The Complete Memoirs of Jacques Casanova de Seingalt

by Giacomo Casanova

  If I were deceived in my hope to please, I candidly confess I would regret it, but not sufficiently so to repent having written my Memoirs, for, after all, writing them has given me pleasure. Oh, cruel ennui! It must be by mistake that those who have invented the torments of hell have forgotten to ascribe thee the first place among them. Yet I am bound to own that I entertain a great fear of hisses; it is too natural a fear for me to boast of being insensible to them, and I cannot find any solace in the idea that, when these Memoirs are published, I shall be no more. I cannot think without a shudder of contracting any obligation towards death: I hate death; for, happy or miserable, life is the only blessing which man possesses, and those who do not love it are unworthy of it. If we prefer honour to life, it is because life is blighted by infamy; and if, in the alternative, man sometimes throws away his life, philosophy must remain silent.

  Oh, death, cruel death! Fatal law which nature necessarily rejects because thy very office is to destroy nature! Cicero says that death frees us from all pains and sorrows, but this great philosopher books all the expense without taking the receipts into account. I do not recollect if, when he wrote his 'Tusculan Disputations', his own Tullia was dead. Death is a monster which turns away from the great theatre an attentive hearer before the end of the play which deeply interests him, and this is reason enough to hate it.

  All my adventures are not to be found in these Memoirs; I have left out those which might have offended the persons who have played a sorry part therein. In spite of this reserve, my readers will perhaps often think me indiscreet, and I am sorry for it. Should I perchance become wiser before I give up the ghost, I might burn every one of these sheets, but now I have not courage enough to do it.

  It may be that certain love scenes will be considered too explicit, but let no one blame me, unless it be for lack of skill, for I ought not to be scolded because, in my old age, I can find no other enjoyment but that which recollections of the past afford to me. After all, virtuous and prudish readers are at liberty to skip over any offensive pictures, and I think it my duty to give them this piece of advice; so much the worse for those who may not read my preface; it is no fault of mine if they do not, for everyone ought to know that a preface is to a book what the play-bill is to a comedy; both must be read.

  My Memoirs are not written for young persons who, in order to avoid false steps and slippery roads, ought to spend their youth in blissful ignorance, but for those who, having thorough experience of life, are no longer exposed to temptation, and who, having but too often gone through the fire, are like salamanders, and can be scorched by it no more. True virtue is but a habit, and I have no hesitation in saying that the really virtuous are those persons who can practice virtue without the slightest trouble; such persons are always full of toleration, and it is to them that my Memoirs are addressed.

  I have written in French, and not in Italian, because the French language is more universal than mine, and the purists, who may criticise in my style some Italian turns will be quite right, but only in case it should prevent them from understanding me clearly. The Greeks admired Theophrastus in spite of his Eresian style, and the Romans delighted in their Livy in spite of his Patavinity. Provided I amuse my readers, it seems to me that I can claim the same indulgence. After all, every Italian reads Algarotti with pleasure, although his works are full of French idioms.

  There is one thing worthy of notice: of all the living languages belonging to the republic of letters, the French tongue is the only one which has been condemned by its masters never to borrow in order to become richer, whilst all other languages, although richer in words than the French, plunder from it words and constructions of sentences, whenever they find that by such robbery they add something to their own beauty. Yet those who borrow the most from the French, are the most forward in trumpeting the poverty of that language, very likely thinking that such an accusation justifies their depredations. It is said that the French language has attained the apogee of its beauty, and that the smallest foreign loan would spoil it, but I make bold to assert that this is prejudice, for, although it certainly is the most clear, the most logical of all languages, it would be great temerity to affirm that it can never go farther or higher than it has gone. We all recollect that, in the days of Lulli, there was but one opinion of his music, yet Rameau came and everything was changed. The new impulse given to the French nation may open new and unexpected horizons, and new beauties, fresh perfections, may spring up from new combinations and from new wants.

  The motto I have adopted justifies my digressions, and all the commentaries, perhaps too numerous, in which I indulge upon my various exploits: 'Nequidquam sapit qui sibi non sapit'. For the same reason I have always felt a great desire to receive praise and applause from polite society:

  'Excitat auditor stadium, laudataque virtus

  Crescit, et immensum gloria calcar habet.

  I would willingly have displayed here the proud axiom: 'Nemo laeditur nisi a se ipso', had I not feared to offend the immense number of persons who, whenever anything goes wrong with them, are wont to exclaim, "It is no fault of mine!" I cannot deprive them of that small particle of comfort, for, were it not for it, they would soon feel hatred for themselves, and self-hatred often leads to the fatal idea of self-destruction.

  As for myself I always willingly acknowledge my own self as the principal cause of every good or of every evil which may befall me; therefore I have always found myself capable of being my own pupil, and ready to love my teacher.

  THE MEMOIRS OF JACQUES CASANOVA

  VENETIAN YEARS

  EPISODE 1 — CHILDHOOD

  CHAPTER I

  My Family Pedigree—My Childhood

  Don Jacob Casanova, the illegitimate son of Don Francisco Casanova, was a native of Saragosa, the capital of Aragon, and in the year of 1428 he carried off Dona Anna Palofax from her convent, on the day after she had taken the veil. He was secretary to King Alfonso. He ran away with her to Rome, where, after one year of imprisonment, the pope, Martin III., released Anna from her vows, and gave them the nuptial blessing at the instance of Don Juan Casanova, majordomo of the Vatican, and uncle of Don Jacob. All the children born from that marriage died in their infancy, with the exception of Don Juan, who, in 1475, married Donna Eleonora Albini, by whom he had a son, Marco Antonio.

  In 1481, Don Juan, having killed an officer of the king of Naples, was compelled to leave Rome, and escaped to Como with his wife and his son; but having left that city to seek his fortune, he died while traveling with Christopher Columbus in the year 1493.

  Marco Antonio became a noted poet of the school of Martial, and was secretary to Cardinal Pompeo Colonna.

  The satire against Giulio de Medicis, which we find in his works, having made it necessary for him to leave Rome, he returned to Como, where he married Abondia Rezzonica. The same Giulio de Medicis, having become pope under the name of Clement VII, pardoned him and called him back to Rome with his wife. The city having been taken and ransacked by the Imperialists in 1526, Marco Antonio died there from an attack of the plague; otherwise he would have died of misery, the soldiers of Charles V. having taken all he possessed. Pierre Valerien speaks of him in his work 'de infelicitate litteratorum'.

  Three months after his death, his wife gave birth to Jacques Casanova, who died in France at a great age, colonel in the army commanded by Farnese against Henri, king of Navarre, afterwards king of France. He had left in the city of Parma a son who married Theresa Conti, from whom he had Jacques, who, in the year 1681, married Anna Roli. Jacques had two sons, Jean-Baptiste and Gaetan-Joseph-Jacques. The eldest left Parma in 1712, and was never heard of; the other also went away in 1715, being only nineteen years old.

  This is all I have found in my father's diary: from my mother's lips I have heard the following particulars:

  Gaetan-Joseph-Jacques left his family, madly in love with an actress named Fragoletta, who performed the chambermaids. In his poverty, he determined to earn a livin
g by making the most of his own person. At first he gave himself up to dancing, and five years afterwards became an actor, making himself conspicuous by his conduct still more than by his talent.

  Whether from fickleness or from jealousy, he abandoned the Fragoletta, and joined in Venice a troop of comedians then giving performances at the Saint-Samuel Theatre. Opposite the house in which he had taken his lodging resided a shoemaker, by name Jerome Farusi, with his wife Marzia, and Zanetta, their only daughter—a perfect beauty sixteen years of age. The young actor fell in love with this girl, succeeded in gaining her affection, and in obtaining her consent to a runaway match. It was the only way to win her, for, being an actor, he never could have had Marzia's consent, still less Jerome's, as in their eyes a player was a most awful individual. The young lovers, provided with the necessary certificates and accompanied by two witnesses, presented themselves before the Patriarch of Venice, who performed over them the marriage ceremony. Marzia, Zanetta's mother, indulged in a good deal of exclamation, and the father died broken-hearted.

  I was born nine months afterwards, on the 2nd of April, 1725.

  The following April my mother left me under the care of her own mother, who had forgiven her as soon as she had heard that my father had promised never to compel her to appear on the stage. This is a promise which all actors make to the young girls they marry, and which they never fulfil, simply because their wives never care much about claiming from them the performance of it. Moreover, it turned out a very fortunate thing for my mother that she had studied for the stage, for nine years later, having been left a widow with six children, she could not have brought them up if it had not been for the resources she found in that profession.

  I was only one year old when my father left me to go to London, where he had an engagement. It was in that great city that my mother made her first appearance on the stage, and in that city likewise that she gave birth to my brother Francois, a celebrated painter of battles, now residing in Vienna, where he has followed his profession since 1783.

  Towards the end of the year 1728 my mother returned to Venice with her husband, and as she had become an actress she continued her artistic life. In 1730 she was delivered of my brother Jean, who became Director of the Academy of painting at Dresden, and died there in 1795; and during the three following years she became the mother of two daughters, one of whom died at an early age, while the other married in Dresden, where she still lived in 1798. I had also a posthumous brother, who became a priest; he died in Rome fifteen years ago.

  Let us now come to the dawn of my existence in the character of a thinking being.

  The organ of memory began to develop itself in me at the beginning of August, 1733. I had at that time reached the age of eight years and four months. Of what may have happened to me before that period I have not the faintest recollection. This is the circumstance.

  I was standing in the corner of a room bending towards the wall, supporting my head, and my eyes fixed upon a stream of blood flowing from my nose to the ground. My grandmother, Marzia, whose pet I was, came to me, bathed my face with cold water, and, unknown to everyone in the house, took me with her in a gondola as far as Muran, a thickly-populated island only half a league distant from Venice.

  Alighting from the gondola, we enter a wretched hole, where we find an old woman sitting on a rickety bed, holding a black cat in her arms, with five or six more purring around her. The two old cronies held together a long discourse of which, most likely, I was the subject. At the end of the dialogue, which was carried on in the patois of Forli, the witch having received a silver ducat from my grandmother, opened a box, took me in her arms, placed me in the box and locked me in it, telling me not to be frightened—a piece of advice which would certainly have had the contrary effect, if I had had any wits about me, but I was stupefied. I kept myself quiet in a corner of the box, holding a handkerchief to my nose because it was still bleeding, and otherwise very indifferent to the uproar going on outside. I could hear in turn, laughter, weeping, singing, screams, shrieks, and knocking against the box, but for all that I cared nought. At last I am taken out of the box; the blood stops flowing. The wonderful old witch, after lavishing caresses upon me, takes off my clothes, lays me on the bed, burns some drugs, gathers the smoke in a sheet which she wraps around me, pronounces incantations, takes the sheet off me, and gives me five sugar-plums of a very agreeable taste. Then she immediately rubs my temples and the nape of my neck with an ointment exhaling a delightful perfume, and puts my clothes on me again. She told me that my haemorrhage would little by little leave me, provided I should never disclose to any one what she had done to cure me, and she threatened me, on the other hand, with the loss of all my blood and with death, should I ever breathe a word concerning those mysteries. After having thus taught me my lesson, she informed me that a beautiful lady would pay me a visit during the following night, and that she would make me happy, on condition that I should have sufficient control over myself never to mention to anyone my having received such a visit. Upon this we left and returned home.

  I fell asleep almost as soon as I was in bed, without giving a thought to the beautiful visitor I was to receive; but, waking up a few hours afterwards, I saw, or fancied I saw, coming down the chimney, a dazzling woman, with immense hoops, splendidly attired, and wearing on her head a crown set with precious stones, which seemed to me sparkling with fire. With slow steps, but with a majestic and sweet countenance, she came forward and sat on my bed; then taking several small boxes from her pocket, she emptied their contents over my head, softly whispering a few words, and after giving utterance to a long speech, not a single word of which I understood, she kissed me and disappeared the same way she had come. I soon went again to sleep.

  The next morning, my grandmother came to dress me, and the moment she was near my bed, she cautioned me to be silent, threatening me with death if I dared to say anything respecting my night's adventures. This command, laid upon me by the only woman who had complete authority over me, and whose orders I was accustomed to obey blindly, caused me to remember the vision, and to store it, with the seal of secrecy, in the inmost corner of my dawning memory. I had not, however, the slightest inclination to mention the circumstances to anyone; in the first place, because I did not suppose it would interest anybody, and in the second because I would not have known whom to make a confidant of. My disease had rendered me dull and retired; everybody pitied me and left me to myself; my life was considered likely to be but a short one, and as to my parents, they never spoke to me.

  After the journey to Muran, and the nocturnal visit of the fairy, I continued to have bleeding at the nose, but less from day to day, and my memory slowly developed itself. I learned to read in less than a month.

  It would be ridiculous, of course, to attribute this cure to such follies, but at the same time I think it would be wrong to assert that they did not in any way contribute to it. As far as the apparition of the beautiful queen is concerned, I have always deemed it to be a dream, unless it should have been some masquerade got up for the occasion, but it is not always in the druggist's shop that are found the best remedies for severe diseases. Our ignorance is every day proved by some wonderful phenomenon, and I believe this to be the reason why it is so difficult to meet with a learned man entirely untainted with superstition. We know, as a matter of course, that there never have been any sorcerers in this world, yet it is true that their power has always existed in the estimation of those to whom crafty knaves have passed themselves off as such. 'Somnio nocturnos lemures portentaque Thessalia vides'.

  Many things become real which, at first, had no existence but in our imagination, and, as a natural consequence, many facts which have been attributed to Faith may not always have been miraculous, although they are true miracles for those who lend to Faith a boundless power.

  The next circumstance of any importance to myself which I recollect happened three months after my trip to Muran, and six weeks before my father's deat
h. I give it to my readers only to convey some idea of the manner in which my nature was expanding.

  One day, about the middle of November, I was with my brother Francois, two years younger than I, in my father's room, watching him attentively as he was working at optics. A large lump of crystal, round and cut into facets, attracted my attention. I took it up, and having brought it near my eyes I was delighted to see that it multiplied objects. The wish to possess myself of it at once got hold of me, and seeing myself unobserved I took my opportunity and hid it in my pocket.

  A few minutes after this my father looked about for his crystal, and unable to find it, he concluded that one of us must have taken it. My brother asserted that he had not touched it, and I, although guilty, said the same; but my father, satisfied that he could not be mistaken, threatened to search us and to thrash the one who had told him a story. I pretended to look for the crystal in every corner of the room, and, watching my opportunity I slyly slipped it in the pocket of my brother's jacket. At first I was sorry for what I had done, for I might as well have feigned to find the crystal somewhere about the room; but the evil deed was past recall. My father, seeing that we were looking in vain, lost patience, searched us, found the unlucky ball of crystal in the pocket of the innocent boy, and inflicted upon him the promised thrashing. Three or four years later I was foolish enough to boast before my brother of the trick I had then played on him; he never forgave me, and has never failed to take his revenge whenever the opportunity offered.