The Difference Engine
Page 43
"But there has been no change in the contempt in which you honorable gentlemen seem to hold me. On the contrary, the last two nights have been taken up with a debate on a vote of want-of-confidence, directed, obviously and especially, against the head of the Government. The discussion has been marked with more than usual violence against my office, and there has been no defense from any of you—the members of my own Cabinet.
"How, under these circumstances, are we to successfully resolve the matter of the murder of the Reverend Alistair Roseberry? This shameful, atavistic crime, brutally perpetrated within a Christian church, has blackened the reputation of Party and Government, and cast the gravest doubts on our intentions and integrity. And how are we to root out the murderous dark-lantern societies whose power, and provocative daring, grows daily?
"God knows, gentlemen, that I never sought my present office. Indeed, I would have done anything, consistent with honor, to avoid assuming it. But I must be master in this House, or else resign my office—abandoning this nation to the purported leadership of men whose intentions are increasingly stark in their clarity. Gentlemen, the choice is yours."
Death of the Marquess of Hastings
Yes, sir, two-fifteen to be quite exact, sir—and no other way to be, as we're on the Colt & Maxwell system of patent punch-clocks.
Just a sort of dripping sound, sir.
For a moment I took it to be a leakage, forgetting the night was clear. Rain, I thought, and that was all my anxiety, sir, thinking the Land Leviathan would be damaged by damp, so I flung my lantern's beam up quick, and there the poor rascal hung, and blood all down the Leviathan's neck-bones, sir, and all on the—what d'ye call 'em?—the armatures, what hold the beast upright. And his head a bloody min, sir—no longer as you'd call a head at all. Dangling there by his ankles from this manner of harness, and I saw the ropes and pulleys going straight up, taut, into the dark of the great dome, and the sight struck me so, sir, that it wasn't till I'd sounded the alarm that I saw the Leviathan's head was missing too.
Yes, sir, I do believe that to be the case—the manner in which it was done. He was lowered down from the dome and did the job up there, in the dark, and paused when he'd hear my footsteps, and then continue his work. The work of some hours, for they'd had to rig their lines and pulleys. Likely I passed beneath them several times, on my watch. And when he'd got it free, the head, sir, someone else winched it up, and took it away through that panel they'd unbolted. But something must have given, sir, or slipped, for down he came, square into the floor, best Florentine marble that is. We found where his brains had been dashed, sir, though I'd as soon forget it. And I did then recall a sound, sir, likely of him striking, but no outcry.
If I may say, sir, what strikes me as vilest, in the whole business, must be the cool way they hauled him back up, quiet as spiders, and left him slung there, like a coney in a butcher's window, and stole away across the roof-top with their booty. There's a deal of meanness in that, isn't there?
–KENNETH REYNOLDS, night watchman, the Museum of Practical Geology, in deposition before Magistrate G. H. S. Peters, Bow Street, Nov. 1855.
Believe Me Always
MY DEAR EGREMONT,
I write to you to express my profound regret that the circumstances of the moment should deprive me of the opportunity and hope of enlisting your great capacity in the further service of Party and Government.
You will well understand that my recognition of your difficult personal circumstances is absolutely separate from any want of confidence in you as a statesman; this is the last idea I should wish to convey.
How can I close without fervently expressing to you my desire that there may be reserved for you a place of permanent public distinction?
Believe me always,
Yours sincerely,
I. K. BRUNEL
–Ministerial letter to Charles Egremont, M.P., Dec. 1855.
Memorandum to the Foreign Office
On this occasion, our distinguished guest, the ex-President of the American Union, Mr. Clement L. Vallandigham, got as drunk as a fiddle. The eminent Democrat showed that he could be as profligate as any English Lord. He fumbled Mrs. A., kissed the shrieking Miss B., pinched the plump Mrs. C. black and blue, and ran at Miss D. with flagrant intent to ravish her!
Finally, after throwing our female guests into hysterics by behaving like an elephant in must, the noble beast was captured by main force, and carried upstairs, all four feet in the air, by our household staff. Within his room, Mrs. Vallandigham was awaiting him, in shift and mobcap. There and then, to our considerable amazement, this remarkable man satiated his baffled lust on the unresisting body of his legitimate spouse, and copiously vomited during the operation. Those who have seen Mrs. Vallandigham would not think this latter incredible.
News has now reached me that the former President of Texas, Samuel Houston, has died in Veracruz, in his Mexican exile. He was, I believe, awaiting any call to arms that might have brought him back to eminence; but the French alcaldes were likely too wily for him. Houston had his faults, I know, but he was easily worth ten of Clement Vallandigham, who made a shrinking peace with the Confederacy, and has allowed the vultures of Red Manhattan Communism to gnaw the carcass of his dishonored country.
–LORD LISTON, 1870.
Before the Rads
[The following testament is a sound-recording inscribed on wax. One of the earliest such recordings, it preserves the spoken reminiscences of Thomas Towler (b. 1790), grandfather of Edward Towler, inventor of the Towler Audiograph. Despite the experimental nature of the apparatus employed, the recording is of exceptional clarity. 1875.]
I remember one winter and it was a very long cold winter, and there was dire poverty in England then, before the Rads. Me brother Albert, he used to get some bricks and cover them with bird-lime, and set 'em by the stables to catch sparrows. And he'd pluck them, clean them, him and me together, I helped him. Our Albert would make a fire and get the oven hot and we used to cook those little sparrows in Mother's roasting-tin, with a big lump of dripping in it. And me mother'd make a big jug of tea for us and we'd have what we'd call a tea-party, eating those sparrows.
Me father… he went to all the shopkeepers on Chatwin Road and got scrap-meat. Bones, you know, lamb-bones, all sorts of things, dried peas, beans, and left-over carrots and turnips and… he got some oatmeal promised him and a baker gave him stale bread… Me father had a big iron boiler… that he used to make gruel for the horses and he cleaned it all out and they made soup in this big horse-boiler. I can remember seeing the poor people come. They came twice a week, that winter. They had to bring their own jugs. They was that hungry, before the Rads.
And Eddie, did you ever hear tell of the Irish Famine, in the forties? I thought not. But the 'later crop failed then, two, three years in a row, and it looked mighty dire for the Irish. But the Rads, they wouldn't stand for that, and declared an emergency, and mobilized the nation. Lord Byron made a fine speech, in all the papers… I signed aboard one of the relief-boats, out of Bristol. All day, all night, we'd load big gantry-crates, with bills-of-lading from the London Engines; trains come day and night from all over England, with every kind of food. "God Bless Lord Babbage," the poor Irish would cry to us, with tears in their eyes, "Three cheers for England and the Rad Lords." They have long memories, our own loyal Irish… they don't never forget a kindness.
John Keats in Half-Moon Street
I was ushered by a man-servant into Mr. Oliphant's study. Mr. Oliphant greeted me cordially, and noted that my telegram had mentioned my association with Dr. Mallory. I told Mr. Oliphant that it had been my pleasure to accompany Dr. Mallory's triumphant lecture on the Brontosaurus with a highly advanced kinotropic program. The Monthly Review of the Steam Intellect Society had run a most gratifying review of my efforts, and I offered Mr. Oliphant a copy of the magazine. He glanced within it, but it seemed that his grasp of the intricacies of clacking was amateurish at best, for his reaction was one of pol
ite puzzlement.
I then informed him that Dr. Mallory had led me to his door. In one of our private conversations, the great savant had seen fit to tell me of Mr. Oliphant's daring proposal—to employ the Engines of the police in the scientific exploration of previously hidden patterns underlying the movements and occupations of the metropolitan population. My admiration for this bold scheme had brought me directly to Mr. Oliphant, and I stated my willingness to assist in the implementation of that vision.
He interrupted me, then, in a markedly distracted manner. We are numbered, he declared, each of us, by an all-seeing eye; our minutes, too, are numbered, and each hair upon our heads. And surely it was God's will, that the computational powers of the Engine be brought to bear upon the great commonality, upon the flows of traffic, of commerce, the tidal actions of crowds—upon the infinitely divisible texture of His work.
I waited for a conclusion to this extraordinary outburst, but Mr. Oliphant seemed quite lost in thought, of a sudden.
I then explained to him, as nearly as possible in layman's terms, how the nature of the human eye necessitates, in kinotropy, both remarkable speed and remarkable complexity. For this reason, I concluded, we kinotropists must be numbered among Britain's most adept programmers of Enginery of any sort, and virtually all advances in the compression of data have originated as kinotropic applications.
At this point, he interrupted again, asking if I had indeed said "the compression of data," and was I familiar with the term "algorithmic compression"? I assured him that I was.
He rose, then, and going to a bureau near at hand, he brought out what I took to be a wooden box of the sort used to transport scientific instruments, though this was partially covered, it seemed, with remnants of white plaster. And would I be so kind, he requested, as to examine the cards within, copy them for safekeeping, and privately report to him upon the nature of their content?
He had no idea of their astonishing import, you see, no idea whatever.
–JOHN KEATS, quoted in an interview conducted by H. S. Lywood, for The Monthly Review of the Steam Intellect Society, May 1857.
The Grand Panmelodium Polka
Oh! Sure the world is all run mad,
The lean, the fat, the old, the Rad,
All swear such pleasure they ne'er had,
As the Grand Panmelodium Polka.
First cock up your right leg so,
Balance on your left great toe,
Stamp your heels and off you go,
The Grand Panmelodium Polka.
Quadrilles and waltzes all give way,
Machine-made music bears the sway.
The chimney-sweeps on the first of May,
In London dance the Polka.
If a pretty girl you meet,
With sparkling eyes and rosy cheek,
She'll say, young man we'll have a treat,
If you can dance the Polka.
Professors swarm in every street,
To hear the Panmelodium sweet,
And every friend you chance to meet,
Asks if you dance the Polka.
And so the row-de-dow we dance,
And in short skirts and brass-heels prance,
Ladies won't you spare a glance,
For the boys what spin the Polka.
The Tatler
We learn with mingled regret and amazement of the recent departure, aboard the Great Eastern, of the well-liked and many-talented Mr. Laurence Oliphant—author, journalist, diplomat, geographer, and friend of the Royal Family—for America, with the stated intention of residing in the so-called Susquehanna Phalanstery established by Messrs. Coleridge and Wordsworth, thereby to pursue the Utopian doctrines espoused by these worthy expatriates!
–" 'ROUND TOWN," a column, September 12, 1860.
A London Playbill, 1866
THE GARRICK THEATRE, Whitechapel, Newly Rebuilt and Refurbished, Under the Management of J. J. TOBIAS, Esq., presents The First Nights of a New Kinotropic Drama Monday, Nov. 13 and During the Week
The performance will commence with (FIRST TIME!) an entirely new national, local, characteristic, metropolitan, melodramatic, kinotropic drama of the day, in five acts, correctly exhibiting modern life and manners in innumerable novel and interesting phases, called the
CROSSROADS OF LIFE!!
or THE CLACKERS OF LONDON
The Groundwork of the drama founded on the celebrated play, "Les Fils de Vaucanson," now attracting the attention of all France, and applied to the circumstances and realities of the present moment.
With kinotropic scenery by MR. JJ TOBIAS and Assistants
The New Flash Medley Orchestra, led by MR. MONTGOMERY
The Action of the Piece arranged by MR. CJ SMITH
The Dresses by MRS. HAMPTON and MISS BAILEY
The Whole Produced Under the Direction of MR. JJ TOBIAS
Dramatis Personae
Mark Riddley, alias Fox Skinner, (a swell cove, and King of the London Clackers)… MR. H.L. MARSTON.
Mr. Dorrington (a wealthy Liverpool Merchant, on a visit to London)… MR. J. ROMER.
Frank Danvers (a British Naval Officer, just arrived from the Indies)… MR. WM. BIRD.
Robert Danvers (his younger brother, a ruined roue, pigeoned by the clackers)… MR. L. MELVIN.
Mr. Hawksworth Shabner (Principal Proprietor of a West-End Clacking-Hall, Bill-Discounter, and Anythingarian where there is Anything to be Got)… MR. P. WILLIAMS.
Bob Yorkner (a Duffer, tired of the Lay)… MR. W. JONES.
Ned Brindle (the Magsman, a half-and-half cove)… MR C. AUBREY.
Tom Fogg, alias Old Deady, alias The Animal, (a laudanum fiend suffering under delirium-tremens)… MR. A. CORENO.
Joe Onion, alias The Crocodile, (a bully-rock, and creature of Shabner's)… MR. G. VELASCO.
Dickey Smith (the Wakeful Bird, a young Engine-clerk in no ways particklar, pecking out a living as best he can)… MR. G. MASKELL.
Ikey Bates (Landlord of Rat's Castle, proprietor of two-penny dabs and a scandalous bagatelle board, having cut the bumblepuppy as too low!)… MR. GOTOBED.
Waiter at the Cat-and-Bagpipes Tavern… MR. SMITHSON.
The Bow Street Special Inspector… MR. FRANKS.
Louisa Truehait (the Victim of an ill-requited attachment)… MISS CAROLINE BARNETT.
Charlotte Willers (a young lady with her cat from the country)… MISS MARTHA WELLS
DRESS CIRCLE, 3S. BOXES, 2S. PIT, 5D. GALLERY, 2D.
BOX OFFICE OPEN DAILY FROM TEN O'CLOCK UNTIL FIVE.
A Poem of Farewell
[Mori Yujo, a samurai and classical scholar of Satsuma Province, wrote the following ceremonial poem upon his son's departure for England, in 1854. it is translated from Sinicized Japanese.]
My child rides the unfathomable deep,
In pursuit of noble ambition;
Far must he sail—ten thousand leagues—
Outpacing the breezes of spring.
Some say that East and West
Have naught in common;
But I say the same heaven
Overarches both.
His own life he risks, on command of his han.
Braving great danger to learn from far places;
For family's sake, he spares no effort,
Seeking for wisdom in face of great hardship.
He travels far beyond
The fabled rivers of China;
His scholarly labors shall someday
Bear fruit in splendid achievement.
A Letter Home
As always, I searched that day for land, in all four directions, but could still find none. How melancholy it was! Then by chance, with the Captain's permission, I climbed up one of the masts. From the great height, with sails and smokestack far below me, I was amazed to make out the coast of Europe—a mere hair's-breadth of green, above the watery horizon. I shouted down to Matsumura: "Come up! Come up!" And up he came, very swiftly and bravely.
Together atop the mast, we gazed u
pon Europe. "Look!" I told him. "Here is our first proof that the world is really round! While we were standing down there on deck we could not see a thing; but up here, land is distinctly visible. This is proof that the surface of the sea is curved! And if the sea is curved, why, then, so is the whole earth!"
Matsumura exclaimed, "It's fantastic—it's just the way you say! The Earth indeed is round! Our first real proof!"
–MORI ARINORI, 1854.
Modus
It seemed that Her Ladyship had been ill-served by the Paris publicists, for the lecture-hall, modest as it was, was less than half-filled.
Dark folding-seats, in neat columnar rows, were precisely dotted by the shiny pates of balding mathematicians. Here and there among the savants sat shifty-eyed French clackers in middle-age, the summer linen of their too-elegant finery looking rather past the mode. The last three rows were filled by a Parisian women's club, fanning themselves in the summer heat and chattering quite audibly, for they had long since lost the thread of Her Ladyship's discourse.
Lady Ada Byron turned a page, touched a gloved finger to her bifocal pince-nez. For some minutes, a large green bottle-fly had been circling her podium. Now it broke the intricacy of its looping flight to alight on the bulging archipelago of Her Ladyship's padded, lace-trimmed shoulder. Lady Ada took no apparent notice of the attentions of this energetic vermin, but continued on gamely, in her accented French.
The Mother said:
"Our lives would be greatly clarified if human discourse could be interpreted as the exfoliation of a deeper formal system. One would no longer need ponder the grave ambiguities of human speech, but could judge the validity of any sentence by reference to a fixed and finitely describable set of rules and axioms. It was the dream of Leibniz to find such a system, the Characteristica Universalis…