoying a drink of muddy water. 
   In such a home as this parsonage, a nest of comfort, without any of the 
   stateliness that would carry a suggestion of Cheverel Manor, Mr Gilfil was not 
   unreasonable in hoping that Caterina might gradually shake off the haunting 
   vision of the past, and recover from the languor and feebleness which were the 
   physical sign of that vision's blighting presence. The next thing to be done was 
   to arrange an exchange of duties with Mr Heron's curate, that Maynard might be 
   constantly near Caterina, and watch over her progress. She seemed to like him to 
   be with her, to look uneasily for his return; and though she seldom spoke to 
   him, she was most contented when he sat by her, and held her tiny hand in his 
   large protecting grasp. But Oswald, alias Ozzy, the broad-chested boy, was 
   perhaps her most beneficial companion. With something of his uncle's person, he 
   had inherited also his uncle's early taste for a domestic menagerie, and was 
   very imperative in demanding Tina's sympathy in the welfare of his guinea-pigs, 
   squirrels, and dormice. With him she seemed now and then to have gleams of her 
   childhood coming athwart the leaden clouds, and many hours of winter went by the 
   more easily for being spent in Ozzy's nursery. 
   Mrs Heron was not musical, and had no instrument; but one of Mr Gilfil's cares 
   was to procure a harpsichord, and have it placed in the drawing-room, always 
   open, in the hope that some day the spirit of music would be reawakened in 
   Caterina, and she would be attracted towards the instrument. But the winter was 
   almost gone by, and he had waited in vain. The utmost improvement in Tina had 
   not gone beyond passiveness and acquiescence�a quiet grateful smile, compliance 
   with Oswald's whims, and an increasing consciousness of what was being said and 
   done around her. Sometimes she would take up a bit of woman's work, but she 
   seemed too languid to persevere in it; her fingers soon dropped, and she 
   relapsed into motionless reverie. 
   At last�it was one of those bright days in the end of February, when the sun is 
   shining with a promise of approaching spring. Maynard had been walking with her 
   and Oswald round the garden to look at the snowdrops, and she was resting on the 
   sofa after the walk. Ozzy, roaming about the room in quest of a forbidden 
   pleasure, came to the harpsichord, and struck the handle of his whip on a deep 
   bass note. 
   The vibration rushed through Caterina like an electric shock: it seemed as if at 
   that instant a new soul were entering into her, and filling her with a deeper, 
   more significant life. She looked round, rose from the sofa, and walked to the 
   harpsichord. In a moment her fingers were wandering with their old sweet method 
   among the keys, and her soul was floating in its true familiar element of 
   delicious sound, as the water-plant that lies withered and shrunken on the 
   ground expands into freedom and heauty when once more bathed in its native 
   flood. 
   Maynard thanked God. An active power was reawakened, and must make a new epoch 
   in Caterina's recovery. 
   Presently there were low liquid notes blending themselves with the harder tones 
   of the instrument, and gradually the pure voice swelled into predominance. 
   Little Ozzy stood in the middle of the room, with his mouth open and his legs 
   very wide apart, struck with something like awe at this new power in 'Tin-Tin', 
   as he called her, whom he had been accustomed to think of as a playfellow not at 
   all clever, and very much in need of his instruction on many subjects. A genie 
   soaring with broad wings out of his milkjug would not have been more 
   astonishing. 
   Caterina was singing the very air from the Orfeo which we heard her singing so 
   many months ago at the beginning of her sorrows. It was 'Che faro', Sir 
   Christopher's favourite, and its notes seemed to carry on their wings all the 
   tenderest memories of her life, when Cheverel Manor was still an untroubled 
   home. The long happy days of childhood and girlhood recovered all their rightful 
   predominance over the short interval of sin and sorrow. 
   She paused, and burst into tears�the first tears she had shed since she had been 
   at Foxholm. Maynard could not help hurrying towards her, putting his arm round 
   her, and leaning down to kiss her hair. She nestled to him, and put up her 
   little mouth to be kissed. 
   The delicate-tendrilled plant must have something to cling to. The soul that was 
   born anew to music was born anew to love. 
   Chapter 21
   ON the 30th of May 1790, a very pretty sight was seen by the villagers assembled 
   near the door of Foxholm Church. The sun was bright upon the dewy grass, the air 
   was alive with the murmur of bees and the trilling of birds, the bushy 
   blossoming chestnuts and the foamy flowering hedgerows se
emed to be crowding 
   round to learn why the church-bells were ringing so merrily, as Maynard Gilfil, 
   his face bright with happiness, walked out of the old Gothic doorway with Tina 
   on his arm. The little face was still pale, and there was a subdued melancholy 
   in it, as of one who sups with friends for the last time, and has his ear open 
   for the signal that will call him away. But the tiny hand rested with the 
   pressure of contented affection on Maynard's arm, and the dark eyes met his 
   downward glance with timid answering love. 
   There was no train of bridesmaids; only pretty Mrs Heron leaning on the arm of a 
   dark-haired young man hitherto unknown in Foxholm, and holding by the other hand 
   little Ozzy, who exulted less in his new velvet cap and tunic, than in the 
   notion that he was bridesman to Tin-Tin. 
   Last of all came a couple whom the villagers eyed yet more eagerly than the 
   bride and bridegroom: a fine old gentleman, who looked round with keen glances 
   that cowed the conscious scapegraces among them, and a stately lady in 
   blue-and-white silk robes, who must surely be like Queen Charlotte. 
   'Well, that theer's whut I call a pictur,' said old 'Mester' Ford, a true 
   Staffordshire patriarch, who leaned on a stick and held his head very much on 
   one side, with the air of a man who had little hope of the present generation, 
   but would at all events give it the benefit of his criticism. 'Th' yoong men 
   noo-a-deys, the're poor squashy things�the' looke well anoof, but the' woon't 
   wear, the' woon't wear. Theer's ne'er un'll carry his 'ears like that Sir 
   Cris'fer Chuvrell.' 
   ''Ull bet ye two pots,' said another of the seniors, 'as that yoongster 
   a-walkin' wi' th' parson's wife 'll be Sir Cris'fer's son � he favours him.' 
   'Nay, yae'll bet that wi' as big a fule as yersen; hae's noo son at all. As I 
   oonderstan', hae's the nevey as is' t' heir th' esteate. The coochman as puts 
   oop at th' White Hoss tellt me as theer war another nevey, a deal finer chap t' 
   looke at nor this un, as died in a fit, all on a soodden, an' soo this here 
   yoong un's got upo' th' perch istid.' 
   At the church gate Mr Bates was standing in a new suit, ready to speak words of 
   good omen as the bride and bridegroom approached. He had come all the way from 
   Cheverel Manor on purpose to see Miss Tina happy once more, and would have been 
   in a state of unmixed joy but for the inferiority of the wedding nosegays to 
   what he could have furnished from the garden at the Manor. 
   'God A'maighty bless ye both, an' send ye long laife an' happiness,' were the 
   good gardener's rather tremulous words. 
   'Thank you, uncle Bates; always remember Tina,' said the sweet low voice, which 
   fell on Mr Bates's ear for the last time. 
   The wedding journey was to be a circuitous route to Shepperton, where Mr Gilfil 
   had been for several months inducted as vicar. This small living had been given 
   him through the interest of an old friend who had some claim on the gratitude of 
   the Oldinport family; and it was a satisfaction both to Maynard and Sir 
   Christopher that a home to which he might take Caterina had thus readily 
   presented itself at a distance from Cheverel Manor. For it had never yet been 
   thought safe that she should revisit the scene of her sufferings, her health 
   continuing too delicate to encourage the slightest risk of painful excitement. 
   In a year or two, perhaps, by the time old Mr Crichley, the rector of 
   Cumbermoor, should have left a world of gout, and when Caterina would very 
   likely be a happy mother, Maynard might safely take up his abode at Cumbermoor, 
   and Tina would feel nothing but content at seeing a new 
   'little black-eyed monkey' running up and down the gallery and gardens of the 
   Manor. A mother dreads no memories�those shadows have all melted away in the 
   dawn of baby's smile. 
   In these hopes, and in the enjoyment of Tina's nestling affection, Mr Gilfil 
   tasted a few months of perfect happiness. She had come to lean entirely on his 
   love, and to find life sweet for his sake. Her continual languor and want of