Complete Works of Henryk Sienkiewicz

by Henryk Sienkiewicz

  “Be not cruel!” repeated all who were sitting near.

  Nero spread his hands in sign that he had to yield. All faces assumed then an expression of gratitude, and all eyes were turned to him; but he gave command first to announce to Poppæa that he would sing; he informed those present that she had not come to the feast, because she did not feel in good health; but since no medicine gave her such relief as his singing, he would be sorry to deprive her of this opportunity.

  In fact, Poppæa came soon. Hitherto she had ruled Nero as if he had been her subject, but she knew that when his vanity as a singer, a charioteer, or a poet was involved, there was danger in provoking it. She came in therefore, beautiful as a divinity, arrayed, like Nero, in robes of amethyst color, and wearing a necklace of immense pearls, stolen on a time from Massinissa; she was golden-haired, sweet, and though divorced from two husbands she had the face and the look of a virgin.

  She was greeted with shouts, and the appellation “Divine Augusta.” Lygia had never seen any one so beautiful, and she could not believe her own eyes, for she knew that Poppæa Sabina was one of the vilest women on earth. She knew from Pomponia that she had brought Cæsar to murder his mother and his wife; she knew her from accounts given by Aulus’s guests and the servants; she had heard that statues to her had been thrown down at night in the city; she had heard of inscriptions, the writers of which had been condemned to severest punishment, but which still appeared on the city walls every morning. Yet at sight of the notorious Poppæa, considered by the confessors of Christ as crime and evil incarnate, it seemed to her that angels or spirits of heaven might look like her. She was unable simply to take her eyes from Poppæa; and from her lips was wrested involuntarily the question,— “Ah, Marcus, can it be possible?”

  But he, roused by wine, and as it were impatient that so many things had scattered her attention, and taken her from him and his words, said,— “Yes, she is beautiful, but thou art a hundred times more beautiful. Thou dost not know thyself, or thou wouldst be in love with thyself, as Narcissus was; she bathes in asses’ milk, but Venus bathed thee in her own milk. Thou dost not know thyself, Ocelle mi! Look not at her. Turn thy eyes to me, Ocelle mi! Touch this goblet of wine with thy lips, and I will put mine on the same place.”

  And he pushed up nearer and nearer, and she began to withdraw toward Acte. But at that moment silence was enjoined because Cæsar had risen. The singer Diodorus had given him a lute of the kind called delta; another singer named Terpnos, who had to accompany him in playing, approached with an instrument called the nablium. Nero, resting the delta on the table, raised his eyes; and for a moment silence reigned in the triclinium, broken only by a rustle, as roses fell from the ceiling.

  Then he began to chant, or rather to declaim, singingly and rhythmically, to the accompaniment of the two lutes, his own hymn to Venus. Neither the voice, though somewhat injured, nor the verses were bad, so that reproaches of conscience took possession of Lygia again; for the hymn, though glorifying the impure pagan Venus, seemed to her more than beautiful, and Cæsar himself, with a laurel crown on his head and uplifted eyes, nobler, much less terrible, and less repulsive than at the beginning of the feast.

  The guests answered with a thunder of applause. Cries of, “Oh, heavenly voice!” were heard round about; some of the women raised their hands, and held them thus, as a sign of delight, even after the end of the hymn; others wiped their tearful eyes; the whole hall was seething as in a beehive. Poppæa, bending her golden-haired head, raised Nero’s hand to her lips, and held it long in silence. Pythagoras, a young Greek of marvellous beauty, — the same to whom later the half-insane Nero commanded the flamens to marry him, with the observance of all rites, — knelt now at his feet.

  But Nero looked carefully at Petronius, whose praises were desired by him always before every other, and who said,— “If it is a question of music, Orpheus must at this moment be as yellow from envy as Lucan, who is here present; and as to the verses, I am sorry that they are not worse; if they were I might find proper words to praise them.”

  Lucan did not take the mention of envy evil of him; on the contrary, he looked at Petronius with gratitude, and, affecting ill-humor, began to murmur,— “Cursed fate, which commanded me to live contemporary with such a poet. One might have a place in the memory of man, and on Parnassus; but now one will quench, as a candle in sunlight.”

  Petronius, who had an amazing memory, began to repeat extracts from the hymn and cite single verses, exalt, and analyze the more beautiful expressions. Lucan, forgetting as it were his envy before the charm of the poetry, joined his ecstasy to Petronius’s words. On Nero’s face were reflected delight and fathomless vanity, not only nearing stupidity, but reaching it perfectly. He indicated to them verses which he considered the most beautiful; and finally he began to comfort Lucan, and tell him not to lose heart, for though whatever a man is born that he is, the honor which people give Jove does not exclude respect for other divinities.

  Then he rose to conduct Poppæa, who, being really in ill health, wished to withdraw. But he commanded the guests who remained to occupy their places anew, and promised to return, In fact, he returned a little later, to stupefy himself with the smoke of incense, and gaze at further spectacles which he himself, Petronius, or Tigellinus had prepared for the feast.

  Again verses were read or dialogues listened to in which extravagance took the place of wit. After that Paris, the celebrated mime, represented the adventures of Io, the daughter of Inachus. To the guests, and especially to Lygia, unaccustomed to such scenes, it seemed that they were gazing at miracles and enchantment. Paris, with motions of his hands and body, was able to express things apparently impossible in a dance. His hands dimmed the air, creating a cloud, bright, living, quivering, voluptuous, surrounding the half-fainting form of a maiden shaken by a spasm of delight. That was a picture, not a dance; an expressive picture, disclosing the secrets of love, bewitching and shameless; and when at the end of it Corybantes rushed in and began a bacchic dance with girls of Syria to the sounds of cithara, lutes, drums, and cymbals, — a dance filled with wild shouts and still wilder license, — it seemed to Lygia that living fire was burning her, and that a thunderbolt ought to strike that house, or the ceiling fall on the heads of those feasting there.

  But from the golden net fastened to the ceiling only roses fell, and the now half-drunken Vinicius said to her,— “I saw thee in the house of Aulus, at the fountain. It was daylight, and thou didst think that no one saw thee; but I saw thee. And I see thee thus yet, though that peplus hides thee. Cast aside the peplus, like Crispinilla. See, gods and men seek love. There is nothing in the world but love. Lay thy head on my breast and close thy eyes.”

  The pulse beat oppressively in Lygia’s hands and temples. A feeling seized her that she was flying into some abyss, and that Vinicius, who before had seemed so near and so trustworthy, instead of saving was drawing her toward it. And she felt sorry for him. She began again to dread the feast and him and herself. Some voice, like that of Pomponia, was calling yet in her soul, “O Lygia, save thyself!” But something told her also that it was too late; that the one whom such a flame had embraced as that which had embraced her, the one who had seen what was done at that feast and whose heart had beaten as hers had on hearing the words of Vinicius, the one through whom such a shiver had passed as had passed through her when he approached, was lost beyond recovery. She grew weak. It seemed at moments to her that she would faint, and then something terrible would happen. She knew that, under penalty of Cæsar’s anger, it was not permitted any one to rise till Cæsar rose; but even were that not the case, she had not strength now to rise.

  Meanwhile it was far to the end of the feast yet. Slaves brought new courses, and filled the goblets unceasingly with wine; before the table, on a platform open at one side, appeared two athletes to give the guests a spectacle of wrestling.

  They began the struggle at once, and the powerful bodies, shining from olive oil, formed one
mass; bones cracked in their iron arms, and from their set jaws came an ominous gritting of teeth. At moments was heard the quick, dull thump of their feet on the platform strewn with saffron; again they were motionless, silent, and it seemed to the spectators that they had before them a group chiselled out of stone. Roman eyes followed with delight the movement of tremendously exerted backs, thighs, and arms. But the struggle was not too prolonged; for Croton, a master, and the founder of a school of gladiators, did not pass in vain for the strongest man in the empire. His opponent began to breathe more and more quickly: next a rattle was heard in his throat; then his face grew blue; finally he threw blood from his mouth and fell.

  A thunder of applause greeted the end of the struggle, and Croton, resting his foot on the breast of his opponent, crossed his gigantic arms on his breast, and cast the eyes of a victor around the hall.

  Next appeared men who mimicked beasts and their voices, ball-players and buffoons. Only a few persons looked at them, however, since wine had darkened the eyes of the audience. The feast passed by degrees into a drunken revel and a dissolute orgy. The Syrian damsels, who appeared at first in the bacchic dance, mingled now with the guests. The music changed into a disordered and wild outburst of citharas, lutes, Armenian cymbals, Egyptian sistra, trumpets, and horns. As some of the guests wished to talk, they shouted at the musicians to disappear. The air, filled with the odor of flowers and the perfume of oils with which beautiful boys had sprinkled the feet of the guests during the feast, permeated with saffron and the exhalations of people, became stifling; lamps burned with a dim flame; the wreaths dropped sidewise on the heads of guests; faces grew pale and were covered with sweat. Vitelius rolled under the table. Nigidia, stripping herself to the waist, dropped her drunken childlike head on the breast of Lucan, who, drunk in like degree, fell to blowing the golden powder from her hair, and raising his eyes with immense delight. Vestinius, with the stubbornness of intoxication, repeated for the tenth time the answer of Mopsus to the sealed letter of the proconsul. Tullius, who reviled the gods, said, with a drawling voice broken by hiccoughs,— “If the spheros of Xenophanes is round, then consider, such a god might be pushed along before one with the foot, like a barrel.”

  But Domitius Afer, a hardened criminal and informer, was indignant at the discourse, and through indignation spilled Falernian over his whole tunic. He had always believed in the gods. People say that Rome will perish, and there are some even who contend that it is perishing already. And surely! But if that should come, it is because the youth are without faith, and without faith there can be no virtue. People have abandoned also the strict habits of former days, and it never occurs to them that Epicureans will not stand against barbarians. As for him, he — As for him, he was sorry that he had lived to such times, and that he must seek in pleasures a refuge against griefs which, if not met, would soon kill him.

  When he had said this, he drew toward him a Syrian dancer, and kissed her neck and shoulders with his toothless mouth. Seeing this, the consul Memmius Regulus laughed, and, raising his bald head with wreath awry, exclaimed,— “Who says that Rome is perishing? What folly! I, a consul, know better. Videant consules! Thirty legions are guarding our pax romana!”

  Here he put his fists to his temples and shouted, in a voice heard throughout the triclinium,— “Thirty legions! thirty legions! from Britain to the Parthian boundaries!” But he stopped on a sudden, and, putting a finger to his forehead, said,— “As I live, I think there are thirty-two.” He rolled under the table, and began soon to send forth flamingo tongues, roast and chilled mushrooms, locusts in honey, fish, meat, and everything which he had eaten or drunk.

  But the number of the legions guarding Roman peace did not pacify Domitius.

  No, no! Rome must perish; for faith in the gods was lost, and so were strict habits! Rome must perish; and it was a pity, for still life was pleasant there. Cæsar was gracious, wine was good! Oh, what a pity!

  And hiding his head on the arm of a Syrian bacchanal, he burst into tears. “What is a future life! Achilles was right, — better be a slave in the world beneath the sun than a king in Cimmerian regions. And still the question whether there are any gods — since it is unbelief — is destroying the youth.”

  Lucan meanwhile had blown all the gold powder from Nigidia’s hair, and she being drunk had fallen asleep. Next he took wreaths of ivy from the vase before him, put them on the sleeping woman, and when he had finished looked at those present with a delighted and inquiring glance. He arrayed himself in ivy too, repeating, in a voice of deep conviction, “I am not a man at all, but a faun.”

  Petronius was not drunk; but Nero, who drank little at first, out of regard for his “heavenly” voice, emptied goblet after goblet toward the end, and was drunk. He wanted even to sing more of his verses, — this time in Greek, — but he had forgotten them, and by mistake sang an ode of Anacreon. Pythagoras, Diodorus, and Terpnos accompanied him; but failing to keep time, they stopped. Nero as a judge and an æsthete was enchanted with the beauty of Pythagoras, and fell to kissing his hands in ecstasy. “Such beautiful hands I have seen only once, and whose were they?” Then placing his palm on his moist forehead, he tried to remember. After a while terror was reflected on his face.

  Ah! His mother’s — Agrippina’s!

  And a gloomy vision seized him forthwith.

  “They say,” said he, “that she wanders by moonlight on the sea around Baiæ and Bauli. She merely walks, — walks as if seeking for something. When she comes near a boat, she looks at it and goes away; but the fisherman on whom she has fixed her eye dies.”

  “Not a bad theme,” said Petronius.

  But Vestinius, stretching his neck like a stork, whispered mysteriously,— “I do not believe in the gods; but I believe in spirits — Oi!”

  Nero paid no attention to their words, and continued,— “I celebrated the Lemuria, and have no wish to see her. This is the fifth year — I had to condemn her, for she sent assassins against me; and, had I not been quicker than she, ye would not be listening to-night to my song.”

  “Thanks be to Cæsar, in the name of the city and the world!” cried Domitius Afer.

  “Wine! and let them strike the tympans!”

  The uproar began anew. Lucan, all in ivy, wishing to outshout him, rose and cried,— “I am not a man, but a faun; and I dwell in the forest. Eho-o-o-oo!” Cæsar drank himself drunk at last; men were drunk, and women were drunk. Vinicius was not less drunk than others; and in addition there was roused in him, besides desire, a wish to quarrel, which happened always when he passed the measure. His dark face became paler, and his tongue stuttered when he spoke, in a voice now loud and commanding,— “Give me thy lips! To-day, to-morrow, it is all one! Enough of this!

  “Cæsar took thee from Aulus to give thee to me, dost understand? To-morrow, about dusk, I will send for thee, dost understand? Cæsar promised thee to me before he took thee. Thou must be mine! Give me thy lips! I will not wait for to-morrow, — give thy lips quickly.”

  And he moved to embrace her; but Acte began to defend her, and she defended herself with the remnant of her strength, for she felt that she was perishing. But in vain did she struggle with both hands to remove his hairless arm; in vain, with a voice in which terror and grief were quivering, did she implore him not to be what he was, and to have pity on her. Sated with wine, his breath blew around her nearer and nearer, and his face was there near her face. He was no longer the former kind Vinicius, almost dear to her soul; he was a drunken, wicked satyr, who filled her with repulsion and terror. But her strength deserted her more and more. In vain did she bend and turn away her face to escape his kisses. He rose to his feet, caught her in both arms, and drawing her head to his breast, began, panting, to press her pale lips with his.

  But at this instant a tremendous power removed his arms from her neck with as much ease as if they had been the arms of a child, and pushed him aside, like a dried limb or a withered leaf. What had happened? Vinicius rubbed
his astonished eyes, and saw before him the gigantic figure of the Lygian, called Ursus, whom he had seen at the house of Aulus.

  Ursus stood calmly, but looked at Vinicius so strangely with his blue eyes that the blood stiffened in the veins of the young man; then the giant took his queen on his arm, and walked out of the triclinium with an even, quiet step.

  Acte in that moment went after him.

  Vinicius sat for the twinkle of an eye as if petrified; then he sprang up and ran toward the entrance crying,— “Lygia! Lygia!”

  But desire, astonishment, rage, and wine cut the legs from under him. He staggered once and a second time, seized the naked arm of one of the bacchanals, and began to inquire, with blinking eyes, what had happened. She, taking a goblet of wine, gave it to him with a smile in her mist-covered eyes.

  “Drink!” said she.

  Vinicius drank, and fell to the floor.

  The greater number of the guests were lying under the table; others were walking with tottering tread through the triclinium, while others were sleeping on couches at the table, snoring, or giving forth the excess of wine. Meanwhile, from the golden network, roses were dropping and dropping on those drunken consuls and senators, on those drunken knights, philosophers, and poets, on those drunken dancing damsels and patrician ladies, on that society all dominant as yet but with the soul gone from it, on that society garlanded and ungirdled but perishing.

  Dawn had begun out of doors.

  Chapter VIII

  No one stopped Ursus, no one inquired even what he was doing. Those guests who were not under the table had not kept their own places; hence the servants, seeing a giant carrying a guest on his arm, thought him some slave bearing out his intoxicated mistress. Moreover, Acte was with them, and her presence removed all suspicion.