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Indo-European Mythology and Religion

Page 26

by Alexander Jacob


  is emphasised by his frequent epithet of divine ‘Bul ’. The

  Bull is also a typical epithet of Teshup of the Hittites, who

  is a counterpart of Zeus Adados.493 Similarly, in Sumer, the

  term “Bull of Heaven” is used of Girra (Agni), and it also

  serves as an appel ation of the god of Wind, Enlil, (CT

  24,5,41 and CT 24,41), as well as of Adad (CT XV, 3f.), that

  is, of the stormy wind-like stages of solar evolution which,

  final y, are of greater importance in the formation of the

  sun than the purely luminous element represented by the

  pure brother of Adad/Teshup/Ganesha.

  492 See Plutarch, De Iside et Osiride, Ch.12 (cf. H. te Velde, Seth, p.27).

  493 See G. Wilhelm, Grundzüge der Geschichte und Kultur der Hurriter, Darmstadt: Wissenschaftliche Buchgesel schaft, 1982, p.70.

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  alexander jacob

  B: Zeus in the Underworld

  The Tree of Life

  Once the Light of Heaven has sunk into the ‘Underworld’,

  or the Earthly part of the Cosmic Egg, it is the task of

  Zeus—the force that attacked Chronos, the violator of

  Heaven, and swallowed the divine phal us—to revive it

  in our universe. We may remember that in the Egyptian

  Book of Caverns, when Re passes over Osiris, the latter

  becomes ithyphallic.494 This betokens the rise of the

  universal life contained in the phal us of Heaven (Horus

  the Elder-Osiris) into the Mid-Region between the heaven

  and earth of our universe. The rising phal us is also often

  represented as a “tree” of life which is indeed symbolic of

  the entire universe.

  In the Vedas, this tree is identified with Indra who

  serves as the axis that holds the heaven and earth of our

  universe together. In RV III,31, Indra develops into a

  universal tree as a result of his consumption of ‘soma’, the

  spiritual stimulant that causes that causes the phal us to

  become erect. Under its inspiration Indra separates earth

  and heaven and holds them together:

  12. … With firm support [Indra] parted and stayed

  the Parents [Heaven and Earth], and sitting, fixed him

  there erected, mighty.

  13. What time the ample chalice [of soma] had

  impelled him, swift waxing, vast, to pierce the earth

  and heaven.

  and RV II,15:

  494 See E. Hornung, Ancient Egyptian Book of the Afterlife, tr. D.

  Lorton, Ithaca: Cornell University Press, 1999.

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  High heaven unsupported in space he established: he

  filled the two worlds [earth and heaven] and the air’s

  Mid-region.

  Earth he upheld, and gave it wide expansion. These

  things did Indra in the Soma’s rapture.

  Indra’s intoxication with soma is related to the wine-

  rituals of his ‘brother’ Muruga/Dionysus.

  It may also be noted that a majority of the Vedic

  hymns are devoted to the god Indra in relation to the

  Tree of Life and to his battle with the demon Vrtra. So it

  is possible that the Indo-Āryans were mostly interested in

  the phallic and heroic significance of this god, especial y

  in the Underworld.

  That the tree of life is a symbol also of the Sumerian

  Enlil’s warrior son, Ninurta, is made clear in the epic

  Lugal e (l.189), where Ninurta is called “the cedar which grows in the Abzu” (l.189)495 as well as “the great Meš tree”

  (l.310).496 Ninurta is also called the "date-palm", dLugal.giš.

  gišimmar (ŠA ), in the An=Anum god-list, Tablet I.497

  6

  The Divine Semen

  The deity in the Underworld representing the divine

  seed that will be ejected through the phal us is in India

  called Skanda (Tamil: Muruga), whose name means ‘jet of

  semen’. In the Mahābhārata, Āranyakaparva (IX,43,14ff),

  we find an account of the birth of Shiva/Chronos’ son,

  495 See J. Van Dijk, Lugal ud me-lam-bi Nir-gal, Leiden: E.J. Bril , 1983, p.75.

  496 Ibid., p.90.

  497 See R. Litke, A Reconstruction of the Assyro-Babylonian God-list An:dA-nu-um and An: anu šá amēli, New Haven, CT: Yale Babylonian Collection, 1998, p.46.

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  Skanda. It states that the daughter of Daksha (Aditi/

  Pārvathi) made love to Agni/Shiva six times (in spite of

  Shiva’s famed asceticism), taking the guise of the wives

  (who are identifiable with the Pleiades) of six of the Seven

  Sages (who, as we have seen, represent the wisdom of the

  previous cosmic ages), and then, taking his seed in her

  hand, flew in the form of a Gārudī bird498 to a golden lake499

  on the peak of the “white mountain”500 guarded by Shiva-

  Rudra’s armies. The seed of Shiva turns into an embryo

  [or egg] and the mountain itself turns into gold, while

  Earth is infused with metals of diverse colours.501 From

  this embryo is born Skanda, who, representing the jet of

  divine semen, emerges from atop a mountain (Shiva being

  typical y called Parvatha/Kur/Mountain).502

  In the MBh account, the birth of Skanda is described

  as being accompanied by terrific storms and blizzards.503

  The gods are at first disturbed by the violence of his birth

  and suspect the infant of being a potential usurper of their

  role.504 The reason for the unusual violence accompanying

  the birth of Skanda is that his father Shiva is a powerful

  498 The Gārudī bird is the female of the Garuda, which,

  iconographical y represented in fierce form, is an early manifestation of the sun.

  499 In the Haracharitachintāmani of Jayaratha, the lake itself is formed when Agni vomits after swallowing the powerful seed of Shiva (see W.

  O’Flaherty, Asceticism and Eroticism in the Mythology of Śiva, London: Oxford University Press, 1973, p.274). The swallowing of Shiva’s seed by Agni is represented in the Brāhmanical rituals by the insertion of oblations into the sacred fire ( ibid., p.278).

  500 In Kālidāsa’s Kumārasambhava, V, the mountain itself as well as the lake of the forest of reeds, Saravana, were formed of Agni’s entrance into the semen of Shiva when it was dropped onto Earth.

  501 cf. Kālidāsa, Kumārasambhava V.

  502 Vāyu, the god of Wind, is also called “Parvatha” (mountain), in RV

  I,132, 6.

  503 MBh IX, 44.

  504 Ibid.

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  ascetic and his child is imbued with an extraordinary

  amount of “tejasic” or solar virtue.505 So Indra as the stormy

  aspect of Shiva/Ganesha attempts to kill Skanda with the

  aid of the ‘Mothers’, the seven cosmic streams, who act

  as Skanda’s nurses. However, the latter refuses to follow

  Indra’s instructions and instead protect the infant against

  Indra’s attacks. Final y, Indra concedes his impotence

  against the invincibility of Skanda and appoints him as

  his general. We may detect here a resemblance of Skanda’s

  birth to that of Dionysus (see below).

  In the MBh account of the birth of Skanda we also

  note that Indra first acts as the adversary of the solar force,

  Skanda. But Skanda and Indra/Ganesha are two aspects of<
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  the same deity (and considered as the ‘sons’ of Shiva in

  India), just as Shamash (Suwalliyat) and Adad (Hanish),

  are. As Skanda represents the solar virtue of the seed of

  Brahman, so Indra and Ganesha bear the violent nature

  of Shiva/Chronos. Indeed, in spite of Indra’s malevolence

  against Skanda, Indra himself, like Zeus, helps in the

  formation of the sun in the underworld, since, as we

  shall see below, it is Indra who possesses the solar energy,

  “kshatram”, especial y in his phallic ‘vajra’.506

  Among the Dravidians, Skanda is called Muruga,

  a name that is possibly related to the nominal variant

  ‘Marukka’ for the Babylonian Marduk in the An=Anum

  god-list, Tablet II.507 Just as Marduk is four-headed,508 and

  Ninurta is called Sagash (six-headed),509 Muruka too is

  six-headed and therefore called Shanmukha (‘the Six-

  505 MBh XIII,83,45;47-8 (cf. W. O’Flaherty, op.cit., p.268).

  506 See p.234.

  507 The name is spelled “Ma-ru-uk-ka” (see R. Litke, op.cit., p.91).

  508 See

  Enuma Elish I:95.

  509 See K. Tallquist, Akkadische Götterepitheta (Studia Orientalia 7), Helsinki, 1938, p.422.

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  alexander jacob

  faced’),510 since he is born of Pārvatī in the six-fold form of

  the wives of six of the seven sages.

  That this divine seed is the source of the sun is clear

  in the earliest Tamil literature, such as the Tolkapiyam

  and the Sangam texts, from the 4th c. B.C., where there are

  numerous references to Muruga as ‘ceyon’, the ‘red’ god,

  representing the rising sun.

  In Sumer, Ninurta himself represents the seed of

  Enlil, particularly as Ningirsu Lord of the Flood). In the

  Sumerian myth “Lugal-e”, Ningirsu is represented as the

  reddish floodwaters of the mountains and equated to

  the mountain’s “semen”.511 It is interesting that the flood

  of which Ningirsu is lord is both the semen of his father,

  Enlil (who is often adored as Kur/Mountain) and the

  cosmic flood from which the sun will arise.

  In Babylon, Marduk is equated with Nergal (the

  incipient sun of the Underworld) in KAR 142 rec.iii

  28.512 In fact, the original form of Marduk’s name was

  Amarutuk, sun-calf.513 And in VAT 8917 rev.5, where Nabû

  represents the seed of the moon or “the one inside Sin

  [the Moon]”, Marduk is called the “one inside Šamaš [the

  Sun]”.514

  In Greece, the deity most closely associated with the

  Tree of Life as its sap or seed must have been Dionysus,

  since his name itself may be construed as ‘Zeus of the Tree’.

  The word ‘dios’ is the genitive of Zeus and, according to

  510 Shiva Purāna V.1.34; I.1.27, etc.

  511 See T. Jacobsen, Treasures of Darkness: A History of Mesopotamian Religion, New Haven: Yale University Press, 1976, p.131. We see that the attribute “mountain” regularly applied to Enlil is a phallic one and that Ninurta represents Enlil’s seed.

  512 See A. Livingstone, op. cit. , p.235.

  513 See W. Lambert, “Studies in Marduk”, BSOAS, 47, p.8.

  514 See A. Livingstone, op. cit., p.83.

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  indo-european mythology and religion

  Pherecydes of Syros, ‘nũsa’ was an archaic word for ‘tree’.515

  This is also confirmed by another name that Dionysus

  bears, as “Dionysus in the tree”.516

  Dionysus is considered to be the Cretan Zeus,

  Zagreus. In one version of the Dionysus story reported

  by Diodorus Siculus, Dionysus is the son of Zeus and

  Persephone.517 Zeus’ other wife Hera, filled with jealousy,

  sends the Titans to destroy the child. These details of

  the birth of Dionysus clearly resemble those of the birth

  of Skanda and the attack on the latter by Indra. Unlike

  Skanda, however, Dionysus is not quite protected and

  is final y torn apart by the Titans. He is then revived by

  Zeus himself, who takes Dionysus’ still-beating heart and

  inserts it into his thigh. The references to Dionysus’ ‘heart’

  and Zeus’ ‘thigh’ are to be understood in the context of

  the seminal and phallic roles of these gods. We remember

  the phal us of Phanes that Zeus had swallowed and the

  representation of Ganesha with an elephantine head and

  a phallic trunk.

  The Birth of the Sun

  In the Vedas, the tremendous power of the heroic god

  Indra which allows the solar energy to emerge as the light

  of the universe is contained in his phallic weapon, ‘vajra’.

  515 K. Müller (ed.), Fragmenta Graecorum Historicorum 3, p. 178.

  516 Plutarch,

  Quaestiones Convivales, V,3.

  517 Diodorus, Bibliotheca Historica III;63ff. However, Diodorus also refers to two other accounts of Dionysus, the first claiming that he was of Indian origin, and a third that posits Semele as Dionysus’

  mother. This last version of Dionyus’ origin is presented in the

  Theogony, l.940, as well as in Nonnus ( Dionysiaca VII.136ff), where Zeus is said to have consorted with Semele, daughter of Cadmus,

  King of Thebes, to produce Dionysus. This must be a later variant of Dionysus’ parentage.

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  alexander jacob

  The dragon of material resistance that Indra battles with

  his weapon is called Vrtra.518

  In RV IX,42,1, Indra/Soma is said to engender the

  sun in “floods” along with the other stars.519 The flood

  is the result of the separation of earth and heaven in

  the Underworld as well as the condition of the creation

  of the light of the mid-region of our universe. That this

  process is similar to the ejaculation of seminal fluid is not

  surprising considering the significance of the phal us in

  the macrocosmic creation.

  Indra is the counterpart of the Mesopotamian Marduk

  and also of Enlil’s son, Ninurta, since they bear the same

  phallic weapon.520 But since Marduk and Ninurta are

  more properly identified with Skanda/Muruga, we see

  that Marduk and Ninurta assume the roles of both the

  sons of Shiva. In the Babylonian Enuma Elish, IV, Marduk

  splits Tiamat, the consort of the Abyss from which Anu

  (Heaven) emerged, into two halves and thus forms the

  heaven and earth of our universe. The Assyrian ritual text

  K 3476 rev. l.9 reveals the phallic role of Marduk in this

  aggression: “Marduk, who with his penis … Tiamat”.521

  The separation of heaven and earth resultant on the

  destruction of the dragon facilitates the rise of the sun

  to its position within the ‘mid-region’ of our universe

  between them.

  518 It is interesting that the epithet Verethraghna (destroyer of Vrtra) is applied in the Iranian Avesta to Mithra rather than to Indra (who is general y considered a demonic ‘deva’ in the Avesta). We may note here a deficiency of cosmogonical understanding in the Zoroastrian reform.

  519 ‘Engendering the Sun in floods, engendering heaven's lights, green-hued,

  Robed in the waters and the milk’

  520 It is clear that the Germanic Thor who wields a ‘hammer’ is also a counterpart of Indra (see Ch.VII).

  521 See A. Livingstone, op.cit., p.123.


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  indo-european mythology and religion

  The storm-force of the Sumerian Ninurta in his battle

  against monstrous creations such as Asakku is called

  Ramman (Adad). Adad is called the stormy aspect of

  Marduk also in CT 24,50,10b,522 Marduk being identical

  to Ninurta. That the exact storm that Adad represents is

  identical to the flood which forms the sun is made clear in

  several sacred Sumerian texts, including the epic Lugal e.

  When Ninurta undertakes a mighty battle against

  certain mountainous “regions of resistance”,523 Enki cal s

  to Nin-ildu, “the great carpenter [or demiurgus] of Anu”,

  to fashion the mighty mace of Ninurta. Ninurta’s “arm”,

  or weapon, is itself represented as a separate deity called

  Sarur. The stormy nature of this mace is revealed in

  Gudea’s Cylinder B, where the mace of Ningirsu [Ninurta

  as lord of the flood] is described as being the “fiery

  stormwind”. This fiery stormwind is deified as the storm

  god Ri-ha-mun or Adad.

  That the stormwind is related to a cosmic flood is

  suggested by the Sumerian term ‘amaru’ for a weapon,

  which may be interpreted also as “flood”, as a hymn to

  Nergal makes clear:

  So strong was his Weapon, its upward rising was

  unopposable,

  In its aspect as a storm, it was the great Flood which

  none could oppose;524

  522 “ilAdad=ilMarduk ša zu-un-nu”.

  523 Ninurta/Marduk is also described as fighting a ‘dragon’ and

  facilitating the development of the sun.

  524 See J.V. Kinnier Wilson, The Rebel Lands: An Investigation into the Origins of Early Mesopotamian Mythology, Cambridge: Cambridge University Press, 1979, p.53.

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  alexander jacob

  From the reference to the floods which Soma engenders

  in RV IX,42,1 when liberating the sun, also, we may

  identify this flood as being the universal storm in which

  the incipient sun is formed and borne aloft. Ramman is,

  again, called “bel abubi”, lord of the deluge.525

  In Greece, Zeus, rather than Dionysus, is properly

  identified with Teshup’s Syrian counterpart, Adad, as Zeus

  Adados.526 Zeus Dolichaios is also represented bearing the

  same axe and lightning in his hands as Ramman does.527

  The Mastery of the Manifest Universe

  Although the erection of the Tree of Life as the divine

 

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