Complete Works of Henryk Sienkiewicz

by Henryk Sienkiewicz

  Chapter VII

  ONCE the highest heads in Rome inclined before Acte, the former favorite of Nero. But even at that period she showed no desire to interfere in public questions, and if on any occasion she used her influence over the young ruler, it was only to implore mercy for some one. Quiet and unassuming, she won the gratitude of many, and made no one her enemy. Even Octavia was unable to hate her. To those who envied her she seemed exceedingly harmless. It was known that she continued to love Nero with a sad and pained love, which lived not in hope, but only in memories of the time in which that Nero was not only younger and loving, but better. It was known that she could not tear her thoughts and soul from those memories, but expected nothing; since there was no real fear that Nero would return to her, she was looked upon as a person wholly inoffensive, and hence was left in peace. Poppæa considered her merely as a quiet servant, so harmless that she did not even try to drive her from the palace.

  But since Cæsar had loved her once and dropped her without offence in a quiet and to some extent friendly manner, a certain respect was retained for her. Nero, when he had freed her, let her live in the palace, and gave her special apartments with a few servants. And as in their time Pallas and Narcissus, though freedmen of Claudius, not only sat at feasts with Claudius, but also held places of honor as powerful ministers, so she too was invited at times to Cæsar’s table. This was done perhaps because her beautiful form was a real ornament to a feast. Cæsar for that matter had long since ceased to count with any appearances in his choice of company. At his table the most varied medley of people of every position and calling found places. Among them were senators, but mainly those who were content to be jesters as well. There were patricians, old and young, eager for luxury, excess, and enjoyment. There were women with great names, who did not hesitate to put on a yellow wig of an evening and seek adventures on dark streets for amusement’s sake. There were also high officials, and priests who at full goblets were willing to jeer at their own gods. At the side of these was a rabble of every sort: singers, mimes, musicians, dancers of both sexes; poets who, while declaiming, were thinking of the sesterces which might fall to them for praise of Cæsar’s verses; hungry philosophers following the dishes with eager eyes; finally, noted charioteers, tricksters, miracle-wrights, tale-tellers, jesters, and the most varied adventurers brought through fashion or folly to a few days’ notoriety. Among these were not lacking even men who covered with long hair their ears pierced in sign of slavery.

  The most noted sat directly at the tables; the lesser served to amuse in time of eating, and waited for the moment in which the servants would permit them to rush at the remnants of food and drink. Guests of this sort were furnished by Tigellinus, Vatinius, and Vitelius; for these guests they were forced more than once to find clothing befitting the chambers of Cæsar, who, however, liked their society, through feeling most free in it. The luxury of the court gilded everything, and covered all things with glitter. High and low, the descendants of great families, and the needy from the pavements of the city, great artists, and vile scrapings of talent, thronged to the palace to sate their dazzled eyes with a splendor almost surpassing human estimate, and to approach the giver of every favor, wealth, and property, — whose single glance might abase, it is true, but might also exalt beyond measure.

  That day Lygia too had to take part in such a feast. Fear, uncertainty, and a dazed feeling, not to be wondered at after the sudden change, were struggling in her with a wish to resist. She feared Nero; she feared the people and the palace whose uproar deprived her of presence of mind; she feared the feasts of whose shamelessness she had heard from Aulus, Pomponia Græcina, and their friends. Though young, she was not without knowledge, for knowledge of evil in those times reached even children’s ears early. She knew, therefore, that ruin was threatening her in the palace. Pomponia, moreover, had warned her of this at the moment of parting. But having a youthful spirit, unacquainted with corruption, and confessing a lofty faith, implanted in her by her foster mother, she had promised to defend herself against that ruin; she had promised her mother, herself and also that Divine Teacher in whom she not only believed, but whom she had come to love with her half-childlike heart for the sweetness of his doctrine, the bitterness of his death, and the glory of his resurrection.

  She was confident too that now neither Aulus nor Pomponia would be answerable for her actions; she was thinking therefore whether it would not be better to resist and not go to the feast. On the one hand fear and alarm spoke audibly in her soul; on the other the wish rose in her to show courage in suffering, in exposure to torture and death. The Divine Teacher had commanded to act thus. He had given the example himself. Pomponia had told her that the most earnest among the adherents desire with all their souls such a test, and pray for it. And Lygia, when still in the house of Aulus, had been mastered at moments by a similar desire. She had seen herself as a martyr, with wounds on her feet and hands, white as snow, beautiful with a beauty not of earth, and borne by equally white angels into the azure sky; and her imagination admired such a vision. There was in it much childish brooding, but there was in it also something of delight in herself, which Pomponia had reprimanded. But now, when opposition to Cæsar’s will might draw after it some terrible punishment, and the martyrdom scene of imagination become a reality, there was added to the beautiful visions and to the delight a kind of curiosity mingled with dread, as to how they would punish her, and what kind of torments they would provide. And her soul, half childish yet, was hesitating on two sides. But Acte, hearing of these hesitations, looked at her with astonishment as if the maiden were talking in a fever. To oppose Cæsar’s will, expose oneself from the first moment to his anger? To act thus one would need to be a child that knows not what it says. From Lygia’s own words it appears that she is, properly speaking, not really a hostage, but a maiden forgotten by her own people. No law of nations protects her; and even if it did, Cæsar is powerful enough to trample on it in a moment of anger. It has pleased Cæsar to take her, and he will dispose of her. Thenceforth she is at his will, above which there is not another on earth.

  “So it is,” continued Acte. “I too have read the letters of Paul of Tarsus, and I know that above the earth is God, and the Son of God, who rose from the dead; but on the earth there is only Cæsar. Think of this, Lygia. I know too that thy doctrine does not permit thee to be what I was, and that to you as to the Stoics, — of whom Epictetus has told me, — when it comes to a choice between shame and death, it is permitted to choose only death. But canst thou say that death awaits thee and not shame too? Hast thou heard of the daughter of Sejanus, a young maiden, who at command of Tiberius had to pass through shame before her death, so as to respect a law which prohibits the punishment of virgins with death? Lygia, Lygia, do not irritate Cæsar. If the decisive moment comes when thou must choose between disgrace and death, thou wilt act as thy faith commands; but seek not destruction thyself, and do not irritate for a trivial cause an earthly and at the same time a cruel divinity.”

  Acte spoke with great compassion, and even with enthusiasm; and being a little short-sighted, she pushed her sweet face up to Lygia’s as if wishing to see surely the effect of her words.

  But Lygia threw her arms around Acte’s neck with childish trustfulness and said,— “Thou art kind, Acte.”

  Acte, pleased by the praise and confidence, pressed her to her heart; and then disengaging herself from the arms of the maiden, answered,— “My happiness has passed and my joy is gone, but I am not wicked.” Then she began to walk with quick steps through the room and to speak to herself, as if in despair.

  “No! And he was not wicked. He thought himself good at that time, and he wished to be good. I know that best. All his change came later, when he ceased to love. Others made him what he is — yes, others — and Poppæa.”

  Here her eyelids filled with tears. Lygia followed her for some time with her blue eyes, and asked at last,— “Art thou sorry for him, Acte?”


  “I am sorry for him!” answered the Grecian, with a low voice. And again she began to walk, her hands clinched as if in pain, and her face without hope.

  “Dost thou love him yet, Acte?” asked Lygia, timidly.

  “I love him.”

  And after a while she added,— “No one loves him but me.”

  Silence followed, during which Acte strove to recover her calmness, disturbed by memories; and when at length her face resumed its usual look of calm sorrow, she said, —

  “Let us speak of thee, Lygia. Do not even think of opposing Cæsar; that would be madness. And be calm. I know this house well, and I judge that on Cæsar’s part nothing threatens thee. If Nero had given command to take thee away for himself, he would not have brought thee to the Palatine. Here Poppæa rules; and Nero, since she bore him a daughter, is more than ever under her influence. No, Nero gave command, it is true, that thou shouldst be at the feast, but he has not seen thee yet; he has not inquired about thee, hence he does not care about thee. Maybe he took thee from Aulus and Pomponia only through anger at them. Petronius wrote me to have care of thee; and since Pomponia too wrote, as thou knowest, maybe they had an understanding. Maybe he did that at her request. If this be true, if he at the request of Pomponia will occupy himself with thee, nothing threatens thee; and who knows if Nero may not send thee back to Aulus at his persuasion? I know not whether Nero loves him over much, but I know that rarely has he the courage to be of an opinion opposite to his.”

  “Ah, Acte!” answered Lygia; “Petronius was with us before they took me, and my mother was convinced that Nero demanded my surrender at his instigation.”

  “That would be bad,” said Acte. But she stopped for a while, and then said,— “Perhaps Petronius only said, in Nero’s presence at some supper, that he saw a hostage of the Lygians at Aulus’s, and Nero, who is jealous of his own power, demanded thee only because hostages belong to Cæsar. But he does not like Aulus and Pomponia. No! it does not seem to me that if Petronius wished to take thee from Aulus he would use such a method. I do not know whether Petronius is better than others of Cæsar’s court, but he is different. Maybe too thou wilt find some one else who would be willing to intercede for thee. Hast thou not seen at Aulus’s some one who is near Cæsar?”

  “I have seen Vespasian and Titus.”

  “Cæsar does not like them.”

  “And Seneca.”

  “If Seneca advised something, that would be enough to make Nero act otherwise.”

  The bright face of Lygia was covered with a blush. “And Vinicius-”

  “I do not know him.”

  “He is a relative of Petronius, and returned not long since from Armenia.”

  “Dost thou think that Nero likes him?”

  “All like Vinicius.”

  “And would he intercede for thee?”

  “He would.”

  Acte smiled tenderly, and said, “Then thou wilt see him surely at the feast. Thou must be there, first, because thou must, — only such a child as thou could think otherwise. Second, if thou wish to return to the house of Aulus, thou wilt find means of beseeching Petronius and Vinicius to gain for thee by their influence the right to return. If they were here, both would tell thee as I do, that it would be madness and ruin to try resistance. Cæsar might not notice thy absence, it is true; but if he noticed it and thought that thou hadst the daring to oppose his will, here would be no salvation for thee. Go, Lygia! Dost thou hear the noise in the palace? The sun is near setting; guests will begin to arrive soon.”

  “Thou art right,” answered Lygia, “and I will follow thy advice.”

  How much desire to see Vinicius and Petronius there was in this resolve, how much of woman’s curiosity there was to see such a feast once in life, and to see at it Cæsar, the court, the renowned Poppæa and other beauties, and all that unheard-of splendor, of which wonders were narrated in Rome, Lygia could not give account to herself of a certainty. But Acte was right, and Lygia felt this distinctly. There was need to go; therefore, when necessity and simple reason supported the hidden temptation, she ceased to hesitate.

  Acte conducted her to her own unctorium to anoint and dress her; and though there was no lack of slave women in Cæsar’s house, and Acte had enough of them for her personal service, still, through sympathy for the maiden whose beauty and innocence had caught her heart, she resolved to dress her herself. It became clear at once that in the young Grecian, in spite of her sadness and her perusal of the letters of Paul of Tarsus, there was yet much of the ancient Hellenic spirit, to which physical beauty spoke with more eloquence than aught else on earth. When she had undressed Lygia, she could not restrain an exclamation of wonder at sight of her form, at once slender and full, created, as it were, from pearl and roses; and stepping back a few paces, she looked with delight on that matchless, spring-like form.

  “Lygia,” exclaimed she at last, “thou art a hundred times more beautiful than Poppæa!”

  But, reared in the strict house of Pomponia, where modesty was observed, even when women were by themselves, the maiden, wonderful as a wonderful dream, harmonious as a work of Praxiteles or as a song, stood alarmed, blushing from modesty, with knees pressed together, with her hands on her bosom, and downcast eyes. At last, raising her arms with sudden movement, she removed the pins which held her hair, and in one moment, with one shake of her head, she covered herself with it as with a mantle.

  Acte, approaching her and touching her dark tresses, said, —

  “Oh, what hair thou hast! I will not sprinkle golden powder on it; it gleams of itself in one place and another with gold, where it waves. I will add, perhaps, barely a sprinkle here and there; but lightly, lightly, as if a sun ray had freshened it. Wonderful must thy Lygian country be where such maidens are born!

  “I do not remember it,” answered Lygia; “but Ursus has told me that with us it is forests, forests, and forests.”

  “But flowers bloom in those forests,” said Acte, dipping her hand in a vase filled with verbena, and moistening Lygia’s hair with it. When she had finished this work, Acte anointed her body lightly with odoriferous oils from Arabia, and then dressed her in a soft gold-colored tunic without sleeves, over which was to be put a snow-white peplus. But since she had to dress Lygia’s hair first, she put on her meanwhile a kind of roomy dress called synthesis, and, seating her in an armchair, gave her for a time into the hands of slave women, so as to stand at a distance herself and follow the hairdressing. Two other slave women put on Lygia’s feet white sandals, embroidered with purple, fastening them to her alabaster ankles with golden lacings drawn crosswise. When at last the hair-dressing was finished, they put a peplus on her in very beautiful, light folds; then Acte fastened pearls to her neck, and touching her hair at the folds with gold dust, gave command to the women to dress her, following Lygia with delighted eyes meanwhile.

  But she was ready soon; and when the first litters began to appear before the main gate, both entered the side portico from which were visible the chief entrance, the interior galleries, and the courtyard surrounded by a colonnade of Numidian marble.

  Gradually people passed in greater and greater numbers under the lofty arch of the entrance, over which the splendid quadrigæ of Lysias seemed to bear Apollo and Diana into space. Lygia’s eyes were struck by that magnificence, of which the modest house of Aulus could not have given her the slightest idea. It was sunset; the last rays were falling on the yellow Numidian marble of the columns, which shone like gold in those gleams and changed into rose color also. Among the columns, at the side of white statues of the Danaides and others, representing gods or heroes, crowds of people flowed past, — men and women; resembling statues also, for they were draped in togas, pepluses, and robes, falling with grace and beauty toward the earth in soft folds, on which the rays of the setting sun were expiring. A gigantic Hercules, with head in the light yet, from the breast down sunk in shadow cast by the columns, looked from above on that throng. Acte showed Lygia senators
in wide-bordered togas, in colored tunics, in sandals with crescents on them, and knights, and famed artists; she showed her Roman ladies, in Roman, in Grecian, in fantastic Oriental costume, with hair dressed in towers or pyramids, or dressed like that of the statues of goddesses, low on the head, and adorned with flowers. Many men and women did Acte call by name, adding to their names histories, brief and sometimes terrible, which pierced Lygia with fear, amazement, and wonder. For her this was a strange world, whose beauty intoxicated her eyes, but whose contrasts her girlish understanding could not grasp. In those twilights of the sky, in those rows of motionless columns vanishing in the distance, and in those statuesque people, there was a certain lofty repose. It seemed that in the midst of those marbles of simple lines demigods might live free of care, at peace and in happiness. Meanwhile the low voice of Acte disclosed, time after time, a new and dreadful secret of that palace and those people. See, there at a distance is the covered portico on whose columns and floor are still visible red stains from the blood with which Caligula sprinkled the white marble when he fell beneath the knife of Cassius Chærea; there his wife was slain; there his child was dashed against a stone; under that wing is the dungeon in which the younger Drusus gnawed his hands from hunger; there the elder Drusus was poisoned; there Gemellus quivered in terror, and Claudius in convulsions; there Germanicus suffered, — everywhere those walls had heard the groans and death-rattle of the dying; and those people hurrying now to the feast in togas, in colored tunics, in flowers, and in jewels, may be the condemned of to-morrow; on more than one face, perhaps, a smile conceals terror, alarm, the uncertainty of the next day; perhaps feverishness, greed, envy are gnawing at this moment into the hearts of those crowned demigods, who in appearance are free of care. Lygia’s frightened thoughts could not keep pace with Acte’s words; and when that wonderful world attracted her eyes with increasing force, her heart contracted within her from fear, and in her soul she struggled with an immense, inexpressible yearning for the beloved Pomponia Græcina, and the calm house of Aulus, in which love, and not crime, was the ruling power.