Poe's Children: The New Horror: An Anthology

by Peter Straub

  “Mom?” Frankie says. “I’m thirsty.”

  He drives through his deliveries in a daze. The bees, he thinks. He remembers what Frankie had said a few mornings before, about bees inside his head, buzzing and bumping against the inside of his forehead like a windowpane they were tapping against. That’s the feeling he has now. All the things that he doesn’t quite remember are circling and alighting, vibrating their cellophane wings insistently. He sees himself striking Mandy across the face with the flat of his hand, knocking her off her chair; he sees his grip tightening around the back of DJ’s thin, five-year-old neck, shaking him as he grimaced and wept; and he is aware that there are other things, perhaps even worse, if he thought about it hard enough. All the things that he’d prayed that Karen would never know about him.

  He was very drunk on the day that he left them, so drunk that he can barely remember. It was hard to believe that he’d made it all the way to Des Moines on the interstate before he went off the road, tumbling end over end, into darkness. He was laughing, he thought, as the car crumpled around him, and he has to pull his van over to the side of the road, out of fear, as the tickling in his head intensifies. There is an image of Mandy, sitting on the couch as he stormed out, with DJ cradled in her arms, one of DJ’s eyes swollen shut and puffy. There is an image of him in the kitchen, throwing glasses and beer bottles onto the floor, listening to them shatter.

  And whether they are dead or not, he knows that they don’t wish him well. They would not want him to be happy—in love with his wife and child. His normal, undeserved life.

  When he gets home that night, he feels exhausted. He doesn’t want to think anymore, and for a moment, it seems that he will be allowed a small reprieve. Frankie is in the yard, playing contentedly. Karen is in the kitchen, making hamburgers and corn on the cob, and everything seems okay. But when he sits down to take off his boots, she gives him an angry look.

  “Don’t do that in the kitchen,” she says, icily. “Please. I’ve asked you before.”

  He looks down at his feet: one shoe unlaced, half-off. “Oh,” he says. “Sorry.”

  But when he retreats to the living room, to his recliner, she follows him. She leans against the doorframe, her arms folded, watching as he releases his tired feet from the boots and rubs his hand over the bottom of his socks. She frowns heavily.

  “What?” he says, and tries on an uncertain smile.

  She sighs. “We need to talk about last night,” she says. “I need to know what’s going on.”

  “Nothing,” he says, but the stern way she examines him activates his anxieties all over again. “I couldn’t sleep, so I went out to the living room to watch TV. That’s all.”

  She stares at him. “Gene,” she says after a moment. “People don’t usually wake up naked on their living room floor and not know how they got there. That’s just weird, don’t you think?”

  Oh, please, he thinks. He lifts his hands, shrugging—a posture of innocence and exasperation, though his insides are trembling. “I know,” he says. “It was weird to me, too. I was having nightmares. I really don’t know what happened.”

  She gazes at him for a long time, her eyes heavy. “I see,” she says, and he can feel the emanation of her disappointment like waves of heat. “Gene,” she says. “All I’m asking is for you to be honest with me. If you’re having problems, if you’re drinking again, or thinking about it. I want to help. We can work it out. But you have to be honest with me.”

  “I’m not drinking,” Gene says, firmly. He holds her eyes earnestly. “I’m not thinking about it. I told you when we met, I’m through with it. Really.” But he is aware again of an observant, unfriendly presence, hidden, moving along the edge of the room. “I don’t understand,” he says. “What is it? Why would you think I’d lie to you?”

  She shifts, still trying to read something in his face, still, he can tell, doubting him. “Listen,” she says, at last, and he can tell she is trying not to cry. “Some guy called you today. A drunk guy. And he said to tell you that he had a good time hanging out with you last night, and that he was looking forward to seeing you again soon.” She frowns hard, staring at him as if this last bit of damning information will show him for the liar he is. A tear slips out of the corner of her eye and along the bridge of her nose. Gene feels his chest tighten.

  “That’s crazy,” he says. He tries to sound outraged, but he is in fact suddenly very frightened. “Who was it?”

  She shakes her head, sorrowfully. “I don’t know,” she says. “Something with a ‘B.’ He was slurring so bad I could hardly understand him. B.B. or B.J. or…”

  Gene can feel the small hairs on his back prickling. “Was it DJ?” he says, softly.

  And Karen shrugs, lifting a now teary face to him. “I don’t know!” she says, hoarsely. “I don’t know. Maybe.” And Gene puts his palms across his face. He is aware of that strange, buzzing, tickling feeling behind his forehead.

  “Who is DJ?” Karen says. “Gene, you have to tell me what’s going on.”

  But he can’t. He can’t tell her, even now. Especially now, he thinks, when to admit that he’d been lying to her ever since they met would confirm all the fears and suspicions she’d been nursing for—what?—days? weeks?

  “He’s someone I used to know a long time ago,” Gene tells her. “Not a good person. He’s the kind of guy who might…call up, and get a kick out of upsetting you.”

  They sit at the kitchen table, silently watching as Frankie eats his hamburger and corn on the cob. Gene can’t quite get his mind around it. DJ, he thinks, as he presses his finger against his hamburger bun, but doesn’t pick it up. DJ. He would be fifteen by now. Could he, perhaps, have found them? Maybe stalking them? Watching the house? Gene tries to fathom how DJ might have been causing Frankie’s screaming episodes. How he might have caused what happened last night—snuck up on Gene while he was sitting there watching TV and drugged him or something. It seems far-fetched.

  “Maybe it was just some random drunk,” he says at last, to Karen. “Accidentally calling the house. He didn’t ask for me by name, did he?”

  “I don’t remember,” Karen says, softly. “Gene…”

  And he can’t stand the doubtfulness, the lack of trust in her expression. He strikes his fist hard against the table, and his plate clatters in a circling echo. “I did not go out with anybody last night!” he says. “I did not get drunk! You can either believe me, or you can…”

  They are both staring at him. Frankie’s eyes are wide, and he puts down the corn cob he was about to bite into, as if he doesn’t like it anymore. Karen’s mouth is pinched.

  “Or I can what?” she says.

  “Nothing,” Gene breathes.

  There isn’t a fight, but a chill spreads through the house, a silence. She knows that he isn’t telling her the truth. She knows that there’s more to it. But what can he say? He stands at the sink, gently washing the dishes as Karen bathes Frankie and puts him to bed. He waits, listening to the small sounds of the house at night. Outside, in the yard, there is the swing set, and the willow tree—silver-gray and stark in the security light that hangs above the garage. He waits for a while longer, watching, half-expecting to see DJ emerge from behind the tree as he’d done in Gene’s dream, creeping along, his bony hunched back, the skin pulled tight against the skull of his oversized head. There is that smothering, airless feeling of being watched, and Gene’s hands are trembling as he rinses a plate under the tap.

  When he goes upstairs at last, Karen is already in her nightgown, in bed, reading a book.

  “Karen,” he says, and she flips a page, deliberately.

  “I don’t want to talk to you until you’re ready to tell me the truth,” she says. She doesn’t look at him. “You can sleep on the couch, if you don’t mind.”

  “Just tell me,” Gene says. “Did he leave a number? To call him back?”

  “No,” Karen says. She doesn’t look at him. “He just said he’d see you soon.”r />
  He thinks that he will stay up all night. He doesn’t even wash up, or brush his teeth, or get into his bedtime clothes. He just sits there on the couch, in his uniform and stocking feet, watching television with the sound turned low, listening. Midnight. One A.M.

  He goes upstairs to check on Frankie, but everything is okay. Frankie is asleep with his mouth open, the covers thrown off. Gene stands in the door way, alert for movement, but everything seems to be in place. Frankie’s turtle sits motionless on its rock, the books are lined up in neat rows, the toys put away. Frankie’s face tightens and untightens as he dreams.

  Two A.M. Back on the couch, Gene startles, half-asleep as an ambulance passes in the distance, and then there is only the sound of crickets and cicadas. Awake for a moment, he blinks heavily at a rerun of Bewitched, and flips through channels. Here is some jewelry for sale. Here is someone performing an autopsy.

  In the dream, DJ is older. He looks to be nineteen or twenty, and he walks into a bar where Gene is hunched on a stool, sipping a glass of beer. Gene recognizes him right away—his posture, those thin shoulders, those large eyes. But now, DJ’s arms are long and muscular, tattooed. There is a hooded, unpleasant look on his face as he ambles up to the bar, pressing in next to Gene. DJ orders a shot of Jim Beam—Gene’s old favorite.

  “I’ve been thinking about you a lot, ever since I died,” DJ murmurs. He doesn’t look at Gene as he says this, but Gene knows who he is talking to, and his hands are shaky as he takes a sip of beer.

  “I’ve been looking for you for a long time,” DJ says, softly, and the air is hot and thick. Gene puts a trembly cigarette to his mouth and breathes on it, choking on the taste. He wants to say, I’m sorry. Forgive me. But he can’t breathe. DJ shows his small, crooked teeth, staring at Gene as he gulps for air.

  “I know how to hurt you,” DJ whispers.

  Gene opens his eyes, and the room is full of smoke. He sits up, disoriented: For a second he is still in the bar with DJ before he realizes that he’s in his own house.

  There is a fire somewhere: he can hear it. People say that fire “crackles,” but in fact it seems like the amplified sound of tiny creatures eating, little wet mandibles, thousands and thousands of them, and then a heavy, whispered whoof, as the fire finds another pocket of oxygen. He can hear this, even as he chokes blindly in the smoky air. The living room has a filmy haze over it, as if it is atomizing, fading away, and when he tries to stand up it disappears completely. There is a thick membrane of smoke above him, and he drops again to his hands and knees, gagging and coughing, a thin line of vomit trickling onto the rug in front of the still chattering television.

  He has the presence of mind to keep low, crawling on his knees and elbows underneath the thick, billowing fumes. “Karen!” he calls. “Frankie!” but his voice is swallowed into the white noise of diligently licking flame. “Ach,” he chokes, meaning to utter their names.

  When he reaches the edge of the stairs he sees only flames and darkness above him. He puts his hands and knees on the bottom steps, but the heat pushes him back. He feels one of Frankie’s action figures underneath his palm, the melting plastic adhering to his skin, and he shakes it away as another bright burst of flame reaches out of Frankie’s bedroom for a moment. At the top of the stairs, through the curling fog he can see the figure of a child watching him grimly, hunched there, its face lit and flickering. Gene cries out, lunging into the heat, crawling his way up the stairs, to where the bedrooms are. He tries to call to them again, but instead, he vomits.

  There is another burst that covers the image that he thinks is a child. He can feel his hair and eyebrows shrinking and sizzling against his skin as the upstairs breathes out a concussion of sparks. He is aware that there are hot, floating bits of substance in the air, glowing orange and then winking out, turning to ash. For some reason he thinks of bees. The air thick with angry buzzing, and that is all he can hear as he slips, turning end over end down the stairs, the humming and his own voice, a long vowel wheeling and echoing as the house spins into a blur.

  And then he is lying on the grass. Red lights tick across his opened eyes in a steady, circling rhythm, and a woman, a paramedic, lifts her lips up from his. He draws in a long, desperate breath.

  “Shhhhh,” she says, softly, and passes her hand along his eyes. “Don’t look,” she says.

  But he does. He sees, off to the side, the long black plastic sleeping bag, with a strand of Karen’s blond hair hanging out from the top. He sees the blackened, shriveled body of a child, curled into a fetal position. They place the corpse into the spread, zippered plastic opening of the body bag, and he can see the mouth, frozen, calcified, into an oval. A scream.

  Cleopatra Brimstone

  Elizabeth Hand

  Her earliest memory was of wings. Luminous red and blue, yellow and green and orange; a black so rich it appeared liquid, edible. They moved above her and the sunlight made them glow as though they were themselves made of light, fragments of another, brighter world falling to earth about her crib. Her tiny hands stretched upwards to grasp them but could not: they were too elusive, too radiant, too much of the air.

  Could they ever have been real?

  For years she thought she must have dreamed them. But one afternoon when she was ten she went into the attic, searching for old clothes to wear to a Halloween party. In a corner beneath a cobwebbed window she found a box of her baby things. Yellow-stained bibs and tiny fuzzy jumpers blued from bleaching, a much-nibbled stuffed dog that she had no memory of whatsoever.

  And at the very bottom of the carton, something else. Wings flattened and twisted out of shape, wires bent and strings frayed: a mobile. Six plastic butterflies, colors faded and their wings giving off a musty smell, no longer eidolons of Eden but crude representations of monarch, zebra swallowtail, red admiral, sulphur, an unnaturally elongated hairskipper, and Agrias narcissus. Except for the narcissus, all were common New World species that any child might see in a suburban garden. They hung limply from their wires, antennae long since broken off; when she touched one wing it felt cold and stiff as metal.

  The afternoon had been overcast, tending to rain. But as she held the mobile to the window, a shaft of sun broke through the darkness to ignite the plastic wings, blood-red, ivy-green, the pure burning yellow of an August field. In that instant it was as though her entire being was burned away, skin hair lips fingers all ash; and nothing remained but the butterflies and her awareness of them, orange and black fluid filling her mouth, the edges of her eyes scored by wings.

  As a girl she had always worn glasses. A mild childhood astigmatism worsened when she was thirteen: she started bumping into things, and found it increasingly difficult to concentrate on the entomological textbooks and journals that she read voraciously. Growing pains, her mother thought; but after two months, Jane’s clumsiness and concomitant headaches became so severe that her mother admitted that this was perhaps something more serious, and took her to the family physician.

  “Jane’s fine,” Dr. Gordon announced after peering into her ears and eyes. “She needs to see the ophthalmologist, that’s all. Sometimes our eyes change when we hit puberty.” He gave her mother the name of an eye doctor nearby.

  Her mother was relieved, and so was Jane—she had overheard her parents talking the night before her appointment, and the words CAT scan and brain tumor figured in their hushed conversation. Actually, Jane had been more concerned about another odd physical manifestation, one which no one but herself seemed to have noticed. She had started menstruating several months earlier: nothing unusual in that. Everything she had read about it mentioned the usual things—mood swings, growth spurts, acne, pubic hair.

  But nothing was said about eyebrows. Jane first noticed something strange about hers when she got her period for the second time. She had retreated to the bathtub, where she spent a good half-hour reading an article in Nature about Oriental Ladybug swarms. When she finished the article, she got out of the tub, dressed, and br
ushed her teeth, then spent a minute frowning at the mirror.

  Something was different about her face. She turned sideways, squinting. Had her chin broken out? No; but something had changed. Her hair color? Her teeth? She leaned over the sink until she was almost nose-to-nose with her reflection.

  That was when she saw that her eyebrows had undergone a growth spurt of their own. At the inner edge of each eyebrow, above the bridge of her nose, three hairs had grown remarkably long. They furled back towards her temple, entwined in a sort of loose braid. She had not noticed them sooner because she seldom looked in a mirror, and also because the odd hairs did not arch above the eyebrows, but instead blended in with them, the way a bittersweet vine twines around a branch. Still, they seemed bizarre enough that she wanted no one, not even her parents, to notice. She found her mother’s eyebrow tweezers, neatly plucked the six hairs, and flushed them down the toilet. They did not grow back.

  At the optometrist’s, Jane opted for heavy tortoiseshell frames rather than contacts. The optometrist, and her mother, thought she was crazy, but it was a very deliberate choice. Jane was not one of those homely B movie adolescent girls, driven to Science as a last resort. She had always been a tomboy, skinny as a rail, with long slanted violet-blue eyes; a small rosy mouth; long, straight black hair that ran like oil between her fingers; skin so pale it had the periwinkle shimmer of skim milk.

  When she hit puberty, all of these conspired to beauty. And Jane hated it. Hated the attention, hated being looked at, hated that other girls hated her. She was quiet, not shy, but impatient to focus on her schoolwork, and this was mistaken for arrogance by her peers. All through high school she had few friends. She learned early the perils of befriending boys, even earnest boys who professed an interest in genetic mutations and intricate computer simulations of hive activity. Jane could trust them not to touch her, but she couldn’t trust them not to fall in love. As a result of having none of the usual distractions of high school—sex, social life, mindless employment—she received an Intel/Westinghouse Science Scholarship for a computer-generated schematic of possible mutations in a small population of viceroy butterflies exposed to genetically engineered crops. She graduated in her junior year, took her scholarship money, and ran.