Takes, 103
Teachers, 163
Teamster, 116
Team support, 238
Technical scout, 119
Television
AD’s role, 63
director’s role, 63
Television script, 79
acts in, 8–9
Temper, 242–243
Temp tracks, 208–209
Thank You for Smoking, 241–242
The African Queen, 17
The Bourne Identity, 100–101
The Graduate, 98
The Hurt Locker
covering, 138
Theme, 5
The Pacific, 72
The Slap Maxwell Show, 248
The White Shadow, 247–248
Throw away, 140
Throws a cue, 141
Tighten, 208
Tilt, 101–102
Title card, 17–18
Titles, 217–218
Tolan, Peter
first job experience, 257
Tone, 73–74
Tone meeting, 9–10
Tootsie, 5
Top of show, defined, 25
Touched by an Angel, 71
Tracking shots, 97
Tracy, Spencer, 142–144
Trailers, 117
Trainee, 157
Trainer, of animals, 167–168
Transitions, 79
Transportation, 162
captain, 162
coordinator, 162
drivers, 162
Transportation coordinator, 37–38, 46
Transportation department, 37–38, 46
Trim, 204
Truman, Harry, 35
Turnaround, 52–53
Turn around, 93–94
Turning around, 189
T.V. quotient (TVQ), 25
TVQ. See T.V. quotient (TVQ)
Two-shot, 87
Two-t shot, 87–88, 89f
U
Under 5 s, roles, 28–29
Underscore, 220
Unit production manager (UPM), 59, 145
Up in the Air, 241–242
UPM. See Unit production manager (UPM)
Upstage, 80
V
VAM. See Video assembled master (VAM)
Venegas, Brian, 43–44
VFX. See Visual effects (VFX)
Video assembled master (VAM), 216–217
Video editing, 216
Video village, 118
Viewfinder, 154
Vision, sharing of, 65
Vision board, 18
Visual aids, 37, 45
Visual effects (VFX), 159–160, 175–176, 217
producer, 159–160
supervisor, 159–160
W
Waist shot, 87–88, 89f, 90f
Wake Me When It’s Funny: How to Break Into Show Business and Stay, 245
Walk ‘n’ talk, 103–104
Walk the sets, 68–69
Wall, Angus, 202–203
Walla, 209
Walla group, 219
Wall in, wall out, 189
Wardrobe, 45, 160. See also Costumes
Weeds, 21
Weir, Peter, 32, 55–56, 210
Welke, Steve, 200
Welke, Suzanne, 217, 218, 221–222
West, Mark, 208
What do you find out?, 137, 138
What if your character has this secret?, 137, 138
What’s the new information?, 137, 138
The White Shadow, 229
Who has the power?, 137–138
Who is winning?, 137–138
Wide lens(es), 84–87, 98–99, 100f
Wide shot, 83
Wild (movable) walls, 189
Wild sounds, 219–220
Williams, Elmo, 210
Winer, Jason, 42
Wizards, of filmmaking, 159
Wizards of Waverly Place, 176
Women
in directing jobs, 233–234
Working hours, for children, 169–170
Work load, boarding and, 54–55
Wrangler, 159
Wrap, 190
Writers
responsibilities, 216
Writers’ draft, 67
Writers’ Guild, 4
Writers’ room, 66–67
Z
Zinnemann, Fred, 210
Zisk, Randall
first job experience, 256–257
Zoom lens, 99–100. See also Lenses
advantage of, 99–100
disadvantage of, 99–100
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