City of Golden Shadow

by Tad Williams

  Paul turned around, startled. The landlady had a knitting needle gripped in her fist, and while she showed no immediate sign of getting up from the stool and coming after him with it, neither did she look particularly friendly.

  "Woodling, his name was. Jack Woodling. I met him in the forest."

  "Tell me what he looks like."

  Paul did his best to describe what had been, after all, a rather nondescript man seen largely in twilight and later in darkness. It was only when he remembered the white cloth tied around his savior's arm that the woman relaxed.

  "You've seen him, sure enough. Had he any message for me?"

  He could not think of anything at first. "Do you know who 'Her Ladyship' would be?"

  The woman smiled sadly. "No one but me."

  "He said something about it being the old king's woods, though I shouldn't say that to anyone except Her Ladyship."

  She chuckled and tossed the knitting needle into a basket with several dozen others. "That's my Jack. My paladin. And why did he send you to me? Where is this place you're from, beyond the Nameless Woods?"

  Paul stared at her. There was something more than ordinary weariness in her features. Her face seemed almost like something that had been soft once, but had been frozen into harsh creases by some terrible winter. "I don't know. I . . . there's something wrong with me. I was in a war, that's all I remember. I ran away."

  She nodded her head as if to the sound of an old familiar tune. "Jack would have seen that, all right. No wonder he took a shine to you." She sighed. "But I told you rightly enough earlier. I've no bed. The blasted robin redbreasts have taken the last of them, and with not so much as a copper to pay me for my trouble."

  Paul frowned. "They can do that?"

  Her laugh was rueful. "They can do that and more. This is not my land any more, but hers. Even here, in my pitiful burrow, she sends her strutting fellows to mock me. She will not harm me—what use having won without the only person who can appreciate it?—but she will make me as miserable as she can."

  "Who is she? I don't understand anything you're saying."

  The old woman stood up, puffing out breath as she did so. "You're better off if you don't. And you're also better off not staying in this country long. It isn't very friendly to travelers any more." She picked her way through the sea of bric-a-brac, leading him back to the door. "I'd put you up here on my own floor, but that would only make those roundheads upstairs wonder why I'd taken interest in a stranger. You can sleep in the stable. I'll say you're going to do some hauling for me tomorrow, so you won't attract attention. I can at least give you food and drink, for Jack's sake. But you're not to mention to anyone that you met him, and certainly not what he said."

  "Thank you. You're very kind,"

  She snorted, making her slow way up the stairs. "Falling to a low estate can do that—you see so much more of the world than you did before. You become very aware of how thin the line is, of how little safety exists."

  She led him back up to the noisy common room where they were greeted by rude questions from the soldiers and the watchful eyes of the hearth boy.

  A caged bird, a tall tree, a house with many rooms, a loud voice shouting, bellowing, crashing down on him like thunder. . . .

  Paul came up from the dream like a drowning man, surfacing to the smell of damp hay and the noises of fretful horses. He sat up, trying to shake off the disorientation of sleep. The stable door was partway open, a shadow showing lightless against the slice of starry night.

  "Who's there?" He fumbled for a weapon, an urging of some sunken memory, but came up with nothing but a handful of straw.

  "Quiet." The whisperer was as nervous as Paul's stable mates. "It's only me, Gally." The shadow came closer. Paul could see that it was someone quite small. "The pot boy."

  "What do you want?"

  "Not to rob you, governor." He sounded aggrieved. "I'd of come in quieter than that, were the case. I come to warn you."

  Paul could see the boy's eyes now, gleaming like mother-of-pearl. "Warn me?"

  "Those soldiers. They've been drinking too much, and now they're talking of coming for you. I don't know why."

  "The bastards." Paul climbed to his feet. "Did the lady send you?"

  "Naw. Locked herself in her room for the night, she has. I heard 'em talking." He straightened up now as Paul moved toward the door. "Where you going to go?"

  "I don't know. Back to the forest, I suppose." He cursed quietly. At least he had no possessions to slow his flight.

  "Come on with me, then. I'll take you to a place. King's men won't follow you there—not after dark."

  Paul paused, one hand on the door. There was indeed a soft clatter coming from the front of the inn across the courtyard, a noise very much like drunken men trying to move stealthily. "Why?" he whispered.

  "Help you? Why not?" The boy grabbed his arm. "None of us much like them redbreasts. We don't like their mistress neither. Follow me."

  Not waiting for Paul to reply, the boy slipped out the door and moved rapidly but quietly along the wall. Paul pulled the door closed and hurried after him.

  Gally led him around the back of the stable, then stopped and touched a hand to Paul's arm in warning before leading him down a narrow stone stairway. The only light came from the half moon. Paul nearly stepped off the stairs into the river before Gally took his arm again.

  "Boat," the boy whispered, and guided Paul into a gently rocking shadow. When he was seated in the boat's damp bottom, his rescuer carefully lifted up a pole that had been lying on the tiny dock and pushed the little craft out onto the dark river.

  From above them came the sudden gleam of an unhooded lantern and a clatter as the stable door was flung open. Paul held his breath until the noise of the soldiers' drunken disappointment faded behind them.

  The trees on the near bank slid silently past. "Won't you get into trouble?" Paul asked. "Won't they blame you when they see you've gone?"

  "The lady'll speak up for me." The boy leaned forward as if looking for some landmark in what to Paul was impenetrable night. " 'Sides, they were so knobknocked with drink, they didn't know where I'd got to anyway. I can just say I went to sleep in the washing hamper to get away from their noise."

  "Well, I'm grateful. Where are you taking me?"

  "To my place. Well, it's not just mine. We all live there."

  Paul settled back. Now that his sudden rousing and narrow escape were behind him, he was almost enjoying the quiet of the night, the feeling of gliding along beneath another, larger river of sky. There was peace here, and companionship of a sort. "And who are 'we all'?" he asked at last.

  "Oh, my mates," Gally answered with a hint of pride. "The Oysterhouse Boys. We're the White King's men, every one of us."

  They tied up the boat at a wide pier that jutted far into the river. The place where the pier touched the shore and the narrow stairs leading upward were lit by a single lantern which swayed gently in the quickening wind.

  Paul looked up to the shadowy bulk on the headlands. "You live there?"

  "Do now. It was empty for a while." Agile as a squirrel, Gally scrambled out of the boat and onto the pier. He reached down and pulled up a sack that Paul had not noticed. After he had set it down, he reached back a helping hand. "All the boats stopped here once on a time—men singing, bringing in the nets. . . ."

  Paul followed him up the hillside. The stairwell had been cut into the solid rock and the steps were narrow and slippery with night dew; Paul found he could only climb safely by turning sideways, putting the length of his foot along each step. He looked down. The lantern was burning far below. The boat had drifted under the pier.

  "Don't be so slow," Gally whispered. "We've got to get you inside. Few folk come down around here, but if her soldiers are a-hunting for you, we don't want no one seeing you."

  Paul leaned in toward the hill, steadying himself against the steps above him, and made his way up as quickly as he could. Despite being burdened wi
th a sack, the boy kept bouncing back down to urge him on. At last they reached the top. There was no lantern here, and Paul could see nothing of the building except a deeper darkness spread wide against the stars. Gally clutched his sleeve and led him forward. After a while Paul felt boards creaking beneath his feet Gally stopped and knocked on what was unmistakably a door. A few moments later an apparition appeared at the height of Paul's knees, a gleaming, sideways rectangular face.

  "Who's there?" The voice was almost a squeak.

  "Gally. I've brought company."

  "Can't let you in without the password."

  "Password?" Gally hissed his disgust. "There wasn't no password when I left this morning. Open it up."

  "But how do I know it's you?" The face, which Paul could now see was peering through a slot in the door, scowled in a laughable attempt at officiousness.

  "Are you mad? Let us in, Pointer, or I'll reach through and knuckle your pate. You'll recognize that, right enough."

  The slot clapped closed, then a moment later the door opened; a faint, fishy scent wafted out. Gally picked up his sack again and slid through. Paul followed him.

  Pointer, a small pale boy, took a few steps backward, staring at the new arrival. "Who's he?"

  "He's with me. He's going to spend the night here. What's this diddle about a password?"

  "That was Miyagi's idea. Some strange folk been coming around today."

  "And how was I supposed to know the password when I wasn't here?" Gally reached out and rubbed savagely at Pointer's unkempt hair, then pushed him ahead of them down the dark hallway. They followed the small boy into a wide, high-ceilinged room as large as a church hall. It was lit by only a few candles, so there were more dark places than light ones, but as far as Paul could see it was empty but for the clinging odor of dampness and river mud.

  "All's well," Pointer sang out "It's Gally. He's brought someone with him."

  Dark shapes emerged from the shadows, first two or three, then many, like the fairy-folk appearing from their woodland hiding places. Within moments some three dozen children had crowded around Paul and his guide, staring solemnly, many wiping eyes still puffy from sleep. None was older than Gally; most were a great deal younger. There were a few girls, but the greatest number were boys, and all of them were dirty and starveling-thin.

  "Miyagi! Why is there a password, and don't you think you might have told me?"

  A small, round boy stepped forward. "It weren't meant to keep you out, Gally. There were some folk nosing around today we hadn't seen before. I made the little'uns keep quiet, and I told 'em all not to let anyone in who didn't say 'custard.' "

  Several of the smaller children repeated the word, the excitement of a secret—or possibly a dim memory of the thing itself—clear in the hushed thrill of their voices.

  "Right," said Gally. "Well, I'm here now, and this is my friend. . . ." He frowned, rubbing the soot on his forehead. "What's your name, governor?"

  Paul told him.

  ". . . Right, my friend Paul, and he's for the White King, too, so there's nothing to be afraid of. You lot over there, get more wood on the fire—it's cold as a brass monkey in here. Milady sent some cheese and bread." He dropped his sack on the floor, "You'll never learn all the names. Miyagi and Pointer you met. Chesapeake's over there, falling back asleep already, the lazy lummox. That's Blue—she's Pointer's sister—and that's my brother, Bay." The last-named, a skinny, snub-nosed child with curling red hair, pulled a horrible face. Gally aimed a mock-kick in his direction.

  Paul watched the Oysterhouse Boys—and Girls—scatter in various directions, as Gally, a natural general, set them each tasks. When they were alone again, Paul turned to his guide and asked quietly: "What did you mean, I'm for the White King? I don't know anything about this—I'm a stranger here."

  "That's as may be," said Gally, grinning. "But since you ran away from the Red Lady's soldiers, I don't think you'll be wearing her token, will you?"

  Paul shook his head. "I don't know anything about that. I came to this town, this country. A man found me in the woods and sent me to the inn—fellow with strange eyes, named Jack. But I don't know anything about Kings or Queens."

  "Jack sent you? Then you must have more to say than you're letting on. Did you fight with him in the war?"

  Paul shook his head again, helplessly. "I fought . . . I fought in a war. But it wasn't here. I don't remember any more." He slumped down onto the wooden floor and put his back against the wall. The excitement had worn off and he was exhausted. He had only managed a few hours' sleep before Gally had woken him.

  "Well, never you mind, governor. We'll sort you out"

  Gally handed out the bread and cheese, but Paul had eaten earlier, and although he was hungry again, he did not want to reduce the children's small portions any further. They looked so small and poorly nourished that he found it painful to watch them eat. Even so, they were remarkably well-behaved urchins, each waiting his or her turn for a mouthful of crust.

  Afterward, with the fire blazing and the room warm at last, Paul was ready to go back to sleep, but the children were too excited by the night's events to return to bed.

  "A song!" cried someone, and others took up the cry: "Yes, a song! Have the man sing a song."

  Paul shook his head. "I'm afraid I don't remember any. I wish I did."

  "No need to worry," Gally said. "Blue, you sing one. She's got the best voice, even though she's not the loudest," he explained.

  The little girl stood up. Her dark hair hung in tangled knots around her shoulders, confined only by a band of soiled white cloth around her forehead. She frowned and sucked her finger. "What song?"

  "The one about where we come from." Gally seated himself cross-legged beside Paul like a desert prince commanding entertainment for a foreign dignitary.

  Blue nodded thoughtfully, took her finger from her mouth, and began to sing in a high, sweet, and slightly wavering voice.

  "The ocean dark, the ocean wide And we crossed from the other side The ocean dark, the ocean deep Between us and the Land of Sleep "Away, away, away, sing O They called for us, but we had gone Away, away, away, sing O Across the sea we had to go. . . ."

  Huddled with this small tribe, listening to Blue's voice float up like the sparks from the fire, Paul suddenly felt his own loneliness surrounding him like a cloud. Perhaps he could stay in this place. He could be a kind of father, make sure these children did not hunger, did not need to fear the world outside their old house.

  "The night was cold, the night was long And we had no light but our song The night was black, the night was deep Between us and the Land of Sleep. . . ."

  There was a sadness in it that Paul could feel, some note of mourning that sounded beneath the melody. It was as though he listened to the keening of a baby bird which had fallen from its nest, calling across the hopeless distance to the warmth and safety it had forever lost.

  "We crossed the sea, we crossed the night And now we search the world for light For light to love us, light to keep The memories of the Land of Sleep. "Away, away, away, sing O They called for us, but we had gone Away, away, away, sing O Across the sea we had to go. . . ."

  The song went on, and Paul's eyes began to sag closed. He fell asleep to the sound of Blue's small voice chiming against the night.

  A bird was beating its wings against a windowpane, wingtips pattering against the glass in frantic repetition. Trapped! It was trapped! The tiny body, shimmering with green and purple, beat helplessly against the pane, rustling and thumping like a failing heart. Somebody must set it free, Paul knew, or it would die. The colors, the beautiful colors, would turn to ashy gray and then vanish, taking a piece of sun out of the world forever. . . .

  He woke up with a start. Gally was kneeling over him.

  "Quiet," the boy whispered. "There's someone outside. Might be the soldiers."

  As Paul sat up the knocking came again, a dry sound that murmured through the vast Oysterhouse.

  Perh
aps, Paul thought, still tangled in the rags of his dream, it's not soldiers at all. Maybe it's only a dying bird.

  "Get up there." Gally pointed to a rickety staircase leading up to one of the galleries. "Hide. We won't tell them you're here, whoever it is."

  Paul mounted the squeaking stairs, which swayed alarmingly. Clearly it had been a long time since anyone so heavy had climbed them. The furtive knocking sounded again.

  Gally watched until Paul had reached the shadowy upper reaches, then took a smoldering stick from the fire and crept toward the doorway. A thin blue light seeped in through the wide fanlight over his head. Dawn was approaching.

  "Who's out there?"

  There was a pause, as though whoever knocked had not truly expected an answer. The voice, when it came, was smooth and almost childishly sweet, but it raised the hairs on the back of Paul's neck.

  "Just honest men. We are looking for a friend of ours."

  "We don't know you." Gally was fighting to keep his voice steady. "Stands to reason there's no one here calls themself your friend."

  "Ah. Ah, but perhaps you've seen him, this friend of ours?"

  "Who are you, knocking on doors at such an hour?"

  "Just travelers. Have you seen our friend? He was a soldier once, but he has been wounded. He's not right in the head, not right at all. It would be cruel to hide him from us—we are his friends and could help him." The voice was full of kind reason, but something else moved behind the words, something greedy. A blind fear gripped Paul. He wanted to scream at whatever stood outside to go away and leave him in peace. He put his knuckle between his teeth instead and bit down hard.

  "We've seen nobody, we're hiding nobody." Gally tried to make his voice deep and scornful, with only middling success. "This is our place now. We are working men who must have our sleep, so be off before we set our dogs on you."

  There was a murmuring sound from behind the door, a grumble of quiet conversation. The door creaked in its frame, then creaked again, as though someone had for a moment set a heavy weight against it. Struggling against his terror, Paul began to creep around the upper gallery toward the door so he could be close enough to help Gally if trouble began.