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EDITORIAL REVIEW: It’s a crime tailor-made for the Peculiar Crimes Unit: a controversial artist is murdered and displayed as part of her own outrageous installation. No suspects, no motive, no evidence—but this time they *do* have an eyewitness. A twelve-year-old claims the killer was a cape-clad highwayman atop a black stallion. Whoever the killer really is, he seems intent on killing off enough minor celebrities to become one himself. As** **“Highwayman Fever” grips London, Bryant and May, along with the newest member of the Unit, May’s agoraphobic granddaughter, April, find themselves sorting out a case involving artistic rivalries, sleazy sex affairs, the Knights Templars, feuding street gangs, and a decades-old crime spree that split up their partnership once before—and threatens to end it again…with murder**. **