Howards End
Page 37
Gardner, Philip. E. M. Forster. Harlox, Essex, England: Longmans Group, 1978.
Herz, Judith Scherer, and Martin, Robert K. E. M. Forster: Centenary Reevaluations. London: Macmillan, 1982.
Medalie, David. E. M. Forster’s Modernism. New York: Pal-grave Macmillan, 2002.
Pritchard, William H. Seeing Through Everything: English Writers, 1918-1940. New York: Oxford University Press, 1977.
Trilling, Lionel. E. M. Forster. Norfolk, CT: New Directions, 1943.
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Classic Fiction
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A wonderful new translation of Mann’s masterpiece, this is the tragic story of a foolish, forbidden love, the imagined perfection of youth, and the ruin brought about by an obsessive devotion to “the ideal.” This volume includes seven other short stories by Mann.
THE RED BADGE OF COURAGE & Four Stories Stephen Crane
One of the best known war stories of all time, it captures all the emotions of a young man encountering for the first time the horrors of battle. Originally published in 1895, it was immediately acclaimed by Civil War veterans for its vivid and authentic portrayal. This collection also includes four of Crane’s best-known stories.
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Classic Short Fiction
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One of the most famous stories in English, this classic tale of good and evil has sent chills down the spines of readers for over one hundred years. This volume also contains the well known allegories Lord Arthur Savile’s Crime, The Happy Prince, and The Birthday of the Infanta.
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THE INFERNO BY DANTE
THE ODYSSEY BY HOMER
FRANKENSTEIN BY MARY SHELLEY
NECTAR IN A SIEVE BY KAMALA MARKANDAYA
THE ILIAD BY HOMER
BEOWULF (BURTON RAFFEL, TRANSLATOR)
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SIGNETCLASSICS.COM
1 ‘The official biography is P. N. Furbank’s E. M. Forster: A Life (1977, 1978). This quote is from page 42. Other excellent works on Forster include Lionel Trilling’s early study E. M. Forster (1943), the tribute volume Aspects of E. M. Forster (1969), edited by Oliver Stallybrass, and Nicola Beauman’s Morgan (1993).
2 The highly select Cambridge Conversazione Society (founded 1820), aka The Society or The Apostles. Members were elected for life. Forster often returned to Cambridge for their meetings.
3 Roughly defined as the circle around Virginia Woolf, Bloomsbury was a loosely structured group of friends with diverse political and aesthetic views who came to hold great influence in the English art and literary worlds, especially in the 1920s. Forster wasn’t sure he was (or wanted to be) “Bloomsbury,” although he was very popular in the group.
4 E. M. Forster, Aspects of the Novel (London: Harcourt, Brace, 1927), p. 69.
5 “I have only got down on to paper, really, three types of people,” Forster remarked, “the person I think I am, the people who irritate me, and the people I’d like to be.”
6 E. M. Forster, Howards End (New York: Signet Classics, 1998): p. 85.
7 ‘E. M. Forster, The Commonplace Book (Burlington, VT: Ashgate Publishing, 1978), pp. 203-4.