The Moonshiner's Daughter
Page 1
Praise for Donna Everhart’s
The Education of Dixie Dupree
An Indie Next List Selection!
“A searingly honest coming of age story with a heroine unlike any other I’ve met in a long time. I read this book through from start to finish in one sitting, simply unable and unwilling to put it down. Here’s to another beautiful novel from Donna Everhart.”
—Holly Chamberlin, author of A Wedding on the Beach
“Secrets, lies, peach cobbler, grits, a hot Alabama sun, and a girl named Dixie Dupree who shows courage in the face of betrayal, strength when all falls down around her, and shining hope in the darkness. This is a story you’ll read well into the night.”
—Cathy Lamb, author of All About Evie
“A poignant coming of age novel as gritty as red Alabama dirt. Dixie Dupree will stay with you long after you’ve turned the last page.”
—Colleen Faulkner, author of Our New Normal
And praise for The Forgiving Kind
“Reminiscent of the novels of Lee Smith, Kaye Gibbons, and Sandra Dallas, Everhart builds a firm sense of place, portraying the tiredness and hope of a dry Southern summer and voicing strong women.”
—Booklist
“Donna Everhart has once again achieved the difficult task of expertly weaving light into a dark story.”
—Eldonna Edwards, author of Clover Blue
“With a diverse cast and layered themes,
The Forgiving Kind may be Everhart’s best yet.”
—Historical Novels Review
Books by Donna Everhart
THE EDUCATION OF DIXIE DUPREE
THE ROAD TO BITTERSWEET
THE FORGIVING KIND
THE MOONSHINER’S DAUGHTER
Published by Kensington Publishing Corporation
THE MOONSHINER’S DAUGHTER
DONNA EVERHART
KENSINGTON BOOKS
www.kensingtonbooks.com
All copyrighted material within is Attributor Protected.
Table of Contents
Praise for Donna Everhart’s The Education of Dixie Dupree An Indie Next List Selection!
Also by
Title Page
Copyright Page
Dedication
Acknowledgments
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Epilogue
Author’s Note
THE MOONSHINER’S DAUGHTER
DISCUSSION QUESTIONS
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
KENSINGTON BOOKS are published by
Kensington Publishing Corp.
119 West 40th Street
New York, NY 10018
Copyright © 2020 by Donna Everhart
All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.
Kensington and the K logo Reg. U.S. Pat. & TM Off.
ISBN-13: 978-1-4967-1703-0 (ebook)
ISBN-10: 1-4967-1703-1 (ebook)
Kensington Electronic Edition: January 2020
ISBN: 978-1-4967-1702-3
For Mom, a warrior—battle on
Acknowledgments
An author’s success is built on the backs of many. Without the help, encouragement, and hard work from the following people, I would most likely still be an IT cubicle rat working somewhere in corporate America. To that end, I would like to extend my sincere appreciation to the following individuals:
To John Scognamiglio, I am truly indebted to you for your inspiring words and the enthusiasm you express for my stories. Those moments are the fuel to the furnace of my imagination.
To John Talbot, my talented agent, you’ve shown nothing but rock-solid support over the years and it is so appreciated. Your dedication to me, and my writing, have enabled me to keep moving forward with my career.
Vida and Lulu, you make the magic happen behind the scenes. I am deeply grateful for your efforts, and tireless promotion on my behalf.
Kris, I am in awe of your talent. Your cover designs steal my breath away.
To Lauren, Paula, and the rest of the Kensington team, I am indebted to all of you for what you do, each and every day.
My fellow Kensington authors, Mandy, Eldonna, and Lynne, there is no doubt having you as part of my life enriches me beyond measure.
To all the independent bookstores and booksellers who strive to help authors connect to readers, you provide an important service to our communities; my profound thanks to you.
To the libraries that nurture and encourage a reading life that often begins for many in schools, and beyond, I owe you a lifetime of gratitude. Visiting the library as a child was the highlight of my week while growing up.
To all the book clubs, I am truly appreciative of your support for my work.
Jamie Adkins, of The Broad Street Deli and Market, you have created such a special place in our small town, and in my heart.
To the book cheerleaders who work so hard to diligently promote my work online through social media, I am grateful. It’s because of individuals like you that word of mouth about good books has taken on new meaning. From Kristy Barrett, to Susan Peterson, Linda Zagon, Susan Roberts, Leslie Hamod, Dawnny and Denise (the dynamic duo!). and too many more to name, thank you again and again!
A very special thank-you to a fierce writer, J. C. Sasser, not only for the use of your last name, but for all those phone calls, the friendship, and so much more.
I am forever grateful to my family for always being there and supporting me. I love you all very much.
To Blaine, my devoted husband, I know no words are necessary, but sometimes they are, and this is one of those times. You always tell me “don’t worry,” and I do anyway, but I still need to hear that because it means you have faith in what I do. All my love, always.
We wander, question. But the answer waits in each separate heart—the answer of our own identity and the way by which we can master loneliness and feel that at last we belong.
—Carson McCullers,
The Mortgaged Heart: Selected Writings, 1971
Chapter 1
The only memory I have of Mama, she was on fire.
I’d been watching my baby brother, Merritt, digging in the dirt, when I heard a subtle pop, then a loud explosion, and the big pot Daddy and Mama were always tending suddenly burst into flames, and so did Mama. The sight made me grip hold of Merritt’s hand hard enough to make him squeal.
Daddy would sometimes have to burn tent caterpillars. He’d hold a flaming end to the white cottony fuzz woven around the branches of the apple trees, and as the n
ests blazed, the black wormy bodies fell and hit the ground like the soft patter of raindrops. Fire always saved the fruit, but it’s what took Mama from us.
Mama took off running, going this way and that.
Daddy yelled, “Lydia!” and then, “Stay there, Jessie!” to me.
Merritt had already gone back to stabbing a stick in the mud over and over, making baby noises, completely unaware. Mama beat her hands against her head; then they caught fire too. She ran in a zigzag pattern, as if performing a strange and chaotic dance.
Daddy tried to catch her, yelling over and over, “Stop running!”
Somehow she evaded him, his efforts to help. He stumbled, twisted his ankle, and then he couldn’t run near as fast, staggering after her, limping badly.
She didn’t make any noise until the last seconds before she fell, when she shrieked his name, “Easton!”
The cry came long, and high-pitched, like a siren. She faltered, collapsed, everything from her head down to the tops of her legs consumed. Daddy threw himself over her, smacking his hands along her body. His movements frantic, he jerked his T-shirt over her head and pulled it down as far as it would go. If the flames singed him while he held her, he didn’t act like he noticed. Puffs of smoke curled and drifted around them like tiny gray clouds while an odd stench penetrated my nose, a distinct smell that held me rooted in place. The imprint of her face came through his shirt.
I quit crying and waited for them to get up, for her to start laughing and say, Did I scare you?
The fabric over her face where her mouth pushed against the cloth was a perfect oval. The only movement a slow sucking in and out of the now smutty material. That spot mesmerized me. In. out. After a few seconds, the area no longer moved. Daddy struggled to sit upright, still cradling her upper half. Her arms lay limp at her sides, hands blackened. He tilted his head like he didn’t understand what happened any more than I did.
He bent close, whispered in the area of her ear, “Lydia?”
Mama didn’t answer, didn’t move. I remained fixated, waiting. He pulled his shirt up and away. Where she’d been creamy-skinned, she was raw, charred, peeling. Her hair was mostly gone, and only a few wispy clumps still clung to her skull, while her blouse was near about scorched off. It didn’t matter though, because everything, her face, the lack of movement, was wrong, all wrong. It was as if she’d melted away, and my world turned as lopsided as the crooked bend of her torso in his arms.
Merritt had lost interest in his dirt digging and started toward them, steps unsteady as he made his way over the roots and leaves, dragging the stick along the ground.
He whispered, “Mama-mama-mama,” but this was overtaken by Daddy’s gasping.
He appeared to be trying to breathe for the both of them. He made noises such as I’d never heard before.
I mimicked Merritt, whispering, “Mama?”
This is what I remember. The three of us making our distress known while Mama lay forever silent.
* * *
I was four years old when she died, according to the date on her gravestone, July 10, 1948. It was twelve years ago, and although I’ve tried to remember her before that terrible day, I can’t. Her features before the accident are blurry, like a picture that’s had water dropped on it, smearing everything so it’s like looking through a frosty window. I also can’t say what happened right after, what we did, where we went, who came to help us. I can’t call to mind no service, or the burial. Obviously there was one because of that gravestone, which holds all I know, her name, Lydia Marsh Sasser, and the date of her death, both engraved within a heart.
New routines filled the empty gaps her passing left in our small world. Somehow, we made do. There’d be times when I’d purposefully recall what little I knew, and each image would flip by in my head, like the slide projectors teachers use in school. Sometimes there’d be moments when something from deep within would break through all on its own. Once was when I was around eleven, and Merritt and I’d gone to one of the stills tucked back in the woods where we were making sour mash. There’s an odor to it, and I came to realize I’d smelled that very same thing just before Mama caught fire. A puzzle piece fell into place. Merritt, who was nine, happened to bring her up as I was having this moment of clarity.
He said, “Jessie, you reckon our mama ever did this?”
My hands had gone sweaty as that one single thought dared to peek through a thick veil, surfacing through foamy memory, boldly rising up and out of my head, like the bubbles in the sour mash I stirred.
I mumbled, “I don’t know, but I think it’s what killed her.”
Merritt stopped poking at the wood he was stacking under the boiler, my comment so out of the blue neither of us moved for several seconds. I quit stirring, and kicked at the collected logs nearby.
I pointed at the boiler, “The day she died, it smelled like that, but there was another odor too.”
Merritt grew wide-eyed. “What was it?”
I shook my head, wouldn’t allow that uglier fragment to emerge.
“I don’t want to remember that part.”
“Was I there?”
“Yes.”
“What was I doing?”
“Playing in the dirt.”
“And then what?”
“I don’t know.”
The tops of the trees overhead created lacy, waving patterns of green against a blanket of solid gray, thick, and heavy. Above the clouds existed a deep blue heaven, and a sun that shone hot and brilliant, but it was as if that world didn’t exist at this moment. Trying to remember her as she’d been was like that. If I could wipe away the clouds in my head, I was sure I’d be able to bring her to mind. He’d gone back to stacking wood, and I’d gone back to stirring the mash.
Daddy refusing to talk about Mama was like trying to solve a math problem with only part of the equation. This is impossible because you’ve got to have all the necessary steps, and without his help I was stuck. Back then, I’d ask him about it every now and then.
“When Mama died, there was a popping sound, and then a bigger noise; what happened?”
He’d say, “Jessie, it was so long ago.”
“But Daddy, she was burning, I remember it. How did it happen?”
“I wished you’d not ask them questions. Think about something else.”
“Well. Why ain’t we got no pictures of her?”
“I got to get to work. Don’t forget to lock up when y’all leave for the bus.”
There came the time when he started to get mad about it and he’d yell at me, “Jessie! I mean it! One more word about that, and you’ll regret it!”
I crept away and the pan of peach cobbler I’d made the night before became my temporary solace. I pulled it from the oven, grabbed a spoon, and stuck one in Merritt’s hand too.
He quit after a few bites. “I can’t eat no more.”
I stopped but only for a second. I could eat more, and I did. I ate and ate, miserably spooning in sweet, slick peaches, soft buttery cake, while scraping the sugary golden syrup off the bottom of the pan. It was half-gone before I realized it, and then I was so sick I wanted to throw up. Had to. I went down the hall and into the bathroom holding my tight stomach. I stared at the toilet and thought how it felt when I had a stomach bug, the misery of getting sick, and the relief that followed. I got on my knees. I tried gagging. It didn’t work. I remembered how when I brushed my teeth, I’d sometimes get the toothbrush too far back and it would almost make me throw up, so I tried sticking my finger down my throat. I did it again, a little farther, and retched. Again, again. Finally, the cobbler came up and a good, clean feeling followed. I felt better.
Relieved, I sat on the floor. It made no sense how Daddy acted. I was simply asking about Mama, how she died. His aggravation and refusal to talk about her fueled my strange hunger, and after I would always feel the need to rid myself of all I could, as if by doing so I could expel my own anger.
It worked for a while.
Time came and went with little change. When I was thirteen, I asked Uncle Virgil about her. He rubbed at his neck where the skin was sunburned, and it flushed even deeper after he dropped his hand.
His voice cranky, like I’d asked about the birds and the bees, he said, “Don’t be asking me them questions; ask your daddy.”
I said, “He don’t never tell me nothing.”
Aunt Juanita, who’d married Uncle Virgil a couple years after Mama died, didn’t know a thing about her. I complained to her once and she waved her cigarette so dramatically, the end point flared orange and ash hit the floor.
She said, “Well, it’s a doggone shame she ain’t here to raise you and your brother,” then narrowed her eyes at the bowl of ice cream and chocolate syrup I cradled in my lap. “Honey, listen, I can’t be your mama, can’t expect to take her place, but take it from me, ain’t no man ever gonna want to marry no tub of lard.”
She took my bowl, yet half-full, and put it in the sink, smiling a little to herself like she’d done right by me and her way of thinking. I became self-conscious about my belly, my thighs, and my breasts—because that’s where she looked next. They kept growing faster than anything else. The next day she came to the house with two new bras stuffed into a bag.
“You got to start wearing these or all manner of hound dogs are gonna be showing up here at this door.”
You could say Aunt Juanita was a blend of sympathy and meanness, neither all that helpful. I wore the bras, and didn’t ever bring Mama up to her after that. That had left Mama’s mama, Granny Marsh, who couldn’t talk or do much for herself after a massive stroke. We would stop at the rest home to see her, only she didn’t know we were there most times. I’d look for any resemblance, believing Mama had to have had her features.