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Bramah and the Beggar Boy

Page 16

by Renée Sarojini Saklikar


  On the battlefield called Forever, they—

  His hair, the women sang, the colour of—

  From that moment on, she asked, What happened?

  A series of interrogations. Night.

  They rode those waves: riptide, reef, breakers.

  His hands, both sides of her waist, where bees danced.

  Fourteen sequins, sixteen threads counted, called—

  At the corner of, within pistol range

  after he—she thought of—and wondered if—

  Beyond the fortified wall, that city

  Designated, set apart, who was, and—

  Confiscated: thin, narrow, flat, his tools.

  Safranine, dyed wool, silk, their stories, spooled.

  Her intent, destruction, those two girls, kept—

  Days, from that moment on she lived, snowbound.

  Voyages, overland treks, trails, tears, ships—

  That Register, inventory, famine,

  O for the sun, those far plains extended.

  And wasn’t she always on the outside.

  Look in, said Abigail, and jump, eyes closed.

  At the gates of the city, blistering—

  Beleaguered, that North Wind: rubies, emeralds.

  His mouth, his eyes, hand to grasp—paint, brushes,

  Hologram soldier, riverbank scrub, dug—

  Balut, her nickname, a grove of Tamarix.

  For these she would, and did, the most to risk.

  Those war heroes, damaged, who called to her—

  Women standing, faces raised, their cameras

  an endless series, posed she would name them.

  When days later, they found the girl, Number—

  If a mother, I’d teach children to dance.

  Each inscription, skin injected, black ink

  prepared surfaces as indicated.

  Outside Rentalsman, a man screamed: voice, raw—

  She would worship rain, coolness before ice

  each girl stood, feet encased, newspapers torn.

  Abandoned, the lab where once traces found

  they would wake, dreams hollow, filled with others

  un/birthed, un/sought, nevertheless, longing—

  His first year served, a thousand days remained.

  Abigail Indentured in the Bee Palace of Baghdad

  Tissue gampi & the Scimitar, sang

  those slave girls, as they taught Abigail too.

  This off-white, neutral pH, machine-made

  strongest, that plant fibre, searched for, and grown

  thin, lightweight, shiny-translucent. Banned, loved:

  Torn surfaces, mended. Bee upon bee—

  Over a hundred million years, his lance

  to cut, clawed or straight-bladed, honeyed steel.

  She would hand-cut stamps onto sheets, the bees—

  Together, they would make-unmake, he said:

  Lost, those words, having been held, divine lips

  Under that cross-hatched, armed citadel, stormed.

  A hundred straw skeps burned, those armies, black

  Persephone, Thanatos, although unverified

  Printed sheets, demi-silk, tactile and pinned—

  Hand to hand, mouth to mouth, each night a tale.

  This the slave girls warned Abigail to do:

  to begin, begin timbre, velvet voice

  to begin, begin texture, soft supple

  to begin, build: slender ankles, arched heel,

  don’t forget about your intellect—

  to build, build muscles, taut calf, pliable strings.

  She conjured in between someone, no one

  that rise, full, swollen strong below, waist, hips,

  and above circumference, point seven, small

  Barbie from Before: now, Kali, warrior

  Triceps cut, shoulder bones showing, long neck.

  Outfits assembled: clasp, hook, match, made-in-

  the Bee Palace, Resistance women, kept.

  Mistress silver, golden chains encircling,

  story night by story, remarkable—

  Scheherazade.

  Escape from the Bee Palace

  She lamented not keeping one strand, of hair.

  Haunted forever by his deep laughter.

  rumbling migrations, Old Quarter tiles stroked.

  Gunshots, cash registers, a fisher-woman’s chant

  spliced into, and inside, those squares, that hall.

  She would run to him, despite, and unseeing

  ghost towns, those lines and borders, towers built

  jangled, jagged, that Paradise forgotten.

  The sheen of her hair when taken, head bent

  his shoulders, his jacket, dark-blue wool, found

  wood rationed, every stick burnt, they would hunt

  those children with words ink spattered, plangent

  heard faint, dusty corners, blind alleyways—

  You know you’re in trouble when this, written,

  warned, a threat; renewal prohibited.

  Lips, eyes, her scent, waist to hips, a ratio—

  ever after on the twentieth and—

  faded, a softer shade, worn, washed, women,

  again and again she applied colour—

  She knew she’d be punished—a matter of—

  O sun who shines, just, unjust, bone-breaker

  outside Perimeter, head bowed, eyes down,

  raised curious, she got up again and,

  her grief in each home; outside, children, played.

  She knew never to; street corners, guards roamed.

  In the city, after—woman, alone.

  Battles and Deprivations

  Hedonistic rituals to forget, else—

  They did not speak much, ephemera-glad,

  he, a bad man, rising, walls, borders—

  This madness surrounds, they whispered, sighing

  Yes, we want what we can’t have, they murmured.

  Stories: lost, embroidered, stolen, bartered.

  Monarchs to land, her arms bare, glistening.

  He’d hold her hair, while she would, forbidden

  arid the months without music, dancing

  clenched, pummelled, grabbed, gripped, his into and she—

  Outside Perimeter, wounded prisoners.

  Her cheekbones, lips, breasts, hips, rosewater, dabbed.

  Each scrap, paper passed, hand to hand, long lines

  dust, scorched fields; ice, the city, those far chimes—

  Dear Bartholomew, Abigail recites

  although I’ve been unfaithful, I still search

  for you.

  Abigail Secures Bartholomew’s Release from Prison

  Squandered, the camps, a blacksmith found her name

  imprinted, those spurs, hunt, rowel, straightened

  teeth cut; rims parallel: the word went out.

  They would bring fireside, evergreen leaves

  etched in blood, sandpapered, still legible

  Daphne laureola: he painted, brushed

  stroke-upon-stroke, blended, smudged, eyes downcast,

  winnowing fork, tuned, he bade her stand, stared.

  Shoved out by the Guards, she ran to him, kneeled.

  His golden cuffs were magic, he told her.

  Papers folded, a potter’s wheel, clay, ink—

  Midnight, on a train heading east, cold rails

  The way their eyes looked up, locked in, held fast.

  Their fire unquenchable, his hand, hers.

  Songs, secret gardens, hidden names, fresh snow

  metals, silver-golden-topaz molten

  his hair, that colour, long over shoulders.

  Her full lips parted, to take in, nectar />
  dead bees, Apis mellifera L., skepped

  condo to condo, Tower Juniper.

  From there, she was led to a prison cell.

  Barrios, that un/named girl, guns, a flute

  those trees, honey locust, branches breaking.

  Labyrinth entry, he’d found her, they would—

  Her name, his voice, asking—every border

  Perimeter checkpoints, disguises, covert

  in the park, a table, bodies opened:

  Cut, mend, snip, sew; that kiss, a thousand sighs—

  Abigail and Bartholomew Rejoin the Resistance

  Guadeloupe to Pacifica, stored

  dismembered, reassembled, Toronto

  Paris, Théâtre de la Huchette: shrine.

  Such a long journey, Ahmedabad, circle

  inside Perimeter, Baghdad: bound, kept

  her limbs mahogany-painted, rubbed, oiled

  those eyes to see, veiled, a thousand lips, touched,

  opened, those throats parched still quenched singing, come.

  They counted sixty-four explosions: night;

  descended: powder, rags, crowds gassed, dispersed.

  Inside that walled compound, he painted, lines

  fragrant, her presence everywhere, he said.

  Although never kept, unheeded, she wept.

  They would interconnect, across space, time—

  Abigail Disputes the Findings of a Stray Oracle

  Something from nothing: they built those houses;

  Three-ply, no chlorine used, bleached, bio-de-

  Shift workers, factories—girl gangs and after—

  Sent east to a youth camp, Seed Savers banned.

  Living through new wars melded to old wars.

  Last seen walking with those two informers.

  All your letters to him will be waylaid.

  El-Khemi: spinning wheels, machines, his face.

  You may think you can avoid joining but—

  One envelope, two photographs, your child

  from this journey, quite by chance, you will drown.

  Composition, the frame of the picture,

  the father of the child killed in battle

  those lowland woods, hidden amid cattle——

  Guards and Informers Track Down Abigail and Bartholomew

  In those times some would write, some, never—

  And lifted that calf overhead, until

  The Tale of the Last Matchstick, she—

  Not there, in the ground empty, stone cold, not there

  Morning: small tasks, to light a fire, cook food

  Images of their faces, circulated

  sectors, districts, Kingdoms: Perimeter

  by the light of two candles, her fingers

  as she sat by the woman’s bedside and—

  Let, how, so, that, this, then: within each, once

  He trudged along train tracks, whistling those tunes

  Although cut, immobile, still should, could, count

  the names of the months, what once they called years.

  Laughter resounded, no warnings, no seers.

  At the March of a Million Women

  Abigail and Bartholomew gave slip to the Guards.

  And Time, their great enemy, looked away—

  Abigail and Bartholomew Arrange a Secret Meeting

  Platform, our parting glance, emanations

  thigh against table, folded newspaper

  red, white, that cloth, plaid; my face upturned, you—

  locked gates, city on fire, we fled, turning——

  Outside Perimeter, park’s edge: checkmate

  that potter’s wheel, white buckets, secret codes.

  Bramah, bring your lock and key, those boys called.

  From Tower Juniper, the seer said. Run—

  In the library, a thousand copies.

  Dark, coming in early, they marched, shackled

  and recalled Before-Time movies, threads—

  nail-studded, shack-door, and could not believe.

  Speak, speak, speak her names, black-haired, full-lipped.

  We would stand in the shadows, smoke drifting—

  All that winter she kept herself in wait

  Fleeting moments held a long time, he wrote

  not the Good-Bye River, not the town of—

  smokestacks, that room, polished where Time measured.

  They would lie undetected, closer to—

  he sat, circle’s edge, sound permeated

  his compositions: music, paint: notes, strokes

  she walked Perimeter, counting bees, birds.

  That Night Militia rounded up dozens

  snow muffled, the trains, east to west, shunting

  try as she might, they would, nonetheless, come—

  Buckthorn, beeswax, rose, lavender: fingers

  They would carve his name, he would fold, revive

  That centre within, he made her alive.

  Abigail Conceives Her Child

  And our great enemy the Sun, a star:

  heartbreak, a way, paths of tribulation.

  Winter Letters: Dear Bartholomew, you—are

  the most beautiful man I’ve ever seen.

  Our wayward ways, our loving ways, come back!

  I love the sound of your pencil on cream paper.

  In the Room called All-Spice, lemon peel steps.

  Two moons foretold that night, dull knives, chilblains—

  We had found charms once, on Tamboline Road,

  Girls, if from Tower Juniper, were to—

  We knew nutmeg, if mouldy, were poison,

  means to light a fire, boil water, soft rags—

  My cervix dilated, we held hands, breathing

  that cherry-red coat, that open field, meeting.

  Abigail at the Lake

  Nine months in, no mirror: just this deep lake

  Spring Equinox, where once Sakura——

  blossoms, each petal a foretelling, if——

  only these black strands were soft enough to

  unwind around my fingers each moment

  that time we lay under a fat pink moon:

  Oh, you will return to me while stars turn

  I am stepping over that threshold and then——

  Now, there is no one to sing of battles

  barricades thrown open, Perimeter:

  vast encampments on this spinning sphere, torn

  atmosphere burning, radars tuned northwest.

  We were asked to find our people, to stay

  indoors, an unquiet rest, endless days——

  To That Which Is to Come

  10:30 a.m. and a Saturday

  Love’s sudden arrival or disaster

  Bam! Outside Perimeter, inside, his—

  Rentalsman, where the two of them, lying

  His voice, the strength of his, foundations shook

  Cadmium red, ultramarine blue, pulsed

  Those Girl Gangs, longed for, belonging-laughter

  Things quickly got out of control, she said

  All-the-Times-Gone: resisted, imprisoned

  Those desires came upon them: colours, songs,

  Five-fingered those options, they ran out, robbed

  What did she want most in this world? he asked.

  Broken those rules, to be remade, singing

  words repeated: acorn, agate, healing—

  They knew their fate and yet chose otherwise.

  Guards of the Fifth made sure they could not kiss.

  Brought to the Portal of the Misshapen Season

  Each blossom petal stunted on each branch

  forerunner: war without end.

  Roaming deserted streets,
girls sang letters

  spin, rotate, tilt and orbital, our Sun—

  Find us Sakura, bitter pink, rough bark.

  Come ye, Aunty Pandy, sweep and cough.

  Our spring is our autumn, falling leaves fall.

  Indoors to outdoors, gathering us all.

  Spin, rotate, tilt and orbital, our Sun—

  Green is our golden, acid our rain, falling

  who do we long for, her keys large and small.

  Outside, drupels and red berries———burnt flowers,

  Inside, in prison, Abigail counts———hours.

  The Letters of Abigail and Her Lover, Bartholomew

  As surrendered to the Investigator:

  Migrant Camp #3

  Dear Bartholomew,

  I am writing to you against the night—

  really, we are part of everything Before and After

  Tilt and Spin.

  I found this on Cy-Board #6:

  Harsh tilt they couldn’t steady it, hot and cold

  The women at Patch ’n Mend just laughed—coughing,

  Find us a packet, oh find us a packet of soap

  I am writing to you, night phobia increasing

  waxed, waning, each hour reduction, grey

  fog waters moonlight, my words reach—

  their ultimate destination: by turn, solstice,

  equinox, each threshold a portal

  Long ago, you and I in——

  That was the time of times

  and then, and then—

  Love, Abigail

  As confiscated by the Guards of Fifth:

  Migrant Camp #8

  Dear Abigail,

  Where are you this month,

  this day of the month, this year?

  Everything was once horizontal:

  a car park, double garage, acreage, a hobby farm—

 

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