The Fountain of St. James Court; Or, Portrait of the Artist as an Old Woman
by Sena Jeter Naslund
How do writers and painters get their ideas? And what are the realities and heartbreaks that lie behind such seemingly glamorous and romantic lives? In her groundbreaking new novel, New York Times bestselling author Sena Jeter Naslund explores the artistic processes and lives of creative women
Sena Jeter Naslund's inspiring novel-within-a-novel, The Fountain of St. James Court; or, Portrait of the Artist as an Old Woman, creates the lives of a fictional contemporary writer and of an historic painter whose works now hang in the great museums of Europe and America. Both women's creative lives have been forged in the crucibles of family, friends, society, and nation.
The story opens at midnight beside a beautifully illumined fountain of Venus Rising from the Sea. Kathryn Callaghan has just finished her novel about painter Elisabeth Vigee-LeBrun, a French Revolution survivor hated for her sympathetic portraits of Marie Antoinette. Though still haunted by the story she has written, Kathryn must leave the eighteenth-century European world she has researched and made vivid in order to return to her own American life of 2012.
Naslund's spellbinding new novel presents the reader with an alternate version of The Artist: a woman of age who has created for herself, against enormous odds, a fulfilling life of thoroughly realized achievement.
Sena Jeter Naslund's inspiring novel-within-a-novel, The Fountain of St. James Court; or, Portrait of the Artist as an Old Woman, creates the lives of a fictional contemporary writer and of an historic painter whose works now hang in the great museums of Europe and America. Both women's creative lives have been forged in the crucibles of family, friends, society, and nation.
The story opens at midnight beside a beautifully illumined fountain of Venus Rising from the Sea. Kathryn Callaghan has just finished her novel about painter Elisabeth Vigee-LeBrun, a French Revolution survivor hated for her sympathetic portraits of Marie Antoinette. Though still haunted by the story she has written, Kathryn must leave the eighteenth-century European world she has researched and made vivid in order to return to her own American life of 2012.
Naslund's spellbinding new novel presents the reader with an alternate version of The Artist: a woman of age who has created for herself, against enormous odds, a fulfilling life of thoroughly realized achievement.