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Complete Works of Elizabeth Barrett Browning

Page 26

by Elizabeth Barrett Browning


  Hast thou an altar for this sacrifice?

  O heaven! O vacant throne!

  O crowned hierarchies that wear your crown

  When His is put away!

  Are ye unshamed that ye cannot dim

  Your alien brightness to be liker him,

  Assume a human passion, and down-lay

  Your sweet secureness for congenial fears,

  And teach your cloudless ever-burning eyes

  The mystery of his tears?

  Zerah. I am strong, I am strong.

  Were I never to see my heaven again,

  I would wheel to earth like the tempest rain

  Which sweeps there with an exultant sound

  To lose its life as it reaches the ground.

  I am strong, I am strong.

  Away from mine inward vision swim

  The shining seats of my heavenly birth,

  I see but his, I see but him —

  The Maker’s steps on his cruel earth.

  Will the bitter herbs of earth grow sweet

  To me, as trodden by his feet?

  Will the vexed, accurst humanity,

  As worn by him, begin to be

  A blessed, yea, a sacred thing

  For love and awe and ministering?

  I am strong, I am strong.

  By our angel ken shall we survey

  His loving smile through his woeful clay?

  I am swift, I am strong,

  The love is bearing me along.

  Ador. One love is bearing us along.

  SERAPHIM. PART THE SECOND.

  Mid-air, above Judaea. ADOR and ZERAH are a little apart from the

  visible Angelic Hosts.

  Ador. Beloved! dost thou see? —

  Zerah. Thee, — thee.

  Thy burning eyes already are

  Grown wild and mournful as a star

  Whose occupation is for aye

  To look upon the place of clay

  Whereon thou lookest now.

  The crown is fainting on thy brow

  To the likeness of a cloud,

  The forehead’s self a little bowed

  From its aspect high and holy,

  As it would in meekness meet

  Some seraphic melancholy:

  Thy very wings that lately flung

  An outline clear, do flicker here

  And wear to each a shadow hung,

  Dropped across thy feet.

  In these strange contrasting glooms

  Stagnant with the scent of tombs,

  Seraph faces, O my brother,

  Show awfully to one another.

  Ador. Dost thou see?

  Zerah. Even so; I see

  Our empyreal company,

  Alone the memory of their brightness

  Left in them, as in thee.

  The circle upon circle, tier on tier,

  Piling earth’s hemisphere

  With heavenly infiniteness,

  Above us and around,

  Straining the whole horizon like a bow:

  Their songful lips divorced from all sound,

  A darkness gliding down their silvery glances, —

  Bowing their steadfast solemn countenances

  As if they heard God speak, and could not glow.

  Ador. Look downward! dost thou see?

  Zerah. And wouldst thou press that vision on my words?

  Doth not earth speak enough

  Of change and of undoing,

  Without a seraph’s witness? Oceans rough

  With tempest, pastoral swards

  Displaced by fiery deserts, mountains ruing

  The bolt fallen yesterday,

  That shake their piny heads, as who would say

  “We are too beautiful for our decay” —

  Shall seraphs speak of these things? Let alone

  Earth to her earthly moan!

  Voice of all things. Is there no moan but hers?

  Ador. Hearest thou the attestation

  Of the roused universe

  Like a desert-lion shaking

  Dews of silence from its mane?

  With an irrepressive passion

  Uprising at once,

  Rising up and forsaking

  Its solemn state in the circle of suns,

  To attest the pain

  Of him who stands (O patience sweet!)

  In his own hand-prints of creation,

  With human feet?

  Voice of all things. Is there no moan but ours?

  Zerah. Forms, Spaces, Motions wide,

  O meek, insensate things,

  O congregated matters! who inherit,

  Instead of vital powers,

  Impulsions God-supplied;

  Instead of influent spirit,

  A clear informing beauty;

  Instead of creature-duty,

  Submission calm as rest.

  Lights, without feet or wings,

  In golden courses sliding!

  Glooms, stagnantly subsiding,

  Whose lustrous heart away was prest

  Into the argent stars!

  Ye crystal firmamental bars

  That hold the skyey waters free

  From tide or tempest’s ecstasy!

  Airs universal! thunders lorn

  That wait your lightnings in cloud-cave

  Hewn out by the winds! O brave

  And subtle elements! the Holy

  Hath charged me by your voice with folly.[D]

  Enough, the mystic arrow leaves its wound.

  Return ye to your silences inborn,

  Or to your inarticulated sound!

  Ador. Zerah!

  Zerah. Wilt thou rebuke?

  God hath rebuked me, brother. I am weak.

  Ador. Zerah, my brother Zerah! could I speak

  Of thee, ‘twould be of love to thee.

  Zerah. Thy look

  Is fixed on earth, as mine upon thy face.

  Where shall I seek His?

  I have thrown

  One look upon earth, but one,

  Over the blue mountain-lines,

  Over the forests of palms and pines,

  Over the harvest-lands golden,

  Over the valleys that fold in

  The gardens and vines —

  He is not there.

  All these are unworthy

  Those footsteps to bear,

  Before which, bowing down

  I would fain quench the stars of my crown

  In the dark of the earthy.

  Where shall I seek him?

  No reply?

  Hath language left thy lips, to place

  Its vocal in thine eye?

  Ador, Ador! are we come

  To a double portent, that

  Dumb matter grows articulate

  And songful seraphs dumb?

  Ador, Ador!

  Ador. I constrain

  The passion of my silence. None

  Of those places gazed upon

  Are gloomy enow to fit his pain.

  Unto Him, whose forming word

  Gave to Nature flower and sward.

  She hath given back again,

  For the myrtle — the thorn,

  For the sylvan calm — the human scorn.

  Still, still, reluctant seraph, gaze beneath!

  There is a city ——

  Zerah. Temple and tower,

  Palace and purple would droop like a flower,

  (Or a cloud at our breath)

  If He neared in his state

  The outermost gate.

  Ador. Ah me, not so

  In the state of a king did the victim go!

  And THOU who hangest mute of speech

  ‘Twixt heaven and earth, with forehead yet

  Stained by the bloody sweat,

  God! man! Thou hast forgone thy throne in each.

  Zerah. Thine eyes behold him?

  Ador. Yea, below.

  Track the gazing of mine eyes,

  Naming God within thine hea
rt

  That its weakness may depart

  And the vision rise!

  Seest thou yet, beloved?

  Zerah. I see

  Beyond the city, crosses three

  And mortals three that hang thereon

  ‘Ghast and silent to the sun.

  Round them blacken and welter and press

  Staring multitudes whose father

  Adam was, whose brows are dark

  With his Cain’s corroded mark, —

  Who curse with looks. Nay — let me rather

  Turn unto the wilderness!

  Ador. Turn not! God dwells with men.

  Zerah. Above

  He dwells with angels, and they love.

  Can these love? With the living’s pride

  They stare at those who die, who hang

  In their sight and die. They bear the streak

  Of the crosses’ shadow, black not wide,

  To fall on their heads, as it swerves aside

  When the victims’ pang

  Makes the dry wood creak.

  Ador. The cross — the cross!

  Zerah. A woman kneels

  The mid cross under,

  With white lips asunder,

  And motion on each.

  They throb, as she feels,

  With a spasm, not a speech;

  And her lids, close as sleep,

  Are less calm, for the eyes

  Have made room there to weep

  Drop on drop —

  Ador. Weep? Weep blood,

  All women, all men!

  He sweated it, He,

  For your pale womanhood

  And base manhood. Agree

  That these water-tears, then,

  Are vain, mocking like laughter:

  Weep blood! Shall the flood

  Of salt curses, whose foam is the darkness, on roll

  Forward, on from the strand of the storm-beaten years,

  And back from the rocks of the horrid hereafter,

  And up, in a coil, from the present’s wrath-spring,

  Yea, down from the windows of heaven opening,

  Deep calling to deep as they meet on His soul —

  And men weep only tears?

  Zerah. Little drops in the lapse!

  And yet, Ador, perhaps

  It is all that they can.

  Tears! the lovingest man

  Has no better bestowed

  Upon man.

  Ador. Nor on God.

  Zerah. Do all-givers need gifts?

  If the Giver said “Give,” the first motion would slay

  Our Immortals, the echo would ruin away

  The same worlds which he made. Why, what angel uplifts

  Such a music, so clear,

  It may seem in God’s ear

  Worth more than a woman’s hoarse weeping? And thus,

  Pity tender as tears, I above thee would speak,

  Thou woman that weepest! weep unscorned of us!

  I, the tearless and pure, am but loving and weak.

  Ador. Speak low, my brother, low, — and not of love

  Or human or angelic! Rather stand

  Before the throne of that Supreme above,

  In whose infinitude the secrecies

  Of thine own being lie hid, and lift thine hand

  Exultant, saying, “Lord God, I am wise!” —

  Than utter here, “I love.”

  Zerah. And yet thine eyes

  Do utter it. They melt in tender light,

  The tears of heaven.

  Ador. Of heaven. Ah me!

  Zerah. Ador!

  Ador. Say on!

  Zerah. The crucified are three.

  Beloved, they are unlike.

  Ador. Unlike.

  Zerah. For one

  Is as a man who has sinned and still

  Doth wear the wicked will,

  The hard malign life-energy,

  Tossed outward, in the parting soul’s disdain,

  On brow and lip that cannot change again.

  Ador. And one —

  Zerah. Has also sinned.

  And yet (O marvel!) doth the Spirit-wind

  Blow white those waters? Death upon his face

  Is rather shine than shade,

  A tender shine by looks beloved made:

  He seemeth dying in a quiet place,

  And less by iron wounds in hands and feet

  Than heart-broke by new joy too sudden and sweet.

  Ador. And ONE! —

  Zerah. And ONE! —

  Ador. Why dost thou pause?

  Zerah. God! God!

  Spirit of my spirit! who movest

  Through seraph veins in burning deity

  To light the quenchless pulses! —

  Ador. But hast trod

  The depths of love in thy peculiar nature,

  And not in any thou hast made and lovest

  In narrow seraph hearts! —

  Zerah. Above, Creator!

  Within, Upholder!

  Ador. And below, below,

  The creature’s and the upholden’s sacrifice!

  Zerah. Why do I pause? —

  Ador. There is a silentness

  That answers thee enow,

  That, like a brazen sound

  Excluding others, doth ensheathe us round, —

  Hear it. It is not from the visible skies

  Though they are still,

  Unconscious that their own dropped dews express

  The light of heaven on every earthly hill.

  It is not from the hills, though calm and bare

  They, since their first creation,

  Through midnight cloud or morning’s glittering air

  Or the deep deluge blindness, toward the place

  Whence thrilled the mystic word’s creative grace,

  And whence again shall come

  The word that uncreates,

  Have lift their brows in voiceless expectation.

  It is not from the places that entomb

  Man’s dead, though common Silence there dilates

  Her soul to grand proportions, worthily

  To fill life’s vacant room.

  Not there: not there.

  Not yet within those chambers lieth He,

  A dead one in his living world; his south

  And west winds blowing over earth and sea,

  And not a breath on that creating mouth.

  But now, — a silence keeps

  (Not death’s, nor sleep’s)

  The lips whose whispered word

  Might roll the thunders round reverberated.

  Silent art thou, O my Lord,

  Bowing down thy stricken head!

  Fearest thou, a groan of thine

  Would make the pulse of thy creation fail

  As thine own pulse? — would rend the veil

  Of visible things and let the flood

  Of the unseen Light, the essential God,

  Rush in to whelm the undivine?

  Thy silence, to my thinking, is as dread.

  Zerah. O silence!

  Ador. Doth it say to thee — the NAME,

  Slow-learning seraph?

  Zerah. I have learnt.

  Ador. The flame

  Perishes in thine eyes.

  Zerah. He opened his,

  And looked. I cannot bear —

  Ador. Their agony?

  Zerah. Their love. God’s depth is in them. From his brows

  White, terrible in meekness, didst thou see

  The lifted eyes unclose?

  He is God, seraph! Look no more on me,

  O God — I am not God.

  Ador. The loving is

  Sublimed within them by the sorrowful.

  In heaven we could sustain them.

  Zerah. Heaven is dull,

  Mine Ador, to man’s earth. The light that burns

  In fluent, refluent motion

  Along the crystal ocean;

  The springing of the golden harps
between

  The bowery wings, in fountains of sweet sound,

  The winding, wandering music that returns

  Upon itself, exultingly self-bound

  In the great spheric round

  Of everlasting praises;

  The God-thoughts in our midst that intervene,

  Visibly flashing from the supreme throne

  Full in seraphic faces

  Till each astonishes the other, grown

  More beautiful with worship and delight —

  My heaven! my home of heaven! my infinite

  Heaven-choirs! what are ye to this dust and death,

  This cloud, this cold, these tears, this failing breath,

  Where God’s immortal love now issueth

  In this MAN’S woe?

  Ador. His eyes are very deep yet calm.

  Zerah. No more

  On me, Jehovah-man —

  Ador. Calm-deep. They show

  A passion which is tranquil. They are seeing

  No earth, no heaven, no men that slay and curse,

  No seraphs that adore;

  Their gaze is on the invisible, the dread,

  The things we cannot view or think or speak,

  Because we are too happy, or too weak, —

  The sea of ill, for which the universe,

  With all its piled space, can find no shore,

  With all its life, no living foot to tread.

  But he, accomplished in Jehovah-being,

  Sustains the gaze adown,

  Conceives the vast despair,

  And feels the billowy griefs come up to drown,

  Nor fears, nor faints, nor fails, till all be finished.

  Zerah. Thus, do I find Thee thus? My undiminished

  And undiminishable God! — my God!

  The echoes are still tremulous along

  The heavenly mountains, of the latest song

  Thy manifested glory swept abroad

  In rushing past our lips: they echo aye

  “Creator, thou art strong!

  Creator, thou art blessed over all.”

  By what new utterance shall I now recall,

  Unteaching the heaven-echoes? Dare I say,

  “Creator, thou art feebler than thy work!

 

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