Complete Works of Mary Shelley

by Mary Shelley

  Viola did not despair; she felt, however, that it would need all her courage to extricate herself from her prison. She ate a part of the food which had been provided, drank some water, and then, a little refreshed, she spread the cloak her conductors had left on the floor, placed her child on it to play, and then stationed herself at the window to see if any one might pass whom she might address, and, if he were not able to assist her in any other way, he might at least bear a message to Ludovico, that her fate might not be veiled in the fearful mystery that threatened it; but probably the way past her window was guarded, for no one drew near. As she looked, however, and once advanced her head to gaze more earnestly, it struck her that her person would pass between the iron grates of her window, which was not high from the ground. The cloak, fastened to one of the stanchions, promised a safe descent. She did not dare make the essay; nay, she was so fearful that she might be watched, and that, if she were seen near the window, her jailers might be struck with the same idea, that she retreated to the farther end of the room, and sat looking at the bars with fluctuating hope and fear, that now dyed her cheeks with crimson, and again made them pale as when Ludovico had first seen her.

  Her boy passed his time in alternate play and sleep. The ocean still roared, and the dark clouds brought up by the sirocco blackened the sky and hastened the coming evening. Hour after hour passed; she, heard no clock; there was no sun to mark the time, but by degrees the room grew dark, and at last the Ave Maria tolled, heard by fits between the howling of the winds and the dashing of the waves. She knelt, and put up a fervent prayer to the Madonna, protector of innocence — prayer for herself and her boy — no less innocent than the Mother and Divine Child, to whom she made her orisons. Still she paused. Drawing near to the window, she listened for the sound of any human being: that sound, faint and intermittent, died away, and with darkness came rain that poured in torrents, accompanied by thunder and lightning that drove every creature to shelter. Viola shuddered. Could she expose her child during such a night? Yet again she gathered courage. It only made her meditate on some plan by which she might get the cloak as a shelter for her boy after it had served for their descent. She tried the bars, and found that, with some difficulty, she could pass, and, gazing downward from the outside, a flash of lightning revealed the ground not far below. Again she commended herself to divine protection; again she called upon and blessed her Ludovico; and then, not fearless but determined, she began her operations.

  She fastened the cloak by means of her long veil, which, hanging to the ground, was tied by a slip-knot, and gave way when pulled. She took her child in her arms, and, having got without the bars, bound him with the sash to her waist, and then, without accident, she reached the ground.

  Having then secured the cloak, and enveloped herself and her child in its dark and ample folds, she paused breathlessly to listen. Nature was awake with its loudest voice — the sea roared — and the incessant flashes of lightning that discovered that solitude around her were followed by such deafening peals as almost made her fear. She crossed the field, and kept the sight of the white sea-foam to her right hand, knowing that she thus proceeded in an opposite direction from Mondolfo. She walked as fast as her burden permitted her, keeping the beaten road, for the darkness made her fear to deviate. The rain ceased, and she walked on, until, her limbs falling under her, she was fain to rest, and refresh herself with the bread she had brought with her from the prison. Action and success had inspired her with unusual energy. She would not fear — she believed herself free and secure. She wept, but it was the overflowing emotion that found no other expression. She doubted not that she should rejoin Ludovico. Seated thus in the dark night — having for hours been the sport of the elements, which now for an instant paused in their fury — seated on a stone by the roadside — a wide, dreary, unknown country about her — her helpless child in her arms — herself having just finished eating the only food she possessed — she felt triumph, and joy, and love, descend into her heart, prophetic of future reunion with her beloved.

  It was summer, and the air consequently warm. Her cloak had protected her from the wet, so her limbs were free and unnumbed. At the first ray of dawn she arose, and at the nearest pathway she struck out of the road, and took her course nearer the bordering Apennines. From Salerno as far south as the eye could reach, a low plain stretched itself along the seaside, and the hills at about the distance of ten miles bound it in. These mountains are high and singularly beautiful in their shape; their crags point to Heaven and streams flow down their sides and water the plain below. After several hours’ walking, Viola reached a pine forest, which descended from the heights and stretched itself in the plain. She sought its friendly shelter with joy, and, penetrating its depths until she saw trees only on all sides of her, she again reposed. The sirocco had been dissipated by the thunderstorm, and the sun, vanquishing the clouds that at first veiled its splendor, glowed forth in the clear majesty of noon. Southern born, Viola did not fear the heat.

  She collected pine nuts, she contrived to make a fire, and ate them with appetite; and then, seeking a covert, she lay down and slept, her boy in her arms, thanking Heaven and the Virgin for her escape. When she awoke, the triumph of her heart somewhat died away. She felt the solitude, she felt her helplessness, she feared pursuers, yet she dashed away the tears, and then reflecting that she was too near Salerno — the sun being now at the sea’s verge — she arose and pursued her way through the intricacies of the wood. She got to the edge of it so far as to be able to direct her steps by the neighboring sea. Torrents intercepted her path, and one rapid river threatened to impede it altogether; but, going somewhat lower down, she found a bridge; and then, approaching still nearer to the sea, she passed through a wide and desolate kind of pasture-country, which seemed to afford neither shelter nor sustenance to any human being. Night closed in, and she was fearful to pursue her way, but, seeing some buildings dimly in the distance, she directed her steps thither, hoping to discover a hamlet where she might get shelter and such assistance as would enable her to retrace her steps and reach Naples without being discovered by her powerful enemy. She kept these high buildings before her, which appeared like vast cathedrals, but that they were untopped by any dome or spire; and she wondered much what they could be, when suddenly they disappeared. She would have thought some rising ground had intercepted them, but all before her was plain. She paused, and at length resolved to wait for dawn. All day she had seen no human being; twice or thrice she had heard the bark of a dog, and once the whistle of a shepherd, but she saw no one. Desolation was around her; this, indeed, had lulled her into security at first. Where no men were, there was no danger for her. But at length the strange solitude became painful-she longed to see a cottage, or to find some peasant, however uncouth, who might answer her inquiries and provide for her wants. She had viewed with surprise the buildings which had been as beacons to her. She did not wish to enter a large town, and she wondered how one could exist in such a desert; but she had left the wood far behind her, and required food. Night passed — balmy and sweet night — the breezes fanned her, the glowing atmosphere encompassed her, the fire-flies flitted round her, bats wheeled about in the air, and the heavy-winged owl hooped anigh, while the beetle’s constant hum filled the air. She lay on the ground, her babe pillowed on her arm, looking upon the starry heavens. Many thoughts crowded upon her: the thought of Ludovico, of her reunion with him, of joy after sorrow; and she forgot that she was alone, half-famished, encompassed by enemies in a desert plain of Calabria 2 — she slept.

  She awoke not until the sun had risen high — it had risen above the temples of Pastum,3 and the columns threw short shadows on the ground. They were near her, unseen during night, and were now revealed as the edifices that had attracted her the evening before. They stood on a rugged plain, despoiled of all roof, their columns and cornices encompassing a space of high and weed-grown grass; the deep-blue sky canopied them and filled them with light and cheerfulness.
Viola looked on them with wonder and reverence; they were temples to some god who still seemed to deify them with his presence; he clothed them still with beauty, and what was called their ruin might, in its picturesque wildness and sublime loneliness, be more adapted to his nature than when, roofed and gilded, they stood in pristine strength; and the silent worship of air and happy animals might be more suited to him than the concourse of the busy and heartless. The most benevolent of spirit-gods seemed to inhabit that desert, weed-grown area; the spirit of beauty flitted between those columns embrowned by time, painted with strange color, and raised a genial atmosphere on the deserted altar. Awe and devotion filled the heart of lonely Viola; she raised her eyes and heart to Heaven in thanksgiving and prayer — not that her lips formed words, or her thoughts suggested connected sentences, but the feeling of worship and gratitude animated her; and, as the sunlight streamed through the succession of columns, so — did joy, dove-shaped, fall on and illumine her soul.

  With such devotion as seldom before she had visited a saint-dedicated church, she ascended the broken and rude steps of the larger temple, and entered the plot that it in-closed. An inner circuit of smaller columns formed a smaller area, which she entered, and, sitting on a huge fragment of the broken cornice that had fallen to the ground, she silently waited as if for some oracle to visit her sense and guide her.

  Thus sitting, she heard the near bark of a dog, followed by the bleating of sheep, and she saw a little flock spread itself in the field adjoining the farther temple. They were shepherded by a girl clothed in rags, but the season required little covering; and these poor people, moneyless, possessing only what their soil gives them, are in the articles of clothing poor even to nakedness.

  In inclement weather they wrap rudely-formed clothes of undressed sheepskin around them — during the heats of summer they do little more than throw aside these useless garments. The shepherd-girl was probably about fifteen years of age; a large black straw hat shaded her head from the intense rays of the sun; her feet and legs were bare; and her petticoat, tucked up, Diana-like, above one knee, gave a picturesque appearance to her rags, which, bound at her waist by a girdle, bore some resemblance to the costume of a Greek maiden. Rags have a costume of their own, as fine in their way, in their contrast of rich colors and the uncouth boldness of their drapery, as kingly robes. Viola approached the shepherdess and quietly entered into conversation with her; without making any appeal to her charity or feelings, she asked the name of the place where she was, and her boy, awake and joyous, soon attracted attention. The shepherd-girl was pretty, and, above all, good-natured; she caressed the child, seemed delighted to have found a companion for her solitude, and, when Viola said that she was hungry, unloaded her scrip of roasted pine nuts, boiled chestnuts, and coarse bread. Viola ate with joy and gratitude. They remained together all day; the sun went down, the glowing light of its setting faded, and the shepherdess would have taken Viola home with her. But she dreaded a human dwelling, still fearing that, wherever there appeared a possibility of shelter, there her pursuers would seek her.

  She gave a few small silver-pieces, part of what she had about her when seized, to her new friend, and, bidding her bring sufficient food for the next day, entreated her not to mention her adventure to any one. The girl promised, and, with the assistance of her dog, drove the flock toward their fold. Viola passed the night within the area of the larger temple.

  Not doubting the success of his plan, on the very evening that followed its execution, Prince Mondolfo had gone to Naples. He found his son at the Mondolfo Palace. Despising the state of a court, and careless of the gaieties around him, Ludovico longed to return to the cottage of Viola.

  So, after the expiration of two days, he told his father that he should ride over to Mondolfo, and return the following morning. Fernando did not oppose him, but, two hours after his departure, followed him, and arrived at the castle just after Ludovico, leaving his attendants there, quitted it to proceed alone to his cottage. The first person Prince Mondolfo saw was the chief of the company who had had the charge of Viola. His story was soon told: the unfavorable wind, the imprisonment in a room barricaded with the utmost strength, her incomprehensible escape, and the vain efforts that had subsequently been made to find her. Fernando listened as if in a dream; convinced of the truth, he saw no clue to guide him — no hope of recovering possession of his prisoner. He foamed with rage, then endeavored to suppress as useless his towering passion. He overwhelmed the bearer of the news with execrations; sent out parties of men in pursuit in all directions, promising every reward, and urging the utmost secrecy, and then, left alone, paced his chamber in fury and dismay. His solitude was of no long duration. Ludovico burst into his room, his countenance lighted up with rage.

  “Murderer!” he cried. “Where is my Viola?”

  Fernando remained speechless.

  “Answer!” said Ludovico. “Speak with those lips that pronounced her death-sentence — or raise against me that hand from which her blood is scarcely washed — Oh, my Viola! thou and my angel-child, descend with all thy sweetness into my heart, that this hand write not parricide on my brow!”

  Fernando attempted to speak.

  “No!” shrieked the miserable Ludovico; “I will not listen to her murderer. Yet — is she dead? I kneel — I call you father — I appeal to that savage heart — I take in peace that hand that often struck me, and now has dealt the death-blow — oh, tell me, does she yet live?”

  Fernando seized on this interval of calm to relate his story. He told the simple truth; but could such a tale gain belief? It awakened the wildest rage in poor Ludovico’s heart. He doubted not that Viola had been murdered; and, after every expression of despair and hatred, he bade his father seek his heir among the clods of the earth, for that such he should soon become, and rushed from his presence.

  He wandered to the cottage, he searched the country round, he heard the tale of those who had witnessed any part of the carrying off of his Viola. He went to Salerno. He heard the tale there told with the most determined incredulity. It was the tale, he doubted not, that his father forged to free himself from accusation, and to throw an impenetrable veil over the destruction of Viola.

  His quick imagination made out for itself the scene of her death. The very house in which she had been confined had at the extremity of it a tower jutting out over the sea; a river flowed at its base, making its confluence with the ocean deep and dark. He was convinced that the fatal scene had been acted there. He mounted the tower; the higher room was windowless, the iron grates of the windows had for some cause been recently taken out. He was persuaded that Viola and her child had been thrown from that window into the deep and gurgling waters below.

  He resolved to die! In those days of simple Catholic faith, suicide was contemplated with horror. But there were other means almost as sure. He would go a pilgrim to the Holy Land, and fight and die beneath the walls of Jerusalem. Rash and energetic, his purpose was no sooner formed than he hastened to put it in execution. He procured a pilgrim’s weeds at Salerno, and at midnight, advising none of his intentions, he left that city, and proceeded southward. Alternate rage and grief swelled his heart. Rage at length died away. She whose murderer he execrated was an angel in Heaven, looking down on him, and he in the Holy Land would win his right to join her. Tender grief dimmed his eyes. The world’s great theater closed before him-of all its trappings his pilgrim’s cloak was alone gorgeous, his pilgrim’s staff the only scepter — they were the symbols and signs of the power he possessed beyond the earth, and the pledges of his union with Viola. He bent his steps toward Brundusium.4 He walked on fast, as if he grudged all space and time that lay between him and his goal. Dawn awakened the earth and he proceeded on his way. The sun of noon darted its ray upon him, but his march was uninterrupted. He entered a pine wood, and, following the track of flocks, he heard the murmurs of a fountain. Oppressed with thirst, he hastened toward it. The water welled up from the ground and filled a natur
al basin; flowers grew on its banks and looked on the waters unreflected, for the stream paused not, but whirled round and round, spending its superabundance in a small rivulet that, dancing over stones and glancing in the sun, went on its way to its eternity — the sea. The trees had retreated from the mountain, and formed a circle about it; the grass was green and fresh, starred with summer flowers. At one extremity was a silent pool that formed a strange contrast with the fountain that, ever in motion, showed no shape, and reflected only the color of the objects around it. The pool reflected the scene with greater distinctness and beauty than its real existence. The trees stood distinct, the ambient air between, all grouped and pictured by the hand of a divine artist. Ludovico drank from the fount, and then approached the pool. He looked with half wonder on the scene depicted there. A bird now flitted across in the air, and its form, feathers, and motion, were shown in the waters. An ass emerged from among the trees, where in vain it sought herb-age, and came to grass near these waters; Ludovico saw it depicted therein, and then looked on the living animal, almost appearing less real, less living, than its semblance in the stream.

  Under the trees from which the ass had come lay someone on the ground, enveloped in a mantle, sleeping. Ludovico looked carelessly — he hardly at first knew why his curiosity was roused; then an eager thought, which he deemed madness, yet resolved to gratify, carried him forward.

  Rapidly he approached the sleeper, knelt down, and drew aside the cloak, and saw Viola, her child within her arms, the warm breath issued from her parted lips, her lovebeaming eyes hardly veiled by the transparent lids, which soon were lifted up.

  Ludovico and Viola, each too happy to feel the earth they trod, returned to their cottage-their cottage dearer than any palace — yet only half believing the excess of their own joy. By turns they wept, and gazed on each other and their child, holding each other’s hands as if grasping reality and fearful it would vanish.