The Annotated Hans Christian Andersen

by Hans Christian Andersen

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  Brust, Beth Wagner. The Amazing Paper Cuttings of Hans Christian Andersen. New York: Houghton Mifflin, 2003.

  Burnett, Constance Buel. The Shoemaker’s Son: The Life of Hans Christian Andersen. London: George G. Harrap, 1943.

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  Collins, Emily. “Nabokov’s Lolita and Andersen’s The Little Mermaid.” Nabokov Studies 9 (2005): 77–100.

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  _______. “Hans Christian Andersen’s Tales and America.” Scandinavian Studies 40 (1968): 1–25.

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  Deleuze, Gilles. Masochism: Coldness and Cruelty & Venus in Furs. Trans. Jean McNeil. New York: Zone Books, 1989.

  Detering, Heinrich. “The Phoenix Principle: Some Remarks on H. C. Andersen’s Poetological Writings.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 50–65.

  Dinnerstein, Dorothy. “ ‘The Little Mermaid’ and the Situation of the Girl.” Contemporary Psychoanalysis 3 (1967): 104–12.

  _______. The Mermaid and the Minotaur: Sexual Arrangements and Human Malaise. New York: Harper & Row, 1976.

  Dollerup, Cay. “Translation as a Creative Force in Literature: The Birth of the European Bourgeois Fairy-Tale.” Modern Language Review 90 (1995): 94–102.

  Doty, Alexander. “The Queer Aesthete, the Diva, and The Red Shoes.” Out Takes: Essays on Queer Theory and Film, ed. Ellis Hanson, 46–71. Durham: Duke Univ. Press, 1999.

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  Dundes, Alan. “The Trident and the Fork: Disney’s ‘The Little Mermaid’ as a Male Construction of an Electral Fantasy.” In Bloody Mary in the Mirror: Essays in Psychoanalytic Folkloristics, 55–75. Jackson: Univ. Press of Mississippi, 2002.

  Easterlin, Nancy. “Hans Christian Andersen’s Fish out of Water.” Philosophy and Literature 25 (2001): 251–77.

  Eisenberg, Deborah. “In a Trance of Self.” In Bernheimer, Mirror, Mirror on the Wall, 115–32.

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  Esrock, Ellen J. “ ‘The Princess and the Pea’: Touch and the Private/Public Domains of Women’s Knowledge.” Knowledge and Society 12 (2000): 17–29.

  Estés, Clarissa Pinkola. Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. New York: Ballantine, 1992.

  Fass, Barbara. “The Little Mermaid and the Artist’s Quest for a Soul.” Comparative Literature Studies 9 (1972): 291–302.

  Fell, Christine E. “Symbolic and Satiric Aspects of Hans Andersen’s Fairy-Tales.” Leeds Studies in English 1 (1967): 83–91.

  Flook, Maria. “The Rope Bridge to Sex.” In Bernheimer, Mirror, Mirror on the Wall, 115–32.

  Forster, John. The Life of Charles Dickens. Ed. A. J. Hoppé. London: Dent, 1969.

  Frank, Diana Crone, and Jeffrey Frank. “Hans Christian Andersen’s American Dream.” Scandinavian Review 91 (3): 70–79.

  Freud, Sigmund. The Interpretation of Dreams. New York: Random House/Modern Library, 1994.

  Gambos, Anita L. “The Ugly Duckling, Hans Christian Andersen: A Story of Transformation.” Children’s Folklore Newsletter 26 (2003): 63–76.

  Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. 2nd ed. New Haven: Yale Univ. Press, 2000.

  Giroux, Henry A. “Are Disney Movies Good for Your Kids?” In Kinderculture: The Corporate Construction of Childhood, ed. Shirley R. Steinberg and Joe L. Kincheloe, 53–67. Boulder, CO: Westview, 1997.

  Godden, Rumer. Hans Christian Andersen: A Great Life in Brief. New York: Knopf, 1955.

  Goodman, Ailene S. “The Extraordinary Being: Death and the Mermaid in Baroque Literature.” Journal of Popular Culture 17 (1983): 32–48.

  Gopnik, Adam. “Magic Kingdoms: What Is a Fairy Tale Anyway?” The New Yorker, December 9, 2002, 136–40.

  Gornick, Vivian. “Taking a Long Hard Look at ‘The Princess and the Pea.’ ” In Bernheimer, Mirror, Mirror on the Wall, 148–57.

  Grealy, Lucy. “Girl.” In Bernheimer, Mirror, Mirror on the Wall, 158–73.

  Greenacre, Phyllis. “Hans Christian Andersen and Children.” The Psychoanalytic Study of the Child 38 (1983): 617–35.

  Greenway, John L. “Reason in Imagination in Beauty: Oersted’s Acoustics and H. C. Andersen’s ‘The Bell.’ ” Scandinavian Studies 63 (1991): 318–25.

  Griffith, John. “Personal Fantasy in Andersen’s Fairy Tales.” Kansas Quarterly 16 (1984): 81–88.

  Grønbech, Bo. Hans Christian Andersen. Boston: Twayne/G. K. Hall, 1980.

  Guest, Ivor. The Romantic Ballet in Paris. Middletown, CT: Wesleyan Univ. Press, 1966.

  Haugaard, Erik C. “Hans Christian Andersen: A Twentieth-Century View.” Scandinavian Review 14 (1975): 1–15.

  Hees, Annelies van. “The Little Mermaid.” In Sondrup, H. C. Andersen: Old Problems and New Readings, 259–70.

  _______. “Stylistics and Poetics in Some Andersen Tales.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 67–86.

  Heltoft, Kjeld. Hans Christian Andersen as an Artist. Trans. Reginald Spink. Copenhagen: Royal Danish Ministry of Foreign Affairs, Rosenkilde and Bagger, 1977.

  Hesse, Karen. The Young Hans Christian Andersen. Illus. Erik Blegvad. New York: Scholastic, 2005.

  Holbek, Bengt. “Hans Christian Andersen’s Use of Folktales.” In A Companion to the Fairy Tale, ed. Hilda Ellis Davidson and Anna Chaudhri, 149–58. Woodbridge, Suffolk, England: D. S. Brewer, 2003.

  Holden, Stephen. “The Great, Big Worries of Such a Tiny Girl.” New York Times, March 30, 1994.

  Houe, Poul. “Andersen in Time and Place—Time and Place in Andersen.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 87–107.

  _______. “Going Places: Hans Christian Andersen, the Great European Traveler.” In Rossel, Hans Christian Andersen: Danish Writer and Citizen of the World, 126–75.

  _______. “Hans Christian Andersen’s Andersen and t
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  Høyrup, Helene. “Childhood as the Sign of Change: Hans Christian Andersen’s Retellings of the Concept of Childhood in the Light of Romanticism, Modernism, and Children’s Own Cultures.” In Change and Renewal in Children’s Literature, ed. Thomas van der Walt, 89–100. Westport, CT: Praeger, 2004.

  Hugus, Frank. “Hans Christian Andersen: The Storyteller as Social Critic.” Scandinavian Review 87 (1999): 29–36.

  Ingwersen, Niels. “Being Stuck: The Subversive Andersen and His Audience.” In Studies in German and Scandinavian Literature after 1500: A Festschrift for George C. Schoolfield, ed. James A. Parente Jr. and Richard Erich Schade, 166–80. Columbia, SC: Camden House, 1993.

  _______. “How Enigmatic Is Hans Christian Andersen? On Three Recent Biographies.” Scandinavian Studies 76 (2004): 535–48.

  _______. “ ‘I Have Come to Despise You’: Andersen and His Relationship to His Audience.” Fabula 46 (2005): 17–28.

  Jensen, Inger Lise. “Why Are There So Many Interpretations of H. C. Andersen’s ‘The Shadow’?” In Sondrup, H. C. Andersen: Old Problems and New Readings, 281–94.

  Johansen, Jørgen Dines. “The Merciless Tragedy of Desire: An Interpretation of H. C. Andersen’s ‘Den Lille Havfrue.’ ” Scandinavian Studies 68 (1996): 203–41.

  _______. “Counteracting the Fall: ‘Sneedronningen’ and ‘Iisjomfruen.’ The Problem of Adult Sexuality in Fairytale and Story.” Scandinavian Studies 74 (2002): 37–48.

  Johnson, Kristi Planck. “The Millennium: Vision Leads to Travel.” In Sondrup, H. C. Andersen: Old Problems and New Readings, 271–80.

  Jørgensen, Aage. “Heroes in Hans Christian Andersen’s Writings.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 270–87.

  ______. “Hidden Sexuality and Suppressed Passion: A Theme in Danish Golden Age Literature.” Neohelicon 19 (1992): 153–74.

  _______. “ ‘What Would the Children Say . . . ?’ ‘The Marsh King’s Daughter’ Revisited.” In Sondrup, H. C. Andersen: Old Problems and New Readings, 235–58.

  Kast, Verena. Folktales as Therapy. Trans. Douglas Whitcher. New York: Fromm International Publishing, 1995.

  Kawan, Christine Shojaei. “The Princess and the Pea: Andersen, Grimm, and the Orient.” Fabula 46 (2005): 89–105.

  Kent, Leonard J., and Elizabeth C. Knight. Tales of E.T.A. Hoffmann. Chicago: Univ. of Chicago Press, 1969.

  Kierkegaard, Søren. “Andersen as a Novelist: With Continual Reference to His Latest Work, Only a Fiddler.” In Early Polemical Writings, ed. Julia Watkin. Princeton: Princeton Univ. Press, 1990.

  Klass, Perri. “No Good Deed Goes Unpunished: Or, The Little Match Girl Syndrome.” New York Times Book Review, December 2, 1990, 7–9.

  Kleivan, Inge. “Arctic Elements in the Writings of Hans Christian Andersen.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 289–300.

  Koelb, Clayton. “The Shady Character of Literature: H. C. Andersen’s ‘The Shadow.’ ” In Inventions of Reading: Rhetoric and the Literary Imagination. Ithaca: Cornell Univ. Press, 1988.

  Kofoed, Niels. “Hans Christian Andersen and the European Literary Tradition.” In Bloom, Hans Christian Andersen, 115–74.

  Kramer, Nathaniel. “H. C. Andersen’s ‘Tante Tandpine’ and the Crisis of Representation.” In Sondrup, H. C. Andersen: Old Problems and New Readings, 7–32.

  Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Penguin, 1997.

  Kuznets, Lois Rostow. When Toys Come Alive: Narratives of Animation, Metamorphosis, and Development. New Haven: Yale Univ. Press, 1994.

  Lederer, Wolfgang. The Kiss of the Snow Queen: Hans Christian Andersen and Man’s Redemption by Women. Berkeley: Univ. of California Press, 1986.

  Le Guin, Ursula K. “The Child and the Shadow.” In The Language of the Night: Essays on Fantasy and Science Fiction, ed. Susan Wood, 49–60. Revised Edition. London: Women’s Press, 1989.

  Levy, Michael. “Visions of the Snow Queen.” New York Review of Science Fiction 16 (2004): 15–18.

  Lewis, C. S. “Sometimes Fairy Stories May Say Best What’s to Be Said.” In Of Other Worlds: Essays and Stories. New York: Harcourt, 1994.

  Lewis, Naomi. “Introduction.” In Hans Christian Andersen’s The Snow Queen. Illus. Angela Barrett. New York: Henry Holt, 1988.

  Lewis, Tess. “A Drop of Bitterness: Andersen’s Fairy Tales.” Hudson Review 54 (2002): 679–86.

  Libbrecht, Kenneth. The Snowflake: Winter’s Secret Beauty. St. Paul, MN: Voyageur, 2003.

  Lüthi, Max. The European Folktale: Form and Nature. Bloomington: Indiana Univ. Press, 1986.

  Mackie, Erin. “Red Shoes and Bloody Stumps.” In Footnotes: On Shoes, ed. Shari Benstock and Suzanne Ferriss, 233–47. New Brunswick: Rutgers Univ. Press, 2001.

  Malmkjær, Kirsten. “Translational Stylistics: Dulcken’s Translations of Hans Christian Andersen.” Language and Literature 13 (2004): 13–24.

  Manning-Sanders, Ruth. Swan of Denmark: The Story of Hans Christian Andersen. London: Heinemann, 1949.

  Mannoni, Maud. “Hans Christian Andersen: A Childhood, a Life.” In Separation and Creativity: Refinding the Lost Language of Childhood, 143–56. New York: Other Press, 1999.

  Massengale, James. “The Miracle and A Miracle in the Life of a Mermaid.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 555–76.

  _______. “Ut Poesis (Picturae) Musica.” In Sondrup, H. C. Andersen: Old Problems and New Readings, 33–73.

  Melchior-Bonnet, Sabine. The Mirror: A History. New York: Routledge, 2002.

  Meltzer, Françoise. Salome and the Dance of Writing: Portraits of Mimesis in Literature. Chicago: Univ. of Chicago Press, 1989.

  Meyer, Priscilla, and Jeff Hoffman. “Infinite Reflections in Nabokov’s Pale Fire: The Danish Connection, Hans Andersen and Isak Dinesen.” Russian, Croatian and Serbian, Czech and Slovak, Polish Literature 41 (1997): 197–22.

  Meynell, Esther. The Story of Hans Andersen. New York: H. Schuman, 1950.

  Miller, Alice. For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence. New York: Farrar, Straus and Giroux, 1990.

  Mishler, William. “H. C. Andersen’s ‘Tin Soldier’ in a Freudian Perspective.” Scandinavian Studies 50 (1978): 389–95.

  Mitchell, David T., and Sharon L. Snyder. Narrative Prosthesis: Disability and the Dependencies of Discourse. Ann Arbor: Univ. of Michigan Press, 2001.

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  Mylius, Johan de. H. C. Andersens liv. Dag for Dag. Copenhagen: Aschehoug, 1998.

  _____. “Hans Christian Andersen and the Music World.” In Rossel, Hans Christian Andersen: Danish Writer and Citizen of the World, 176–208.

  _______. Hans Christian Andersen and the World. http://www.andersen.sdu.dk/forskning/konference/verden/titelblad_e.html.

  _______. “Hans Christian Andersen—on the Wave of Liberalism.” In Mylius et al., Hans Christian Andersen: A Poet in Time, 109–24.

  Mylius, Johan de, Aage Jørgensen, and Viggo Hjørnager Pedersen, eds. Hans Christian Andersen: A Poet in Time. Odense: Odense Univ. Press, 1999.

  Nassaar, Christopher S. “Andersen’s ‘The Shadow’ and Wilde’s ‘The Fisherman and His Soul’: A Case of Influence.” Nineteenth-Century Literature 50 (1995): 217–25.

  Nielsen, Erling. Hans Christian Andersen. Trans. Reginald Spink. Copenhagen: Press and Information Department of the Royal Danish Ministr
y of Foreign Affairs, 1963.

  Nikolajeva, Maria, and Carole Scott. How Picturebooks Work. New York, Garland, 2001.

  Nissenbaum, Stephen. The Battle for Christmas: A Cultural History of America’s Most Cherished Holiday. New York: Random House/Vintage, 1996.

  Nunnally, Tiina. “Removing the Grime from Scandinavian Classics.” World Literature Today 80 (2006): 38–42.

  Nybo, Gregory. “A Synopsis.” Scandinavian Studies 62 (1990): 416–18.

  Oates, Joyce Carol. The Faith of a Writer: Life, Craft, Art. New York: Harper Perennial, 2004.

  _______. “In Olden Times, When Wishing Was Having: Classic and Contemporary Fairy Tales.” In Bernheimer, Mirror, Mirror on the Wall, 260–83.

  Opie, Iona, and Peter Opie. “Tommelisa.” In The Classic Fairy Tales. New York: Oxford Univ. Press, 1974.

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  Pedersen, Viggo Hjørnager. “Hans Andersen as an English Writer.” In Proceedings from the Second Nordic Conference for English Studies, ed.Håken Ringbom, Matti Rissanen, and Graham Caie. Åbo: Åbo Akademi, 1984.

  _______. “A Mermaid Translated: An Analysis of Some English Versions of Hans Christian Andersen’s ‘Den lille Havfrue.’ ” Dolphin 18 (1990): 7–20.

  _______. Ugly Ducklings? Studies in the English Translations of Hans Christian Andersen’s Tales and Stories. Odense: Univ. Press of Southern Denmark, 2004.

  Pickard, P. M. I Could a Tale Unfold: Violence, Horror & Sensationalism in Stories for Children. London: Tavistock, 1961.

  Pinker, Steven. How the Mind Works. New York: W. W. Norton, 1997.

  Pinkney, Jerry. Introduction to Hans Christian Andersen, The Ugly Duckling. New York: Harper Collins, 1999.

  Porsdam, Helle. Copyright and Other Fairy Tales: Hans Christian Andersen and the Commodification of Creativity. Cheltenham, England: Edward Elgar, 2006.

  Powell, Michael, and Emeric Pressburger. The Red Shoes. New York: St. Martin’s Press, 1978.

  Prince, Alison. Hans Christian Andersen: The Fan Dancer. London: Allison & Busby, 1998.