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Clear Cut

Page 6

by Melody Dodds

am inside

  under bright lights,

  working

  alone on sets.

  With a

  utility knife.

  Smaller

  than the one

  I screwed up with.

  This one

  is thin

  and orange …

  How much

  damage

  could it do?

  JULY

  (SMALL UTILITY KNIFE)

  I make a quick,

  light cut.

  It’s a rush.

  Like a drug.

  I bet this

  is how

  addicts feel

  when the pills

  kick in.

  I make

  another one

  and another

  until my side fills

  with slices

  and my sadness

  is eclipsed

  by real,

  raw,

  physical

  pain.

  DITCH CLASS

  My phone

  buzzes.

  It’s Josie!

  “Ditch class

  and meet me.”

  It’s not class,

  it’s camp.

  I asked

  to be here,

  and it

  cost money …

  but wouldn’t it

  show Liv

  a thing or two?

  SWIM

  We ride rented bikes

  to Lakewood Pond.

  Since it’s midweek

  and before noon,

  there is almost

  no one

  here.

  Josie strips off her

  leggings,

  tank dress,

  long-sleeved camisole.

  Underneath all that

  is a one-piece

  swimsuit.

  I don’t notice

  much about

  the swimsuit.

  I am

  stunned,

  dazed,

  amazed

  by her skin.

  SKIN

  Josie’s scars

  are like

  a city map.

  One that includes

  the subway

  below the roads.

  They are thick

  and in layers,

  like a pile

  of sticks

  before

  the bonfire.

  Like a pile

  of bones.

  I am

  I am

  horrified

  relieved

  fascinated

  nauseated

  mesmerized

  disgusted

  terrified

  soothed

  Is this

  what I look like

  to

  Trey

  Paige

  Liv

  ?

  AFTERSWIMMING

  “I swam

  in junior high,” Josie says.

  “Now, it’s all about theater.

  I’m a triple threat!”

  She can

  sing

  “All that

  dance

  and a bag

  act

  of chips!”

  She is

  trying out for

  America’s Got Idols

  in the fall.

  “If I don’t

  get discovered,

  then it’s college.

  Chicago

  or New York.

  Then I’ll light out

  for Cali

  and chase down

  my fame.

  What

  about

  you?”

  WHAT ABOUT ME?

  “This theater camp

  is the closest

  thing

  I’m going to find

  to a comedy class

  in Hanworth, Maine.”

  Which makes

  me wonder:

  why Maine

  for Josie?

  Why not

  summer theater

  in New York

  or Boston?

  I look

  at Josie’s skin

  again,

  and think

  I know

  the why.

  But I ask her

  anyway.

  And the story she tells me

  is ugly.

  THEATER IN MAINE

  was Josie’s

  punishment.

  “My parents

  made me come

  up here

  for the summer

  with my dad,

  who’s working

  on a house.

  I was supposed to be

  in Boston

  with my brother

  who will be coming home

  from his final year

  at West Point

  for the first half

  of summer.

  But I got caught

  cutting

  at school.

  My parents

  didn’t take it

  well.

  My school

  pulled me out

  of art class

  for counseling.

  They made me

  eat lunch

  in the principal’s office.

  My friends

  all pretended

  they hadn’t

  known.

  Everyone

  made me feel

  like

  a freak.

  Like a

  time bomb.

  Like I was

  dangerous.

  When

  what I needed

  was

  kindness.

  I’m telling you:

  Don’t talk

  to adults

  about cutting.

  It won’t

  end well.”

  JOSIE=SOPHIE=LPRB

  I’ve heard this story.

  A longer version.

  From a veiled face.

  “…was

  kindness

  To feel

  loved.

  To feel

  heard.

  And also

  just to feel.

  Any kind

  of way.

  About

  anything.

  Because feeling

  so bad

  for so long

  made me numb.

  That’s why

  I started cutting

  in the first place.”

  BACK AT CAMP

  Liv is here

  She came at lunch.

  “I told you

  I was coming!

  Where were you?”

  Josie tells her,

  “We did

  some one-on-one work

  on Heather’s script.”

  Then she drifts off

  to find the other actors.

  “So what, is she

  your girlfriend now?

  I don’t care

  if you like girls,

  but not that girl.”

  “Why not

  that girl?”

  “Because that girl is bossy

  and full of herself!”

  Then she storms off

  to find the other techies.

  Trey says,

  “I think

  that Josie

  is all an act.”

  ONEDAY

  Josie and I spend

  every free moment together.

  I’m the only person who

  gets her.

  She’s the only person who

  gets me.

  Then one day,

  Josie asks,

  “Can you hang?

  Like, spend the night?

  Or I

  could come home to you!”

  No way

  can she come

  to my place!

  My parents

  embarrass me<
br />
  sometimes even

  to Liv.

  No way

  can a stranger

  see how I live.

  I tell her,

  “Maybe

  tomorrow.”

  TOMORROW

  Josie asks again,

  about me staying

  overnight.

  But I have

  no way

  to get there.

  “We’ll get you a car.”

  I don’t know

  what that means.

  “An Uber.

  Like a taxi,

  but less smelly.

  Usually.”

  “Is your dad

  okay

  with this?”

  “My dad

  went back

  to Boston.”

  ALONE

  Josie says,

  “I’m alone

  in this house

  my dad ‘finished.’

  He works

  for a company

  that builds these

  monster houses

  for really, REALLY

  rich people.

  They build

  in places

  they aren’t

  supposed to.

  My dad

  is their lawyer.

  He makes

  all of that

  okay.

  He also ‘finishes’:

  He hires decorators

  and landscapers

  and people

  to stock the pantry.

  It’s a job

  he loves.

  But then,

  in my family,

  love is

  a maid, a cook,

  a canopy bed,

  private schools,

  down comforters,

  my own bathroom.

  I’m not

  complaining…

  But to my parents, love is not

  time,

  attention,

  talking,

  laughing,

  sharing meals,

  playing games.

  I thought,

  since I’m alone,

  maybe

  we could hang.

  Like sisters!”

  THE CAR

  Josie got us

  pulls up

  outside

  my house.

  Josie is inside the car

  with a weird look

  on her face.

  Turns out,

  her dad’s

  giant mansion

  with the trees

  that were cut down

  illegally

  is in

  my

  development.

  We drive

  down the hill,

  down another,

  toward the water.

  Trees line the road.

  You’d never know

  there was a house here.

  But there is a gap with an eight-foot gate,

  where Josie

  enters a code.

  THE HOUSE

  is all stone and white plank,

  all peaks and dormers.

  Black shutters decorate

  tall, arched windows.

  It stretches

  in either direction

  from a main door (painted red).

  Inside

  are spiral double staircases,

  marble fireplaces,

  ceilings as high as the sky.

  It’s beautiful.

  Inside

  are 10 bedrooms,

  12 bathrooms,

  a servant’s kitchen.

  The true front of the house

  is all windows and more windows.

  They all face

  the ocean.

  Of course

  they do.

  Between the house and the ocean

  is a lawn.

  A LAWN.

  Where there used to be

  HOW MANY SQUARE FEET

  of pine forest?

  Clear cut

  down to

  nothing.

  There are not even

  any stumps.

  It’s horrible.

  I CAN’T STAY

  I tell Josie this.

  I try

  to explain

  that this house

  is everything

  I hate.

  I show her my arm.

  “Half of this,”

  I point to the lawn,

  “is because

  of things

  like that.”

  “Really?

  Half?

  It’s not because

  of your parents?

  Or kids

  at school?

  Or your

  best friend

  who’s

  abandoned

  you?”

  I MEAN…

  “Let’s just

  go stay

  at my house.”

  “I can’t deal

  with adults

  right now!”

  “My dad’s

  going to bed

  in an hour.

  And my mom

  probably has

  work to do.

  They’ll leave us alone.”

  “No, they won’t!

  They’ll want

  to know:

  Who’s your

  little friend?

  And why’s her hair

  that color?

  And why’s she

  dressed like that

  in the middle

  of summer?”

  “YOU CAN’T LEAVE!”

  “I wear

  long sleeves

  all the time

  and they never

  ask me

  anything.”

  “I’m not going.

  I can’t deal

  with grown-ups!

  I’m having

  a really hard time

  right now

  and I just

  need you

  to stay.”

  I am in

  over my head.

  Josie needs help

  that I don’t know how

  to give her.

  How can you

  help a girl

  whose father

  is 300 miles away,

  and left her alone

  in a 5,000-

  square-foot house?

  Suddenly,

  I am desperate

  for my parents.

  I don’t care

  how much

  they yell.

  “Let me

  just call

  my mom real

  quick and let

  her know

  we’re coming.”

  “I swear

  if you don’t

  put down

  that phone

  I will kill

  myself

  right here

  in front

  of you.”

  WHAT CAN I SAY?

  “I’ll stay.”

  4: 00 A.M.

  I know because

  I always wake up

  when my dad leaves.

  But it’s not him

  waking me today.

  It’s Josie.

  I hear a car outside

  and her voice.

  But by the time

  I get to the main entrance,

  she is in the car,

  and the car

  is at the gate.

  I check my messages.

  Just before she left,

  she texted me:

  “I’m going

  home.”

  JOSIE IS GONE

  I stare

  at my phone.

  There’s no way

  Josie would do this.

  This is nonsense!

  Leaving me here

  in this giant house

  all alone.

  If only I hadn’t
/>   fallen asleep.

  Or we’d gone

  to my house.

  I’m going

  home.

  I will probably never

  see Josie

  again.

  What if

  she’s dead?

  She was the only

  person I had!

  I need

  to tell somebody!

  Who to tell?

  I don’t know

  who needs

  to know.

  Desperate,

  I text Josie,

  “Are you

  coming back?

  What

  about the plays?”

  If she doesn’t answer,

  I’ll tell Paige.

  I start packing my things.

  I feel hollow,

  like when my pet rat died

  in seventh grade.

  I realize

  I am grieving.

  But I’m not sure

  exactly what

  (or who?)

  for.

  THE POLICE

  find Josie

  in the locked bathroom

  of a Bar Harbor cafe.

  She had cut herself

  from wrist

  to elbow.

  from knees

  to groin.

  Her blood

  seeped

  under the door.

  I FIND OUT

  when they come

  to my house.

  No disco lights.

  No siren.

  Just two men

  in uniform.

  All apologies.

  “…her last text.”

  “…Intensive Care…”

  “ …ambulance…”

  “…just in time…”

  “…father was notified.”

  When the officers

  are gone,

  my parents:

  “What haven’t you told us?”

  “What do you know?”

  WHAT DO I KNOW?

  I

  admit

  that Josie and I

  were at the house

  alone.

  “DON’T

  worry

  about getting

  in trouble,” Mom tells me.

  “Yes,” says Dad.

  “Just please

  tell us

  everything you

  KNOW.”

  I tell them

  about Josie

  being left

  by her dad.

  But I don’t say

  ANYTHING

  about the cutting.

  Josie’s

  or

  mine.

  AT THEATER CAMP

  Mom said I could skip, but I wanted to come.

  A counselor (Ms. Turner)

  is here. A psychologist.

  To talk to us

  one-on-one

  about Josie.

  I’d rather talk

  to Josie,

  so when it’s my turn

  I decide

  to ask

  if I can see her.

  The counselor is older,

 

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