Child of the Phoenix
Page 111
‘Steph, it’s Kim.’ The bubbly voice seemed to fill the place with sunshine. ‘Have you thought about my invitation? Come to Rome, Steph. Please. You can work here! Whatever you like. I’m rattling round in this apartment on my own. All my friends have gone away for the summer, it’s weeks before I’m leaving for the Lakes and I need you!’
Steph glanced uncomfortably over her shoulder at the door which led to the studio. When Kim had first issued her invitation she had hesitated. Rome in summer would be unbearably hot and noisy. Kim, widowed after less than ten years of marriage to her wonderful, too-good-to-be-true, adoring older man and ensconced in her beautiful flat in a palazzo, no less, and with his considerable fortune all to herself, just could not be as desolate as she made out. But then again perhaps she was and perhaps the lure of Rome was too exciting to ignore. After all, what had Steph to lose? At most a week or so’s production of her pots. Less, if she and Kim no longer got on as they had in the old days when they were all at college together. Half an hour later she had switched on her computer, booked her flight and was already rifling through her cupboard for her case.
Jess smiled ruefully as her sister’s voice rattled on until finally there was a pause.
‘Jess? Are you there? Aren’t you pleased for me? You knew Kim and I had kept in touch, didn’t you.’ Already there was a lilt of Wales in Steph’s voice.
‘That’s fantastic, Steph. Only …’ Jess grimaced. ‘Only, I was going to ask if I could come to Ty Bran to stay for a bit over the summer. I’m fed up with London and a bit desperate for a break. I want to go somewhere no one can find me. I want some peace to do some painting. Maybe rethink my lifestyle. I’m considering a career change. See if I can hack it as a painter.’ No point in telling her the real reason, spoiling Steph’s day; no point in making her feel she should cancel her holiday.
‘But that’s brilliant!’ Steph’s excitement dulled her usually perceptive reading of her sister’s moods. ‘Come here and welcome. In fact I’d be really pleased to have someone look after the place. My pot plants will need watering. If you come, that’s perfect! You can have some peace to do all the painting and thinking you want!’
Putting down the phone Jess sat for a moment staring towards the window. Was she doing the right thing? She was allowing someone to chase her out of the job she loved; out of the flat she adored, out of the city she had come to enjoy and she was allowing him to think he had got off Scot free. He had got off Scot free. There would be no police. No identification. No repercussions for him at all.
As the sunlight shone in through the window, focusing on her pale green patterned rug, illuminating in minute detail each small criss-crossed shape of the design, she heard the downstairs door bang and footsteps on the stairs. She held her breath. Slowly the steps grew closer, steady, loud, masculine. She swallowed, sweat breaking out between her shoulder blades. Had she locked her front door? Surely she had. She had become obsessive about it. She sat, unable to move, her eyes fixed on the door handle, hearing the sound reverberate round the flat. The steps reached the landing outside and she heard them stop. For a moment there was total silence, then slowly the steps began again, walking up towards the next flight. Only then did she realise that she had stopped breathing altogether. She was shaking from head to foot. Jumping to her feet, she went out into the hallway and checked the chain on the door. It was safely in place, as was the bolt and the deadlock. It was then, as usual, that her fear was replaced by anger. He had done this to her! No one … no one had the right to terrorise her like this, to make her feel vulnerable, threatened, in her own home! It was outrageous. She hated the man who had done this to her, and she hated herself for having been made a victim. She would not be a victim. Somehow she had to regain her confidence.
ACKNOWLEDGEMENTS
So many people helped me with their support and enthusiasm for this book, but I should like to thank especially the genealogists and archivists who contributed to the unravelling of the tale; I am very grateful for their patience and interest.
I should like to thank Janet Hanlon once more for her advice and also Jane, without whose organizational skills, help and humour present-day life would have disintegrated into a medieval miasma!
My heroine spent much of her life in four great residences. Of Fotheringhay virtually nothing remains. The site which once contained a great castle dreams on the banks of the River Nene, lost in memories of Mary, Queen of Scots, who died there and of Richard III who was born there. Of its far earlier occupants, the Earl and Countess of Huntingdon, nothing but faint echoes remain.
Kildrummy Castle too is a ruin, but an evocative and extensive ruin. I have been there several times since I was a child, but my last quick visit was one of the most enjoyable, entertained as we were with a lively account of the siege by young Scott Kelman, and the added information provided by his father, Tom.
At Falkland Palace we were made welcome by Elly Crichton Stuart and I should like to thank her for her hospitality and for showing us around the palace and for the help and advice which she and Thomas Puttfarken gave to me about the old castle.
Thanks also to Kathryn and Brian Gibson who made us so welcome at Pen-y-Bryn, the evocative and fascinating site of the Palace of Aber, of which tantalizing glimpses remain beneath and around their home.
And finally many thanks to Carole Blake and to Rachel Hore for their unfailing support and encouragement.
About the Author
A historian by training, Barbara Erskine is the author of ten bestselling novels that demonstrate her interest in both history and the supernatural, plus three collections of short stories. Lady of Hay was her first novel and has now sold over two million copies worldwide. She lives with her family in an ancient manor house near Colchester, and a cottage near Hay-on-Wye.
For more information about Barbara Erskine, visit her website, www.Barbara-Erskine.com.
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By The Same Author
LADY OF HAY
KINGDOM OF SHADOWS
ENCOUNTERS (short stories)
MIDNIGHT IS A LONELY PLACE
HOUSE OF ECHOES
DISTANT VOICES (short stories)
ON THE EDGE OF DARKNESS
WHISPERS IN THE SAND
HIDING FROM THE LIGHT
SANDS OF TIME (short stories)
DAUGHTERS OF FIRE
THE WARRIORS PRINCESS
Copyright
This novel is entirely a work of fiction.
The names, characters and incidents portrayed in it are
the work of the author’s imagination. Any resemblance to
actual persons, living or dead, events or localities is
entirely coincidental.
Harper
An imprint of HarperCollinsPublishers
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First published in Great Britain by
HarperCollinsPublishers 1992
Copyright © Barbara Erskine 1992
Barbara Erskine asserts the moral right to
be identified as the author of this work
A catalogue record for this book is
available from the British Library
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EPub Edition © MARCH 2009 ISBN: 9780007320936
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