The Sound of Building Coffins

From Publishers WeeklyThis ambitious, vivid novel by writer, New Orleans resident and jazz record shop owner Maistros starts out in the Big Easy of 1891. Noonday Morningstar, an African-American Baptist preacher, is summoned to pray over a dying one-year-old boy whose supposed illness is actually demonic possession. Aided by Dr. Jack, an abortionist and witch doctor; Beauregard Church, a veteran prison guard; and Buddy Bolden, a cornet player specializing in the new jazz sound, Noonday performs a voodoo exorcism. Fifteen years later, Noonday is dead, and his youngest son, the diminutive and gifted Typhus, has developed an odd love for Lily, a girl he knows only through a photograph. Following Typhus and those connected to the exorcism through New Orleans vibrant underbelly, Maistros develops a rich, dangerous world of musicians, mob justice and magic. Stylistic flourishes, lush descriptions (especially of the voodoo practices), and dialect-heavy narration sometimes jar the storys flow, but the plots insistent pace builds to a satisfying though familiar storm-buffeted climax. (Feb.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. ReviewLouis Maistros has written a lyrical, complex, and brave novel that takes enormous risks and pulls them all off. He is a writer to watch and keep reading, a writer to cherish. --Peter Straub One has to write with considerable authenticity to pull off a story steeped in magic and swamp water that examines race and class, death and rebirth, Haitian voodoo, and the beginnings of jazz in 1891 New Orleans. Maistros's gritty debut novel follows the interconnected lives of the Morningstar siblings--all lovingly named by their father after disease-- as they wrestle with a powerful demon, con outsiders, kill and die, die and are reborn. The plot is complex and magical, grounded in the history of the city, without being overly sentimental. There is a comfort with death as a part of life in this work that reveals deep feeling for the city and its past. Of course, every novel about New Orleans must have a good hurricane. Like the one in Zora Neale Hurston's classic Their Eyes Were Watching God, this hurricane destroys the city while making hope possible. Highly recommended for all fiction collections, especially where there is an interest in jazz. --Library Journal The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since Confederacy of Dunces has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result. --Donald Harrington, Winner of the Robert Penn Warren Award and the Oxford-American Lifetime Achievement Award