The Custodian of Paradise
by Wayne Johnston
The Colony of Unrequited Dreams, Wayne Johnston’s breakthrough novel based on the life of Newfoundland’s first premier, Joe Smallwood, was published internationally and earned him nominations for the highest fiction prizes in Canada. One of the most highly praised elements of the novel is the character Sheilagh Fielding, with whom Smallwood shares a lifelong love-hate relationship. The Custodian of Paradise is a riveting narrative with Fielding at its heart. Fielding—advancing on middle age, hobbled by disfigurement and personal demons—is headed for Loreburn, a deserted island off the south coast of Newfoundland. She has borne a lifetime of estrangement and heartbreak by setting herself apart from the rest of St. John’s society. By cultivating her isolation, she’s been able to write, both in her journals and for the Telegram. By skirting Prohibition laws, she’s also been able to dull the pain of her early years. Alone she remains—except for the mysterious stranger she calls her Provider.As Fielding revisits her articles, letters and journals, we are swept up in her tumultuous life’s journey and the mystery of this Provider’s identity. From the downtrodden streets of New York’s immigrant neighbourhoods to the sanatorium where she fights TB, from the remote workers’ shacks of the Bonavista rail line to the underbelly of wartime St. John’s, the Provider seems to have devoted himself to charting Fielding’s every move and to sending her maddeningly cryptic letters about his role in her life. Yet he has also protected her at times. While she fears that he may have followed her to Loreburn, she fears even more that he may not be able to find her there.With The Custodian of Paradise, Wayne Johnston continues his masterful exploration of life in pre-Confederation Newfoundland, and of the powerful forces that give rise to great character—individualism, circumstance, and secrecy; memory, loss, and regret.From Publishers WeeklySheilagh Fielding—a striking, unconventional, six-foot-three Newfoundland woman with a limp—returns from prolific Johnston's The Colony of Unrequited Dreams for this highly atmospheric sequel. Near the end of WWII, Fielding (as she is known), a notorious St. John's columnist, holes up on the nearby deserted island of Loreburn after her mother dies and leaves her a small inheritance. There, Fielding senses the presence of her mysterious "Provider," who has shadowed her all her life and whom she has never met face-to-face. As Fielding tells her story—abandoned by her mother at six; raised by a father who insinuates she's not his—Fielding's Provider draws closer to her solitary retreat. But Fielding has long kept another secret: she gave birth to twins at the age of 15, who were raised as her half-siblings by her mother in New York City. Johnston's descriptive prose can be exhilarating, from the windswept island to a dingy Manhattan, and he has a sure hand with historical nuggets. There's little tension over the 500-plus pages, and the denouement (her father's identity; her children's fate) is overblown. But Fielding is a fascinating character: she courts her own estrangement as much as she is tormented by it. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistSuspend your disbelief and sit back for a gripping read in the vein of a nineteenth-century romantic novel but featuring a twentieth-century woman. Feisty, iconoclastic, and extremely ironic, Sheilagh Fielding was originally introduced in Johnston's^B award-winning historical novel, The Colony of Unrequited Dreams (1999). There she was featured as the fictitious companion of Joey Smallwood, first premier of Newfoundland. Now, however, she is the star, and her story is a riveting one. The novel opens with Sheilagh, in time and space very close to the end of the novel, trying to find a deserted island to live on. The novel ends with her leaving that island, not many months later. But the time between those two events spans almost 30 years and two wars. Through the use of diaries--her own and others--as well as letters, Sheilagh tells her fascinating story, a tale that includes the puzzle of her paternity and the everlasting effects of her own motherhood. The unsatisfactory ending begs a sequel, but even so, this would make for a rousing discussion in a book club. Maureen O'ConnorCopyright © American Library Association. All rights reserved