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From Publishers WeeklyMystery author Gunning (_Fire Water_) moves to literary historical with this provocative tale of a whaling widow determined to forge a new life in colonial Cape Cod. When Lyddie Berry's husband drowns in 1761, her grief is compounded by the discovery that he's willed her the traditional widow's share—one-third use, but not ownership, of his estate. Lyddie's care, and the bulk of the estate, have been entrusted to their closest male relative, son-in-law Nathan Clarke, husband to their daughter Mehitable and a man used to ordering a household around. Lyddie's struggle to maintain a place in her radically changed home soon brings her into open conflict with an increasingly short-tempered Nathan and his children from two previous marriages. Gunning infuses the story with suspense and intrigue, as Lyddie's plight brings her into the orbit of local Indian Sam Cowett; community censure then brings her an ally in sympathetic lawyer Ebeneezer Freeman. Gunning resists easy generalizations and stereotypes while the story pulls in 18th-century law and Anglo-Indian relations, but the dull period dialogue, of which there is a great deal, reads awkwardly. Yet she makes Lyddie's struggle to remake her life credible and the world she inhabits complex. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. FromIn a colonial whaling village, Lyddie Berry is very happy with her husband, Edward, the home they've built together over the years, and the children they've raised. When Edward is lost in a whaling disaster, Lyddie discovers her new status as a widow is not equal to her former status as a wife. All of the property Lyddie and Edward have acquired is now the responsibility of Lyddie's tight-fisted son-in-law. Although destitute and grieving, Lyddie finds righteous anger and strength, and challenges her son-in-law when he violates the terms of her husband's will. This defiance leads her to question other values held by the community about a woman's place, and even as she loses her reputation and home, she gains a deeper sense of self. Historical fiction isn't usually known for quick pacing, but readers will be swiftly turning the pages, eagerly cheering for the strong-willed widow. The crisp prose is flavored with the stinging salty atmosphere of a New England community witnessing one individual's war for independence. A good choice for book groups. Kaite MediatoreCopyright © American Library Association. All rights reserved SUMMARY:In a small Cape Cod village in 1761, one woman is about to engage in the struggle of her life, defying her family, friends, and neighbors in a fight for her freedom that resonates even today. . . . When was it that the sense of trouble grew to fear, the fear to certainty? When she sat down to another solitary supper of bread and beer and pickled cucumber? When she heard the second sounding of the geese? Or had she known that morning when she stepped outside and felt the wind? Might as well say she knew it when Edward took his first whaling trip to the Canada River. . . . Lyddie has long been the wife of Edward Berry, a well-liked and successful whaler in Satucket Village, Massachusetts. Married for twenty years, Lyddie is used to the trials of being a whaling wife -- her husband's sudden departures, when whales are sighted in the bay; his long absences at sea, when she must run the house herself; the constant fear that one day Edward will simply not come home. But when the unthinkable does happen and Edward is lost at sea, Lyddie finds that she must bear not only the grief of losing her husband but also the insult of losing her autonomy. As a widow, she finds herself cast into society's cellar, her property and rights now at the whim of her nearest male relative, who happens to be her daughter's husband. With her son-in-law -- who was never Lyddie's first choice for her daughter -- implacable and hostile, Lyddie realizes she cannot live under his roof and under his decrees. Refusing to bow to both her “guardian” and the societal and legal pressures brought to bear upon her, Lyddie finds that defying one rule emboldens her to defy another . . . and another. As she moves back into the house she shared with Edward -- the house she is entitled to use only one-third of now -- and begins to figure out how she'll make a living on her own, she finds that her defiance earns her nothing but the abuse of friends and neighbors and puts her home and her family at risk. Ultimately, Lyddie must decide how much she values her personal freedom and how willing she is to become estranged from those she loves. While conjuring the hearths and salt air of eighteenth-century colonial America, The Widow's War captures a timeless human longing. With rich, realistic characters, Sally Gunning weaves a tale of a woman's journey to understand herself and her world, and her place in that world. Honest and moving, The Widow's War is a stunning work of literary magic, a spellbinding tale from an assured and gifted writer.